Euripides · Ion Ἴων

Euripides, Ion 1395–1438: Exodos: Creusa and Ion recognize each other

Creusa sees the ark in which she exposed the child, and leaves the altar even though death awaits her. Ion tells his men to seize her as mad, but she says that she knows the ark and its contents, and names the tokens before he opens it. She describes the robe that she wove with a Gorgon in its centre, the golden serpents and the olive-wreath from Athena's tree, and Ion embraces her as his mother.

Lines 1395–1438 · 470 words · click a number to copy its link
Κρέουσα 1395τί δῆτα φάσμα τῶν ἀνελπίστων ὁρῶ; Ἴων σίγα σύ· πολλὰ καὶ πάροιθεν οἶσθά μοι […] Κρέουσα οὐκ ἐν σιωπῇ τἀμά· μή με νουθέτει. ὁρῶ γὰρ ἄγγος οὗ ʼξέθηκʼ ἐγώ ποτε […] σέ γʼ, ὦ τέκνον μοι, βρέφος ἔτʼ ὄντα νήπιον, 1400Κέκροπος ἐς ἄντρα καὶ Μακρὰς πετρηρεφεῖς. λείψω δὲ βωμὸν τόνδε, κεἰ θανεῖν με χρή. Ἴων λάζυσθε τήνδε· θεομανὴς γὰρ ἥλατο βωμοῦ λιποῦσα ξόανα· δεῖτε δʼ ὠλένας. Κρέουσα σφάζοντες οὐ λήγοιτʼ ἄν· ὡς ἀνθέξομαι 1405καὶ τῆσδε καὶ σοῦ τῶν τε σῶν κεκρυμμένων. Ἴων τάδʼ οὐχὶ δεινά; ῥυσιάζομαι λόγῳ. Κρέουσα οὔκ, ἀλλὰ σοῖς φίλοισιν εὑρίσκῃ φίλος. Ἴων ἐγὼ φίλος σός; κᾆτά μʼ ἔκτεινες λάθρα; Κρέουσα παῖς γʼ, εἰ τόδʼ ἐστὶ τοῖς τεκοῦσι φίλτατον. Ἴων 1410παῦσαι πλέκουσα. — λήψομαί σʼ ἐγὼ καλῶς. Κρέουσα ἐς τοῦθʼ ἱκοίμην, τοῦδε τοξεύω, τέκνον. Ἴων κενὸν τόδʼ ἄγγος ἢ στέγει πλήρωμά τι; Κρέουσα σά γʼ ἔνδυθʼ, οἷσί σʼ ἐξέθηκʼ ἐγώ ποτε. Ἴων καὶ τοὔνομʼ αὐτῶν ἐξερεῖς πρὶν εἰσιδεῖν; Κρέουσα 1415κἂν μὴ φράσω γε, κατθανεῖν ὑφίσταμαι. Ἴων λέγʼ· ὡς ἔχει τι δεινὸν ἥ γε τόλμα σου. Κρέουσα σκέψασθʼ· ὃ παῖς ποτʼ οὖσʼ ὕφασμʼ ὕφηνʼ ἐγὼ […] Ἴων ποῖόν τι; πολλὰ παρθένων ὑφάσματα. Κρέουσα οὐ τέλεον, οἷον δʼ ἐκδίδαγμα κερκίδος. Ἴων 1420μορφὴν ἔχον τίνʼ; ὥς με μὴ ταύτῃ λάβῃς. Κρέουσα Γοργὼ μὲν ἐν μέσοισιν ἠτρίοις πέπλων. Ἴων ὦ Ζεῦ, τίς ἡμᾶς ἐκκυνηγετεῖ πότμος; Κρέουσα κεκρασπέδωται δʼ ὄφεσιν αἰγίδος τρόπον. Ἴων ἰδού· τόδʼ ἔσθʼ ὕφασμα, θέσφαθʼ ὡς εὑρίσκομεν. Κρέουσα 1425ὦ χρόνιον ἱστῶν παρθένευμα τῶν ἐμῶν. Ἴων ἔστιν τι πρὸς τῷδʼ, ἢ μόνῳ τῷδʼ εὐτυχεῖς; Κρέουσα δράκοντες· ἀρχαῖόν τι παγχρύσῳ γένει δώρημʼ Ἀθάνας, ἣ τέκνʼ ἐντρέφειν λέγει […] Ἐριχθονίου γε τοῦ πάλαι μιμήματα. Ἴων 1430τί δρᾶν, τί χρῆσθαι, φράζε μοι, χρυσώματι; Κρέουσα δέραια παιδὶ νεογόνῳ φέρειν, τέκνον. Ἴων ἔνεισιν οἵδε· τὸ δὲ τρίτον ποθῶ μαθεῖν. Κρέουσα στέφανον ἐλαίας ἀμφέθηκά σοι τότε, ἣν πρῶτʼ Ἀθάνα σκόπελον εἰσηνέγκατο, 1435ὅς, εἴπερ ἔστιν, οὔποτʼ ἐκλείπει χλόην, θάλλει δʼ, ἐλαίας ἐξ ἀκηράτου γεγώς.

Creusa Ha! what unlooked-for sight is here?

Ion Peace, woman! now, as erst, thou art my enemy.

Creusa Silence is not for me. Bid me not be still; for lo! I see the ark wherein I did expose thee, my child, in days gone by, whilst yet a tender babe. So now will I leave this altar, though death await me.

Ion Seize her; she is mad, springing thus from the shelter of the carved altar. Bind her arms.

Creusa Kill! spare not! for I to thee will cleave, and to this ark, and all that is within it.

Ion Is not this monstrous? here am I laid claim to on a specious pretext.

Creusa Nay, nay, but as a friend art thou by friends now found.

Ion I a friend of thine! and wouldst thou, then, have slain me privily?

Creusa Thou art my child, if that is what a parent holds most dear.

Ion An end to thy web of falsehood! Right well will I convict thee.

Creusa My child, that is my aim; God grant I reach it!

Ion Is this ark empty, or hath it aught within?

Creusa Thy raiment wherein I exposed thee long ago.

Ion Wilt put a name thereto before thou see it?

Creusa Unless I describe it, I offer to die.

Ion Say on; there is something strange in this thy confidence.

Creusa Behold the robe my childish fingers wove.

Ion Describe it; maidens weave many a pattern.

Creusa ’Tis not perfect, but a first lesson, as it were, in weaving.

Ion Describe its form; thou shalt not catch me thus.

Creusa A Gorgon figures in the centre of the warp.

Ion Great Zeus! what fate is this that dogs my steps?

Creusa ’Tis fringed with snakes like an aegis.

Ion Lo! ’tis the very robe; how true we find the voice of God!

Creusa Ah! woven work that erst my virgin shuttle wrought.

Ion Is there aught beside, or stays thy lucky guessing here?

Creusa There be serpents, too, with jaws of gold, an old-world symbol.

Ion Is that Athena’s gift, bidding her race grow up under their guardianship?

Creusa Yes, to copy our ancestor Erichthonius.

Ion What is their object? what the use of these golden gauds? pray, tell.

Creusa Necklaces for the new-born babe to wear, my child.

Ion Lo! here they lie. Yet would I know the third sign.

Creusa About thy brow I bound an olive-wreath that day, plucked from the tree Athena first made grow on her own rock. If haply that is there, it hath not lost its verdure yet, but still is fresh, for it came from the stock that grows not old.

Ion

1437ὦ φιλτάτη μοι μῆτερ, ἄσμενός σʼ ἰδὼν πρὸς ἀσμένας πέπτωκα σὰς παρηίδας.

Mother, dearest mother, with what rapture I behold thee, as on thy cheeks, that share my joy, I press my lips!

People and places in this passage

English translation by Edward P. Coleridge (1891). Original text: Greek text: Gilbert Murray (ed.), Euripidis Fabulae, Oxford: Clarendon Press, 1913, as digitised by Perseus. English: Edward P. Coleridge, The Plays of Euripides, London: George Bell and Sons, first published 1891 (Bohn's Classical Library; the Perseus header records a later printing).

Greek text and translation from the Perseus Digital Library, Tufts University, CC BY-SA 4.0 (Perseus Digital Library); translation public domain. Introductions, summaries and notes © GreekMythology.com.