Euripides · Iphigenia at Aulis Ἰφιγένεια ἐν Αὐλίδι

Euripides, Iphigenia at Aulis 1036–1097: Third choral song: the wedding of Peleus and Thetis; Iphigenia's coming sacrifice

The Chorus recalls the day when the Pierian choir came over Pelion to the wedding of Peleus, with the banquet of the gods and the Centaurs on horseback. They then turn to Iphigenia and say that the Argives will crown her like a pure heifer, and stain her throat with blood.

Lines 1036–1097 · 364 words · click a number to copy its link

Chorus

1036τίνʼ ἄρʼ Ὑμέναιος διὰ λωτοῦ Λίβυος μετά τε φιλοχόρου κιθάρας συρίγγων θʼ ὑπὸ καλαμοεσ- σᾶν ἔστασεν ἰαχάν, 1040ὅτʼ ἀνὰ Πήλιον αἱ καλλιπλόκαμοι δαιτὶ θεῶν ἔνι Πιερίδες χρυσεοσάνδαλον ἴχνος ἐν γᾷ κρούουσαι Πηλέως ἐς γάμον ἦλθον, 1045μελῳδοῖς Θέτιν ἀχήμασι τόν τʼ Αἰακίδαν, Κενταύρων ἐν ὄρεσι κλέουσαι Πηλιάδα καθʼ ὕλαν. ὁ δὲ Δαρδανίδας, Διὸς 1050λέκτρων τρύφημα φίλον, χρυσέοισιν ἄφυσσε λοιβὰν ἐν κρατήρων γυάλοις, ὁ Φρύγιος Γανυμήδης. παρὰ δὲ λευκοφαῆ ψάμαθον 1055εἱλισσόμεναι κύκλια πεντήκοντα κόραι γάμους Νηρέως ἐχόρευσαν.

What wedding-hymn was that which raised its strains to the sound of Libyan flutes, to the music of the dancer’s lyre, and the note of the pipe of reeds? It was on the day Pieria’s lovely-haired choir came over the slopes of Pelion to the wedding of Peleus, beating the ground with print of golden sandals at the banquet of the gods, and hymning in dulcet strains the praise of Thetis and the son of Aeacus, over the Centaurs’ hill, down woods of Pelion. There was the Dardanian boy, dainty morsel of Zeus’ bed, drawing off the wine he mixed in the depths of golden bowls, Ganymede the Phrygian; while, along the gleaming sand, the fifty daughters of Nereus graced the marriage with their dancing, circling in a mazy ring.

Chorus

1058ἀνὰ δʼ ἐλάταισι στεφανώδει τε χλόᾳ θίασος ἔμολεν ἱπποβάτας 1060Κενταύρων ἐπὶ δαῖτα τὰν θεῶν κρατῆρά τε Βάκχου. μέγα δʼ ἀνέκλαγον· Ὦ Νηρηὶ κόρα, παῖδα σὲ Θεσσαλίᾳ μέγα φῶς μάντις ὁ φοιβάδα μοῦσαν 1065εἰδὼς γεννάσειν Χείρων ἐξονόμαζεν, ὃς ἥξει χθόνα λογχήρεσι σὺν Μυρμιδόνων ἀσπισταῖς Πριάμοιο κλεινὰν 1070γαῖαν ἐκπυρώσων, περὶ σώματι χρυσέων ὅπλων Ἡφαιστοπόνων κεκορυθμένος ἔνδυτʼ, ἐκ θεᾶς ματρὸς δωρήματʼ ἔχων 1075Θέτιδος, ἅ νιν ἔτικτεν. μακάριον τότε δαίμονες τᾶς εὐπάτριδος γάμον Νηρῄδων ἔθεσαν πρώτας Πηλέως θʼ ὑμεναίους.

The revel-rout of Centaurs came too, mounted on horses, to the feast of the gods and the mixing-bowl of Bacchus, leaning on fir-trees, with wreaths of green foliage round their heads; and Chiron cried loudly: Daughter of Nereus, you shall bear a son, a dazzling light to Thessaly; and the prophet, skilled in arts inspired by Phoebus, gave his name; for he shall come with an army of Myrmidon spearmen to the famous land of Priam, to set it in a blaze, his body cased in a suit of golden mail forged by Hephaestus, a gift from his goddess-mother, from Thetis who bore him. Then the gods shed a blessing on the marriage of the high-born bride, who was first of Nereus’ daughters, and on the wedding of Peleus.

Chorus

1080—σὲ δʼ ἐπὶ κάρα στέψουσι καλλικόμαν πλόκαμον Ἀργεῖοι, βαλιὰν ὥστε πετραίων ἀπʼ ἄντρων ἐλθοῦσαν ὀρέων μόσχον ἀκήρατον, βρότειον αἱμάσσοντες λαιμόν· 1085οὐ σύριγγι τραφεῖσαν οὐδʼ ἐν ῥοιβδήσεσι βουκόλων, παρὰ δὲ ματέρι νυμφοκόμον Ἰναχίδαις γάμον. ποῦ τὸ τᾶς Αἰδοῦς 1090ἢ τὸ τᾶς Ἀρετᾶς ἔχει σθένειν τι πρόσωπον, ὁπότε τὸ μὲν ἄσεπτον ἔχει δύνασιν, ἁ δʼ Ἀρετὰ κατόπι- σθεν θνατοῖς ἀμελεῖται, 1095Ἀνομία δὲ νόμων κρατεῖ, καὶ μὴ κοινὸς ἀγὼν βροτοῖς μή τις θεῶν φθόνος ἔλθῃ;

But the Argives will crown you, wreathing the lovely tresses of your hair, like a pure, dappled heifer brought from some rocky cave, and staining with blood your human throat; though you were never reared among the piping and whistling of herdsmen, but at your mother’s side, to be decked as the bride of a son of Inachus. Where now does the face of modesty or virtue have any strength? seeing that godlessness holds sway, and virtue is neglected by men and thrust behind them, lawlessness over law prevailing, and mortals no longer making common cause to keep the jealousy of gods from reaching them.

People and places in this passage

English translation by Edward P. Coleridge (1891). Original text: Greek text: Gilbert Murray (ed.), Euripidis Fabulae, Oxford: Clarendon Press, 1913, as digitised by Perseus. English: Edward P. Coleridge, The Plays of Euripides, London: George Bell and Sons, first published 1891 (Bohn's Classical Library; the Perseus header records a later printing).

Greek text and translation from the Perseus Digital Library, Tufts University, CC BY-SA 4.0 (Perseus Digital Library); translation public domain. Introductions, summaries and notes © GreekMythology.com.