Euripides · Iphigenia at Aulis Ἰφιγένεια ἐν Αὐλίδι

Euripides, Iphigenia at Aulis 528–589: First episode: Agamemnon fears Odysseus and the army; choral song on Aphrodite

Agamemnon says that Odysseus will arise among the Argives and tell them the oracles of Calchas, and that the army will then slay him and the girl. He asks Menelaus to keep Clytemnestra from learning of the plan. The Chorus sings that the happy are those who share in Aphrodite's gifts with self-restraint, and recalls Paris piping on the reeds among the heifers of Ida.

Lines 528–589 · 409 words · click a number to copy its link

Agamemnon

528οὐκ οὖν δοκεῖς νιν στάντʼ ἐν Ἀργείοις μέσοις λέξειν ἃ Κάλχας θέσφατʼ ἐξηγήσατο, 530κἄμʼ ὡς ὑπέστην θῦμα, κᾆτʼ ἐψευδόμην, Ἀρτέμιδι θύσειν; οὐ ξυναρπάσας στρατόν, σὲ κἄμʼ ἀποκτείναντας Ἀργείους κόρην σφάξαι κελεύσει; κἂν πρὸς Ἄργος ἐκφύγω, ἐλθόντες αὐτοῖς τείχεσιν Κυκλωπίοις 535συναρπάσουσι καὶ κατασκάψουσι γῆν. τοιαῦτα τἀμὰ πήματʼ· ὦ τάλας ἐγώ, ὡς ἠπόρημαι πρὸς θεῶν τὰ νῦν τάδε. ἕν μοι φύλαξον, Μενέλεως, ἀνὰ στρατὸν ἐλθών, ὅπως ἂν μὴ Κλυταιμήστρα τάδε 540μάθῃ, πρὶν Ἅιδῃ παῖδʼ ἐμὴν προσθῶ λαβών, ὡς ἐπʼ ἐλαχίστοις δακρύοις πράσσω κακῶς. ὑμεῖς τε σιγήν, ὦ ξέναι, φυλάσσετε.

Don’t you think, then, he will arise among the Argives and tell them the oracles that Calchas delivered, saying of me that I undertook to offer Artemis a victim, and after all am proving false? Then, when he has carried the army away with him, he will bid the Argives slay us and sacrifice the girl; and if I escape to Argos, they will come and destroy the place, razing it to the ground, Cyclopean walls and all. That is my trouble. Woe is me! to what perplexities the gods have brought me at this pass! Take one precaution for me, Menelaus, as you go through the army, that Clytemnestra does not learn this, till I have taken my child and devoted her to death, that my affliction may be attended with the fewest tears. And you, foreign women, keep silence.

Chorus

543—μάκαρες οἳ μετρίας θεοῦ μετά τε σωφροσύνας μετέ- 545σχον λέκτρων Ἀφροδίτας, γαλανείᾳ χρησάμενοι μανιάδων οἴστρων, ὅθι δὴ δίδυμʼ Ἔρως ὁ χρυσοκόμας τόξʼ ἐντείνεται χαρίτων, 550τὸ μὲν ἐπʼ εὐαίωνι πότμῳ, τὸ δʼ ἐπὶ συγχύσει βιοτᾶς. ἀπενέπω νιν ἁμετέρων, Κύπρι καλλίστα, θαλάμων. εἴη δέ μοι μετρία μὲν 555χάρις, πόθοι δʼ ὅσιοι, καὶ μετέχοιμι τᾶς Ἀφροδί- τας, πολλὰν δʼ ἀποθείμαν.

Happy are they who find the goddess come in moderate might, sharing with self-restraint in Aphrodite’s gift of marriage and enjoying calm and rest from frenzied passions, where the Love-god, golden-haired, stretches his charmed bow with twin arrows, and one is aimed at happiness, the other at life’s confusion. O lady Cypris, queen of beauty! far from my bridal bower I ban the last. Be mine delight in moderation and pure desires, and may I have a share in love, but shun excess!

Chorus

558—διάφοροι δὲ φύσεις βροτῶν, διάφοροι δὲ τρόποι· τὸ δʼ ὀρ- 560θῶς ἐσθλὸν σαφὲς αἰεί· τροφαί θʼ αἱ παιδευόμεναι μέγα φέρουσʼ ἐς τὰν ἀρετάν· τό τε γὰρ αἰδεῖσθαι σοφία, τάν τʼ ἐξαλλάσσουσαν ἔχει 565χάριν ὑπὸ γνώμας ἐσορᾶν τὸ δέον, ἔνθα δόξα φέρει κλέος ἀγήρατον βιοτᾷ. μέγα τι θηρεύειν ἀρετάν, γυναιξὶ μὲν κατὰ Κύπριν 570κρυπτάν, ἐν ἀνδράσι δʼ αὖ κόσμος ἐνὼν ὁ μυριοπλη- θὴς μείζω πόλιν αὔξει.

Men’s natures vary, and their habits differ, but virtue is always manifest. Likewise the training that come of education conduces greatly to virtue; for not only is modesty wisdom, but it has also the rare grace of seeing by its better judgment what is right; whereby a glory, ever young, is shed over life by reputation. A great thing it is to hunt virtue, for women when they love secretly; while in men, an inborn sense of order, shown in countless ways, adds to a city’s greatness.

Chorus

573—ἔμολες, ὦ Πάρις, ᾗτε σύ γε βουκόλος ἀργενναῖς ἐτράφης 575Ἰδαίαις παρὰ μόσχοις, βάρβαρα συρίζων, Φρυγίων αὐλῶν Ὀλύμπου καλάμοις μιμήματα πνείων. εὔθηλοι δὲ τρέφοντο βόες, 580ὅτε σε κρίσις ἔμηνε θεᾶν, ἅ σʼ Ἑλλάδα πέμπει· ἐλεφαντοδέτων πάροι- θεν δόμων δὲ στὰς Ἑλένας ἐν ἀντωποῖς βλεφάροισιν 585ἔρωτά τʼ ἔδωκας, ἔρωτι δʼ αὐτὸς ἐπτοάθης. ὅθεν ἔρις ἔριν Ἑλλάδα σὺν δορὶ ναυσί τʼ ἄγει Τροίας πέργαμα […]

You came, O Paris, to the place where you were reared to herd the cows among the white heifers of Ida, piping in foreign strain and breathing on your reeds an echo of the Phrygian airs Olympus played. Full-uddered cows were browsing at the spot where that verdict between goddesses was awaiting you—the cause of your going to Hellas to stand before the ivory palace, kindling love in Helen’s entranced eyes and feeling its flutter in your own breast; from which the fiend of strife brought Hellas with her spear and ships to the towers of Troy.

People and places in this passage

English translation by Edward P. Coleridge (1891). Original text: Greek text: Gilbert Murray (ed.), Euripidis Fabulae, Oxford: Clarendon Press, 1913, as digitised by Perseus. English: Edward P. Coleridge, The Plays of Euripides, London: George Bell and Sons, first published 1891 (Bohn's Classical Library; the Perseus header records a later printing).

Greek text and translation from the Perseus Digital Library, Tufts University, CC BY-SA 4.0 (Perseus Digital Library); translation public domain. Introductions, summaries and notes © GreekMythology.com.

Iphigenia at Aulis 528–589: Agamemnon fears Odysseus and…