Aristophanes · Frogs Βάτραχοι

Aristophanes, Frogs 1300–1359: Agon: Aeschylus parodies Euripides' songs

Aeschylus says that Euripides draws his lays from rotten sources, and he calls for a lyre and for the Muse of Euripides. He then parodies the monodies of Euripides, with a dream, a lost cock and the call of Mania to the hounds, and rounds off the parody with a song of spiders and halcyons and an appeal to Hecate.

Lines 1300–1359 · 485 words · click a number to copy its link
1300λειμῶνα Μουσῶν ἱερὸν ὀφθείην δρέπων· οὗτος δʼ ἀπὸ πάντων †μὲν φέρει, πορνιδίων†, σκολίων Μελήτου, Καρικῶν αὐλημάτων, θρήνων, χορειῶν. τάχα δὲ δηλωθήσεται. ἐνεγκάτω τις τὸ λύριον. καίτοι τί δεῖ 1305λύρας ἐπὶ τούτων; ποῦ ʼστιν ἡ τοῖς ὀστράκοις αὕτη κροτοῦσα; δεῦρο Μοῦσʼ Εὐριπίδου, πρὸς ἥνπερ ἐπιτήδεια ταῦτʼ ᾄδειν μέλη.

AESCHYLUS From Carian flutings, catches of Meletus, Dance-music, dirges. You shall hear directly.. Bring me the lyre. Yet wherefore need a lyre For songs like these? Where’s she that bangs and jangles Her castanets? Euripides’s Muse, Present yourself: fit goddess for fit verse,

DIONYSUS The Muse herself can’t be a wanton? No!

AESCHYLUS Halcyons, who by the ever-rippling

Διόνυσος 1308αὕτη ποθʼ ἡ Μοῦσʼ οὐκ ἐλεσβίαζεν, οὔ. Αἰσχύλος ἀλκυόνες, αἳ παρʼ ἀενάοις θαλάσσης 1310κύμασι στωμύλλετε, τέγγουσαι νοτίοις πτερῶν ῥανίσι χρόα δροσιζόμεναι· αἵ θʼ ὑπωρόφιοι κατὰ γωνίας εἱειειειλίσσετε δακτύλοις φάλαγγες 1315ἱστόπονα πηνίσματα, κερκίδος ἀοιδοῦ μελέτας, ἵνʼ ὁ φίλαυλος ἔπαλλε δελφὶς πρῴραις κυανεμβόλοις μαντεῖα καὶ σταδίους,

AESCHYLUS Waves of the sea are babbling, Dewing your plumes with the drops that fall From wings in the salt spray dabbling. Spiders, ever with twir-y-r-r-r-rling fingers Weaving the warp and the woof, Little, brittle, network, fretwork, Under the coigns of the roof. The minstrel shuttle’s care. Where in the front of the dark-prowed ships Yarely the flute-loving dolphin skips. Races here and oracles there. And the joy of the young vines smiling, And the tendril of grapes, care-beguiling.

Αἰσχύλος 1320οἰνάνθας γάνος ἀμπέλου, βότρυος ἕλικα παυσίπονον. περίβαλλʼ ὦ τέκνον ὠλένας. ὁρᾷς τὸν πόδα τοῦτον; Διόνυσος ὁρῶ. Αἰσχύλος τί δαί; τοῦτον ὁρᾷς; Διόνυσος ὁρῶ. Αἰσχύλος 1325τοιαυτὶ μέντοι σὺ ποιῶν τολμᾷς τἀμὰ μέλη ψέγειν, ἀνὰ τὸ δωδεκαμήχανον Κυρήνης μελοποιῶν; τὰ μὲν μέλη σου ταῦτα· βούλομαι δʼ ἔτι 1330τὸν τῶν μονῳδιῶν διεξελθεῖν τρόπον.

AESCHYLUS O embrace me, my child, O embrace me. (To Dio.) You see this foot?

DIONYSUS I do.

AESCHYLUS And this?

DIONYSUS And that one too.

AESCHYLUS (To Eur.) You, such stuff who compile, Dare my songs to upbraid; You, whose songs in the style Of Cyrene’s embraces are made. So much for them: but still I’d like to show The way in which your monodies are framed. “O darkly-light mysterious Night, What may this Vision mean, Sent from the world unseen With baleful omens rife; A thing of lifeless life, A child of sable night, A ghastly curdling sight,

AESCHYLUS

1331ὦ νυκτὸς κελαινοφαὴς ὄρφνα, τίνα μοι δύστανον ὄνειρον πέμπεις ἐξ ἀφανοῦς, Ἀίδα πρόμολον, ψυχὰν ἄψυχον ἔχοντα, 1335μελαίνας Νυκτὸς παῖδα, φρικώδη δεινὰν ὄψιν, μελανονεκυείμονα, φόνια φόνια δερκόμενον, μεγάλους ὄνυχας ἔχοντα. ἀλλά μοι ἀμφίπολοι λύχνον ἅψατε κάλπισί τʼ ἐκ ποταμῶν δρόσον ἄρατε, θέρμετε δʼ ὕδωρ, 1340ὡς ἂν θεῖον ὄνειρον ἀποκλύσω. ἰὼ πόντιε δαῖμον, τοῦτʼ ἐκεῖνʼ· ἰὼ ξύνοικοι, τάδε τέρα θεάσασθε.

In black funereal veils, With murder, murder in its eyes, - And great enormous nails? Light ye the lanterns, my maidens, and dipping your jugs in the stream, Draw me the dew of the water, and heat it to boiling and steam; So will I wash me away the ill effects of my dream. God of the sea! My dream’s come true. Ho, lodgers, ho, This portent view. Glyce has vanished, carrying off my cock, My cock that crew! O Mania, help! O Oreads of the rock Pursue! pursue! For I, poor girl, was working within, Holding my distaff heavy and full,

AESCHYLUS

1343τὸν ἀλεκτρυόνα μου συναρπάσασα φρούδη Γλύκη. Νύμφαι ὀρεσσίγονοι. 1345ὦ Μανία ξύλλαβε. ἐγὼ δʼ ἁ τάλαινα προσέχουσʼ ἔτυχον ἐμαυτῆς ἔργοισι, λίνου μεστὸν ἄτρακτον εἱειειειλίσσουσα χεροῖν κλωστῆρα ποιοῦσʼ, ὅπως 1350κνεφαῖος εἰς ἀγορὰν φέρουσʼ ἀποδοίμαν· ὁ δʼ ἀνέπτατʼ ἀνέπτατʼ ἐς αἰθέρα κουφοτάταις πτερύγων ἀκμαῖς· ἐμοὶ δʼ ἄχεʼ ἄχεα κατέλιπε, δάκρυα δάκρυά τʼ ἀπʼ ὀμμάτων 1355ἔβαλον ἔβαλον ἁ τλάμων. ἀλλʼ ὦ Κρῆτες, Ἴδας τέκνα, τὰ τόξα λαβόντες ἐπαμύνατε, τὰ κῶλά τʼ ἀμπάλλετε κυκλούμενοι τὴν οἰκίαν. ἅμα δὲ Δίκτυννα παῖς Ἄρτεμις καλὰ

Twir-y-r-r-r-rling my hand as the threads I spin, Weaving an excellent bobbin of wool; Thinking ‘To-morrow I’ll go to the fair, In the dusk of the morn, and be selling it there.’ But he to the blue upflew, upflew, On the lightliest tips of his wings outspread; To me he bequeathed but woe, but woe, And tears, sad tears, from my eyes o’erflow, Which I, the bereaved, must shed, must shed. O children of Ida, sons of Crete, Grasping your bows to the rescue come; Twinkle about on your restless feet, Stand in a circle around her home. O Artemis, thou maid divine, Dictynna, huntress, fair to see, O bring that keen-nosed pack of thine, And hunt through all the house with me. O Heeate, with flameful brands, O Zeus’s daughter, arm thine hands, Those swiftliest hands, both right and left; Thy rays on Glyce’s cottage throw

People and places in this passage

English translation by Benjamin Bickley Rogers (1919). Original text: Greek text: F. W. Hall and W. M. Geldart (eds.), Aristophanis Comoediae, Oxford Classical Texts, Oxford: Clarendon Press, 1906-1907, as digitised by Perseus. English: Benjamin Bickley Rogers, The Frogs of Aristophanes, second edition, London: G. Bell and Sons, 1919.

Greek text and translation from the Perseus Digital Library, Tufts University, Greek: CC BY-SA 4.0 (Perseus Digital Library); translation public domain (Rogers). Introductions, summaries and notes © GreekMythology.com.