Euripides · Iphigenia in Tauris Ἰφιγένεια ἐν Ταύροις

Euripides, Iphigenia in Tauris 1–66: Prologue: Iphigenia at Artemis' temple among the Taurians

Iphigenia tells the story of her house, from Pelops to Atreus, and how her father Agamemnon, to win a fair wind for Troy, brought her to Aulis to be sacrificed to Artemis, who put a deer in her place and carried her to the land of the Taurians. She is now the priestess of the goddess in a temple where Greek strangers are sacrificed, and she tells of a dream that has led her to think that her brother Orestes is dead.

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Iphigenia

1Πέλοψ ὁ Ταντάλειος ἐς Πῖσαν μολὼν θοαῖσιν ἵπποις Οἰνομάου γαμεῖ κόρην, ἐξ ἧς Ἀτρεὺς ἔβλαστεν· Ἀτρέως δὲ παῖς Μενέλαος Ἀγαμέμνων τε· τοῦ δʼ ἔφυν ἐγώ 5τῆς Τυνδαρείας θυγατρὸς Ἰφιγένεια παῖς, ἣν ἀμφὶ δίναις ἃς θάμʼ Εὔριπος πυκναῖς αὔραις ἑλίσσων κυανέαν ἅλα στρέφει, ἔσφαξεν Ἑλένης οὕνεχʼ, ὡς δοκεῖ, πατὴρ Ἀρτέμιδι κλειναῖς ἐν πτυχαῖσιν Αὐλίδος. 10ἐνταῦθα γὰρ δὴ χιλίων ναῶν στόλον Ἑλληνικὸν συνήγαγʼ Ἀγαμέμνων ἄναξ, τὸν καλλίνικον στέφανον Ἰλίου θέλων λαβεῖν Ἀχαιοῖς τούς θʼ ὑβρισθέντας γάμους Ἑλένης μετελθεῖν, Μενέλεῳ χάριν φέρων. 15δεινῆς δʼ ἀπλοίας πνευμάτων τε τυγχάνων, ἐς ἔμπυρʼ ἦλθε, καὶ λέγει Κάλχας τάδε· ὦ τῆσδʼ ἀνάσσων Ἑλλάδος στρατηγίας, Ἀγάμεμνον, οὐ μὴ ναῦς ἀφορμίσῃ χθονός, πρὶν ἂν κόρην σὴν Ἰφιγένειαν Ἄρτεμις 20λάβῃ σφαγεῖσαν· ὅ τι γὰρ ἐνιαυτὸς τέκοι κάλλιστον, ηὔξω φωσφόρῳ θύσειν θεᾷ. παῖδʼ οὖν ἐν οἴκοις σὴ Κλυταιμήστρα δάμαρ τίκτει — τὸ καλλιστεῖον εἰς ἔμʼ ἀναφέρων — ἣν χρή σε θῦσαι. καί μʼ Ὀδυσσέως τέχναις 25μητρὸς παρείλοντʼ ἐπὶ γάμοις Ἀχιλλέως. ἐλθοῦσα δʼ Αὐλίδʼ ἡ τάλαινʼ ὑπὲρ πυρᾶς μεταρσία ληφθεῖσʼ ἐκαινόμην ξίφει· ἀλλʼ ἐξέκλεψεν ἔλαφον ἀντιδοῦσά μου Ἄρτεμις Ἀχαιοῖς, διὰ δὲ λαμπρὸν αἰθέρα 30πέμψασά μʼ ἐς τήνδʼ ᾤκισεν Ταύρων χθόνα, οὗ γῆς ἀνάσσει βαρβάροισι βάρβαρος Θόας, ὃς ὠκὺν πόδα τιθεὶς ἴσον πτεροῖς ἐς τοὔνομʼ ἦλθε τόδε ποδωκείας χάριν. ναοῖσι δʼ ἐν τοῖσδʼ ἱερέαν τίθησί με· 35ὅθεν νόμοισι τοῖσιν ἥδεται θεὰ Ἄρτεμις, ἑορτῆς, τοὔνομʼ ἧς καλὸν μόνον — τὰ δʼ ἄλλα σιγῶ, τὴν θεὸν φοβουμένη — 40κατάρχομαι μέν, σφάγια δʼ ἄλλοισιν μέλει ἄρρητʼ ἔσωθεν τῶνδʼ ἀνακτόρων θεᾶς.

Pelops, son of Tantalus, coming to Pisa with swift horses, married Oenomaus’ daughter, and she gave birth to Atreus, whose children are Menelaus and Agamemnon; from him I was born, his child Iphigenia, by the daughter of Tyndareus. Where Euripus rolls about its whirlpools in the frequent winds and twists the darkening waves, my father sacrificed me to Artemis for Helen’s sake, or so he thought, in the famous clefts of Aulis. For there lord Agamemnon mustered his expedition of a thousand ships of Hellas, wanting to take the crown of Troy in glorious victory and avenge the outrage to Helen’s marriage, doing this favor for Menelaus. But when he met with dreadful winds that would not let him sail, he went to burnt sacrifices, and Calchas had this to say: Lord and general of Hellas, Agamemnon, you will not set free your ships from land until Artemis has your daughter Iphigenia as a victim. For you once vowed to sacrifice to the torch-bearing goddess the most beautiful creature brought forth that year; then your wife, Clytemnestra, bore a child in your house—ascribing the prize of beauty to me—whom you must sacrifice. And by the craft of Odysseus, they took me from my mother, pretending a marriage with Achilles. I came to Aulis; held up high over the altar, I, the unhappy one, was about to die by the sword; but Artemis gave the Achaeans a deer in exchange for me and stole me from them; conducting me through the bright air, she settled me here in the land of the Taurians. A barbarian rules this land of barbarians: Thoas, who runs as quickly as the flight of birds, and so he received his name for his swiftness of foot. Artemis has made me the priestess in this temple. Here I begin the rites, which the goddess delights in, of a banquet noble in name only—I am silent as to the rest, for I fear the goddess— But others carry out the sacrifices, not to be spoken of, within the temple of the goddess.

Iphigenia

42ἃ καινὰ δʼ ἥκει νὺξ φέρουσα φάσματα, λέξω πρὸς αἰθέρʼ, εἴ τι δὴ τόδʼ ἔστʼ ἄκος. ἔδοξʼ ἐν ὕπνῳ τῆσδʼ ἀπαλλαχθεῖσα γῆς 45οἰκεῖν ἐν Ἄργει, παρθένοισι δʼ ἐν μέσαις εὕδειν, χθονὸς δὲ νῶτα σεισθῆναι σάλῳ, φεύγειν δὲ κἄξω στᾶσα θριγκὸν εἰσιδεῖν δόμων πίτνοντα, πᾶν δʼ ἐρείψιμον στέγος βεβλημένον πρὸς οὖδας ἐξ ἄκρων σταθμῶν. 50μόνος λελεῖφθαι στῦλος εἷς ἔδοξέ μοι δόμων πατρῴων, ἐκ δʼ ἐπικράνων κόμας ξανθὰς καθεῖναι, φθέγμα δʼ ἀνθρώπου λαβεῖν, κἀγὼ τέχνην τήνδʼ ἣν ἔχω ξενοκτόνον τιμῶσʼ ὑδραίνειν αὐτὸν ὡς θανούμενον, 55κλαίουσα. τοὔναρ δʼ ὧδε συμβάλλω τόδε· τέθνηκʼ Ὀρέστης, οὗ κατηρξάμην ἐγώ. στῦλοι γὰρ οἴκων παῖδές εἰσιν ἄρσενες· θνῄσκουσι δʼ οὓς ἂν χέρνιβες βάλωσʼ ἐμαί. νῦν οὖν ἀδελφῷ βούλομαι δοῦναι χοὰς παροῦσʼ ἀπόντι — ταῦτα γὰρ δυναίμεθʼ ἄν — σὺν προσπόλοισιν, ἃς ἔδωχʼ ἡμῖν ἄναξ Ἑλληνίδας γυναῖκας. ἀλλʼ ἐξ αἰτίας 65οὔπω τίνος πάρεισιν; εἶμʼ ἔσω δόμων ἐν οἷσι ναίω τῶνδʼ ἀνακτόρων θεᾶς.

But the strange visions which the night brought with it, I will tell to the air, if that is any relief. I dreamed that I had left this land to live in Argos, and to sleep in the midst of the maidens’ rooms; but the earth’s back was shaken by a tossing swell. When I escaped and stood outside, I saw the cornice of the house fall, and the whole roof hurled in ruins on the ground, from the highest pillars. One support of my father’s house was left, I thought, and it had yellow locks of hair waving from its capital, and took on human voice. In observance of the art of slaughtering strangers that I practice here, I gave it holy water as if it were about to die, while I wept. This is my interpretation of this dream: Orestes, whom I consecrated by my rites, is dead. For male children are the supports of the house; and those whom I purify with holy water die. Now I wish to give libations to my brother, though he is absent from me—for I would be able to do this—with the attendants given me by the king, Hellene women. But why are they not yet here? I will go inside this temple of the goddess where I live.

People and places in this passage

English translation by Edward P. Coleridge (1891). Original text: Greek text: Gilbert Murray (ed.), Euripidis Fabulae, Oxford: Clarendon Press, 1913, as digitised by Perseus. English: Edward P. Coleridge, The Plays of Euripides, London: George Bell and Sons, first published 1891 (Bohn's Classical Library; the Perseus header records a later printing).

Greek text and translation from the Perseus Digital Library, Tufts University, CC BY-SA 4.0 (Perseus Digital Library); translation public domain. Introductions, summaries and notes © GreekMythology.com.