Ovid · Metamorphoses Metamorphoses

Ovid, Metamorphoses 11.146–193: Pan and Apollo; Midas' ears

Midas, abhorring riches, follows Pan, who boasts of his piping and challenges Apollo to a contest before the mountain Tmolus. Tmolus judges in favour of Apollo, and Midas alone disagrees, and Apollo gives him the ears of an ass, which Midas hides under a turban. His barber, unable to keep the secret, whispers it into a hole in the ground, and the reeds that grow there repeat it.

Lines 11.146–193 · 532 words · click a number to copy its link
146Ille, perosus opes, silvas et rura colebat Panaque montanis habitantem semper in antris. Pingue sed ingenium mansit, nocituraque, ut ante, rursus erant domino stultae praecordia mentis. 150Nam freta prospiciens late riget arduus alto Tmolus in adscensu, clivoque extensus utroque Sardibus hinc, illinc parvis finitur Hypaepis. Pan ibi dum teneris iactat sua carmina nymphis et leve cerata modulatur harundine carmen, 155ausus Apollineos prae se contemnere cantus, iudice sub Tmolo certamen venit ad impar. Monte suo senior iudex consedit et aures liberat arboribus: quercu coma caerula tantum cingitur, et pendent circum cava tempora glandes. 160Isque deum pecoris spectans “in indice” dixit “nulla mora est.” Calamis agrestibus insonat ille barbaricoque Midan (aderat nam forte canenti) carmine delenit. Post hunc sacer ora retorsit Tmolus ad os Phoebi: vultum sua silva secuta est.

Abhorring riches he inhabited
the woods and fields, and followed Pan who dwells
always in mountain-caves: but still obtuse
remained, from which his foolish mind again,
by an absurd decision, harmed his life.
He followed Pan up to the lofty mount
Tmolus, which from its great height looks far
across the sea. Steep and erect it stands
between great Sardis and the small Hypaepa.
While Pan was boasting there to mountain nymphs
of his great skill in music, and while he
was warbling a gay tune upon the reeds,
cemented with soft wax, in his conceit
he dared to boast to them how he despised
Apollo's music when compared with his—.
At last to prove it, he agreed to stand
against Apollo in a contest which
it was agreed should be decided by
Tmolus as their umpire.
This old god
sat down on his own mountain, and first eased
his ears of many mountain growing trees,
oak leaves were wreathed upon his azure hair
and acorns from his hollow temples hung.
First to the Shepherd-god Tmolus spoke:
“My judgment shall be yours with no delay.
Pan made some rustic sounds on his rough reeds,
delighting Midas with his uncouth notes;
for Midas chanced to be there when he played.

165Ille caput flavum lauro Parnaside vinctus verrit humum Tyrio saturata murice palla, instrictamque fidem gemmis et dentibus Indis sustinet a laeva; tenuit manus altera plectrum. Artificis status ipse fuit. Tum stamina docto 170pollice sollicitat, quorum dulcedine captus Pana iubet Tmolus citharae submittere cannas. Iudicium sanctique placet sententia montis omnibus, arguitur tamen atque iniusta vocatur unius sermone Midae; nec Delius aures 175humanam stolidas patitur retinere figuram, sed trahit in spatium villisque albentibus implet instabilesque imas facit et dat posse moveri, cetera sunt hominis: partem damnatur in unam induiturque aures lente gradientis aselli. 180Ille quidem celare cupit, turpisque pudore tempora purpureis temptat velare tiaris. Sed solitus longos ferro resecare capillos viderat hoc famulus. Qui cum nec prodere visum dedecus auderet, cupiens efferre sub auras, 185nec posset reticere tamen, secedit humumque effodit et, domini quales adspexerit aures, voce refert parva terraeque inmurmurat haustae, indiciumque suae vocis tellure regesta obruit et scrobibus tacitus discedit opertis. 190Creber harundinibus tremulis ibi surgere lucus coepit et, ut primum pleno maturuit anno, prodidit agricolam: leni nam motus ab austro obruta verba refert dominique coarguit aures.

When Pan had ceased, divine Tmolus turned
to Phoebus, and the forest likewise turned
just as he moved. Apollo's golden locks
were richly wreathed with fresh Parnassian laurel;
his robe of Tyrian purple swept the ground;
his left hand held his lyre, adorned with gems
and Indian ivory. His right hand held
the plectrum—as an artist he stood there
before Tmolus, while his skilful thumb
touching the strings made charming melody.
Delighted with Apollo's artful touch,
Tmolus ordered Pan to hold his reeds
excelled by beauty of Apollo's lyre.
That judgment of the sacred mountain god
pleased all those present, all but Midas, who
blaming Tmolus called the award unjust.
The Delian god forbids his stupid ears
to hold their native human shape;
and, drawing them out to a hideous length,
he fills them with gray hairs, and makes them both
unsteady, wagging at the lower part:
still human, only this one part condemned,
Midas had ears of a slow-moving ass.
Midas, careful to hide his long ears, wore
a purple turban over both, which hid
his foul disgrace from laughter. But one day
a servant, who was chosen to cut his hair
with steel, when it was long, saw his disgrace.
He did not dare reveal what he had seen,
but eager, to disclose the secret, dug
a shallow hole, and in a low voice told
what kind of ears were on his master's head.
All this he whispered in the hollow earth
he dug, and then he buried all he said
by throwing back the loose earth in the hole
so everything was silent when he left.
A grove thick set with quivering reeds
began to grow there, and when it matured,
about twelve months after that servant left,
the grove betrayed its planter. For, moved by
a gentle South Wind, it repeated all
the words which he had whispered, and disclosed
from earth the secret of his master's ears.

People and places in this passage

English translation by Brookes More (1922). Original text: Hugo Magnus (ed.), Die Metamorphosen des P. Ovidius Naso, Gotha: F. A. Perthes, 1892 (Latin text as digitised by Perseus); English: Brookes More, Ovid's Metamorphoses, Boston: Cornhill Publishing Company, 1922.

Greek text and translation from the Perseus Digital Library, Tufts University, CC BY-SA 4.0 (Perseus Digital Library); translation public domain. Introductions, summaries and notes © GreekMythology.com.