Nonnus of Panopolis · Dionysiaca Διονυσιακά

Nonnus of Panopolis, Dionysiaca 34.89–161: Book 34: Morrheus' dream of Chalcomede; the Bacchic host marches in dread

A deceitful dream promises Morrheus that Chalcomede will come to him, and at dawn he praises her beauty. The Indians arm, while the Bacchic host, still without Dionysos, marches out silent and afraid, and Chalcomede, on Thetis' advice, takes her place at the front.

Lines 34.89–161 · 669 words · click a number to copy its link
89Μορρέα δʼ ὑπνώοντα παρήπαφεν ὄψις ὀνείρου, 90κλεψινόων ἐλέφαντος ἀναΐξασα πυλάων, καί τινα μῦθον ἔειπεν ἐπήρατον ἠπεροπῆα·

While Morrheus slumbered, the vision of a dream came flying from the deluding gates of ivory to cajole him, and uttered a comforting but deceitful speech :

92δέχνυσο Χαλκομέδην πειθήμονα, νυμφίε Μορρεῦ· δέξο καὶ ἐν λεχέεσσι μετὰ πτολέμους σέο νύμφην· ἠματίην ὁρόων με τεὴν ηὔφρηνας ὀπωπήν, 95καὶ νυχίῃ παρίαυε φιλήνορι Χαλκομεδείῃ. ἔστι καὶ ὑπναλέοιο γάμου χάρις, ἔστι καὶ αὐτῶν ἱμερόεις γλυκὺς οἶστρος ὀνειρείων ὑμεναίων. ἤθελον ἀγκὰς ἔχειν σε, καὶ ἐγγύθι φαίνεται Ἠώς.

“Bridegroom Morrheus, welcome Chalcomede a willing bride! Welcome your bride in your own bed after your battles! In the day when you saw me you delighted your eyes—in the night, sleep by the side of your loving Chalcomedeia! Even in sleep marriage has its charm, even in dreams it has a passion of sweet desire. I would fain hold you in my arms, and dawn is near.”’

99ὣς φαμένη πεπότητο· καὶ ἐξ ὕπνου θόρε Μορρεύς, 100ἀρχομένης δʼ ἐνόησεν ἀμερσιγάμου φάος Ἠοῦς· Χαλκομέδην δʼ ἐδόκησεν ἔχειν πόθον· αἶψα δὲ σιγῇ ἔννεπε Κυπριδίην ἀπατήλιον ἐλπίδα βόσκων·

With these words, the vision flew away ; Morrheus leapt out of his sleep and saw the beginning of Dawn, the thief of love. He thought Chalcomede desired him, and at once said silently to himself, feeding his delusive hope of love :

103τριπλόον, ἠριγένεια, φέρεις φάος, ὅττι κομίζεις Χαλκομέδην, καὶ φέγγος ἄγεις καὶ νύκτα διώκεις. 105Μορρέος ἀγρύπνοιο παρήγορε, καὶ σὺ φανείης, Χαλκομέδη, ῥοδόεσσα ῥοδοστεφέος πλέον Ἠοῦς· οὔ ποτε τοῖον ἄγουσι ῥόδον λειμωνίδες Ὧραι. παρθενικὴ χαρίεσσα, τεαὶ μεθέπουσι παρειαὶ εἰαρινὸν λειμῶνα, τὸν οὐ χρόνος οἶδε μαραίνειν· 110ἄνθεα σοὶ θαλέουσιν, ὅτε φθινοπωρίδες Ὧραι· σὰ κρίνα καὶ κατὰ χεῖμα φαείνεται· ἀμφιέπει δὲ σὸν δέμας οὐ λήγουσαν ἐρευθομένην ἀνεμώνην, ἣν Χάριτες κομέουσι καὶ οὐκ ὀλέκουσιν ἀῆται. οὔνομα σὸν κόσμησας ἀριστεύουσα σιδήρῳ· 115ἅρμενον ἠνορέῃ τεὸν οὔνομα· Χαλκομέδην δὲ οὔ σε μάτην καλέουσι· σὲ γὰρ τέκε χάλκεος Ἄρης Κύπριδος ἐν λεχέεσσιν Ἐρωτοτόκοιο χορεύων. Χαλκομέδην μὲν ἅπαντες, ἐγὼ δέ σε μοῦνος ἐνίψω Χρυσομέδην, ὅτι κάλλος ἔχεις χρυσῆς Ἀφροδίτης· 120πείθομαι, ὡς Σπάρτηθεν ἔχεις γένος· ὡς δοκέω γάρ, Χαλκομέδην ἐλόχευσε σιδηροχίτων Ἀφροδίτη.

‘Threefold light you bring, O daughter of the mist! You bring Chalcomede, and you bring the daylight, and you drive night away ! O Chalcomede, do you appear to me also, and comfort wakeful Morrheus, you, rosier yourself than rose-crowned Dawn: no such roses are brought by the Seasons to our meadows. Charming maiden, your cheeks present a meadow of the Springtime which time knows not how to wither. Your flowers are in bloom when the fruitwasting Autumn Seasons are here: your lilies can be seen even in winter; your body is all one blushing anemone never-fading, which the Graces tend and the winds never destroy. Your name you have adorned by the triumphs of your spear; your name fits your valour—not in vain are you called Chalcomede, for brazen Ares begat you, tumbling on the bed of love-begetting Cypris. All the world calls you Chalcomede, but I alone call you Chrysomede, because you have the beauty of golden Aphrodite; I believe you come from Sparta, for as I think, Aphrodite Steelcorselet was the mother of Chalcomede.”’

122τοῖον ἔπος κατέλεξε φιλαγρύπνων ἐπὶ λέκτρων. ἀλλʼ ὅτε φοινίσσοντι σέλας πέμπουσα προσώπῳ ὑσμίνης προκέλευθος ἑκηβόλος ἄνθορεν Ἠώς, 125Ἰνδῴην ἐκόρυσσε γονὴν λαοσσόος Ἄρης· καὶ τότε θωρηχθέντες ἐυτροχάλων ἀπὸ λέκτρων ἅρματι Δηριάδαο συνήλυδες ἔρρεον Ἰνδοί.

So he spoke on his wakeful bed. But when farshooting Dawn with crimson face leapt up sending forth her light as the forerunner of battle, Ares musterhost armed the Indian nation; then the Indians fully equipped ran from their wellwheeled beds to gather round the chariot of Deriades.

128βάκχοι δʼ οὐ παρεόντος ἀνικήτου Διονύσου εἰς πεδίον προχέοντο κατηφέες· ἐν κραδίῃ δὲ 130οὐκέτι θαρσήεντες ἐπεστρατόωντο κυδοιμῷ, ἀλλὰ φόβῳ δονέοντο· καὶ οὐ ῥηξήνορι λύσσῃ εἰσέτι χαλκοχίτωνες ἐβακχεύοντο γυναῖκες· οὐδὲ βαρυφθόγγοιο μεμυκότος ἀνθερεῶνος ἀφρὸν ἀνηκόντιζον, ἐν ἀφλοίσβῳ δὲ σιωπῇ 135μίμνεν ἀδεψήτοιο περίκροτα νῶτα βοείης· οὐ δαΐδες σελάγιζον Ἐνυαλίης φλόγα πεύκης, καπνὸν ἐρευγομένης θανατηφόρον· ἀλλʼ ὑπὸ κέντρῳ δαιμονίης μάστιγος ἐθηλύνοντο μαχηταί. οὐ Σάτυροι κελάδησαν, ἐθήμονος οὐ θρόος αὐλοῦ 140ἔβρεμεν ἐγρεκύδοιμος· ἀβακχεύτῳ δὲ κυδοιμῷ Σειληνοὶ πολέμιζον ἐχέφρονες, οὐδὲ προσώπῳ μίλτον ἐπιχρίσαντες ὁμόχροον αἴθοπι λύθρῳ ξανθὸν ἐφοινίξαντο τύπον ψευδήμονι μορφῇ εἰς φόβον, οὐδὲ μέτωπα πεφυρμένα λευκάδι γύψῳ, 145ὡς πάρος, ἐρραίνοντο· καὶ οὐ στομάτεσσι πιόντες θερμὸν ἐρημονόμοιο νεόσσυτον αἷμα λεαίνης Πᾶνες ἀελλήεντες ἐβακχεύοντο κυδοιμῷ, ἀλλὰ φόβῳ γεγάασιν ἐνηέες· ὀκναλέοι δὲ φειδομέναις ἤρασσον ἀδουπήτοις χθόνα χηλαῖς, 150φρικτὸν ἀναστείλαντες ὀρίδρομον ἅλμα χορείης.

But the Bacchoi, with invincible Dionysos still amissing, poured forth downcast on the plain. No longer in confident heart they marched to the fight, but they were stricken with fear. No longer with manbreaking madness the women in bronze corselets rushed frantic to the field, no more they scattered foam from their bellowing throats with deep growlings ; but in silence undisturbed the untanned calfskins lay unbeaten. Their torches sent forth no shining flame of martial brands nor belched the deathbringing smoke ; but under the goad of the divine lash the warriors turned to women. The Satyrs made no noise, no sound echoed as of yore from the pipes to awaken the conflict. The Seilenoi went to battle in sober silence with their wits about them ; they had not painted their faces with crimson like fresh blood, nor purpled their yellow skin to deceive and affright, nor daubed their foreheads with white chalk as usual. The Pans had drunk no hot blood fresh from the veins of a lioness of the wilds, and rushed not swift as the wind frenzied into the conflict, but they were mild with fear: hesitating they pawed the ground with gentle noiseless hooves, and ceased the terrible leaps of their highland dance.

151Δηριάδης δʼ ὑπέροπλος ἐπέχραεν ἄρσενι χάρμῃ, σείων ὡς τρυφάλειαν ἑῆς γλωχῖνα κεραίης· θηλυτέρῃ δὲ φάλαγγι θορὼν βακχεύετο Μορρεύς· οὐ γὰρ Χαλκομέδεια συνέμπορος ἵστατο Βάκχαις, 155ὄφρά μιν αἰδέσσαιτο, κατεσσυμένην δὲ γυναικῶν αἵματι πορφύρουσαν ἀναστείλειεν ἀκωκήν, ἀλλὰ τότε προμάχοισιν ὁμήλυδος ἥπτετο χάρμης παρθένος ἱμερόεσσα νέη κλυτότοξος Ἀμαζών, φάρεα λεπτὰ φέρουσα καὶ ἀστράπτοντα χιτῶνα 160ἐν πεδίῳ· τὸ γὰρ εἶπε σοφὴ Θέτις, ὄφρα σαώσῃ λαὸν ὅλον μογέοντα τινασσομένου Διονύσου.

But Deriades proudly grappled with the men’s battle, shaking his pointed horn like a helmet plume ; Morrheus leapt raging against the company of women. For Chalcomedeia did not stand beside the Bacchant women to make him pitiful, and check the blade which darted against the women purpled with blood ; but now the lovely young girl, a new bowfamed Amazon, took hand in the fight beside the front ranks in the plain, clad in light robes and a shining tunic. For that is what wise Thetis told her to do, that she might save the whole host, so distressed while Dionysos was being plagued.

People and places in this passage

English translation by W. H. D. Rouse (1940). Original text: W. H. D. Rouse (ed.), Nonnos, Dionysiaca, Loeb Classical Library 344, 354, 356, London: Heinemann; Cambridge, Mass.: Harvard University Press, 1940-1942 (Greek text as digitised by Perseus).

Greek text and translation from the Perseus Digital Library, Tufts University, CC BY-SA 4.0 (Perseus Digital Library, Greek text); translation public domain (Rouse, Loeb 1940-42: US copyright not renewed; Rouse died 1950; OCR from the Internet Archive scans). Introductions, summaries and notes © GreekMythology.com.