Nonnus of Panopolis · Dionysiaca Διονυσιακά

Nonnus of Panopolis, Dionysiaca 34.0–88: Book 34: Morrheus confesses his love to Hyssacos

Morrheus, sleepless with love for Chalcomede, wanders by the river and debates what to do, until his guard Hyssacos asks what troubles him. Morrheus admits that he loves her and fears that Aphrodite and Dionysos are fighting together against him.

Lines 34.0–88 · 830 words · click a number to copy its link
0Κτεινομέναις ἑκάτερθε τριηκοστοῖο τετάρτου Δηριάδης Βάκχῃσι κορύσσεται ἔνδοθι πύργων.

In the thirty-fourth, Deriades attacks and massacres the Bacchant women within the walls.

1κούρη δʼ οὐρεσίφοιτος ἑῷ ταχυδίνεϊ ταρσῷ ἄψοφον ἴχνος ἔχουσα διέστιχεν εἰς ῥάχιν ὕλης· οὐδὲ Θέτις δήθυνεν ἐπʼ ᾐόνος, ἀλλὰ καὶ αὐτὴ πατρῴην βρυόεσσαν ἐδύσατο Νηρέος αὐλήν. 5ἤδη δʼ ἀννεφέλοιο διʼ ἠέρος ὄμμα τιταίνων ἄντυγας ἀστραίας ὁρόων ἐκορέσσατο Μορρεύς· καί τινα μῦθον ἔειπε μεληδόσι θυμὸν ἱμάσσων· πλάζεται ἀλλοπρόσαλλος ἐμὸς νόος· οὐ μία βουλή, εἷς νόος οὐ μεθέπει με· πολυσπερέες δὲ μενοιναὶ 10ἀμφʼ ἐμὲ κυκλώσαντο, καὶ οὐ μίαν οἶδα τελέσσαι· κτείνω Χαλκομέδειαν ἐπήρατον; ἀλλὰ τί ῥέξω, μή με πόθῳ μετὰ πότμον ἀποκτείνειε καὶ αὐτή; ἀλλὰ λίπω ζώουσαν ἀνούτατον, ἀμφαδίην δὲ παρθένον εἰς ὑμέναιον ἐφέλκομαι; ἀλλʼ ἐνὶ θυμῷ 15Δηριάδην τρομέω καὶ Χειροβίην ἐλεαίρω. οὐ μὲν ἐγὼ κτείνω ποτὲ παρθένον· ἢν δὲ δαμάσσω, πῶς δύναμαι ζώειν, ὅτε παρθένον οὐκέτι λεύσσω; κάμνω, Χαλκομέδης ὅτε λείπομαι εἰς μίαν ὥρην.

The girl passed over the hills in her quickmoving step, until she silently passed into the woody uplands; nor did Thetis herself linger upon the shore, but she too returned to the weedy hall of her father Nereus. the cloudless heaven and watching the circling stars ; and he spoke, lashing his spirit with cares : “My mind moves unsteadily every way. No one counsel guides me, no one resolve; wishes throng round me in crowds, and I cannot fulfil one Then what can I do, that she too may not kill me with longing, after her fate? Or shall I leave her alive and unwounded, and drag the girl openly into marriage ? But in my heart I fear Deriades and pity Cheirobié. I will never kill the girl; if I strike her down, how can I live when I see the girl no more ? I am in pain when I am without Chalcomede for one hour.”

19τοῖα μάτην ἐνέπων πολυμήχανος ἤιε Μορρεύς, 20παφλάζων ὀδύνῃσι ποθοβλήτοιο μερίμνης.

So Morrheus went raving and pondering vainly many plans, boiling with the pangs of his desire-struck imagination.

21τὸν δὲ παλινδίνητον ἀλώμενον ὑψόθεν ὄχθης μουνάδος ἀμνήστοιο λελοιπότα δέμνια νύμφης, ἔδρακεν ἐγρήσσων θρασὺς Ὕσσακος· ὡς δολόεις δὲ κρυπτὸν ἀτεκμάρτων ἐφράσσατο κέντρον Ἐρώτων, 25πιστότατος θεράπων· δολίῳ δέ μιν εἴρετο μύθῳ, τοῖον ἔπος προχέων ἀπατήλιον ἀνθερεῶνος· τίπτε λιπὼν σέο λέκτρα καὶ ὑπναλέην σέο νύμφην πλάζεαι ἔνθα καὶ ἔνθα κατὰ κνέφας, ἄτρομε Μορρεῦ; μὴ τάχα Δηριάδης σε διεπτοίησεν ἀπειλῇ; 30μή σοι Χειροβίη κοτέει ζηλήμονι θυμῷ ἐλπομένη φιλέειν σε δορικτήτην τινὰ Βάκχην; καὶ γὰρ ὅτʼ εἰσορόωσιν ἐρωμανέοντας ἀκοίτας, κρυπταδίην διὰ Κύπριν ἀεὶ φθονέουσι γυναῖκες. μὴ τάχα πανδαμάτωρ θρασὺς Ἵμερος εἰς σὲ κορύσσει 35νυμφιδίους σπινθῆρας ἀκοιμήτοιο φαρέτρης; μή τινα Βασσαρίδων ποθέεις μίαν; ὡς μὲν ἀκούω, τρεῖς Χάριτες γεγάασι, χορίτιδες Ὀρχομενοῖο, ἀμφίπολοι Φοίβοιο, χοροπλεκέος δὲ Λυαίου εἰσί τριηκοσίων Χαρίτων στίχες, ὧν μία μούνη 40πασάων προφέρουσα φαείνεται, οἷα καὶ αὐτὴ φαιδροτέραις ἀκτῖσι κατακρύπτει σέλας ἄστρων μαρμαρυγὴν εὔκυκλον ἀκοντίζουσα Σελήνη. καὶ διδύμοις βελέεσσι κορύσσεται εἰν ἑνὶ θεσμῷ, κάλλεϊ τοξεύουσα καὶ αἰχμάζουσα σιδήρῳ· 45ἔστι δὲ Πασιθέη κορυθαιόλος, ἥν τινα Βάκχαι Χαλκομέδην καλέουσιν· ἐγὼ δέ μιν αὐτὸς ἐνίψω Ἄρτεμιν ἀργυρόπεζαν ἠὲ χρύσασπιν Ἀθήνην.

As he walked alone on the bank, wandering up and down and forgetful of his bride left alone in her bed, bold Hyssacos his trusty guardian, wide awake, saw him. He was shrewd enough to recognize the secret sting of some undivined love, so he began to ask crafty questions and spoke in beguiling words, as follows : bride to wander about in the dark, fearless Morrheus ? Has Deriades affrighted you with a threat? Is Cheirobié angry with you in a jealous temper, and thinks you in love with some captive Bacchant ? For when women see their partners wild with love, they are always jealous of some secret intrigue. Perhaps that allvanquishing braggart Desire has been aiming at you bridal sparks from his unresting quiver! Do you want one of the Bassarids, perhaps ? As I hear, there are three Graces, the dancers of Orchomenos, handmaids of Phoibos—but Lyaios the danceweaver has whole rows of Graces three hundred strong, one of whom shines pre-eminent above all, as Selene herself quenches the light of the stars with her brighter beams when she scatters her shimmering around. And she arms herself with two shots on one count —the arrow of her beauty and the steel of her spear. She is a helmeted Pasithea, whom the Bacchants name Chalcomede: but I will call her Silverfoot Artemis or Goldenshield Athena.”’

48ὣς φάμενος σίγησε· καὶ ὀφρύος ἄκρα καθέλκων αἰδομένοις στομάτεσσι δυσίμερος ἔννεπε Μορρεύς·

When he had said this, he fell silent ; and lovesick Morrheus drawing his brows together answered with shamefast lips :

50ἀτρεκέως Διόνυσος ἐδύσατο κῦμα θαλάσσης δειμαίνων Λυκόοργον, ὑποβρυχίοιο δὲ κόλπου Νηρεΐδας θώρηξε, καὶ ἐξ ἁλὸς ἦλθε κομίζων εἰναλίην ἐς Ἄρηα κασιγνήτην Ἀφροδίτην· ἀντὶ δὲ νυμφιδίοιο καὶ εὐόδμοιο χιτῶνος 55δῶκεν ἔχειν θώρηκα σιδήρεον, ἀντὶ δὲ κεστοῦ χάλκεον ἔγχος ὄπασσε· καὶ οὔνομα τὸ πρὶν ἀμείψας Χαλκομέδην ὀνόμηνε κορυσσομένην Ἀφροδίτην· ἔστι δὲ Βασσαρίδεσσι συνέμπορος· ἀμφοτέροις δὲ μάρναμαι ἀγνώσσων, καὶ Κύπριδι καὶ Διονύσῳ. 60καὶ τί μάτην δόρυ θοῦρον ἀείρομαι; εἶξον, ἀκωκή· εἰ Παφίη νίκησεν ἀκοντιστῆρα κεραυνοῦ, εἰ πολέμων σκηπτοῦχον ἑῷ σπινθῆρι δαμάζει, εἰ φλογερὸν Φαέθοντα κατέφλεγε μείζονι πυρσῷ καὶ κλονέει πυρόεντα,τί κεν ῥέξαιμι σιδήρῳ; 65εἴπατέ μοί τινα μῆτιν ἀρηγόνα Κυπρογενείης· οὐτήσω τὸν Ἔρωτα; πόθεν πτερόεντα κιχήσω; ἔγχος ἀερτάζω; πυρὶ μάρναται, ἆορ ἐρύσσω; τόξον ἔχει, τὸ δὲ τόξον ἐμῆς φρενὸς ἁπτόμενον πῦρ.

“Certainly Dionysos dived into the waves of the sea for fear of Lycurgos, and armed the Nereids in the bosom of the deep, and out of the brine he brought against Ares his own sister, Aphrodite of the brine: instead of the fragrant dress for a bridegift he gave her a steel corselet to wear, instead of the cestus he gave her a spear of bronze ; he changed her name, and Aphrodite armed became Chalcomede. She is in the company of the Bassarids, and I have two to fight, without knowing it—both Cypris and Dionysos. Why do I vainly lift my valiant spear? Yield, my point! If the Paphian has conquered the master of the thunderbolt, if she vanquishes the king of battles with her spark, if she has burnt up flaming Phaéthon with a fire greater than his own and harasses the fiery one, what could I do with steel? Tell me some device to help against Cyprogeneia. Shall I wound Eros but how shall I catch that winged one? Shall I lift aspear? Fire is his weapon. Shall I draw the sword? He has an arrow, and his arrow is fire kindling my heart.

69πολλάκις οὐτήθην κατὰ φύλοπιν· ἀλλὰ καμόντα 70ἰητήρ με σάωσεν ἑῇ ζωαρκέι τέχνῃ, ὠτειλῇ μελέων ὀδυνήφατον ἄνθος ἑλίξας. Ὕσσακε, μὴ κρύψῃς, τίνα φάρμακα ποικίλα πάσσων ἔνδον ἐμῆς κραδίης ἰήσομαι ἕλκος Ἐρώτων. εἰμὶ μὲν ἀντιβίοισιν ἀεὶ θρασύς· ἀλλʼ ὅτε λεύσσω 75Χαλκομέδην παρεοῦσαν, ἐμὴ θηλύνεται αἰχμή. οὐ τρομέω Διόνυσον· ὑποπτήσσω δὲ γυναῖκα, ὅττι σέλας πέμπουσα ποθοβλήτοιο προσώπου μορφῇ ὀιστεύει με, καὶ οὐκέτι τόξα τιταίνω. ὣς ἄρα Νηρεΐδων μίαν ἔδρακον· εἰ θέμις εἰπεῖν, 80ἢ Θέτις ἢ Γαλάτεια συναιχμάζει Διονύσῳ.

“Often I have been wounded in the field ; but wounded, some physician has made me whole by his lifesaving art, by laying an allheal flower on the wound of my body. Hyssacos, hide it not, tell me what varied store of balsams can apply in my heart to cure the wound of love! To my adversaries I am always bold ; but when I see Chalcomede before me, my sharp point grows womanish. I fear not Dionysos, but I shrink before a woman, for she shoots bright shafts from her lovesmit countenance and pierces me with her beauty. I cannot aim my bow then. So I have seen one of the Nereids. If I dare say it, either Thetis or Galateia is fighting beside Dionysos !

81εἶπε, καὶ ἀκροτάτοισι μόγις βραδὺς ἴχνεσι βαίνων, μὴ νυχίην εὕδουσαν ἑὴν παράκοιτιν ἐγείρῃ, εἰς θάλαμον πάλιν ἦλθε· μελαγκόλποιο δὲ νύμφης τηλόθεν ἔτραπεν ὄμμα, καὶ ἤθελεν, ὄφρα φανεῖσα 85Χαλκομέδη λάμψειε καὶ ἠριγένεια φανείη. ἀσχαλόων δʼ ὑπʼ Ἔρωτι κατηφέι κάππεσεν εὐνῇ· καὶ θεράπων ἄγρυπνος ἔχων πόθον ἡδέος ὕπνου Ὕσσακος αὖτις ἔδαρθεν ἑῆς ἐφύπερθε βοείης.

He spoke ; and moving on the tips of his toes, slowly and carefully, so as not to awaken his sleeping wife in the night, he entered his chamber again. Far from the black bosom of his bride he turned his eyes away, and wished that Chalcomede might stand shining before him and dawn appear. Chafing with love he fell on his sad couch; and his watchful guardian Hyssacos, longing for quiet rest, fell asleep once more on his oxhide shield.

People and places in this passage

English translation by W. H. D. Rouse (1940). Original text: W. H. D. Rouse (ed.), Nonnos, Dionysiaca, Loeb Classical Library 344, 354, 356, London: Heinemann; Cambridge, Mass.: Harvard University Press, 1940-1942 (Greek text as digitised by Perseus).

Greek text and translation from the Perseus Digital Library, Tufts University, CC BY-SA 4.0 (Perseus Digital Library, Greek text); translation public domain (Rouse, Loeb 1940-42: US copyright not renewed; Rouse died 1950; OCR from the Internet Archive scans). Introductions, summaries and notes © GreekMythology.com.