Euripides · Andromache Ἀνδρομάχη

Euripides, Andromache 91–146c: Parodos: Andromache's lament and the Chorus' advice

Andromache sings a lament in which she tells of Paris and the cause of the Trojan war, of the fall of Troy, and of her own slavery, and says that she clings to the altar of Thetis. The Chorus of women of Phthia comes and tells her that she should leave the shrine and give way to the stronger, but says that it dares not show its sympathy for fear of Hermione.

Lines 91–146c · 471 words · click a number to copy its link

Andromache

91χώρει νυν· ἡμεῖς δ’, οἷσπερ ἐγκείμεσθ’ ἀεὶ θρήνοισι καὶ γόοισι καὶ δακρύμασι, πρὸς αἰθέρ’ ἐκτενοῦμεν· ἐμπέφυκε γὰρ γυναιξὶ τέρψις τῶν παρεστώτων κακῶν 95ἀνὰ στόμ’ ἀεὶ καὶ διὰ γλώσσης ἔχειν. πάρεστι δ’ οὐχ ἓν ἀλλὰ πολλά μοι στένειν, πόλιν πατρῴαν τὸν θανόντα θ’ Ἕκτορα στερρόν τε τὸν ἐμὸν δαίμον’ ᾧ συνεζύγην δούλειον ἦμαρ εἰσπεσοῦσ’ ἀναξίως. 100χρὴ δ’ οὔποτ’ εἰπεῖν οὐδέν’ ὄλβιον βροτῶν, πρὶν ἂν θανόντος τὴν τελευταίαν ἴδῃς ὅπως περάσας ἡμέραν ἥξει κάτω.

Go then, while I will tell to heaven the lengthy tale of lamentation, mourning, and weeping, that has ever been my hard lot; for ’tis woman’s way to delight in present misfortunes even to keeping them always on her tongue and lips. But I have many reasons, not merely one for tears,–my city’s fall, my Hector’s death, the hardness of the lot to which I am bound, since I fell on slavery’s evil days undeservedly. ’Tis never right to call a son of man happy, till thou hast seen his end, to judge from the way he passes it how he will descend to that other world.

Andromache

103Ἰλίῳ αἰπεινᾷ Πάρις οὐ γάμον ἀλλά τιν’ ἄταν ἠγάγετ’ εὐναίαν εἰς θαλάμους Ἑλέναν. 105ἇς ἕνεκ’, ὦ Τροία, δορὶ καὶ πυρὶ δηιάλωτον εἷλέ σ’ ὁ χιλιόναυς Ἑλλάδος ὠκὺς Ἄρης καὶ τὸν ἐμὸν μελέας πόσιν Ἕκτορα, τὸν περὶ τείχη εἵλκυσε διφρεύων παῖς ἁλίας Θέτιδος· αὐτὰ δ’ ἐκ θαλάμων ἀγόμαν ἐπὶ θῖνα θαλάσσας, 110δουλοσύναν στυγερὰν ἀμφιβαλοῦσα κάρᾳ. πολλὰ δὲ δάκρυά μοι κατέβα χροός, ἁνίκ’ ἔλειπον ἄστυ τε καὶ θαλάμους καὶ πόσιν ἐν κονίαις. ὤμοι ἐγὼ μελέα, τί μ’ ἐχρῆν ἔτι φέγγος ὁρᾶσθαι Ἑρμιόνας δούλαν; ἇς ὕπο τειρομένα 115πρὸς τόδ’ ἄγαλμα θεᾶς ἱκέτις περὶ χεῖρε βαλοῦσα τάκομαι ὡς πετρίνα πιδακόεσσα λιβάς.

’Twas no bride Paris took with him to the towers of Ilium, but a curse to his bed when he brought Helen to her bower. For her sake, O Troy, did eager warriors, sailing from Hellas in a thousand ships, capture and make thee a prey to fire and sword; and the son of sea-born Thetis mounted on his chariot dragged my husband Hector round the walls, ah woe is me! while I was hurried from my chamber to the beach, with slavery’s hateful pall upon me. And many a tear I shed as I left my city, my bridal bower, and my husband in the dust. Woe, woe is me! why should I prolong my life, to serve Hermione? Her cruelty it is that drives me hither to the image of the goddess to throw my suppliant arms about it, melting to tears as doth a spring that gushes from the rock.

Chorus

117ὦ γύναι, ἃ Θέτιδος δάπεδον καὶ ἀνάκτορα θάσσεις δαρὸν οὐδὲ λείπεις, Φθιὰς ὅμως ἔμολον ποτὶ σὰν Ἀσιήτιδα γένναν, 120εἴ τί σοι δυναίμαν ἄκος τῶν δυσλύτων πόνων τεμεῖν, οἳ σὲ καὶ Ἑρμιόναν ἔριδι στυγερᾷ συνέκλῃσαν, τλάμον’ ἀμφὶ λέκτρων διδύμων ἐπίκοινον ἐοῦσαν 125ἀμφὶ παῖδ’ Ἀχιλλέως.

Lady, thus keeping thy weary station without pause upon the floor of Thetis’ shrine, Phthian though I am, to thee a daughter of Asia I come, to see if I can devise some remedy for these perplexing troubles, which have involved thee and Hermione in fell discord, because to thy sorrow thou sharest with her the love of Achilles’ son.

Chorus

126γνῶθι τύχαν, λόγισαι τὸ παρὸν κακὸν εἰς ὅπερ ἥκεις. δεσπόταις ἁμιλλᾷ Ἰλιὰς οὖσα κόρα Λακεδαίμονος ἐγγενέτῃσιν; λεῖπε δεξίμηλον 130δόμον τᾶς ποντίας θεοῦ. τί σοι καιρὸς ἀτυζομένᾳ δέμας αἰκέλιον καταλείβειν δεσποτῶν ἀνάγκαις; τὸ κρατοῦν δέ σ’ ἔπεισι. τί μόχθον οὐδὲν οὖσα μοχθεῖς;

Recognize thy position, weigh the present evil into the which thou art come. Thou art a Trojan captive; thy rival is thy mistress, a true-born daughter of Sparta. Leave then this home of sacrifice, the shrine of our sea-goddess. How can it avail thee to waste thy comeliness and disfigure it by weeping by reason of a mistress’s harsh usage? Might will prevail against thee; why vainly toil in thy feebleness?

Chorus

135ἀλλ’ ἴθι λεῖπε θεᾶς Νηρηίδος ἀγλαὸν ἕδραν, γνῶθι δ’ οὖσ’ ἐπὶ ξένας δμωὶς ἐπ’ ἀλλοτρίας πόλεος, ἔνθ’ οὐ φίλων τιν’ εἰσορᾷς σῶν, ὦ δυστυχεστάτα, 140παντάλαινα νύμφα.

Come, quit the bright sanctuary of the Nereid divine. Recognize that thou art in bondage on a foreign soil, in a strange city, where thou seest none of all thy friends, luckless lady, cast on evil days.

Chorus

141οἰκτροτάτα γὰρ ἔμοιγ’ ἔμολες, γύναι Ἰλιάς, οἴκους δεσποτῶν ἐμῶν· φόβῳ δ’ ἡσυχίαν ἄγομεν— τὸ δὲ σὸν οἴκτῳ φέρουσα τυγχάνω— 145μὴ παῖς τᾶς Διὸς κόρας σοί μ’ εὖ φρονοῦσαν εἰδῇ. […] […]

Yea, I did pity thee most truly, Trojan dame, when thou earnest to this house; but from fear of my mistress I hold my peace, albeit I sympathize with thee, lest she, whom Zeus’s daughter bore, discover my good will toward thee.

People and places in this passage

English translation by Edward P. Coleridge (1891). Original text: Greek text: Gilbert Murray (ed.), Euripidis Fabulae, Oxford: Clarendon Press, 1902, as digitised by Perseus. English: Edward P. Coleridge, The Plays of Euripides, London: George Bell and Sons, first published 1891 (Bohn's Classical Library; the Perseus header records a later printing).

Greek text and translation from the Perseus Digital Library, Tufts University, CC BY-SA 4.0 (Perseus Digital Library); translation public domain. Introductions, summaries and notes © GreekMythology.com.