Euripides · Ion Ἴων

Euripides, Ion 1229–1260: Fifth episode: the Chorus and Creusa flee to the altar

The Chorus says that there is no way to turn death aside, since all has come to light by the mixed wine. Creusa runs in, saying that the men of death are on her track, and that the vote of Delphi has gone against her. The Chorus tells her to sit at the altar, since if she is slain there her murderers will incur bloodguilt.

Lines 1229–1260 · 309 words · click a number to copy its link

Chorus

1229οὐκ ἔστʼ οὐκ ἔστιν θανάτου 1230παρατροπὰ μελέᾳ μοι· φανερὰ φανερὰ τάδʼ ἤδη, σπονδᾶς ἐκ Διονύσου, βοτρύων θοᾶς ἐχίδνας σταγόσι μειγνυμένας φόνῳ […] 1235φανερὰ θύματα νερτέρων, συμφοραὶ μὲν ἐμῷ βίῳ, λεύσιμοι δὲ καταφθοραὶ δεσποίνᾳ. τίνα φυγὰν πτερόεσσαν ἢ χθονὸς ὑπὸ σκοτίων μυχῶν πορευθῶ, 1240θανάτου λεύσιμον ἄταν ἀποφεύγουσα, τεθρίππων ὠκιστᾶν χαλᾶν ἐπιβᾶσʼ, ἢ πρύμνας ἐπὶ ναῶν;

Ah me! I see no way at all to turn death’s hand aside; all, all, ere this, is brought to light owing to that fatal draught of the wine-god’s juice mixed for death with drops of viper’s gore, quick to slay; detected is our offering to the dead; for me my life must end in woe, while death by stoning waits my mistress. How can I escape? Shall I take wings and fly away, or creep beneath the darksome caverns of the earth, striving to shun the doom of death by stoning? or shall I mount the car drawn by swiftest steeds, or embark upon a ship?

Chorus

1244οὐκ ἔστι λαθεῖν, ὅτε μὴ χρῄζων 1245θεὸς ἐκκλέπτει. τί ποτʼ, ὦ μελέα δέσποινα, μένει ψυχῇ σε παθεῖν; ἆρα θέλουσαι δρᾶσαί τι κακὸν τοὺς πέλας αὐταὶ πεισόμεθʼ, ὥσπερ τὸ δίκαιον;

No man may hide his guilt, save when some god of his own will steals him away. Ah! my poor mistress! what suffering now awaits thy soul? Must then our wish to work another harm end in our own discomfiture, as justice doth decree?

Κρέουσα 1250πρόσπολοι, διωκόμεσθα θανασίμους ἐπὶ σφαγάς, Πυθίᾳ ψήφῳ κρατηθεῖσʼ, ἔκδοτος δὲ γίγνομαι. Χορός ἴσμεν, ὦ τάλαινα, τὰς σὰς συμφοράς, ἵνʼ εἶ τύχης. Κρέουσα ποῖ φύγω δῆτʼ; ἐκ γὰρ οἴκων προύλαβον μόγις πόδα μὴ θανεῖν, κλοπῇ δʼ ἀφῖγμαι διαφυγοῦσα πολεμίους. Χορός 1255ποῖ δʼ ἂν ἄλλοσʼ ἢ ʼπὶ βωμόν; Κρέουσα καὶ τί μοι πλέον τόδε; Χορός ἱκέτιν οὐ θέμις φονεύειν. Κρέουσα τῷ νόμῳ δέ γʼ ὄλλυμαι. Χορός χειρία γʼ ἁλοῦσα. Κρέουσα καὶ μὴν οἵδʼ ἀγωνισταὶ πικροὶ δεῦρʼ ἐπείγονται ξιφήρεις. Χορός ἵζε νυν πυρᾶς ἔπι. κἂν θάνῃς γὰρ ἐνθάδʼ οὖσα, τοῖς ἀποκτείνασί σε 1260προστρόπαιον αἷμα θήσεις· οἰστέον δὲ τὴν τύχην.

Creusa My trusty maids, the men of death are on my track; the vote of Delphi goes against me; they give me up to die.

Chorus Unhappy one! we know thy sad mischance, how thou art placed.

Creusa Oh! whither can I fly? for scarce had I the start of my pursuers from the house in my race for life; ’tis by stealth alone that I have thus far escaped my foes.

Chorus Where shouldst thou fly except to the altar?

Creusa What good is that to me?

Chorus To slay a suppliant is forbidden.

Creusa Aye, but the law has given me over to death.

Chorus Only if thou fall into their hands.

Creusa Look! here they come, cruel champions of vengeance, eagerly brandishing their swords.

Chorus Sit thee down upon the altar of burnt-offering! for if thou art slain there, thou wilt fix upon thy murderers the stain of bloodguiltiness; but we must bear our fortune.

People and places in this passage

English translation by Edward P. Coleridge (1891). Original text: Greek text: Gilbert Murray (ed.), Euripidis Fabulae, Oxford: Clarendon Press, 1913, as digitised by Perseus. English: Edward P. Coleridge, The Plays of Euripides, London: George Bell and Sons, first published 1891 (Bohn's Classical Library; the Perseus header records a later printing).

Greek text and translation from the Perseus Digital Library, Tufts University, CC BY-SA 4.0 (Perseus Digital Library); translation public domain. Introductions, summaries and notes © GreekMythology.com.

Ion 1229–1260: The Chorus and Creusa flee to the altar