Nonnus of Panopolis · Dionysiaca Διονυσιακά

Nonnus of Panopolis, Dionysiaca 33.105–194: Book 33: Aglaia's message; Eros wounds Morrheus with desire

Aglaia brings Aphrodite's message, and Eros offers to fight anyone who has wronged his mother. Aphrodite tells him that Ares is helping Deriades and asks him to help Dionysos by making Morrheus fall in love with the Bacchic girl Chalcomede. Eros flies to the Indian host and shoots his arrow into Morrheus.

Lines 33.105–194 · 857 words · click a number to copy its link
105Ἀγλαΐη δέ οἱ ἄγχι παρίστατο· τερψινόου δὲ δέξατο χερσὶν ἄνακτος ἀέθλια· νεῦσε δὲ κούρῳ νόσφι μολεῖν, καὶ Ἔρωτος ἐς οὔατα μάρτυρι σιγῇ ψευδομένης ἀγόρευε δολόφρονα μῦθον ἀνάσσης·

Now Aglaia stood by him, and she received the prizes from the hands of the prince of heart’s delight. She beckoned the boy aside, and with silence their only witness, she whispered into his ear the artful message of her intriguing mistress :

109πανδαμάτωρ ἀδάμαστε, βιοσσόε σύγχρονε κόσμου, 110σπεῦσον, ἐπεὶ Κυθέρεια βιάζεται, οὐδέ τις αὐτῇ ἀμφιπόλων παρέμιμνε, Χάρις φύγεν, ᾤχετο Πειθώ, καὶ Πόθος ἀστήρικτος ἐχάζετο· σοὶ δέ με μούνην πέμψεν ἀνικήτοιο τεῆς χατέουσα φαρέτρης.

“Allvanquisher unvanquished, preserver of life co-eval with the universe, make haste! Cythereia is in distress. None of her attendants has remained with her; Charis has gone, Peitho has vanished, Pothos the inconstant has left her ; she had none to send but me. She needs your invincible quiver !

114ὣς φαμένην ἐρέεινεν Ἔρως, ἵνα πάντα δαείη· 115ὅττι νέοι ξύμπαντες, ἀτέρμονος ὁππότε μύθου ἀρχὴν εἰσαΐουσι, τέλος σπεύδουσιν ἀκοῦσαι· καὶ στομάτων ἀχάλινον ἀπερροίβδησεν ἰωήν·

No sooner had she spoken, than Eros wanted to know all about it ; for all young people, when they hear only the beginning of a story, are eager to hear the end. So he rattled out with that unbridled tongue of his—

118τίς Παφίην ἀκάχησεν ἐμήν; ἵνα χεῖρα κορύσσω μαρνάμενος πάντεσσι· βιαζομένης δὲ τεκούσης 120νευρὴν πανδαμάτειραν ἐπὶ Κρονίωνα τανύσσω, καὶ πάλιν οἰστρηθέντα γαμοκλόπον ὄρνιν Ἐρώτων αἰετόν, ἤ τινα ταῦρον ἁλὸς πλωτῆρα τελέσσω· εἰ δέ ἑ Παλλὰς ὄρινε καὶ ἤκαχεν ἀμφιγυήεις Κεκροπίου λύχνοιο φεραυγέα δαλὸν ἀνάψας, 125μάρναμαι ἀμφοτέροισι, καὶ Ἡφαίστῳ καὶ Ἀθήνῃ· εἰ δέ μιν ἰοχέαιρα λαγωβόλος εἰς χόλον ἕλκει, ἔμπυρον Ὠρίωνος Ὀλύμπιον ἆορ ἐρύσσας Ἄρτεμιν οἰστρήσαιμι, καὶ αἰθέρος ἐκτὸς ἐλάσσω . . . κουφίζων πτερύγεσσιν ὁμόστολον υἱέα Μαίης, 130οὐτιδανὴν καλέοντα μάτην ἐπαρηγόνα Πειθώ· καλλείψας δὲ βέλεμνα καὶ ἔμπυρον ἅμμα φαρέτρης δαφναίοις πετάλοισι θελήμονα Φοῖβον ἱμάσσω, δέσμιον αὐδήεντι περισφίγξας ὑακίνθῳ· οὐ μὲν Ἐνυαλίου τρομέω σθένος, οὐδὲ μογήσω 135Ἄρεα μαστίζων πεπεδημένον ἡδέι κεστῷ· καὶ διδύμους φωστῆρας ὑποδρήσσοντας ἐρύσσω εἰς Πάφον οὐρανόθεν, καὶ ὀπάονα μητρὶ κομίσσω σὺν Κλυμένῃ Φαέθοντα, σὺν Ἐνδυμίωνι Σελήνην, πάντες ἵνα γνώωσιν, ὅτι ξύμπαντα δαμάζω.

“Who has hurt my dear Paphian? Let me take arms in hand and fight all the world! If my mother is in distress, let me stretch my allvanquishing bowstring against even Cronion, to make him once more a mad ravishing love-bird, an eagle, or a bull swimming the sea! Or if Pallas has provoked her, if Crookshank has hurt her by lighting the bright torch of the Cecropian light, I will fight them both, Hephaistos and Athena! Or if Archeress hareslayer moves her to anger, I will draw the fiery Olympian sword of Orion to prick Artemis and drive her out of the sky! (Or if it is Hermes) I will carry off with me Maia’s son on my wings, and let him call useless Peitho in vain to his help. Or I will leave my arrows and the fiery belt of my quiver, I will lash Phoibos a willing victim with cords of laurel leaves, holding him bound in a belt of speaking iris. Indeed I fear not the strength of Enyalios, it will not weary me to flog Ares when he is shackled by the delightful cestus. The two luminaries I will drag down from heaven to be drudges in Paphos, and give my mother for a servant Phaéthon with Clymene, Selene with Endymion, that all may know that I vanquish all things !

140εἶπε, καὶ ἰθυκέλευθον ἐν ἠέρι ταρσὸν ἑλίσσων ἔφθασεν Ἀγλαΐην πτερύγων διδυμάονι ῥοίζῳ, ἄχρι δόμων ἐπέβαινεν ἐπειγομένης Ἀφροδίτης.

He spoke, and straight through the air he plied his feet, and reached the dwelling of eager Aphrodite long before Aglaia with his pair of whirring wings.

143καὶ μέσον ἀγκὰς ἑλοῦσα γαληνιόωντι προσώπῳ πεπταμένῳ πήχυνε γεγηθότι κοῦρον ἀγοστῷ, 145γούνασι κουφίζουσα φίλον βάρος· ἑζομένου δὲ καὶ στόμα παιδὸς ἔκυσσε καὶ ὄμματα· θελξινόου δὲ ἁπτομένη τόξοιο καὶ ἀμφαφόωσα φαρέτρην, οἷα χόλου πνείουσα, δολόφρονα ῥήξατο φωνήν·

His mother with serene countenance took him into her embrace, and threw one happy arm round her boy, lifting him on her knees, a welcome burden. He sat there while she kissed the boy’s lips and eyes ; then she touched his mindcharming bow, and handled the quiver, and pretending to breathe anger, spoke these delusive words :

149τέκνον ἐμόν, Φαέθοντος ἐλήσαο καὶ Κυθερείης· 150οὐκέτι Πασιφάη μυκώμενα λέκτρα διώκει· ἠέλιος γελάᾳ με, καὶ Ἀστρίδος αἷμα κορύσσει παιδὸς ἑῆς υἱῆα μαχήμονα Δηριαδῆα, Βασσαρίδων ὀλετῆρα γυναιμανέος Διονύσου, καὶ Σατύρων Βρομίοιο ποθοβλήτων ἐλατῆρα. 155τοῦτό με μᾶλλον ὄρινεν, ὅτι βροτοειδέι μορφῇ Ἄρης ἐγρεκύδοιμος ἔχων συνάεθλον Ἐνυώ, ἀρχαίης φιλότητος ἀφειδήσας Ἀφροδίτης, νεύμασιν Ἡραίοισιν ἐθωρήχθη Διονύσῳ, Ἰνδῴῳ βασιλῆι συνέμπορος. ἀλλʼ ἐνὶ χάρμῃ 160Ἄρης Δηριάδαο, σὺ δὲ προμάχιζε Λυαίου· ἔγχος ἔχει, σὺ δὲ τόξον ὑπέρτερον, ᾧ γόνυ κάμπτει Ζεὺς ὕπατος καὶ θοῦρος Ἄρης καὶ θέσμιος Ἑρμῆς· δειμαίνει σέο τόξα καὶ ὁ κλυτότοξος Ἀπόλλων. εἰ δὲ τεῇ, φίλε κοῦρε, χαρίζεαι ἀφρογενείῃ, 165Βασσαρίδων προμάχιζε καὶ ἡμετέρου Διονύσου. ἀλλὰ μολὼν ἀκίχητος Ἑώιον εἰς κλίμα γαίης Ἰνδῴην παρὰ πέζαν, ὅπῃ θεράπαινα Λυαίου ἔστί τις ἐν Βάκχῃσιν, ὑπέρτερος ἥλικος ἥβης, οὔνομα Χαλκομέδη φιλοπάρθενος—εἰ δέ κεν ἄμφω 170Χαλκομέδην καὶ Κύπριν ἔσω Λιβάνοιο νοήσῃς, οὐ δύνασαι, φίλε κοῦρε, διακρίνειν Ἀφροδίτην—. κεῖθι μολὼν χραίσμησον ἐρημονόμῳ Διονύσῳ, Μορρέα τοξεύσας ἐπὶ κάλλεϊ Χαλκομεδείης· σεῖο δὲ τοξοσύνης γέρας ἄξιον ἐγγυαλίξω 175Λήμνιον εὐποίητον ἐγὼ στέφος, εἴκελον αἴγλαις ἠελίου φλογεροῖο· σὺ δὲ γλυκὺν ἰὸν ἰάλλων δὸς χάριν ἀμφοτέροις, καὶ Κύπριδι καὶ Διονύσῳ· σὸν καὶ ἐμὸν κύδαινε γαμοστόλον ὄρνιν Ἐρώτων, εὐφροσύνης κήρυκα βιοζυγέων ὑμεναίων.

My dear child, you have forgotten Phaéthon and Cythereia! Pasiphaé no longer wants the bull’s love. Helios mocks at me, and arms the offspring of Astris, the warrior Deriades his own daughter’s son, to destroy the Bassarids of womanmad Dionysos and to rout the love-stricken Satyrs of Bromios. But it has provoked me more than all, that battlestirring Ares in mortal shape, with Enyo by his side, without regard for his old love of Aphrodite, has armed himself against Dionysos at Hera’s bidding and supports the Indian king. Now then, on this field Ares is for Deriades—then you fight for Lyaios. He has a spear, you have a stronger bow, before which bend the knee Zeus the Highest and furious Ares and Hermes the lawgiver ; even that Archer Apollo fears your bow. If you will give a boon to your Foamborn, fight for the Bassarids and our Dionysos. Go I pray, to the Eastern clime and let no one catch you—go to the Indian plain, where there is a handmaid of Lyaios amongst the Bacchants, more excellent than her yearsmates, named Chalcomede, who loves the maiden state—but if you should see Chalcomede and Cypris both together in Libanos, you cannot tell which was Aphrodite, my dear boy ! Go to that place and help Dionysos ranging the wilds, by shooting Morrheus for the beauty of Chalcomedeia. I will give you a worthy prize for your shooting, a wellmade Lemnian chaplet, like the rays of fiery Helios. Shoot a sweet arrow, and you will do a grace both to Cypris and to Dionysos ; honour my bridesmaid bird of love and yours, the herald of lifelong wedding and happy hearts !

180εἶπε θεά· καὶ μάργος Ἔρως ἀνεπάλλετο κόλπου μητρὸς ἑῆς, καὶ τόξον ἐκούφισεν, ἀμφὶ δὲ βαιῷ ὤμῳ πανδαμάτειραν ἐπῃώρησε φαρέτρην· καὶ πτερόεις πεπότητο διʼ αἰθέρος· ἀμφὶ δὲ Κέρνῃ κυκλώσας πτερὰ κοῦφα βολαῖς ἀντώπιος Ἠοῦς 185ἵπτατο μειδιόων, ὅτι τηλίκον ἡνιοχῆα δίφρων οὐρανίων ὀλίγοις ἔφλεξε βελέμνοις, καὶ σέλας Ἠελίοιο σέλας νίκησεν Ἐρώτων. καὶ ταχὺς Ἰνδῴοιο μολὼν κατὰ μέσσον ὁμίλου τόξον ἑὸν στήριζεν ἐπʼ αὐχένι Χαλκομεδείης· 190καὶ βέλος ἰθύνων ῥοδέης περὶ κύκλα παρειῆς Μορρέος εἰς φρένα πέμψεν, ἐρετμώσας δὲ πορείην νηχομένων πτερύγων ἑτερόζυγι σύνδρομος ὁλκῷ πατρῴους ἀνέβαινεν ἐς ἀστερόεντας ὀχῆας, καλλείψας πυρόεντι πεπαρμένον Ἰνδὸν ὀιστῷ.

So spoke the goddess ; and Eros wildly leapt from his mother’s lap and took up his bow, slung the allvanquishing quiver about his little shoulder, and sailed away on his wings through the air ; round Cerne he turned his flight opposite the rays of morning, smiling that he had set afire that great charioteer of the heavenly car with his little darts, and the light of the loves had conquered the light of Helios. Soon he was moving in the midst of the Indian host, and laid his bow against the neck of Chalcomedeia, aiming the shaft round her rosy cheek, and sent it into the heart of Morrheus. Then paddling his way with the double beat of his floating wings he mounted to the starry barriers of his father, leaving the Indian transfixed with the fiery shaft.

People and places in this passage

English translation by W. H. D. Rouse (1940). Original text: W. H. D. Rouse (ed.), Nonnos, Dionysiaca, Loeb Classical Library 344, 354, 356, London: Heinemann; Cambridge, Mass.: Harvard University Press, 1940-1942 (Greek text as digitised by Perseus).

Greek text and translation from the Perseus Digital Library, Tufts University, CC BY-SA 4.0 (Perseus Digital Library, Greek text); translation public domain (Rouse, Loeb 1940-42: US copyright not renewed; Rouse died 1950; OCR from the Internet Archive scans). Introductions, summaries and notes © GreekMythology.com.