Aeschylus · Agamemnon Ἀγαμέμνων

Aeschylus, Agamemnon 40–175: Parodos (1): the army sails and the omen of the eagles

The Chorus of old men of Argos recall that it is now the tenth year since Menelaus and Agamemnon sailed against Troy, and say that they are too old to fight and wait at home. They ask Clytaemestra why sacrifices are burning on every altar, then tell of the omen seen as the army set out, two eagles devouring a pregnant hare. They tell how the seer Calchas read it as the capture of Troy and warned that Artemis was angry, and they pray that she will not hold back the fleet with contrary winds.

Lines 40–175 · 976 words · click a number to copy its link

Chorus

40δέκατον μὲν ἔτος τόδʼ ἐπεὶ Πριάμου μέγας ἀντίδικος, Μενέλαος ἄναξ ἠδʼ Ἀγαμέμνων, διθρόνου Διόθεν καὶ δισκήπτρου τιμῆς ὀχυρὸν ζεῦγος Ἀτρειδᾶν 45στόλον Ἀργείων χιλιοναύτην, τῆσδʼ ἀπὸ χώρας ἦραν, στρατιῶτιν ἀρωγὰν, μέγαν ἐκ θυμοῦ κλάζοντες Ἄρη τρόπον αἰγυπιῶν, οἵτʼ ἐκπατίοις 50ἄλγεσι παίδων ὕπατοι λεχέων στροφοδινοῦνται πτερύγων ἐρετμοῖσιν ἐρεσσόμενοι, δεμνιοτήρη πόνον ὀρταλίχων ὀλέσαντες· 55ὕπατος δʼ ἀίων ἤ τις Ἀπόλλων ἢ Πὰν ἢ Ζεὺς οἰωνόθροον γόον ὀξυβόαν τῶνδε μετοίκων ὑστερόποινον πέμπει παραβᾶσιν Ἐρινύν. 60οὕτω δʼ Ἀτρέως παῖδας ὁ κρείσσων ἐπʼ Ἀλεξάνδρῳ πέμπει ξένιος Ζεὺς πολυάνορος ἀμφὶ γυναικὸς πολλὰ παλαίσματα καὶ γυιοβαρῆ γόνατος κονίαισιν ἐρειδομένου 65διακναιομένης τʼ ἐν προτελείοις κάμακος θήσων Δαναοῖσι Τρωσί θʼ ὁμοίως. ἔστι δʼ ὅπη νῦν ἔστι· τελεῖται δʼ ἐς τὸ πεπρωμένον· οὔθʼ ὑποκαίων οὔθʼ ὑπολείβων 70οὔτε δακρύων ἀπύρων ἱερῶν ὀργὰς ἀτενεῖς παραθέλξει. ἡμεῖς δʼ ἀτίται σαρκὶ παλαιᾷ τῆς τότʼ ἀρωγῆς ὑπολειφθέντες μίμνομεν ἰσχὺν 75ἰσόπαιδα νέμοντες ἐπὶ σκήπτροις. ὅ τε γὰρ νεαρὸς μυελὸς στέρνων ἐντὸς ἀνᾴσσων ἰσόπρεσβυς, Ἄρης δʼ οὐκ ἔνι χώρᾳ, τό θʼ ὑπέργηρων φυλλάδος ἤδη 80κατακαρφομένης τρίποδας μὲν ὁδοὺς στείχει, παιδὸς δʼ οὐδὲν ἀρείων ὄναρ ἡμερόφαντον ἀλαίνει.

This is now the tenth year since Priam’s mighty adversary, king Menelaus, and with him king Agamemnon, the mighty pair of Atreus’ sons, joined in honor of throne and sceptre by Zeus, set forth from this land with an army of a thousand ships manned by Argives, a warrior force to champion their cause. Loud rang the battle-cry they uttered in their rage, just as eagles scream which, in lonely grief for their brood, rowing with the oars of their wings, wheel high over their bed, because they have lost the toil of guarding their nurslings’ nest. But some one of the powers supreme—Apollo perhaps or Pan, or Zeus—hears the shrill wailing scream of the clamorous birds, these sojourners in his realm, and against the transgressors sends vengeance at last though late. Even so Zeus, whose power is over all, Zeus, lord of host and guest, sends against Alexander the sons of Atreus, that for the sake of a woman with many husband she may inflict many and wearying struggles (when the knee is pressed in the dust and the spear is splintered in the onset) on Danaans and on Trojans alike. The case now stands where it stands—it moves to fulfilment at its destined end. Not by offerings burned in secret, not by secret libations, not by tears, shall man soften the stubborn wrath of unsanctified sacrifices. But we, incapable of service by reason of our aged frame, discarded from that martial mustering of long ago, wait here at home, supporting on our canes a strength like a child’s. For just as the vigor of youth, leaping up within the breast, is like that of old age, since the war-god is not in his place; so extreme age, its leaves already withering, goes its way on triple feet, and, no better than a child, wanders, a dream that is dreamed by day.

Chorus

83σὺ δέ, Τυνδάρεω θύγατερ, βασίλεια Κλυταιμήστρα, 85τί χρέος; τί νέον; τί δʼ ἐπαισθομένη, τίνος ἀγγελίας πειθοῖ περίπεμπτα θυοσκεῖς; πάντων δὲ θεῶν τῶν ἀστυνόμων, ὑπάτων, χθονίων, 90τῶν τʼ οὐρανίων τῶν τʼ ἀγοραίων, βωμοὶ δώροισι φλέγονται· ἄλλη δʼ ἄλλοθεν οὐρανομήκης λαμπὰς ἀνίσχει, φαρμασσομένη χρίματος ἁγνοῦ 95μαλακαῖς ἀδόλοισι παρηγορίαις, πελάνῳ μυχόθεν βασιλείῳ. τούτων λέξασʼ ὅ τι καὶ δυνατὸν καὶ θέμις αἰνεῖν, παιών τε γενοῦ τῆσδε μερίμνης, 100ἣ νῦν τοτὲ μὲν κακόφρων τελέθει, τοτὲ δʼ ἐκ θυσιῶν ἀγανὴ φαίνουσʼ ἐλπὶς ἀμύνει φροντίδʼ ἄπληστον τῆς θυμοβόρου φρένα λύπης.

But, O daughter of Tyndareos, Queen Clytaemestra, what has happened? What news do you have? On what intelligence and convinced by what report do you send about your messengers to command sacrifice? For all the gods our city worships, the gods supreme, the gods below, the gods of the heavens and of the marketplace, have their altars ablaze with offerings. Now here, now there, the flames rise high as heaven, yielding to the soft and guileless persuasion of holy ointment, the sacrificial oil itself brought from the inner chambers of the palace. Of all this declare whatever you can and dare reveal, and be a healer of my uneasy heart. This now at one moment bodes ill, while then again hope, shining with kindly light from the sacrifices, wards off the biting care of the sorrow that gnaws my heart.

Chorus

104κύριός εἰμι θροεῖν ὅδιον κράτος αἴσιον ἀνδρῶν 105ἐκτελέων· ἔτι γὰρ θεόθεν καταπνεύει πειθὼ μολπᾶν ἀλκὰν σύμφυτος αἰών· ὅπως Ἀχαι- ῶν δίθρονον κράτος, Ἑλλάδος ἥβας 110ξύμφρονα ταγάν, πέμπει σὺν δορὶ καὶ χερὶ πράκτορι θούριος ὄρνις Τευκρίδʼ ἐπʼ αἶαν, οἰωνῶν βασιλεὺς βασιλεῦσι νε- 115ῶν ὁ κελαινός, ὅ τʼ ἐξόπιν ἀργᾶς, φανέντες ἴ- κταρ μελάθρων χερὸς ἐκ δοριπάλτου παμπρέπτοις ἐν ἕδραισιν, βοσκόμενοι λαγίναν, ἐρικύμονα φέρματι γένναν, 120βλαβέντα λοισθίων δρόμων. αἴλινον αἴλινον εἰπέ, τὸ δʼ εὖ νικάτω.

I have the power to proclaim the augury of triumph given on their way to princely men—since my age still breathes Persuasion upon me from the gods, the strength of song—how the twin-throned command of the Achaeans, the single-minded captains of Hellas’ youth, with avenging spear and arm against the Teucrian land, was sent off by the inspiring omen appearing to the kings of the ships—kingly birds, one black, one white of tail, near the palace, on the spear-hand, in a conspicuous place, devouring a hare with offspring unborn caught in the last effort to escape. Sing the song of woe, the song of woe, but may the good prevail!

Chorus

122κεδνὸς δὲ στρατόμαντις ἰδὼν δύο λήμασι δισσοὺς Ἀτρεΐδας μαχίμους ἐδάη λαγοδαίτας πομπούς τʼ ἀρχάς· 125οὕτω δʼ εἶπε τερᾴζων· χρόνῳ μὲν ἀγρεῖ Πριάμου πόλιν ἅδε κέλευθος, πάντα δὲ πύργων κτήνη πρόσθε τὰ δημιοπληθῆ 130Μοῖρʼ ἀλαπάξει πρὸς τὸ βίαιον· οἶον μή τις ἄγα θεόθεν κνεφά- σῃ προτυπὲν στόμιον μέγα Τροίας στρατωθέν.οἴκτῳ γὰρ ἐπί- 135φθονος Ἄρτεμις ἁγνὰ πτανοῖσιν κυσὶ πατρὸς αὐτότοκον πρὸ λόχου μογερὰν πτάκα θυομένοισιν στυγεῖ δὲ δεῖπνον αἰετῶν. αἴλινον αἴλινον εἰπέ, τὸ δʼ εὖ νικάτω.

Then the wise seer of the host, noticing how the two warlike sons of Atreus were two in temper, recognized the devourers of the hare as the leaders of the army, and thus interpreted the portent and spoke: In time those who here issue forth shall seize Priam’s town, and fate shall violently ravage before its towered walls all the public store of cattle. Only may no jealous god-sent wrath cast its shadow upon the embattled host, the mighty bit forged for Troy’s mouth, and strike it before it reaches its goal! For, in her pity, holy Artemis is angry at the winged hounds of her father, for they sacrifice a wretched timorous thing, together with her young, before she has brought them forth. An abomination to her is the eagles’ feast. Sing the song of woe, the song of woe, but may the good prevail!

Chorus

140τόσον περ εὔφρων, καλά, δρόσοισι λεπτοῖς μαλερῶν λεόντων πάντων τʼ ἀγρονόμων φιλομάστοις θηρῶν ὀβρικάλοισι τερπνά, τούτων αἴνει ξύμβολα κρᾶναι, 145δεξιὰ μέν, κατάμομφα δὲ φάσματα . ἰήιον δὲ καλέω Παιᾶνα, μή τινας ἀντιπνόους Δανα- οῖς χρονίας ἐχενῇδας ἀ- 150πλοίας τεύξῃ, σπευδομένα θυσίαν ἑτέραν ἄνομόν τινʼ, ἄδαιτον νεικέων τέκτονα σύμφυτον, οὐ δεισήνορα. μίμνει γὰρ φοβερὰ παλίνορτος 155οἰκονόμος δολία μνάμων μῆνις τεκνόποινος. τοιάδε Κάλχας ξὺν μεγάλοις ἀγαθοῖς ἀπέκλαγξεν μόρσιμʼ ἀπʼ ὀρνίθων ὁδίων οἴκοις βασιλείοις· τοῖς δʼ ὁμόφωνον αἴλινον αἴλινον εἰπέ, τὸ δʼ εὖ νικάτω.

Although, O Lovely One, you are so gracious to the tender whelps of fierce lions, and take delight in the suckling young of every wild creature that roams the field, promise that the issue be brought to pass in accordance with these signs, portents auspicious yet filled with ill. And I implore Paean, the healer, that she may not raise adverse gales with long delay to stay the Danaan fleet from putting forth, by urging another sacrifice, one that knows no law, unsuited for feast, worker of family strife, dissolving wife’s reverence for husband. For there abides wrath— terrible, not to be suppressed, a treacherous guardian of the home, a wrath that never forgets and that exacts vengeance for a child. Such utterances of doom, derived from auguries on the march, together with many blessings, did Calchas proclaim to the royal house; and in harmony with this, Sing the song of woe, the song of woe, but may the good prevail!

Chorus

160Ζεύς, ὅστις ποτʼ ἐστίν, εἰ τόδʼ αὐ- τῷ φίλον κεκλημένῳ, τοῦτό νιν προσεννέπω. οὐκ ἔχω προσεικάσαι πάντʼ ἐπισταθμώμενος 165πλὴν Διός, εἰ τὸ μάταν ἀπὸ φροντίδος ἄχθος χρὴ βαλεῖν ἐτητύμως.

Zeus, whoever he may be,—if by this name it pleases him to be invoked, by this name I call to him—as I weigh all things in the balance, I have nothing to compare save Zeus, if in truth I must cast aside this vain burden from my heart.

Chorus

167οὐδʼ ὅστις πάροιθεν ἦν μέγας, παμμάχῳ θράσει βρύων, 170οὐδὲ λέξεται πρὶν ὤν· ὃς δʼ ἔπειτʼ ἔφυ, τρια- κτῆρος οἴχεται τυχών. Ζῆνα δέ τις προφρόνως ἐπινίκια κλάζων 175τεύξεται φρενῶν τὸ πᾶν·

He who once was mighty, swelling with insolence for every fight, he shall not even be named as having ever existed; and he who arose later, he has met his overthrower and is past and gone. But whoever willingly sings a victory song for Zeus, he shall gain wisdom altogether,—

People and places in this passage

English translation by Herbert Weir Smyth (modernised by Perseus) (1926). Original text: Greek text: Herbert Weir Smyth (ed. and trans.), Aeschylus, Loeb Classical Library, London: William Heinemann, 1926, as digitised by Perseus. English: Herbert Weir Smyth, Aeschylus, Loeb Classical Library, London: William Heinemann, 1926 (Perseus's modernised version of Smyth's prose translation).

Greek text and translation from the Perseus Digital Library, Tufts University, CC BY-SA 4.0 (Perseus Digital Library); translation public domain. Introductions, summaries and notes © GreekMythology.com.