Euripides · Andromache Ἀνδρομάχη

Euripides, Andromache 1009–1069: Third choral song; Peleus learns that Hermione has fled

The Chorus calls on Apollo and Poseidon, who built the walls of Troy, and asks why they have forgotten, and sings of the vengeance that has overtaken the sons of Agamemnon. Peleus then comes and asks if the rumour is true that Hermione has fled; the Chorus says that she has, and that she fears the anger of her husband.

Lines 1009–1069 · 474 words · click a number to copy its link

Chorus

1009ὦ Φοῖβε πυργώσας τὸν ἐν Ἰλίῳ εὐτειχῆ πάγον 1010καὶ πόντιε κυανέαις ἵπποις διφρεύ- ων ἅλιον πέλαγος, τίνος οὕνεκ’ ἄτιμον ὀργᾶς 1015ἃν χέρα τεκτοσύνας Ἐ- νυαλίῳ δοριμήστορι προσθέν- τες τάλαιναν τάλαι- ναν μεθεῖτε Τροίαν;

O Phoebus! who didst fence the hill of Ilium with a fair coronal of towers, and thou, ocean-god! coursing o’er the main with thy dark steeds, wherefore did ye hand over in dishonour your own handiwork to the war-god, master of the spear, abandoning Troy to wretchedness?

Chorus

1019πλείστους δ’ ἐπ’ ἀκταῖσιν Σιμοεντίσιν εὐίππους ὄχους 1020ἐζεύξατε καὶ φονίους ἀνδρῶν ἁμίλ- λας ἔθετ’ ἀστεφάνους· ἀπὸ δὲ φθίμενοι βεβᾶσιν Ἰλιάδαι βασιλῆες, οὐδ’ ἔτι πῦρ ἐπιβώμιον ἐν Τροί- 1025ᾳ θεοῖσιν λέλαμ- πεν καπνῷ θυώδει.

Many a well-horsed car ye yoked on the banks of Simois, and many a bloody tournament did ye ordain with never a prize to win; and Ilium’s princes are dead and gone; no longer in Troy is seen the blaze of fire on altars of the gods with the smoke of incense.

Chorus

1027βέβακε δ’ Ἀτρείδας ἀλόχου παλάμαις, αὐτά τ’ ἐναλλάξασα φόνον θανάτῳ 1030πρὸς τέκνων ἀπηύρα θεοῦ. θεοῦ νιν κέλευμ’ ἐπεστράφη μαντόσυνον, ὅτε νιν Ἀργόθεν πορευθεὶς Ἀγαμεμνόνιος κέλωρ, ἀδύτων ἐπιβὰς 1035κτεάνων, ματρὸς φονεὺς […] ὦ δαῖμον, ὦ Φοῖβε, πῶς πείθομαι;

The son of Atreus is no more, slain by the hand of his wife, and she herself hath paid the debt of blood by death, and from her children’s hands received her doom. The god’s own bidding from his oracle was levelled against her, in the day that Agamemnon’s son set forth from Argos and visited his shrine; so he slew her, aye, spilt his own mother’s blood. O Phoebus, O thou power divine, how can I believe the story?

Chorus

1037πολλαὶ δ’ ἀν’ Ἑλλάνων ἀγόρους στοναχὰς μέλποντο δυστάνων τεκέων, ἄλοχοι δ’ 1040ἐξέλειπον οἴκους πρὸς ἄλλον εὐνάτορ’. οὐχὶ σοὶ μόνᾳ δύσφρονες ἐπέπεσον, οὐ φίλοισι, λῦπαι· νόσον Ἑλλὰς ἔτλα, νόσον· διέβα δὲ Φρυγῶν 1045καὶ πρὸς εὐκάρπους γύας σκηπτὸς σταλάσσων τὸν Ἅιδα φόνον.

Anon wherever Hellenes gather, was heard the voice of lamentation, mothers weeping o’er their children’s fate, as they left their homes to mate with strangers. Ah! thou art not the only one, nor thy dear ones either, on whom the cloud of grief hath fallen. Hellas had to bear the visitation, and thence the scourge crossed to Phrygia’s fruitful fields, raining the bloody drops the; death-god loves.

Πηλεύς 1047Φθιώτιδες γυναῖκες, ἱστοροῦντί μοι σημήνατ’· ᾐσθόμην γὰρ οὐ σαφῆ λόγον ὡς δώματ’ ἐκλιποῦσα Μενέλεω κόρη 1050φρούδη τάδ’· ἥκω δ’ ἐκμαθεῖν σπουδὴν ἔχων εἰ ταῦτ’ ἀληθῆ· τῶν γὰρ ἐκδήμων φίλων δεῖ τοὺς κατ’ οἶκον ὄντας ἐκπονεῖν τύχας. Χορός Πηλεῦ, σαφῶς ἤκουσας· οὐδ’ ἐμοὶ καλὸν κρύπτειν ἐν οἷς παροῦσα τυγχάνω κακοῖς· 1055βασίλεια γὰρ τῶνδ’ οἴχεται φυγὰς δόμων. Πηλεύς τίνος φόβου τυχοῦσα; διαπέραινέ μοι. Χορός πόσιν τρέμουσα, μὴ δόμων νιν ἐκβάλῃ. Πηλεύς μῶν ἀντὶ παιδὸς θανασίμων βουλευμάτων; Χορός ναί, καὶ γυναικὸς αἰχμαλωτίδος φόβῳ. Πηλεύς 1060σὺν πατρὶ δ’ οἴκους ἢ τίνος λείπει μέτα; Χορός Ἀγαμέμνονός νιν παῖς βέβηκ’ ἄγων χθονός. Πηλεύς ποίαν περαίνων ἐλπίδ’; ἦ γῆμαι θέλων; Χορός καὶ σῷ γε παιδὸς παιδὶ πορσύνων μόρον. Πηλεύς κρυπτὸς καταστὰς ἢ κατ’ ὄμμ’ ἐλθὼν μάχῃ; Χορός 1065ἁγνοῖς ἐν ἱεροῖς Λοξίου Δελφῶν μέτα. Πηλεύς οἴμοι· τόδ’ ἤδη δεινόν. οὐχ ὅσον τάχος χωρήσεταί τις Πυθικὴν πρὸς ἑστίαν καὶ τἀνθάδ’ ὄντα τοῖς ἐκεῖ λέξει φίλοις, πρὶν παῖδ’ Ἀχιλλέως κατθανεῖν ἐχθρῶν ὕπο;

Peleus Ye dames of Phthia, answer my questions. I heard a vague rumour that the daughter of Menelaus had left these halls and fled; so now am I come in hot haste to learn if this be true; for it is the duty of those who are at home to labour in the interests of their absent friends.

Chorus Thou hast heard aright, O Peleus; ill would it become me to hide the evil case in which I now find myself; our queen has fled and left these halls.

Peleus What was she afraid of? explain that to me.

Chorus She was fearful her lord would cast her out

Peleus In return for plotting his child’s death? surely not?

Chorus Yea, and she was afraid of yon captive.

Peleus With whom did she leave the house? with her father?

Chorus The son of Agamemnon came and took her hence.

Peleus What view hath he to further thereby? Will he marry her?

Chorus Yes, and he is plotting thy grandson’s death.

Peleus From an ambuscade, or meeting him fairly face to face?

Chorus In the holy place of Loxias, leagued with Delphians.

Peleus God help us! This is an immediate danger. Hasten one of you with all speed to the Pythian altar and tell our friends there what has happened here, ere Achilles’ son be slain by his enemies.

People and places in this passage

English translation by Edward P. Coleridge (1891). Original text: Greek text: Gilbert Murray (ed.), Euripidis Fabulae, Oxford: Clarendon Press, 1902, as digitised by Perseus. English: Edward P. Coleridge, The Plays of Euripides, London: George Bell and Sons, first published 1891 (Bohn's Classical Library; the Perseus header records a later printing).

Greek text and translation from the Perseus Digital Library, Tufts University, CC BY-SA 4.0 (Perseus Digital Library); translation public domain. Introductions, summaries and notes © GreekMythology.com.

Andromache 1009–1069: Third choral song | Euripides