Euripides · Hecuba Ἑκάβη

Euripides, Hecuba 786–845: Third episode: Hecuba argues that guest-friendship must be avenged

Hecuba says that she may be a slave and weak, but the gods are strong, and Custom, which prevails over them, and that the law of the guest must not be broken. She reminds him that Cassandra, who lies at his side, is her own daughter, and asks what return she and her mother will have for those nights, and she wishes for a voice in hands and hair and feet, to embrace his knees in tears.

Lines 786–845 · 552 words · click a number to copy its link

Hecuba

786οὐκ ἔστιν, εἰ μὴ τὴν Τύχην αὐτὴν λέγοις. ἀλλʼ ὧνπερ οὕνεκʼ ἀμφὶ σὸν πίπτω γόνυ ἄκουσον. εἰ μὲν ὅσιά σοι παθεῖν δοκῶ, στέργοιμʼ ἄν· εἰ δὲ τοὔμπαλιν, σύ μοι γενοῦ 790τιμωρὸς ἀνδρός, ἀνοσιωτάτου ξένου, ὃς οὔτε τοὺς γῆς νέρθεν οὔτε τοὺς ἄνω δείσας δέδρακεν ἔργον ἀνοσιώτατον, κοινῆς τραπέζης πολλάκις τυχὼν ἐμοί, ξενίας τʼ ἀριθμῷ πρῶτʼ ἔχων ἐμῶν φίλων, 795τυχὼν δʼ ὅσων δεῖ — . καὶ λαβὼν προμηθίαν ἔκτεινε· τύμβου δʼ, εἰ κτανεῖν ἐβούλετο, οὐκ ἠξίωσεν, ἀλλʼ ἀφῆκε πόντιον. ἡμεῖς μὲν οὖν δοῦλοί τε κἀσθενεῖς ἴσως· ἀλλʼ οἱ θεοὶ σθένουσι χὡ κείνων κρατῶν 800Νόμος· νόμῳ γὰρ τοὺς θεοὺς ἡγούμεθα καὶ ζῶμεν ἄδικα καὶ δίκαιʼ ὡρισμένοι· ὃς ἐς σʼ ἀνελθὼν εἰ διαφθαρήσεται, καὶ μὴ δίκην δώσουσιν οἵτινες ξένους κτείνουσιν ἢ θεῶν ἱερὰ τολμῶσιν φέρειν, 805οὐκ ἔστιν οὐδὲν τῶν ἐν ἀνθρώποις ἴσον. ταῦτʼ οὖν ἐν αἰσχρῷ θέμενος αἰδέσθητί με· οἴκτιρον ἡμᾶς, ὡς γραφεύς τʼ ἀποσταθεὶς ἰδοῦ με κἀνάθρησον οἷʼ ἔχω κακά. τύραννος ἦ ποτʼ, ἀλλὰ νῦν δούλη σέθεν, 810εὔπαις ποτʼ οὖσα, νῦν δὲ γραῦς ἄπαις θʼ ἅμα, ἄπολις ἔρημος, ἀθλιωτάτη βροτῶν […]

There is no one, unless you would name Chance herself. But hear my reason for throwing myself at your knees. If my treatment seems to you deserved, I will be content; but, if otherwise, help me to punish this most godless host, fearless alike of gods in heaven or hell, who has done a most unholy deed; who, though often he had shared my board and been counted first of all my guest-friends meeting with every kindness he could claim—. And receiving my consideration, he slew my son, and bent though he was on murder, did not think it right to bury him, but cast his body forth to sea. I may be a slave and weak as well, but the gods are strong, and Custom too which prevails over them, for by custom it is that we believe in them and set up boundaries of right and wrong for our lives. Now if this principle, when referred to you, is to be set at nothing, and they are to escape punishment who murder guests or dare to plunder the temples of gods, then all fairness in human matters is at an end. Consider this then a disgrace and show regard for me, have pity on me, and, like an artist standing back from his picture, look on me and closely scan my piteous state. I was once a queen, but now I am your slave; a happy mother once, but now childless and old alike, bereft of city, utterly forlorn, the most wretched woman living.

Hecuba

812οἴμοι τάλαινα, ποῖ μʼ ὑπεξάγεις πόδα; ἔοικα πράξειν οὐδέν· ὦ τάλαινʼ ἐγώ. τί δῆτα θνητοὶ τἄλλα μὲν μαθήματα 815μοχθοῦμεν ὡς χρὴ πάντα καὶ ματεύομεν, Πειθὼ δὲ τὴν τύραννον ἀνθρώποις μόνην οὐδέν τι μᾶλλον ἐς τέλος σπουδάζομεν μισθοὺς διδόντες μανθάνειν, ἵνʼ ἦν ποτε πείθειν ἅ τις βούλοιτο τυγχάνειν θʼ ἅμα; 820πῶς οὖν ἔτʼ ἄν τις ἐλπίσαι πράξειν καλῶς; οἱ μὲν γὰρ ὄντες παῖδες οὐκέτʼ εἰσί μοι, αὕτη δʼ ἐπʼ αἰσχροῖς αἰχμάλωτος. οἴχομαι· καπνὸν δὲ πόλεως τόνδʼ ὑπερθρῴσκονθʼ ὁρῶ. καὶ μήν — ἴσως μὲν τοῦ λόγου κενὸν τόδε, 825Κύπριν προβάλλειν· ἀλλʼ ὅμως εἰρήσεται· πρὸς σοῖσι πλευροῖς παῖς ἐμὴ κοιμίζεται ἡ φοιβάς, ἣν καλοῦσι Κασάνδραν Φρύγες. ποῦ τὰς φίλας δῆτʼ εὐφρόνας δείξεις, ἄναξ, ἢ τῶν ἐν εὐνῇ φιλτάτων ἀσπασμάτων 830χάριν τίνʼ ἕξει παῖς ἐμή, κείνης δʼ ἐγώ; ἄκουε δή νυν· τὸν θανόντα τόνδʼ ὁρᾷς; τοῦτον καλῶς δρῶν ὄντα κηδεστὴν σέθεν 835δράσεις. ἑνός μοι μῦθος ἐνδεὴς ἔτι. εἴ μοι γένοιτο φθόγγος ἐν βραχίοσι καὶ χερσὶ καὶ κόμαισι καὶ ποδῶν βάσει ἢ Δαιδάλου τέχναισιν ἢ θεῶν τινος, ὡς πάνθʼ ὁμαρτῇ σῶν ἔχοιντο γουνάτων 840κλαίοντʼ, ἐπισκήπτοντα παντοίους λόγους. ὦ δέσποτʼ, ὦ μέγιστον Ἕλλησιν φάος, πιθοῦ, παράσχες χεῖρα τῇ πρεσβύτιδι τιμωρόν, εἰ καὶ μηδέν ἐστιν, ἀλλʼ ὅμως. ἐσθλοῦ γὰρ ἀνδρὸς τῇ δίκῃ θʼ ὑπηρετεῖν 845καὶ τοὺς κακοὺς δρᾶν πανταχοῦ κακῶς ἀεί.

Ah! woe is me! where would you withdraw your steps from me? My efforts then will be in vain, ah me! Why, oh! why do we mortals toil, as we must, and seek out all other sciences, but Persuasion, the only real mistress of mankind, we take no further pains to master completely by offering to pay for the knowledge, so that any man could convince his fellows as he pleased and gain his point at once? How shall anyone hereafter hope for prosperity? All those my sons are gone from me, and she, my daughter, is a slave and suffers shame. I am lost; I see the smoke leaping over my city. Further—though this is perhaps idly urged, to plead your love, still I will put the case—at your side lies my daughter, Cassandra, the inspired maiden, as the Phrygians call her. How then, king, will you acknowledge those nights of rapture, or what return shall my daughter or I her mother have for the love she has lavished on her lord? Listen, then; do you see this corpse? By doing him a service, you will do it to a kinsman of your bride’s. I have only one thing yet to urge. Oh! would I had a voice in arms, in hands, in hair and feet, placed there by the arts of Daedalus or some god, that all together they might with tears embrace your knees, bringing a thousand pleas to bear on you! O my lord and master, most glorious light of Hellas, listen, stretch forth a helping hand to this aged woman, for all she is a thing of nothing; still do so. For it is always a good man’s duty to help the right, and to punish evil-doers wherever found.

People and places in this passage

English translation by Edward P. Coleridge (1891). Original text: Greek text: Gilbert Murray (ed.), Euripidis Fabulae, Oxford: Clarendon Press, 1902, as digitised by Perseus. English: Edward P. Coleridge, The Plays of Euripides, London: George Bell and Sons, first published 1891 (Bohn's Classical Library; the Perseus header records a later printing).

Greek text and translation from the Perseus Digital Library, Tufts University, CC BY-SA 4.0 (Perseus Digital Library); translation public domain. Introductions, summaries and notes © GreekMythology.com.