Euripides · Ion Ἴων

Euripides, Ion 226–254: Ion questions the handmaids and meets Creusa

Ion tells the strangers that they may make offerings before the shrine and ask Phoebus, but must not enter the inner sanctuary without a sacrifice of sheep. The women say that they have no wish to trespass, and name their mistress, who comes in weeping. Ion remarks on her noble bearing and asks why she is in tears, and Creusa laments the injustice of the gods.

Lines 226–254 · 267 words · click a number to copy its link
Ἴων 226εἰ μὲν ἐθύσατε πέλανον πρὸ δόμων καί τι πυθέσθαι χρῄζετε Φοίβου, πάριτʼ ἐς θυμέλας· ἐπὶ δʼ ἀσφάκτοις μήλοισι δόμων μὴ πάριτʼ ἐς μυχόν. Χορός 230ἔχω μαθοῦσα· θεοῦ δὲ νόμον οὐ παραβαίνομεν, ἃ δʼ ἐκτός, ὄμμα τέρψει. Ἴων πάντα θεᾶσθʼ, ὅ τι καὶ θέμις, ὄμμασι. Χορός μεθεῖσαν δεσπόται με θεοῦ γύαλα τάδʼ εἰσιδεῖν. Ἴων δμῳαὶ δὲ τίνων κλῄζεσθε δόμων; Χορός 235Παλλάδι σύνοικα τρόφιμα μέλα- θρα τῶν ἐμῶν τυράννων· παρούσας δʼ ἀμφὶ τᾶσδʼ ἐρωτᾷς.

Ion If ye have offered a sacrificial cake before the shrine and have aught ye wish to ask Phoebus, approach the altar; but enter not the inmost sanctuary, save ye have sacrificed sheep.

(Thirteenth) Chorus I understand; but we have no mind to trespass against the god’s law; the pictures here without will amuse us.

Ion Feast your eyes on all ye may.

(Fourteenth) Chorus My mistress gave me leave to see these vaulted chambers.

Ion Whose handmaids do ye avow yourselves?

(Fifteenth) Chorus The temple, where Pallas dwells, is the nursing-home of my lords. But lo! here is she of whom thou askest.

Ἴων 237γενναιότης σοι, καὶ τρόπων τεκμήριον τὸ σχῆμʼ ἔχεις τόδʼ, ἥτις εἶ ποτʼ, ὦ γύναι. γνοίη δʼ ἂν ὡς τὰ πολλά γʼ ἀνθρώπου πέρι 240τὸ σχῆμʼ ἰδών τις εἰ πέφυκεν εὐγενής. ἔα· ἀλλʼ ἐξέπληξάς μʼ, ὄμμα συγκλῄσασα σὸν δακρύοις θʼ ὑγράνασʼ εὐγενῆ παρηίδα, ὡς εἶδες ἁγνὰ Λοξίου χρηστήρια. τί ποτε μερίμνης ἐς τόδʼ ἦλθες, ὦ γύναι; 245ὃ πάντες ἄλλοι γύαλα λεύσσοντες θεοῦ χαίρουσιν, ἐνταῦθʼ ὄμμα σὸν δακρυρροεῖ; Κρέουσα ὦ ξένε, τὸ μὲν σὸν οὐκ ἀπαιδεύτως ἔχει ἐς θαύματʼ ἐλθεῖν δακρύων ἐμῶν πέρι· ἐγὼ δʼ ἰδοῦσα τούσδʼ Ἀπόλλωνος δόμους 250μνήμην παλαιὰν ἀνεμετρησάμην τινά· οἴκοι δὲ τὸν νοῦν ἔσχον ἐνθάδʼ οὖσά που. ὦ τλήμονες γυναῖκες· ὦ τολμήματα θεῶν. τί δῆτα; ποῖ δίκην ἀνοίσομεν, εἰ τῶν κρατούντων ἀδικίαις ὀλούμεθα;

Ion Lady, whosoe’er thou art, I see thou art of noble birth, and thy bearing proves thy gentle breeding. For from his bearing one may mostly judge whether a man is nobly born. Yet am I much amazed to see thee close thine eyes in grief and with tears bedew thy noble face, when thou standest face to face with the holy oracle of Loxias. Why, lady, art thou thus disquieted? Here, where all others show their joy at sight of Phoebus’ sanctuary, thine eye is wet with tears.

Creusa Most courteously, sir stranger, dost thou express surprise at these my tears; the sight of this temple of Apollo recalled to me a memory of long ago, and somehow my thoughts went wandering home, though I am here myself. Ah, hapless race of women! ah, ye reckless gods! What shall I say? to what standard shall we refer justice if through the injustice of our lords and masters we are brought to ruin?

People and places in this passage

English translation by Edward P. Coleridge (1891). Original text: Greek text: Gilbert Murray (ed.), Euripidis Fabulae, Oxford: Clarendon Press, 1913, as digitised by Perseus. English: Edward P. Coleridge, The Plays of Euripides, London: George Bell and Sons, first published 1891 (Bohn's Classical Library; the Perseus header records a later printing).

Greek text and translation from the Perseus Digital Library, Tufts University, CC BY-SA 4.0 (Perseus Digital Library); translation public domain. Introductions, summaries and notes © GreekMythology.com.