Euripides · Iphigenia in Tauris Ἰφιγένεια ἐν Ταύροις

Euripides, Iphigenia in Tauris 1089–1151: Second choral song: the halcyon and longing for Greece

The Chorus sings to the halcyon bird, which laments beside the rocky ridges of the sea, and says that the singer, too, has lost her country. She sings of her longing for the festivals of Hellas, and for Artemis of childbirth beside the Cynthian mountain and the palm with delicate leaves, and prays for a wind to carry her home.

Lines 1089–1151 · 353 words · click a number to copy its link

Chorus

1089ὄρνις, ἃ παρὰ πετρίνας 1090πόντου δειράδας, ἀλκυών, ἔλεγον οἶτον ἀείδεις, εὐξύνετον ξυνετοῖς βοάν, ὅτι πόσιν κελαδεῖς ἀεὶ μολπαῖς, ἐγώ σοι παραβάλλομαι 1095θρήνους, ἄπτερος ὅρνις, ποθοῦσʼ Ἑλλάνων ἀγόρους, ποθοῦσʼ Ἄρτεμιν λοχίαν, ἃ παρὰ Κύνθιον ὄχθον οἰ- κεῖ φοίνικά θʼ ἁβροκόμαν 1100δάφναν τʼ εὐερνέα καὶ γλαυκᾶς θαλλὸν ἱερὸν ἐλαί- ας, Λατοῦς ὠδῖνα φίλαν, λίμναν θʼ εἱλίσσουσαν ὕδωρ κύκλιον, ἔνθα κύκνος μελῳ- 1105δὸς Μούσας θεραπεύει.

Halcyon bird, you that sing your fate as a lament beside the rocky ridges of the sea, a cry easily understood by the wise, that you are always chanting for your husband; I, wingless bird that I am, compare my laments with yours, in my longing for the festivals of Hellas, and for Artemis of childbirth, who dwells beside the Cynthian mountain and the palm with delicate leaves and the well-grown laurel and the holy shoot of gray-green olive, Leto’s dear child, and the lake that rolls about its ripples, where the melodious swan serves the Muses.

Chorus

1106ὦ πολλαὶ δακρύων λιβάδες, αἳ παρηίδας εἰς ἐμὰς ἔπεσον, ἁνίκα πύργων ὀλομένων ἐν ναυσὶν ἔβαν 1110πολεμίων ἐρετμοῖσι καὶ λόγχαις. ζαχρύσου δὲ διʼ ἐμπολᾶς νόστον βάρβαρον ἦλθον, ἔνθα τᾶς ἐλαφοκτόνου θεᾶς ἀμφίπολον κόραν 1115παῖδʼ Ἀγαμεμνονίαν λατρεύ- ω βωμούς τʼ οὐ μηλοθύτας, ζηλοῦσʼ ἄταν διὰ παν- τὸς δυσδαίμονʼ· ἐν γὰρ ἀνάγ- καις οὐ κάμνεις σύντροφος ὤν. 1120μεταβάλλει δυσδαιμονία· τὸ δὲ μετʼ εὐτυχίας κακοῦ- σθαι θνατοῖς βαρὺς αἰών.

O streams of tears that fell onto my cheeks, when my city was destroyed and the enemy forced me to sail, by their oars, by their spears! Purchased by gold, I came to a barbarian home, where I serve Agamemnon’s daughter, the attendant maid of the deer-killing goddess, and the altars where no sheep are sacrificed; and I envy ruin that is wretched throughout, for when you are brought up in harsh necessity, you do not suffer. Misery changes; life is hard for mortals, when they are treated badly after happiness.

Chorus

1123καὶ σὲ μέν, πότνιʼ, Ἀργεία πεντηκόντορος οἶκον ἄξει· 1125συρίζων θʼ ὁ κηροδέτας κάλαμος οὐρείου Πανὸς κώπαις ἐπιθωΰξει, ὁ Φοῖβός θʼ ὁ μάντις ἔχων κέλαδον ἑπτατόνου λύρας 1130ἀείδων ἄξει λιπαρὰν εὖ σʼ Ἀθηναίων ἐπὶ γᾶν. ἐμὲ δʼ αὐτοῦ λιποῦσα βήσῃ ῥοθίοισι πλάταις· ἀέρι δὲ πρότονοι κατὰ πρῷραν ὑ- 1135πὲρ στόλον ἐκπετάσουσι πόδα ναὸς ὠκυπόμπου.

And you, lady, the Argive penteconter will bear you home; the wax-bound reed of the mountain god Pan, piping, will shout to the oars, and Phoebus the prophet, with the ring of his seven-stringed lyre, singing, will guide you well to the gleaming land of the Athenians. Leaving me here, you will go with splashing oars. In the breeze, the forestays of the ship that carries you swiftly will spread out over the front beyond the prow.

Chorus

1138λαμπροὺς ἱπποδρόμους βαίην, ἔνθʼ εὐάλιον ἔρχεται πῦρ· 1140οἰκείων δʼ ὑπὲρ θαλάμων πτέρυγας ἐν νώτοις ἁμοῖς λήξαιμι θοάζουσα· χοροῖς δʼ ἑσταίην, ὅθι καὶ παρθένος, εὐδοκίμων γάμων, 1145παρὰ πόδʼ εἱλίσσουσα φίλας ματρὸς ἡλίκων θιάσους, χαρίτων εἰς ἁμίλλας, χαίτας ἁβρόπλουτον ἔριν, ὀρνυμένα, πολυποίκιλα φάρεα 1150καὶ πλοκάμους περιβαλλομένα γένυσιν ἐσκίαζον.

May I come to the bright race-course, where the sun’s fire goes; over the chambers of my home, may I cease to flutter the wings on my back. May I take my stand in the dances of glorious marriages, where I stood as a maiden, twirling about in the dancing bands of other girls, away from my dear mother; rushing on to the contest of charms, the luxuriant strife of hair, I covered my cheeks with the multi-colored veil and shadowed them with the locks of my hair.

People and places in this passage

English translation by Edward P. Coleridge (1891). Original text: Greek text: Gilbert Murray (ed.), Euripidis Fabulae, Oxford: Clarendon Press, 1913, as digitised by Perseus. English: Edward P. Coleridge, The Plays of Euripides, London: George Bell and Sons, first published 1891 (Bohn's Classical Library; the Perseus header records a later printing).

Greek text and translation from the Perseus Digital Library, Tufts University, CC BY-SA 4.0 (Perseus Digital Library); translation public domain. Introductions, summaries and notes © GreekMythology.com.