Myths of the Norsemen From the Eddas and Sagas

Page: 80

The Silent God

It is related that Odin once loved the beautiful giantess Grid, who dwelt in a cave in the desert, and that, wooing her, he prevailed upon her to become his wife. The offspring of this union between Odin (mind) and Grid (matter) was Vidar, a son as strong as he was taciturn, whom the ancients considered a personification of the primæval forest or of the imperishable forces of Nature.

As the gods, through Heimdall, were intimately connected with the sea, they were also bound by close ties to the forests and Nature in general through Vidar, surnamed “the silent,” who was destined to survive their destruction and rule over a regenerated earth. This god had his habitation in Landvidi (the wide land), a palace decorated with green boughs and fresh flowers, situated in the midst of an impenetrable primæval forest where reigned the deep silence and solitude which he loved.

“Grown over with shrubs

And with high grass

In Vidar’s wide land.”

Norse Mythology (R. B. Anderson).

This old Scandinavian conception of the silent Vidar is indeed very grand and poetical, and was inspired by the rugged Northern scenery. “Who has ever wandered through such forests, in a length of many miles, in a boundless expanse, without a path, without a goal, amid their monstrous shadows, their sacred gloom, without being filled with deep reverence for the sublime greatness of Nature above all human agency, without feeling the grandeur of the idea which forms the basis of Vidar’s essence?” [159]

Vidar’s Shoe

Vidar is depicted as tall, well-made, and handsome, clad in armour, girded with a broad-bladed sword, and shod with a great iron or leather shoe. According to some mythologists, he owed this peculiar footgear to his mother Grid, who, knowing that he would be called upon to fight against fire on the last day, designed it as a protection against the fiery element, as her iron gauntlet had shielded Thor in his encounter with Geirrod. But other authorities state that this shoe was made of the leather scraps which Northern cobblers had either given or thrown away. As it was essential that the shoe should be large and strong enough to resist the Fenris wolf’s sharp teeth at the last day, it was a matter of religious observance among Northern shoemakers to give away as many odds and ends of leather as possible.

The Norn’s Prophecy

When Vidar joined his peers in Valhalla, they welcomed him gaily, for they knew that his great strength would serve them well in their time of need. After they had lovingly regaled him with the golden mead, Allfather bade him follow to the Urdar fountain, where the Norns were ever busy weaving their web. Questioned by Odin concerning his future and Vidar’s destiny, the three sisters answered oracularly; each uttering a sentence:

Early begun.

Further spun.

One day done.

To these their mother, Wyrd, the primitive goddess of fate, added: “With joy once more won.” These mysterious answers would have remained totally unintelligible had the goddess not gone on to explain that [160]time progresses, that all must change, but that even if the father fell in the last battle, his son Vidar would be his avenger, and would live to rule over a regenerated world, after having conquered all his enemies.

“There sits Odin’s

Son on the horse’s back;

He will avenge his father.”

Norse Mythology (R. B. Anderson).

As Wyrd spoke, the leaves of the world tree fluttered as if agitated by a breeze, the eagle on its topmost bough flapped its wings, and the serpent Nidhug for a moment suspended its work of destruction at the roots of the tree. Grid, joining the father and son, rejoiced with Odin when she heard that their son was destined to survive the older gods and to rule over the new heaven and earth.

“There dwell Vidar and Vale

In the gods’ holy seats,

When the fire of Surt is slaked.”

Norse Mythology (R. B. Anderson).

Vidar, however, uttered not a word, but slowly wended his way back to his palace Landvidi, in the heart of the primæval forest, and there, sitting upon his throne, he pondered long about eternity, futurity, and infinity. If he fathomed their secrets he never revealed them, for the ancients averred that he was “as silent as the grave”—a silence which indicated that no man knows what awaits him in the life to come.

Vidar was not only a personification of the imperish-ability of Nature, but he was also a symbol of resurrection and renewal, exhibiting the eternal truth that new shoots and blossoms will spring forth to replace those which have fallen into decay.