Myths of Babylonia and Assyria
Page: 25If this Indian myth is of Babylonian origin, as appears probable, it may be that the spirit of the river Euphrates, "the soul of the land", was identified with a migrating fish. The growth of the fish suggests the growth of the river rising in flood. In Celtic folk tales high tides and valley floods are accounted for by the presence of a "great beast" in sea, loch, or river. In a class of legends, "specially connected with the worship of Atargatis", wrote Professor Robertson Smith, "the divine life of the waters resides in the sacred fish that inhabit them. Atargatis and her son, according to a legend common to Hierapolis and Ascalon, plunged into the waters--in the first case the Euphrates, in the second the sacred pool at the temple near the town--and were changed into fishes". The idea is that "where a god dies, that is, ceases to exist in human form, his life passes into the waters where he is buried; and this again is merely a theory to bring the divine water or the divine fish into harmony with anthropomorphic ideas. The same thing was sometimes effected in another way by saying that the anthropomorphic deity was born from the water, as Aphrodite sprang from sea foam, or as Atargatis, in another form of the Euphrates legend, ... was born of an egg which the sacred fishes found in the Euphrates and pushed ashore."
As "Shar Apsi", Ea was the "King of the Watery Deep". The reference, however, according to Jastrow, "is not to the salt ocean, but the sweet waters flowing under the earth which feed the streams, and through streams and canals irrigate the fields". As Babylonia was fertilized by its rivers, Ea, the fish god, was a fertilizing deity. In Egypt the "Mother of Mendes" is depicted carrying a fish upon her head; she links with Isis and Hathor; her husband is Ba-neb-Tettu, a form of Ptah, Osiris, and Ra, and as a god of fertility he is symbolized by the ram. Another Egyptian fish deity was the god Rem, whose name signifies "to weep"; he wept fertilizing tears, and corn was sown and reaped amidst lamentations. He may be identical with Remi, who was a phase of Sebek, the crocodile god, a developed attribute of Nu, the vague primitive Egyptian deity who symbolized the primordial deep. The connection between a fish god and a corn god is not necessarily remote when we consider that in Babylonia and Egypt the harvest was the gift of the rivers.
The Euphrates, indeed, was hailed as a creator of all that grew on its banks.
O thou River who didst create all things,When the great gods dug thee out,They set prosperity upon thy banks,Within thee Ea, the King of the Deep, created his dwelling...Thou judgest the cause of mankind!O River, thou art mighty! O River, thou art supreme!O River, thou art righteous!
In serving Ea, the embodiment or the water spirit, by leading him, as the Indian Manu led the Creator and "Preserver" in fish form, from river to water pot, water pot to pond or canal, and then again to river and ocean, the Babylonians became expert engineers and experienced agriculturists, the makers of bricks, the builders of cities, the framers of laws. Indeed, their civilization was a growth of Ea worship. Ea was their instructor. Berosus states that, as Oannes, he lived in the Persian Gulf, and every day came ashore to instruct the inhabitants of Eridu how to make canals, to grow crops, to work metals, to make pottery and bricks, and to build temples; he was the artisan god--Nun-ura, "god of the potter"; Kuski-banda, "god of goldsmiths", &c.--the divine patron of the arts and crafts. "Ea knoweth everything", chanted the hymn maker. He taught the people how to form and use alphabetic signs and instructed them in mathematics: he gave them their code of laws. Like the Egyptian artisan god Ptah, and the linking deity Khnumu, Ea was the "potter or moulder of gods and man". Ptah moulded the first man on his potter's wheel: he also moulded the sun and moon; he shaped the universe and hammered out the copper sky. Ea built the world "as an architect builds a house". Similarly the Vedic Indra, who wielded a hammer like Ptah, fashioned the universe after the simple manner in which the Aryans made their wooden dwellings.