Aristophanes · Frogs Βάτραχοι

Aristophanes, Frogs 899–940: Agon: Euripides on Aeschylus' silent figures and bombast

Euripides begins the attack by saying that Aeschylus brought on veiled mourners such as Achilles or Niobe who said nothing, and then filled the play with huge words that nobody could understand. Dionysus admits that he liked the silent mourners. Euripides then begins to describe how he took over a swollen and pompous art and slimmed it down.

Lines 899–940 · 457 words · click a number to copy its link
Χορός 899λῆμα δʼ οὐκ ἄτολμον ἀμφοῖν, οὐδʼ ἀκίνητοι φρένες. 900προσδοκᾶν οὖν εἰκός ἐστι τὸν μὲν ἀστεῖόν τι λέξειν καὶ κατερρινημένον, τὸν δʼ ἀνασπῶντʼ αὐτοπρέμνοις τοῖς λόγοισιν ἐμπεσόντα συσκεδᾶν πολλὰς ἀλινδήθρας ἐπῶν. Διόνυσος 905ἀλλʼ ὡς τάχιστα χρὴ λέγειν· οὕτω δʼ ὅπως ἐρεῖτον ἀστεῖα καὶ μήτʼ εἰκόνας μήθʼ οἷʼ ἂν ἄλλος εἴποι. Εὐριπίδης καὶ μὴν ἐμαυτὸν μέν γε τὴν ποίησιν οἷός εἰμι, ἐν τοῖσιν ὑστάτοις φράσω, τοῦτον δὲ πρῶτʼ ἐλέγξω, ὡς ἦν ἀλαζὼν καὶ φέναξ οἵοις τε τοὺς θεατὰς 910ἐξηπάτα μώρους λαβὼν παρὰ Φρυνίχῳ τραφέντας.

CHORUS Then the other, with words defiant, Stern and strong, like an angry giant Laying on with uprooted trees, Soon will’scatter a world of these Superscholastic subtleties.

DIONYSUS Now then, commence your arguments, and mind you both display True wit, not metaphors, nor things which any fool could say.

EURIPIDES As for myself, good people all, I’ll tell you by-and-by My own poetie worth and claims; but first of all I’ll try To show how this portentous quack beguiled the silly fools Whose tastes were nurtured, ere he came, in Phrynichus’s schools. He’d bring some single mourner on, seated and veiled, ’twould be Achilles, say, or Niobe—the face you could not see—

Εὐριπίδης 911πρώτιστα μὲν γὰρ ἕνα τινʼ ἂν καθῖσεν ἐγκαλύψας, Ἀχιλλέα τινʼ ἢ Νιόβην, τὸ πρόσωπον οὐχὶ δεικνύς, πρόσχημα τῆς τραγῳδίας, γρύζοντας οὐδὲ τουτί. Διόνυσος μὰ τὸν Δίʼ οὐ δῆθʼ. Εὐριπίδης ὁ δὲ χορός γʼ ἤρειδεν ὁρμαθοὺς ἂν 915μελῶν ἐφεξῆς τέτταρας ξυνεχῶς ἄν· οἱ δʼ ἐσίγων. Διόνυσος ἐγὼ δʼ ἔχαιρον τῇ σιωπῇ, καί με τοῦτʼ ἔτερπεν οὐχ ἧττον ἢ νῦν οἱ λαλοῦντες. Εὐριπίδης ἠλίθιος γὰρ ἦσθα, σάφʼ ἴσθι. Διόνυσος κἀμαυτῷ δοκῶ. τί δὲ ταῦτʼ ἔδρασʼ ὁ δεῖνα; Εὐριπίδης ὑπʼ ἀλαζονείας, ἵνʼ ὁ θεατὴς προσδοκῶν καθοῖτο, 920ὁπόθʼ ἡ Νιόβη τι φθέγξεται· τὸ δρᾶμα δʼ ἂν διῄει. Διόνυσος ὢ παμπόνηρος, οἷʼ ἄρʼ ἐφενακιζόμην ὑπʼ αὐτοῦ. τί σκορδινᾷ καὶ δυσφορεῖς; Εὐριπίδης ὅτι αὐτὸν ἐξελέγχω. κἄπειτʼ ἐπειδὴ ταῦτα ληρήσειε καὶ τὸ δρᾶμα ἤδη μεσοίη, ῥήματʼ ἂν βόεια δώδεκʼ εἶπεν, 925ὀφρῦς ἔχοντα καὶ λόφους, δείνʼ ἄττα μορμορωπά, ἄγνωτα τοῖς θεωμένοις. Αἰσχύλος οἴμοι τάλας. Διόνυσος σιώπα. Εὐριπίδης σαφὲς δʼ ἂν εἶπεν οὐδὲ ἕν— Διόνυσος μὴ πρῖε τοὺς ὀδόντας.

EURIPIDES An empty show of tragic woe, who uttered not one thing.

DIONYSUS ’Tis true.

EURIPIDES Then in the Chorus came, and rattled off a string Of four continuous lyric odes: the mourner never stirred.

DIONYSUS I liked it too. I sometimes think that I those mutes preferred To all your chatterers now-a-days.

EURIPIDES Because, if you must know, You were an ass.

DIONYSUS An ass, no doubt: what made him do it though?

EURIPIDES That was his quackery, don’t you see, to set the audience guessing When Niobe would speak; meanwhile, the drama was progressing.

DIONYSUS The rascal, how he took me in!’ T was shameful, was it not? (To Aesch.) What makes you stamp and fidget so?

EURIPIDES He’s catching it so hot. So when he had humbugged thus awhile, and now his wretched play Was halfway through, a dozen words, great wild-bull words, he’d say, Fierce Bugaboos, with bristling crests, and shaggy eyebrows too, Which not a soul could understand.

AESCHYLUS O heavens!

DIONYSUS Be quiet, do

EURIPIDES But not one single word was clear,

DIONYSUS St! don’t your teeth be gnashing

EURIPIDES ’Twas all Scamanders, moated camps, and griffin-eagles flashing In burnished copper on the shields, chivalric-precipice-high Expressions, hard to comprehend.

DIONYSUS Aye, by the Powers, and I Full many a sleepless night have spent in anxious thought, because

Εὐριπίδης 928ἀλλʼ ἢ Σκαμάνδρους ἢ τάφρους ἢ ʼπʼ ἀσπίδων ἐπόντας γρυπαιέτους χαλκηλάτους καὶ ῥήμαθʼ ἱππόκρημνα, 930ἃ ξυμβαλεῖν οὐ ῥᾴδιʼ ἦν. Διόνυσος νὴ τοὺς θεοὺς ἐγὼ γοῦν ἤδη ποτʼ ἐν μακρῷ χρόνῳ νυκτὸς διηγρύπνησα τὸν ξουθὸν ἱππαλεκτρυόνα ζητῶν τίς ἐστιν ὄρνις. Αἰσχύλος σημεῖον ἐν ταῖς ναυσὶν ὦμαθέστατʼ ἐνεγέγραπτο. Διόνυσος ἐγὼ δὲ τὸν Φιλοξένου γʼ ᾤμην Ἔρυξιν εἶναι. Εὐριπίδης 935εἶτʼ ἐν τραγῳδίαις ἐχρῆν κἀλεκτρυόνα ποιῆσαι; Αἰσχύλος σὺ δʼ ὦ θεοῖσιν ἐχθρὲ ποῖʼ ἄττʼ ἐστὶν ἅττʼ ἐποίεις; Εὐριπίδης οὐχ ἱππαλεκτρυόνας μὰ Δίʼ οὐδὲ τραγελάφους, ἅπερ σύ, ἃν τοῖσι παραπετάσμασιν τοῖς Μηδικοῖς γράφουσιν· ἀλλʼ ὡς παρέλαβον τὴν τέχνην παρὰ σοῦ τὸ πρῶτον εὐθὺς 940οἰδοῦσαν ὑπὸ κομπασμάτων καὶ ῥημάτων ἐπαχθῶν,

DIONYSUS I’d find the tawny cock-horse out, what sort of bird it was!

AESCHYLUS It was a sign, you stupid dolt, engraved the ships upon.

DIONYSUS Eryxis I supposed it was, Philoxenus’s son.

EURIPIDES Now really should a cock be brought into a tragic play?

AESCHYLUS You enemy of gods and men, what was your practice, pray?

EURIPIDES No cock-horse in my plays, by Zeus, no goat-stag there you’ll see, Such figures as are blazoned forth in Median tapestry. When first I took the art from you, bloated and swoln, poor thing, With turgid gasconading words and heavy dieting, First I reduced and toned her down, and made her slim and neat With wordlets and with exercise and poultices of beet,

People and places in this passage

English translation by Benjamin Bickley Rogers (1919). Original text: Greek text: F. W. Hall and W. M. Geldart (eds.), Aristophanis Comoediae, Oxford Classical Texts, Oxford: Clarendon Press, 1906-1907, as digitised by Perseus. English: Benjamin Bickley Rogers, The Frogs of Aristophanes, second edition, London: G. Bell and Sons, 1919.

Greek text and translation from the Perseus Digital Library, Tufts University, Greek: CC BY-SA 4.0 (Perseus Digital Library); translation public domain (Rogers). Introductions, summaries and notes © GreekMythology.com.