Ovid · Metamorphoses Metamorphoses

Ovid, Metamorphoses 10.1–85: Orpheus and Eurydice

Hymen, called to the wedding of Orpheus and Eurydice, comes with a smoking torch and an ill omen, and Eurydice is bitten by a snake and dies. Orpheus goes down to the underworld and sings before Hades (Pluto) and Persephone (Proserpina), and the shades, even the Furies, weep, and Tantalus, Ixion and Sisyphus forget their torments. He is allowed to lead Eurydice back on condition that he does not look back, but as they near the light he turns to see her, and she slips away. Orpheus then shuns women and gives his love to the young men of Thrace.

Lines 10.1–85 · 1018 words · click a number to copy its link
1Inde per inmensum croceo velatus amictu aethera digreditur Ciconumque Hymenaeus ad oras tendit et Orphea nequiquam voce vocatur. Adfuit ille quidem, sed nec sollemnia verba 5nec laetos vultus nec felix attulit omen. Fax quoque, quam tenuit, lacrimoso stridula fumo usque fuit nullosque invenit motibus ignes. Exitus auspicio gravior: nam nupta per herbas dum nova naiadum turba comitata vagatur, 10occidit in talum serpentis dente recepto. Quam satis ad superas postquam Rhodopeius auras deflevit vates, ne non temptaret et umbras, ad Styga Taenaria est ausus descendere porta; perque leves populos simulacraque functa sepulcro 15Persephonen adiit inamoenaque regna tenentem umbrarum dominum. Pulsisque ad carmina nervis sic ait: “O positi sub terra numina mundi, in quem reccidimus, quidquid mortale creamur, si licet et falsi positis ambagibus oris 20vera loqui sinitis, non huc, ut opaca viderem Tartara, descendi, nec uti villosa colubris terna Medusaei vincirem guttura monstri: causa viae est coniunx, in quam calcata venenum vipera diffudit crescentesque abstulit annos.

Veiled in a saffron mantle, through the air
unmeasured, after the strange wedding, Hymen
departed swiftly for Ciconian land;
regardless and not listening to the voice
of tuneful Orpheus. Truly Hymen there
was present during the festivities
of Orpheus and Eurydice, but gave
no happy omen, neither hallowed words
nor joyful glances; and the torch he held
would only sputter, fill the eyes with smoke,
and cause no blaze while waving. The result
of that sad wedding, proved more terrible
than such foreboding fates.
While through the grass
delighted Naiads wandered with the bride,
a serpent struck its venomed tooth in her
soft ankle— and she died.—After the bard
of Rhodope had mourned, and filled the highs
of heaven with the moans of his lament,
determined also the dark underworld
should recognize the misery of death,
he dared descend by the Taenarian gate
down to the gloomy Styx. And there passed through
pale-glimmering phantoms, and the ghosts
escaped from sepulchres, until he found
Persephone and Pluto, master-king
of shadow realms below: and then began
to strike his tuneful lyre, to which he sang:—
“O deities of this dark world beneath
the earth! this shadowy underworld, to which
all mortals must descend! If it can be
called lawful, and if you will suffer speech
of strict truth (all the winding ways
of Falsity forbidden) I come not
down here because of curiosity
to see the glooms of Tartarus and have
no thought to bind or strangle the three necks
of the Medusan Monster, vile with snakes.
But I have come, because my darling wife
stepped on a viper that sent through her veins
death-poison, cutting off her coming years.

25Posse pati volui nec me temptasse negabo: vicit Amor. Supera deus hic bene notus in ora est, an sit et hic, dubito. Sed et hic tamen auguror esse; famaque si veteris non est mentita rapinae, vos quoque iunxit Amor. Per ego haec loca plena timoris, 30per chaos hoc ingens vastique silentia regni, Eurydices, oro, properata retexite fata. Omnia debemur vobis, paulumque morati serius aut citius sedem properamus ad unam. Tendimus huc omnes, haec est domus ultima, vosque 35humani generis longissima regna tenetis. Haec quoque, cum iustos matura peregerit annos, iuris erit vestri: pro munere poscimus usum. Quod si fata negant veniam pro coniuge, certum est nolle redire mihi: leto gaudete duorum.” 40Talia dicentem nervosque ad verba moventem exsangues flebant animae: nec Tantalus undam captavit refugam, stupuitque Ixionis orbis, nec carpsere iecur volucres, urnisque vacarunt Belides, inque tuo sedisti, Sisyphe, saxo.

“If able, I would bear it, I do not
deny my effort—but the god of Love
has conquered me—a god so kindly known
in all the upper world. We are not sure
he can be known so well in this deep world,
but have good reason to conjecture he
is not unknown here, and if old report
almost forgotten, that you stole your wife
is not a fiction, Love united you
the same as others. By this Place of Fear
this huge void and these vast and silent realms,
renew the life-thread of Eurydice.
“All things are due to you, and though on earth
it happens we may tarry a short while,
slowly or swiftly we must go to one
abode; and it will be our final home.
Long and tenaciously you will possess
unquestioned mastery of the human race.
She also shall be yours to rule, when full
of age she shall have lived the days of her
allotted years. So I ask of you
possession of her few days as a boon.
But if the fates deny to me this prayer
for my true wife, my constant mind must hold
me always so that I can not return—
and you may triumph in the death of two!”
While he sang all his heart said to the sound
of his sweet lyre, the bloodless ghosts themselves
were weeping, and the anxious Tantalus
stopped clutching at return-flow of the wave,
Ixion's twisting wheel stood wonder-bound;
and Tityus' liver for a while escaped
the vultures, and the listening Belides
forgot their sieve-like bowls and even you,
O Sisyphus!

45Tunc primum lacrimis victarum carmine fama est Eumenidum maduisse genas. Nec regia coniunx sustinet oranti nec qui regit ima negare, Eurydicenque vocant. Umbras erat illa recentes inter et incessit passu de vulnere tardo. 50Hanc simul et legem Rhodopeius accipit Orpheus, ne flectat retro sua lumina, donec Avernas exierit valles: aut inrita dona futura. Carpitur acclivis per muta silentia trames, arduus, obscurus, caligine densus opaca. 55Nec procul afuerunt telluris margine summae: hic, ne deficeret, metuens avidusque videndi flexit amans oculos; et protinus illa relapsa est, bracchiaque intendens prendique et prendere certans nil nisi cedentes infelix arripit auras. 60Iamque iterum moriens non est de coniuge quicquam questa suo: quid enim nisi se quereretur amatam? Supremumque “vale,” quod iam vix auribus ille acciperet, dixit revolutaque rursus eodem est.

sat idly on your rock!
Then Fame declared that conquered by the song
of Orpheus, for the first and only time
the hard cheeks of the fierce Eumenides
were wet with tears: nor could the royal queen,
nor he who rules the lower world deny
the prayer of Orpheus; so they called to them
Eurydice, who still was held among
the new-arriving shades, and she obeyed
the call by walking to them with slow steps,
yet halting from her wound. So Orpheus then
received his wife; and Pluto told him he
might now ascend from these Avernian vales
up to the light, with his Eurydice;
but, if he turned his eyes to look at her,
the gift of her delivery would be lost.
They picked their way in silence up a steep
and gloomy path of darkness. There remained
but little more to climb till they would touch
earth's surface, when in fear he might again
lose her, and anxious for another look
at her, he turned his eyes so he could gaze
upon her. Instantly she slipped away.
He stretched out to her his despairing arms,
eager to rescue her, or feel her form,
but could hold nothing save the yielding air.

64Non aliter stupuit gemina nece coniugis Orpheus, 65quam tria qui timidus, medio portante catenas, colla canis vidit, quem non pavor ante reliquit, quam natura prior, saxo per corpus oborto; quique in se crimen traxit voluitque videri Olenos esse nocens, tuque, o confisa figurae, 70infelix Lethaea, tuae, iunctissima quondam pectora, nunc lapides, quos umida sustinet Ide. Orantem frustraque iterum transire volentem portitor arcuerat. Septem tamen ille diebus squalidus in ripa Cereris sine munere sedit: 75cura dolorque animi lacrimaeque alimenta fuere. Esse deos Erebi crudeles questus, in altam se recipit Rhodopen pulsumque aquilonibus Haemum. Tertius aequoreis inclusum piscibus annum finierat Titan, omnemque refugerat Orpheus 80femineam venerem, seu quod male cesserat illi, sive fidem dederat. Multas tamen ardor habebat iungere se vati, multae doluere repulsae. Ille etiam Thracum populis fuit auctor amorem in teneros transferre mares citraque iuventam 85aetatis breve ver et primos carpere flores.

Dying the second time, she could not say
a word of censure of her husband's fault;
what had she to complain of — his great love?
Her last word spoken was, “Farewell!” which he
could barely hear, and with no further sound
she fell from him again to Hades.—Struck
quite senseless by this double death of his
dear wife, he was as fixed from motion as
the frightened one who saw the triple necks
of Cerberus, that dog whose middle neck
was chained. The sight filled him with terror he
had no escape from, until petrified
to stone; or like Olenos, changed to stone,
because he fastened on himself the guilt
of his wife. O unfortunate Lethaea!
Too boastful of your beauty, you and he,
united once in love, are now two stones
upon the mountain Ida, moist with springs.
Orpheus implored in vain the ferryman
to help him cross the River Styx again,
but was denied the very hope of death.
Seven days he sat upon Death's river bank,
in squalid misery and without all food—
nourished by grief, anxiety, and tears—
complaining that the Gods of Erebus
were pitiless, at last he wandered back,
until he came to lofty Rhodope
and Haemus, beaten by the strong north wind.
Three times the Sun completed his full course
to watery Pisces, and in all that time,
shunning all women, Orpheus still believed
his love-pledge was forever. So he kept
away from women, though so many grieved,
because he took no notice of their love.
The only friendship he enjoyed was given
to the young men of Thrace.

People and places in this passage

English translation by Brookes More (1922). Original text: Hugo Magnus (ed.), Die Metamorphosen des P. Ovidius Naso, Gotha: F. A. Perthes, 1892 (Latin text as digitised by Perseus); English: Brookes More, Ovid's Metamorphoses, Boston: Cornhill Publishing Company, 1922.

Greek text and translation from the Perseus Digital Library, Tufts University, CC BY-SA 4.0 (Perseus Digital Library); translation public domain. Introductions, summaries and notes © GreekMythology.com.