Euripides · Iphigenia in Tauris Ἰφιγένεια ἐν Ταύροις

Euripides, Iphigenia in Tauris 1284–1326: Exodos: a messenger brings news of the escape

A Messenger comes to the gates of the temple and calls for the king, since the news will not wait. The Chorus tries to keep him out and says that the king is not within, and Thoas, hearing the clamor, comes out and asks what it is; the Messenger tells him that Iphigenia has left the country with the strangers, taking the holy statue of the goddess.

Lines 1284–1326 · 416 words · click a number to copy its link
Ἄγγελος 1284ὦ ναοφύλακες βώμιοί τʼ ἐπιστάται, 1285Θόας ἄναξ γῆς τῆσδε ποῦ κυρεῖ βεβώς; καλεῖτʼ ἀναπτύξαντες εὐγόμφους πύλας ἔξω μελάθρων τῶνδε κοίρανον χθονός. Χορός τί δʼ ἔστιν, εἰ χρὴ μὴ κελευσθεῖσαν λέγειν; Ἄγγελος βεβᾶσι φροῦδοι δίπτυχοι νεανίαι 1290Ἀγαμεμνονείας παιδὸς ἐκ βουλευμάτων φεύγοντες ἐκ γῆς τῆσδε καὶ σεμνὸν βρέτας λαβόντες ἐν κόλποισιν Ἑλλάδος νεώς. Χορός ἄπιστον εἶπας μῦθον· ὃν δʼ ἰδεῖν θέλεις ἄνακτα χώρας, φροῦδος ἐκ ναοῦ συθείς. Ἄγγελος 1295ποῖ; δεῖ γὰρ αὐτὸν εἰδέναι τὰ δρώμενα. Χορός οὐκ ἴσμεν· ἀλλὰ στεῖχε καὶ δίωκέ νιν ὅπου κυρήσας τούσδʼ ἀπαγγελεῖς λόγους. Ἄγγελος ὁρᾶτʼ, ἄπιστον ὡς γυναικεῖον γένος· μέτεστι χὑμῖν τῶν πεπραγμένων μέρος. Χορός 1300μαίνῃ· τί δʼ ἡμῖν τῶν ξένων δρασμοῦ μέτα; οὐκ εἶ κρατούντων πρὸς πύλας ὅσον τάχος; Ἄγγελος οὔ, πρίν γʼ ἂν εἴπῃ τοὔπος ἑρμηνεὺς ὅδε, εἴτʼ ἔνδον εἴτʼ οὐκ ἔνδον ἀρχηγὸς χθονός. ὠή, χαλᾶτε κλῇθρα, τοῖς ἔνδον λέγω, 1305καὶ δεσπότῃ σημήναθʼ οὕνεκʼ ἐν πύλαις πάρειμι, καινῶν φόρτον ἀγγέλλων κακῶν. Θόας τίς ἀμφὶ δῶμα θεᾶς τόδʼ ἵστησιν βοήν, πύλας ἀράξας καὶ ψόφον πέμψας ἔσω; Ἄγγελος φεῦ· πῶς ἔλεγον αἵδε, καί μʼ ἀπήλαυνον δόμων, 1310ὡς ἐκτὸς εἴης· σὺ δὲ κατʼ οἶκον ἦσθʼ ἄρα. Θόας τί προσδοκῶσαι κέρδος ἢ θηρώμεναι; Ἄγγελος αὖθις τὰ τῶνδε σημανῶ· τὰ δʼ ἐν ποσὶ παρόντʼ ἄκουσον. ἡ νεᾶνις ἣ ʼνθάδε βωμοῖς παρίστατʼ, Ἰφιγένειʼ, ἔξω χθονὸς 1315σὺν τοῖς ξένοισιν οἴχεται, σεμνὸν θεᾶς ἄγαλμʼ ἔχουσα· δόλια δʼ ἦν καθάρματα. Θόας πῶς φῄς; τί πνεῦμα συμφορᾶς κεκτημένη; Ἄγγελος σῴζουσʼ Ὀρέστην· τοῦτο γὰρ σὺ θαυμάσῃ. Θόας τὸν ποῖον; ἆρʼ ὃν Τυνδαρὶς τίκτει κόρη; Ἄγγελος 1320ὃν τοῖσδε βωμοῖς θεὰ καθωσιώσατο. Θόας ὦ θαῦμα — πῶς σε μεῖζον ὀνομάσας τύχω; Ἄγγελος μὴ ʼνταῦθα τρέψῃς σὴν φρένʼ, ἀλλʼ ἄκουέ μου· σαφῶς δʼ ἀθρήσας καὶ κλύων ἐκφρόντισον διωγμὸς ὅστις τοὺς ξένους θηράσεται. Θόας 1325λέγʼ· εὖ γὰρ εἶπας· οὐ γὰρ ἀγχίπλουν πόρον φεύγουσιν, ὥστε διαφυγεῖν τοὐμὸν δόρυ.

Messenger O you that guard the temple and stand by the altar, where has Thoas, the lord of this land, gone? Open the well-fastened gates, and call forth from this shrine the ruler of the land.

Chorus Leader What is it, if I may speak when not commanded?

Messenger The two young men are gone away, through the plots of Agamemnon’s daughter; they are escaping from this land, with the holy image deep within a Hellene ship.

Chorus Leader What you say is incredible; but the one you want to see, the lord of the country, has gone in haste from the temple.

Messenger Where? For he should know what has been done.

Chorus Leader We don’t know; but go after him, and report these things to him where you find him.

Messenger See, what a faithless race you women are! You also have a share in what has been done.

Chorus Leader You are mad! What do we have to do with the flight of the strangers? Go as quickly as you can to the ruler’s door!

Messenger No! Not until this interpreter brings word if the king is inside or not. Ho there! Unbar the doors—I am speaking to those within— and inform the master that I am at the gate with a burden of bad news.

Thoas Who is raising this clamor at the temple of the goddess, striking at the gates and sending his noise within?

Messenger Ah! These women told me that you were outside; they would have driven me away from the temple, but you were inside after all.

Thoas What advantage were they expecting and hunting after?

Messenger I will tell you about them later; hear what is currently at hand. The girl who presided at this altar, Iphigenia, has left the country with the strangers, and takes with her the holy statue of the goddess; the purification was a cheat.

Thoas What are you saying? What influence in her character brought her to this?

Messenger To save Orestes; here is a marvel for you!

Thoas To save whom? Clytemnestra’s son?

Messenger The one whom the goddess was dedicating to herself at this altar.

Thoas Marvelous! for what more can it be called?

Messenger Do not think of that, but listen to me; consider it clearly and when you hear, devise a pursuit to hunt down the strangers.

Thoas Speak; you have said well; for their flight is not so brief a voyage as to escape my spear.

People and places in this passage

English translation by Edward P. Coleridge (1891). Original text: Greek text: Gilbert Murray (ed.), Euripidis Fabulae, Oxford: Clarendon Press, 1913, as digitised by Perseus. English: Edward P. Coleridge, The Plays of Euripides, London: George Bell and Sons, first published 1891 (Bohn's Classical Library; the Perseus header records a later printing).

Greek text and translation from the Perseus Digital Library, Tufts University, CC BY-SA 4.0 (Perseus Digital Library); translation public domain. Introductions, summaries and notes © GreekMythology.com.