Euripides · Phoenician Women Φοίνισσαι

Euripides, Phoenician Women 784–832: Second choral song: the Chorus reproaches Ares and recalls the curse on Thebes

The Chorus asks Ares why he loves blood and war instead of the festivals of Bromius. They wish that Oedipus had died on Cithaeron and the Sphinx had never come. They recall the Sown Men, the wedding of Harmonia and the building of the walls to Amphion's lyre.

Lines 784–832 · 422 words · click a number to copy its link

Chorus

784ὦ πολύμοχθος Ἄρης, τί ποθʼ αἵματι 785καὶ θανάτῳ κατέχῃ Βρομίου παράμουσος ἑορταῖς; οὐκ ἐπὶ καλλιχόροις στεφάνοισι νεάνιδος ὥρας βόστρυχον ἀμπετάσας λωτοῦ κατὰ πνεύματα μέλπῃ μοῦσαν, ἐν ᾇ χάριτες χοροποιοί, ἀλλὰ σὺν ὁπλοφόροις στρατὸν Ἀργείων ἐπιπνεύσας 790αἵματι Θήβας κῶμον ἀναυλότατον προχορεύεις. οὐδʼ ὑπὸ θυρσομανεῖ νεβρίδων μέτα δίνᾳ, ἅρμασι καὶ ψαλίων τετραβάμοσι μωνυχοπώλων ἱππείαις ἐπὶ χεύμασι βαίνων Ἰσμηνοῖο θοάζεις, Ἀργείοις ἐπιπνεύσας 795Σπαρτῶν γένναν, ἀσπιδοφέρμονα θίασον ἐνόπλιον, ἀντίπαλον κατὰ λάινα τείχεα χαλκῷ κοσμήσας. ἦ δεινά τις Ἔρις θεός, ἃ τάδε μήσατο πήματα γᾶς βασιλεῦσιν, 800Λαβδακίδαις πολυμόχθοις.

O Ares, god of much suffering! Why, why are you possessed by a love of blood and death, out of harmony with the festivals of Bromius? Not for young girls crowned in the lovely dance do you toss your curls, singing to the flute’s breath a song to charm the dancers’ feet; no, with warriors clad in armor you inspire the Argive army with a lust for Theban blood, leading your revels that are held without music. Nor do you rush with wild waving of the thyrsus, clad in fawnskin, but with chariots and horses you go to the waters of Ismenus, inspiring the Argives with hatred for the Spartans, arraying in bronze armor against these stone-built walls a band of warriors and their shields. Truly Strife is a goddess to fear, who devised these troubles for the princes of this land, for the much-suffering sons of Labdacus.

Chorus

801ὦ ζαθέων πετάλων πολυθηρότα- τον νάπος, Ἀρτέμιδος χιονοτρόφον ὄμμα Κιθαιρών, μήποτε τὸν θανάτῳ προτεθέντα, λόχευμʼ Ἰοκάστας, ὤφελες Οἰδιπόδαν θρέψαι, βρέφος ἔκβολον οἴκων, 805χρυσοδέτοις περόναις ἐπίσαμον· μηδὲ τὸ παρθένιον πτερόν, οὔρειον τέρας, ἐλθεῖν πένθεα γαίας Σφιγγὸς ἀμουσοτάταισι σὺν ᾠδαῖς, ἅ ποτε Καδμογενῆ τετραβάμοσι χαλαῖς τείχεσι χριμπτομένα φέρεν αἰθέρος εἰς ἄβατον φῶς 810γένναν, ἃν ὁ κατὰ χθονὸς Ἅιδας Καδμείοις ἐπιπέμπει· δυσδαίμων δʼ ἔρις ἄλλα θάλλει παίδων Οἰδιπόδα κατὰ δώματα καὶ πόλιν. οὐ γὰρ ὃ μὴ καλὸν οὔποτʼ ἔφυ καλόν, 815οὐδʼ οἱ μὴ νόμιμοι παῖδες ματρὶ λόχευμα, μίασμα πατρός· ἣ δὲ συναίμονος ἐς λέχος ἦλθεν. […]

O snow-capped Cithaeron, dear to Artemis, holy vale of leaves, crowded with wild animals, would that you had never reared the one exposed to die, Oedipus, Jocasta’s child, when as a baby he was cast forth from his home, marked with a golden brooch; and would that the Sphinx, that winged maid, monster from the hills, had never come as a grief to our land with her inharmonious songs, she that once drew near our walls and snatched the sons of Cadmus away in her taloned feet to the untrodden light of heaven, sent by Hades from hell to plague the men of Thebes; once more unhappy strife is coming into bloom between the sons of Oedipus in home and city. For never can wrong be right, nor can there be good in unlawful children, their mother’s birth pangs, their father’s pollution; she came to the bed of her son. . . .

Chorus

818ἔτεκες, ὦ Γαῖʼ, ἔτεκές ποτε, βάρβαρον ὡς ἀκοὰν ἐδάην ἐδάην ποτʼ ἐν οἴκοις, 820τὰν ἀπὸ θηροτρόφου φοινικολόφοιο δράκοντος γένναν ὀδοντοφυῆ, Θήβαις κάλλιστον ὄνειδος· Ἁρμονίας δέ ποτʼ εἰς ὑμεναίους ἤλυθον οὐρανίδαι, φόρμιγγί τε τείχεα Θήβας τᾶς Ἀμφιονίας τε λύρας ὕπο πύργος ἀνέστα 825διδύμων ποταμῶν πόρον ἀμφὶ μέσον, Δίρκα χλοεροτρόφον ᾇ πεδίον πρόπαρ Ἰσμηνοῦ καταδεύει· Ἰώ θʼ, ἁ κερόεσσα προμάτωρ, Καδμείων βασιλῆας ἐγείνατο, 830μυριάδας δʼ ἀγαθῶν ἑτέροις ἑτέ- ρας μεταμειβομένα πόλις ἅδʼ ἐπʼ ἄκροις ἕστακʼ Ἀρηΐοις στεφάνοισιν.

O Earth, you once bore—as I heard, I heard the story told by foreigners once in my own home—you bore a race which sprang of the teeth of a snake with blood-red crest, that fed on beasts, to be the glory and reproach of Thebes. In days gone by the sons of heaven came to the wedding of Harmonia, and the walls and towers of Thebes rose to the sound of Amphion’s lyre, in the midst between the double streams where Dirce waters the grass-green field before Ismenus; and Io, our horned ancestress, was mother of the kings of Thebes; thus our city, through an endless succession of various blessings, has set herself upon the heights, crowned with the glory of war.

People and places in this passage

English translation by Edward P. Coleridge (1891). Original text: Greek text: Gilbert Murray (ed.), Euripidis Fabulae, Oxford: Clarendon Press, 1913, as digitised by Perseus. English: Edward P. Coleridge, The Plays of Euripides, London: George Bell and Sons, first published 1891 (Bohn's Classical Library; the Perseus header records a later printing).

Greek text and translation from the Perseus Digital Library, Tufts University, CC BY-SA 4.0 (Perseus Digital Library); translation public domain. Introductions, summaries and notes © GreekMythology.com.