Euripides · Iphigenia in Tauris Ἰφιγένεια ἐν Ταύροις

Euripides, Iphigenia in Tauris 67–122: Prologue: Orestes and Pylades reach the temple

Orestes and Pylades come cautiously to the temple and see an altar stained with blood and the trophies of the strangers slain. Orestes says that Phoebus has led him into a trap, since the god told him to bring the image of Artemis to Athens to be freed of his torments, and Pylades says that they must not be seen as cowards, so they decide to hide in a cave by the sea until night.

Lines 67–122 · 525 words · click a number to copy its link
Ὀρέστης 67ὅρα, φυλάσσου μή τις ἐν στίβῳ βροτῶν. Πυλάδης ὁρῶ, σκοποῦμαι δʼ ὄμμα πανταχῆ στρέφων. Ὀρέστης Πυλάδη, δοκεῖ σοι μέλαθρα ταῦτʼ εἶναι θεᾶς 70ἔνθʼ Ἀργόθεν ναῦν ποντίαν ἐστείλαμεν; Πυλάδης ἔμοιγʼ, Ὀρέστα· σοὶ δὲ συνδοκεῖν χρεών. Ὀρέστης καὶ βωμός, Ἕλλην οὗ καταστάζει φόνος; Πυλάδης ἐξ αἱμάτων γοῦν ξάνθʼ ἔχει τριχώματα. Ὀρέστης θριγκοῖς δʼ ὑπʼ αὐτοῖς σκῦλʼ ὁρᾷς ἠρτημένα; Πυλάδης 75τῶν κατθανόντων γʼ ἀκροθίνια ξένων. ἀλλʼ ἐγκυκλοῦντʼ ὀφθαλμὸν εὖ σκοπεῖν χρεών. Ὀρέστης ὦ Φοῖβε, ποῖ μʼ αὖ τήνδʼ ἐς ἄρκυν ἤγαγες χρήσας, ἐπειδὴ πατρὸς αἷμʼ ἐτεισάμην, μητέρα κατακτάς, διαδοχαῖς δʼ Ἐρινύων 80ἠλαυνόμεσθα φυγάδες ἔξεδροι χθονὸς δρόμους τε πολλοὺς ἐξέπλησα καμπίμους, ἐλθὼν δέ σʼ ἠρώτησα πῶς τροχηλάτου μανίας ἂν ἔλθοιμʼ ἐς τέλος πόνων τʼ ἐμῶν, οὓς ἐξεμόχθουν περιπολῶν καθʼ Ἑλλάδα — 85σὺ δʼ εἶπας ἐλθεῖν Ταυρικῆς μʼ ὅρους χθονός, ἔνθʼ Ἄρτεμίς σοι σύγγονος βωμοὺς ἔχοι, λαβεῖν τʼ ἄγαλμα θεᾶς, ὅ φασιν ἐνθάδε ἐς τούσδε ναοὺς οὐρανοῦ πεσεῖν ἄπο· λαβόντα δʼ ἢ τέχναισιν ἢ τύχῃ τινί, 90κίνδυνον ἐκπλήσαντʼ, Ἀθηναίων χθονὶ δοῦναι — τὸ δʼ ἐνθένδʼ οὐδὲν ἐρρήθη πέρα — καὶ ταῦτα δράσαντʼ ἀμπνοὰς ἕξειν πόνων.

Orestes Look out, take care that no one is in the path.

Pylades I am looking, and turning my eyes everywhere, in examination.

Orestes Pylades, do you think this is the hall of the goddess, for which we set sail from Argos?

Pylades Yes, Orestes; and you must think so too.

Orestes And the altar, that drips with the slaughter of Hellenes?

Pylades Its dedications of hair, at least, are red with blood.

Orestes Do you see the spoils hanging from the very walls?

Pylades Trophies of strangers that have been slain. But I must look all around and keep careful watch.

Orestes O Phoebus, where have you again brought me into the snare, by your oracles, since I avenged my father’s blood by the murder of my mother, and was driven by successive Furies, a fugitive, away from the land, and completed many winding courses; and coming to you I asked how I might arrive at an end to whirling madness and my labors, which I have carried out, wandering all over Hellas. . . . And you told me to go to the boundaries of the Tauric land, where Artemis, your sister, has an altar, and to take the statue of the goddess, which is said here to have fallen to this temple from heaven; and, taking it by craft of some stroke of luck, to complete the venture by giving it to the Athenian land—what was to come next was not spoken of—and if I did this, I would have rest from my labors.

Ὀρέστης 93ἥκω δὲ πεισθεὶς σοῖς λόγοισιν ἐνθάδε ἄγνωστον ἐς γῆν, ἄξενον. σὲ δʼ ἱστορῶ, 95Πυλάδη — σὺ γάρ μοι τοῦδε συλλήπτωρ πόνου — τί δρῶμεν; ἀμφίβληστρα γὰρ τοίχων ὁρᾷς ὑψηλά· πότερα δωμάτων προσαμβάσεις ἐκβησόμεσθα; πῶς ἂν οὖν λάθοιμεν ἄν; ἢ χαλκότευκτα κλῇθρα λύσαντες μοχλοῖς — 100ὧν οὐδὲν ἴσμεν; ἢν δʼ ἀνοίγοντες πύλας ληφθῶμεν ἐσβάσεις τε μηχανώμενοι, θανούμεθʼ. ἀλλὰ πρὶν θανεῖν, νεὼς ἔπι φεύγωμεν, ᾗπερ δεῦρʼ ἐναυστολήσαμεν. Πυλάδης φεύγειν μὲν οὐκ ἀνεκτὸν οὐδʼ εἰώθαμεν, 105τὸν τοῦ θεοῦ δὲ χρησμὸν οὐ κακιστέον· ναοῦ δʼ ἀπαλλαχθέντε κρύψωμεν δέμας κατʼ ἄντρʼ ἃ πόντος νοτίδι διακλύζει μέλας — νεὼς ἄπωθεν, μή τις εἰσιδὼν σκάφος βασιλεῦσιν εἴπῃ κᾆτα ληφθῶμεν βίᾳ. 110ὅταν δὲ νυκτὸς ὄμμα λυγαίας μόλῃ, τολμητέον τοι ξεστὸν ἐκ ναοῦ λαβεῖν ἄγαλμα πάσας προσφέροντε μηχανάς. ὅρα δέ γʼ εἴσω τριγλύφων ὅποι κενὸν δέμας καθεῖναι· τοὺς πόνους γὰρ ἁγαθοὶ 115τολμῶσι, δειλοὶ δʼ εἰσὶν οὐδὲν οὐδαμοῦ. Ὀρέστης οὔ τοι μακρὸν μὲν ἤλθομεν κώπῃ πόρον, ἐκ τερμάτων δὲ νόστον ἀροῦμεν πάλιν. ἀλλʼ εὖ γὰρ εἶπας, πειστέον· χωρεῖν χρεὼν ὅποι χθονὸς κρύψαντε λήσομεν δέμας. 120οὐ γὰρ τὸ τοῦ θεοῦ γʼ αἴτιον γενήσεται πεσεῖν ἄχρηστον θέσφατον· τολμητέον· μόχθος γὰρ οὐδεὶς τοῖς νέοις σκῆψιν φέρει.

Orestes I have come here, obedient to your words, to an unknown, inhospitable land. I ask you, Pylades, for you are my accomplice in this task, what shall we do? You see that the surrounding walls are high; shall we ascend the steps leading up to the house? But how might we escape notice? Or loosening the bronze bars of the door with levers, of which we know nothing? If we are caught opening the gates and contriving an entrance, we shall die. No, but before we die, let us escape on the ship in which we sailed here.

Pylades Flight is not to be endured, nor are we accustomed to it, and we must not bring reproach on the god’s oracle; let us leave the temple and hide in a cave which the black sea washes with its moisture—far from the ship, so that no one, seeing it, may tell the ruler, and then seize us by force. But when the eye of gloomy night comes on, then we must dare to take the polished statue from the shrine, by any means. See where between the triglyphs there is an empty space to let ourselves down. The brave endure their labors, the cowardly are worth nothing at all.

Orestes Yes, we did not come on a long sea voyage only to undertake a return home before the end; but you have spoken well, we must obey. We should go wherever we can hide and escape notice. For it will not be the god’s fault if his sacred oracle falls to the ground without effect. We must endure.

People and places in this passage

English translation by Edward P. Coleridge (1891). Original text: Greek text: Gilbert Murray (ed.), Euripidis Fabulae, Oxford: Clarendon Press, 1913, as digitised by Perseus. English: Edward P. Coleridge, The Plays of Euripides, London: George Bell and Sons, first published 1891 (Bohn's Classical Library; the Perseus header records a later printing).

Greek text and translation from the Perseus Digital Library, Tufts University, CC BY-SA 4.0 (Perseus Digital Library); translation public domain. Introductions, summaries and notes © GreekMythology.com.