Ovid · Metamorphoses Metamorphoses

Ovid, Metamorphoses 12.1–63: The Greeks at Aulis; the House of Fame

Priam mourns for Aesacus, not knowing that he lives on as a bird, while Paris, who was absent, returns with Helen and a thousand ships. The Greek fleet gathers at Aulis, where a snake devours eight sparrows and their mother and is turned to stone, and Calchas reads the omen as meaning ten years of war. The ships are held by contrary winds until Iphigenia is brought to the altar, but Artemis (Diana) puts a hind in her place and carries her away. The poet then describes the House of Fame, where all the rumours of the world are heard.

Lines 12.1–63 · 681 words · click a number to copy its link
1Nescius adsumptis Priamus pater Aesacon alis vivere lugebat, tumulo quoque nomen habenti inferias dederat cum fratribus Hector inani. Defuit officio Paridis praesentia tristi, 5postmodo qui rapta longum cum coniuge bellum attulit in patriam; coniurataeque sequuntur mille rates gentisque simul commune Pelasgae. Nec dilata foret vindicta, nisi aequora saevi invia fecissent venti Boeotaque tellus 10Aulide piscosa puppes tenuisset ituras. Hic patrio de more Iovi cum sacra parassent, ut vetus accensis incanduit ignibus ara, serpere caeruleum Danai videre draconem in platanum, coeptis quae stabat proxima sacris. 15Nidus erat volucrum bis quattuor arbore summa: quas simul et matrem circum sua damna volantem corripuit serpens avidoque recondidit ore. Obstipuere omnes. At veri providus augur Thestorides “vincemus” ait, “gaudete, Pelasgi!

Sadly his father, Priam, mourned for him,
not knowing that young Aesacus had assumed
wings on his shoulders, and was yet alive.
Then also Hector with his brothers made
complete but unavailing sacrifice,
upon a tomb which bore his carved name.
Paris was absent. But soon afterwards,
he brought into that land a ravished wife,
Helen, the cause of a disastrous war,
together with a thousand ships, and all
the great Pelasgian nation.
Vengeance would
not long have been delayed, but the fierce winds
raged over seas impassable, and held
the ships at fishy Aulis. They could not
be moved from the Boeotian land. Here, when
a sacrifice had been prepared to Jove,
according to the custom of their land,
and when the ancient altar glowed with fire,
the Greeks observed an azure colored snake
crawling up in a plane tree near the place
where they had just begun their sacrifice.
Among the highest branches was a nest,
with twice four birds—and those the serpent seized
together with the mother-bird as she
was fluttering round her loss. And every bird
the serpent buried in his greedy maw.

20Troia cadet, sed erit nostri mora longa laboris,” atque novem volucres in belli digerit annos. Ille, ut erat virides amplexus in arbore ramos, fit lapis et servat serpentis imagine saxum. Permanet Aoniis Nereus violentus in undis 25bellaque non transfert; et sunt qui parcere Troiae Neptunum credant, quia moenia fecerat urbi. At non Thestorides: nec enim nescitve tacetve sanguine virgineo placandam virginis iram esse deae. Postquam pietatem publica causa 30rexque patrem vicit castumque datura cruorem flentibus ante aram stetit Iphigenia ministris, victa dea est nubemque oculis obiecit et inter officium turbamque sacri vocesque precantum supposita fertur mutasse Mycenida cerva. 35Ergo ubi, qua decuit, lenita est caede Diana, et pariter Phoebes, pariter maris ira recessit, accipiunt ventos a tergo mille carinae multaque perpessae Phrygia potiuntur harena.

All stood amazed: but Calchas, who perceived
the truth, exclaimed, “Rejoice Pelasgian men,
for we shall conquer; Troy will fall; although
the toil of war must long continue—so
the nine birds equal nine long years of war.”
And while he prophesied, the serpent, coiled
about the tree, was transformed to a stone,
curled crooked as a snake.
but Nereus stormed
in those Aonian waves, and not a ship
moved forward. Some declared that Neptune thus
was aiding Troy, because he built the walls
of that great city. Not so Calchas, son
of Thestor! He knew all the truth, and told
them plainly that a virgin's blood
alone might end a virgin goddess' wrath.
The public good at last prevailed above
affection, and the duty of a king
at last proved stronger than a father's love:
when Iphigenia as a sacrifice,
stood by the altar with her weeping maids
and was about to offer her chaste blood,
the goddess, moved by pity, spread a mist
before their eyes, amid the sacred rites
and mournful supplications. It is said
she left a hind there in the maiden's place
and carried Iphigenia away. The hind,
as it was fitting, calmed Diana's rage
and also calmed the anger of the sea.
The thousand ships received the winds astern
and gained the Phrygian shore.

39Orbe locus medio est inter terrasque fretumque 40caelestesque plagas, triplicis confinia mundi, unde quod est usquam, quamvis regionibus absit, inspicitur, penetratque cavas vox omnis ad aures. Fama tenet summaque domum sibi legit in arce, innumerosque aditus ac mille foramina tectis 45addidit et nullis inclusit limina portis: nocte dieque patet. Tota est ex aere sonanti, tota fremit vocesque refert iteratque quod audit. Nulla quies intus nullaque silentia parte, nec tamen est clamor, sed parvae murmura vocis, 50qualia de pelagi, siquis procul audiat, undis esse solent, qualemve sonum, cum Iuppiter atras increpuit nubes, extrema tonitrua reddunt. Atria turba tenet: veniunt, leve vulgus, euntque mixtaque cum veris passim commenta vagantur 55milia rumorum confusaque verba volutant. E quibus hi vacuas inplent sermonibus aures, hi narrata ferunt alio; mensuraque ficti crescit, et auditis aliquid novus adicit auctor. Illic Credulitas, illic temerarius Error 60vanaque Laetitia est consternatique Timores Seditioque recens dubioque auctore Susurri. Ipsa, quid in caelo rerum pelagoque geratur et tellure, videt totumque inquirit in orbem.

There is a spot
convenient in the center of the world,
between the land and sea and the wide heavens,
the meeting of the threefold universe.
From there is seen all things that anywhere
exist, although in distant regions far;
and there all sounds of earth and space are heard.
Fame is possessor of this chosen place,
and has her habitation in a tower,
which aids her view from that exalted highs.
And she has fixed there numerous avenues,
and openings, a thousand, to her tower
and no gates with closed entrance, for the house
is open, night and day, of sounding brass,
reechoing the tones of every voice.
It must repeat whatever it may hear;
and there's no rest, and silence in no part.
There is no clamor; but the murmuring sound
of subdued voices, such as may arise
from waves of a far sea, which one may hear
who listens at a distance; or the sound
which ends a thunderclap, when Jupiter
has clashed black clouds together. Fickle crowds
are always in that hall, that come and go,
and myriad rumors—false tales mixed with true—
are circulated in confusing words.
Some fill their empty ears with all this talk,
and some spread elsewhere all that's told to them.
The volume of wild fiction grows apace,
and each narrator adds to what he hears.
Credulity is there and rash Mistake,
and empty Joy, and coward Fear alarmed
by quick Sedition, and soft Whisper—all
of doubtful life. Fame sees what things are done
in heaven and on the sea, and on the earth.
She spies all things in the wide universe.

People and places in this passage

English translation by Brookes More (1922). Original text: Hugo Magnus (ed.), Die Metamorphosen des P. Ovidius Naso, Gotha: F. A. Perthes, 1892 (Latin text as digitised by Perseus); English: Brookes More, Ovid's Metamorphoses, Boston: Cornhill Publishing Company, 1922.

Greek text and translation from the Perseus Digital Library, Tufts University, CC BY-SA 4.0 (Perseus Digital Library); translation public domain. Introductions, summaries and notes © GreekMythology.com.