Euripides · Iphigenia at Aulis Ἰφιγένεια ἐν Αὐλίδι

Euripides, Iphigenia at Aulis 1211–1254: Fourth episode: Iphigenia pleads for her life

Iphigenia says that if she had the eloquence of Orpheus she would move the rocks to follow her. As a suppliant she twines her limbs about her father's knees and begs him not to destroy her before her time. She asks what she has to do with the marriage of Paris and Helen, and begs for one glance and one kiss to carry to her death.

Lines 1211–1254 · 449 words · click a number to copy its link
Ἰφιγένεια 1211εἰ μὲν τὸν Ὀρφέως εἶχον, ὦ πάτερ, λόγον, πείθειν ἐπᾴδουσʼ, ὥσθʼ ὁμαρτεῖν μοι πέτρας, κηλεῖν τε τοῖς λόγοισιν οὓς ἐβουλόμην, ἐνταῦθʼ ἂν ἦλθον· νῦν δέ, τἀπʼ ἐμοῦ σοφά, 1215δάκρυα παρέξω· ταῦτα γὰρ δυναίμεθʼ ἄν. ἱκετηρίαν δὲ γόνασιν ἐξάπτω σέθεν τὸ σῶμα τοὐμόν, ὅπερ ἔτικτεν ἥδε σοι, μή μʼ ἀπολέσῃς ἄωρον· ἡδὺ γὰρ τὸ φῶς βλέπειν· τὰ δʼ ὑπὸ γῆς μή μʼ ἰδεῖν ἀναγκάσῃς. 1220πρώτη σʼ ἐκάλεσα πατέρα καὶ σὺ παῖδʼ ἐμέ· πρώτη δὲ γόνασι σοῖσι σῶμα δοῦσʼ ἐμὸν φίλας χάριτας ἔδωκα κἀντεδεξάμην. λόγος δʼ ὁ μὲν σὸς ἦν ὅδʼ· Ἆρά σʼ, ὦ τέκνον, εὐδαίμονʼ ἀνδρὸς ἐν δόμοισιν ὄψομαι, 1225ζῶσάν τε καὶ θάλλουσαν ἀξίως ἐμοῦ; οὑμὸς δʼ ὅδʼ ἦν αὖ περὶ σὸν ἐξαρτωμένης γένειον, οὗ νῦν ἀντιλάζυμαι χερί· Τί δʼ ἆρʼ ἐγὼ σέ; πρέσβυν ἆρʼ ἐσδέξομαι ἐμῶν φίλαισιν ὑποδοχαῖς δόμων, πάτερ, 1230πόνων τιθηνοὺς ἀποδιδοῦσά σοι τροφάς; τούτων ἐγὼ μὲν τῶν λόγων μνήμην ἔχω, σὺ δʼ ἐπιλέλησαι, καί μʼ ἀποκτεῖναι θέλεις. μή, πρός σε Πέλοπος καὶ πρὸς Ἀτρέως πατρὸς καὶ τῆσδε μητρός, ἣ πρὶν ὠδίνουσʼ ἐμὲ 1235νῦν δευτέραν ὠδῖνα τήνδε λαμβάνει. τί μοι μέτεστι τῶν Ἀλεξάνδρου γάμων Ἑλένης τε; πόθεν ἦλθʼ ἐπʼ ὀλέθρῳ τὠμῷ, πάτερ; βλέψον πρὸς ἡμᾶς, ὄμμα δὸς φίλημά τε, ἵνʼ ἀλλὰ τοῦτο κατθανοῦσʼ ἔχω σέθεν 1240μνημεῖον, ἢν μὴ τοῖς ἐμοῖς πεισθῇς λόγοις. ἀδελφέ, μικρὸς μὲν σύ γʼ ἐπίκουρος φίλοις, ὅμως δὲ συνδάκρυσον, ἱκέτευσον πατρὸς τὴν σὴν ἀδελφὴν μὴ θανεῖν· αἴσθημά τοι κἀν νηπίοις γε τῶν κακῶν ἐγγίγνεται. 1245ἰδοὺ σιωπῶν λίσσεταί σʼ ὅδʼ, ὦ πάτερ. ἀλλʼ αἴδεσαί με καὶ κατοίκτιρον βίου. ναί, πρὸς γενείου σʼ ἀντόμεσθα δύο φίλω· ὃ μὲν νεοσσός ἐστιν, ἣ δʼ ηὐξημένη. ἓν συντεμοῦσα πάντα νικήσω λόγον· 1250τὸ φῶς τόδʼ ἀνθρώποισιν ἥδιστον βλέπειν, τὰ νέρθε δʼ οὐδέν· μαίνεται δʼ ὃς εὔχεται θανεῖν. κακῶς ζῆν κρεῖσσον ἢ καλῶς θανεῖν. Χορός ὦ τλῆμον Ἑλένη, διὰ σὲ καὶ τοὺς σοὺς γάμους ἀγὼν Ἀτρείδαις καὶ τέκνοις ἥκει μέγας.

Iphigenia If I had the eloquence of Orpheus, my father, to move the rocks by chanted spells to follow me, or to charm by speaking anyone I wished, I would have resorted to it. But as it is, I’ll bring my tears—the only art I know; for that I might attempt. And about your knees, as a suppliant, I twine my limbs—these limbs your wife here bore. Do not destroy me before my time, for it is sweet to look upon the light, and do not force me to visit scenes below. I was the first to call you father, you the first to call me child; I was the first to sit upon your knee and give and take the fond caress. And this was what you would say then: Shall I see you, my child, living a happy prosperous life in a husband’s home one day, in a manner worthy of myself? And I in my turn would ask, as I hung about your beard, where I now am clinging, What then will I do for you? Shall I be giving you a glad reception in my halls, father, in your old age, repaying all your anxious care in rearing me? I remember all we said, it is you who have forgotten and now would take my life. By Pelops, I entreat you spare me, by your father Atreus and my mother here, who suffers now a second time the pangs she felt before when bearing me! What have I to do with the marriage of Paris and Helen? Why is his coming to prove my ruin, father? Look upon me; bestow one glance, one kiss, that this at least I may carry to my death as a memorial of you, though you do not heed my pleading. Feeble ally though you are, brother, to your loved ones, yet add your tears to mine and entreat our father for your sister’s life; even in babies there is a natural sense of evil. O father, see this speechless supplication made to you; pity me; have mercy on my tender years! Yes, by your beard we two fond hearts implore your pity, the one a baby, a full-grown maid the other. By summing all my pleas in one, I will prevail in what I say: to gaze upon the light is man’s most cherished gift; that life below is nothingness, and whoever longs for death is mad. Better live a life of woe than die a death of glory!

Chorus Leader Ah, wretched Helen! Great is the struggle that has come to the sons of Atreus and their children, thanks to you and those marriages of yours.

People and places in this passage

English translation by Edward P. Coleridge (1891). Original text: Greek text: Gilbert Murray (ed.), Euripidis Fabulae, Oxford: Clarendon Press, 1913, as digitised by Perseus. English: Edward P. Coleridge, The Plays of Euripides, London: George Bell and Sons, first published 1891 (Bohn's Classical Library; the Perseus header records a later printing).

Greek text and translation from the Perseus Digital Library, Tufts University, CC BY-SA 4.0 (Perseus Digital Library); translation public domain. Introductions, summaries and notes © GreekMythology.com.