Aeschylus · Agamemnon Ἀγαμέμνων

Aeschylus, Agamemnon 355–474: First stasimon: Zeus, Paris and Helen

The Chorus thank Zeus and Night for the net in which Troy was caught, and say that Zeus punishes those who offend against the laws of hospitality, as Paris did. They sing of Helen's flight, the grief that she left behind in the house of Menelaus, and the ashes of the war dead returned from Troy. They end with the anger of the people against the sons of Atreus and their own fear of excessive glory.

Lines 355–474 · 782 words · click a number to copy its link

Chorus

355ὦ Ζεῦ βασιλεῦ καὶ νὺξ φιλία μεγάλων κόσμων κτεάτειρα, ἥτʼ ἐπὶ Τροίας πύργοις ἔβαλες στεγανὸν δίκτυον, ὡς μήτε μέγαν μήτʼ οὖν νεαρῶν τινʼ ὑπερτελέσαι 360μέγα δουλείας γάγγαμον, ἄτης παναλώτου. Δία τοι ξένιον μέγαν αἰδοῦμαι τὸν τάδε πράξαντʼ ἐπʼ Ἀλεξάνδρῳ τείνοντα πάλαι τόξον, ὅπως ἂν 365μήτε πρὸ καιροῦ μήθʼ ὑπὲρ ἄστρων βέλος ἠλίθιον σκήψειεν.

Hail, sovereign Zeus, and you kindly Night, you who have given us great glory, you who cast your meshed snare upon the towered walls of Troy, so that neither old nor young could overleap the huge enslaving net of all-conquering Destruction. Great Zeus it is, lord of host and guest, whom I revere—he has brought this to pass. He long kept his bow bent against Alexander until his bolt would neither fall short of the mark nor, flying beyond the stars, be launched in vain.

Chorus

367Διὸς πλαγὰν ἔχουσιν εἰπεῖν, πάρεστιν τοῦτό γʼ ἐξιχνεῦσαι. ἔπραξεν ὡς ἔκρανεν. οὐκ ἔφα τις 370θεοὺς βροτῶν ἀξιοῦσθαι μέλειν ὅσοις ἀθίκτων χάρις πατοῖθʼ· ὁ δʼ οὐκ εὐσεβής. πέφανται δʼ ἐκτίνουσʼ 375ἀτολμήτων ἀρὴ πνεόντων μεῖζον ἢ δικαίως, φλεόντων δωμάτων ὑπέρφευ ὑπὲρ τὸ βέλτιστον. ἔστω δʼ ἀπή- μαντον, ὥστʼ ἀπαρκεῖν 380εὖ πραπίδων λαχόντα. οὐ γὰρ ἔστιν ἔπαλξις πλούτου πρὸς κόρον ἀνδρὶ λακτίσαντι μέγαν Δίκας βωμὸν εἰς ἀφάνειαν.

The stroke of Zeus they may call it; his hand can be traced there. As he determines, so he acts. Someone said that the gods do not trouble themselves to remember mortals who trample underfoot the grace of things not to be touched. But that man was impious! Now it stands revealed! The penalty for reckless crime is ruin when men breathe a spirit of pride above just measure, because their mansions teem with more abundance than is good for them. But let there be such wealth as brings no distress, enough to satisfy a sensible man. For riches do not protect the man who in wantonness has kicked the mighty altar of Justice into obscurity.

Chorus

385βιᾶται δʼ ἁ τάλαινα πειθώ, προβούλου παῖς ἄφερτος ἄτας. ἄκος δὲ πᾶν μάταιον. οὐκ ἐκρύφθη, πρέπει δέ, φῶς αἰνολαμπές, σίνος· 390κακοῦ δὲ χαλκοῦ τρόπον τρίβῳ τε καὶ προσβολαῖς μελαμπαγὴς πέλει δικαιωθείς, ἐπεὶ διώκει παῖς ποτανὸν ὄρνιν, 395πόλει πρόστριμμʼ ἄφερτον ἐνθείς. λιτᾶν δʼ ἀκούει μὲν οὔτις θεῶν· τὸν δʼ ἐπίστροφον τῶν φῶτʼ ἄδικον καθαιρεῖ. οἷος καὶ Πάρις ἐλθὼν 400ἐς δόμον τὸν Ἀτρειδᾶν ᾔσχυνε ξενίαν τράπε- ζαν κλοπαῖσι γυναικός. λιποῦσα δʼ ἀστοῖσιν ἀσπίστοράς τε καὶ κλόνους λογχίμους

Perverse Temptation, the overmastering child of designing Destruction, drives men on; and every remedy is futile. His evil is not hidden; it shines forth, a baleful gleam. Like base metal beneath the touchstone’s rub, when tested he shows the blackness of his grain (for he is like a child who chases a winged bird) and upon his people he brings a taint against which there is no defence. No god listens to his prayers. The man associated with such deeds, him they destroy in his unrighteousness. And such was Paris, who came to the house of the sons of Atreus and dishonoured the hospitality of his host by stealing away a wedded wife.

Chorus

405ναυβάτας θʼ ὁπλισμούς, ἄγουσά τʼ ἀντίφερνον Ἰλίῳ φθορὰν βέβακεν ῥίμφα διὰ πυλᾶν ἄτλητα τλᾶσα· πολλὰ δʼ ἔστενον τόδʼ ἐννέποντες δόμων προφῆται· 410ἰὼ ἰὼ δῶμα δῶμα καὶ πρόμοι, ἰὼ λέχος καὶ στίβοι φιλάνορες. πάρεστι σιγὰς ἀτίμους ἀλοιδόρους ἄλγιστʼ ἀφημένων ἰδεῖν. πόθῳ δʼ ὑπερποντίας 415φάσμα δόξει δόμων ἀνάσσειν. εὐμόρφων δὲ κολοσσῶν ἔχθεται χάρις ἀνδρί· ὀμμάτων δʼ ἐν ἀχηνίαις ἔρρει πᾶσʼ Ἀφροδίτα.

But she, bequeathing to her people the clang of shield and spear and army of fleets, and bringing to Ilium destruction in place of dowry, with light step she passed through the gates—daring a deed undareable. Then loud wailed the seers of the house crying, Alas, alas, for the home, the home, and for the princes! Alas for the husband’s bed and the impress of her form so dear! He sits apart in the anguish of his grief, silent, dishonored but making no reproach. In his yearning for her who sped beyond the sea, a phantom will seem to be lord of the house. The grace of fair-formed statues is hateful to him; and in the hunger of his eyes all loveliness is departed.

Chorus

420ὀνειρόφαντοι δὲ πενθήμονες πάρεισι δόξαι φέρου- σαι χάριν ματαίαν. μάταν γάρ, εὖτʼ ἂν ἐσθλά τις δοκῶν ὁρᾷ, παραλλάξασα διὰ 425χερῶν βέβακεν ὄψις οὐ μεθύστερον πτεροῖς ὀπαδοῦσʼ ὕπνου κελεύθοις. τὰ μὲν κατʼ οἴκους ἐφʼ ἑστίας ἄχη τάδʼ ἐστὶ καὶ τῶνδʼ ὑπερβατώτερα. τὸ πᾶν δʼ ἀφʼ Ἕλλανος αἴας συνορμένοις 430πένθειʼ ἀτλησικάρδιος δόμων ἑκάστου πρέπει. πολλὰ γοῦν θιγγάνει πρὸς ἧπαρ· οὓς μὲν γάρ τις ἔπεμψεν οἶδεν, ἀντὶ δὲ φωτῶν 435τεύχη καὶ σποδὸς εἰς ἑκά- στου δόμους ἀφικνεῖται.

Mournful apparitions come to him in dreams, bringing only vain joy; for vainly, whenever in his imagination a man sees delights, straightaway the vision, slipping through his arms, is gone, winging its flight along the paths of sleep. Such are the sorrows at hearth and home, but here are sorrows surpassing these; and at large, in every house of all who went forth together from the land of Hellas, unbearable grief is seen. Many things pierce the heart. Each knows whom he sent forth. But to the home of each come urns and ashes, not living men.

Chorus

437ὁ χρυσαμοιβὸς δʼ Ἄρης σωμάτων καὶ ταλαντοῦχος ἐν μάχῃ δορὸς 440πυρωθὲν ἐξ Ἰλίου φίλοισι πέμπει βαρὺ ψῆγμα δυσδάκρυτον ἀν- τήνορος σποδοῦ γεμί- ζων λέβητας εὐθέτους. 445στένουσι δʼ εὖ λέγοντες ἄν- δρα τὸν μὲν ὡς μάχης ἴδρις, τὸν δʼ ἐν φοναῖς καλῶς πεσόντʼ— ἀλλοτρίας διαὶ γυναι- κός· τάδε σῖγά τις βαΰ- 450ζει, φθονερὸν δʼ ὑπʼ ἄλγος ἕρ- πει προδίκοις Ἀτρείδαις. οἱ δʼ αὐτοῦ περὶ τεῖχος θήκας Ἰλιάδος γᾶς εὔμορφοι κατέχουσιν· ἐχ- 455θρὰ δʼ ἔχοντας ἔκρυψεν.

Ares barters the bodies of men for gold; he holds his balance in the contest of the spear; and back from Ilium to their loved ones he sends a heavy dust passed through his burning, a dust cried over with plenteous tears, in place of men sending well made urns with ashes. So they lament, praising now this one: How skilled in battle! now that one: Fallen nobly in the carnage,—for another’s wife— some mutter in secret, and grief charged with resentment spreads stealthily against the sons of Atreus, champions in the strife. But there far from home, around the city’s walls, those in their beauty’s bloom have graves in Ilium— the enemy’s soil has covered its conquerors.

Chorus

456βαρεῖα δʼ ἀστῶν φάτις ξὺν κότῳ· δημοκράντου δʼ ἀρᾶς τίνει χρέος. μένει δʼ ἀκοῦσαί τί μου 460μέριμνα νυκτηρεφές. τῶν πολυκτόνων γὰρ οὐκ ἄσκοποι θεοί. κελαι- ναὶ δʼ Ἐρινύες χρόνῳ τυχηρὸν ὄντʼ ἄνευ δίκας 465παλιντυχεῖ τριβᾷ βίου τιθεῖσʼ ἀμαυρόν, ἐν δʼ ἀί- στοις τελέθοντος οὔτις ἀλ- κά· τὸ δʼ ὑπερκόπως κλύειν εὖ βαρύ· βάλλεται γὰρ ὄσ- 470σοις Διόθεν κάρανα. κρίνω δʼ ἄφθονον ὄλβον· μήτʼ εἴην πτολιπόρθης μήτʼ οὖν αὐτὸς ἁλοὺς ὑπʼ ἄλ- λων βίον κατίδοιμι.

Dangerous is a people’s voice charged with wrath—it acts as a curse of publicly ratified doom. In anxious fear I wait to hear something shrouded still in gloom. The gods are not blind to men with blood upon their hands. In the end the black Spirits of Vengeance bring to obscurity that one who has prospered in unrighteousness and wear down his fortunes by reverse. Once a man is among the unseen, there is no more help for him. Glory in excess is fraught with peril; the lofty peak is struck by Zeus’ thunderbolt. I choose prosperity unassailed by envy. May I not be a sacker of cities, and may I not myself be despoiled and live to see my own life in another’s power!

People and places in this passage

English translation by Herbert Weir Smyth (modernised by Perseus) (1926). Original text: Greek text: Herbert Weir Smyth (ed. and trans.), Aeschylus, Loeb Classical Library, London: William Heinemann, 1926, as digitised by Perseus. English: Herbert Weir Smyth, Aeschylus, Loeb Classical Library, London: William Heinemann, 1926 (Perseus's modernised version of Smyth's prose translation).

Greek text and translation from the Perseus Digital Library, Tufts University, CC BY-SA 4.0 (Perseus Digital Library); translation public domain. Introductions, summaries and notes © GreekMythology.com.

Agamemnon 355–474: Zeus, Paris and Helen | Aeschylus