
Hermes is the winged herald and messenger of the Olympian gods. In addition, he is also a divine trickster, and the god of roads, flocks, commerce, and thieves. A precocious newborn, he invented the lyre and stole Apollo’s cattle on the very first day of his life. Hermes also guides the souls of the dead down to the Underworld.
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Hermes is the Olympian messenger god, the son of Zeus and the nymph Maia, and the god of travel, trade, boundaries, and thieves. Hesiod calls him the swift messenger of the gods (Works and Days 84–85), and in the poems almost every other god relies on him to carry out their business.
Hermes is the god of everything that crosses a line: roads, borders, messages, trade, and the passage from life to death. The Homeric Hymn describes him at his birth as a child of many tricks, a cunning schemer, a robber, a driver of cattle, a leader of dreams, a watcher by night and a lurker at the gates (Hymn 4 to Hermes 13–15).
Hermes became the god of thieves because he committed the first theft in Greek myth: on the day he was born, he slipped out of his cradle and stole fifty of Apollo’s cattle (Hymn 4 to Hermes 17–19, 73–74). The Greeks did not treat this as simple crime but as a sign of cleverness, and the same quality is honoured in his son and grandson.
Hermes is male – a god, never a goddess. The confusion usually comes from his child Hermaphroditus, who had both male and female features, and from the fashion house that borrowed his name in the nineteenth century.
Plato has Socrates connect the name with speech: the god who contrived (emesato) speaking (eirein) should be called Eiremes, a name later beautified into Hermes (Cratylus 408a–b). Hermes’ oldest image was the herm, a squared stone pillar with a head, set up in the doorways of houses and temples. Herodotus says that the Greeks learned to make these images of Hermes from the Pelasgians, and that the Athenians were the first Greeks to adopt them (Histories 2.51). In 415 BCE the Athenians were shocked when, in one night, the faces of most of the city’s herms were mutilated (Thucydides 6.27).
Homer shows Hermes ready for a journey: he ties on beautiful golden sandals that carry him over water and land like the wind, and takes his wand, with which he charms the eyes of men and wakes them from sleep (Odyssey 5.43–49; Iliad 24.339–345). This is the golden wand that Apollo gave him in the Hymn (Hymn 4 to Hermes 526–532; Apollodorus, Library 3.10.2). Hyginus tells that the wand became a sign of peace when Hermes put it between two serpents that were fighting, and that makers of the herald’s wand (the kerykeion, caduceus in Latin) therefore show two serpents twined round the rod (Astronomica 2.7). It is a different object from the staff of Asclepius, and Hermes’ wand is not a symbol of medicine.
In the poems Hermes is a handsome youth. Homer compares him to a young prince with the first beard, in the bloom of youth, when he escorts Priam, and says he looked the same when he met Odysseus (Iliad 24.347–348; Odyssey 10.277–279).
Hermes is quick, charming, and inventive. The Homeric Hymn calls him a child of many turns, cunning in scheming (Hymn 4 to Hermes 13).
Homer often calls him Argeiphontes, usually understood as “Argus-slayer,” and Diaktoros, a name for the messenger (Iliad 24.339; Odyssey 1.38). He is Cyllenian Hermes, from his birthplace (Odyssey 24.1), and Hermes of the golden wand (Odyssey 10.277). The Hymn calls him eriounios, a word of uncertain meaning, in its opening lines (Hymn 4 to Hermes 3).
According to some myths, Hermes wasn’t only a messenger of the gods, but also an orator and interpreter. In Greece, an interpreter was called hermeneus, and Plato connects the name of the god with this word (Cratylus 408a). Hermes also guides souls. In the Odyssey it is Cyllenian Hermes who calls out the souls of the slain suitors and leads them with his wand down the dark paths past the streams of Ocean and the gates of the Sun to the meadow of asphodel (Odyssey 24.1–14).
The best-known myths about Hermes divide into two kinds: the stories of his own mischief, and the countless myths in which he appears to help someone else. Each of the following is told in more detail below or on its own page.
Hermes was the son of Zeus and Maia, the oldest of the seven Pleiades. Zeus visited Maia at night in her cave on Mount Cyllene while Hera slept (Hymn 4 to Hermes 5–9; Apollodorus, Library 3.10.2). Hermes was born at dawn. By noon he was able to play the lyre, and that same evening he stole the cattle of Apollo (Hymn 4 to Hermes 17–19). Afterward, he came back and tucked himself up in his cradle.
To invent the lyre, Hermes killed a tortoise and scooped the flesh out of its shell. Then he fitted reeds into the shell, stretched ox-hide over it, and strung seven strings of sheep-gut (Hymn 4 to Hermes 47–51). Once he found out who had stolen his cattle, Apollo took Hermes before Zeus, who laughed at the child’s denials and told the two brothers to search for the cattle together, with Hermes as guide (Hymn 4 to Hermes 387–392). Hermes appeased Apollo by giving him the lyre, and made himself the shepherd’s pipes (Hymn 4 to Hermes 509–512). Apollo swore that no one among the gods would be dearer to him, and promised him a golden wand of wealth and riches (Hymn 4 to Hermes 523–532). In Apollodorus, Apollo wanted the pipes too, and gave Hermes the golden wand in exchange for them (Library 3.10.2).
Hermes was a trusted agent of the gods. He was the one who went down to the Underworld at Zeus’ command to bring Persephone back to her mother, Demeter (Hymn to Demeter 334–385). Above all, Hermes was very close with his father, acting in many of his affairs as Zeus’ messenger and helper. Most famously, he killed Argus Panoptes, whom Hera had set to watch over Zeus’ love Io (Apollodorus, Library 2.1.3). During the war with Typhon, Hermes and Aegipan stole Zeus’ sinews back from the cave where Typhon had hidden them and fitted them to Zeus (Library 1.6.3).
Hermes is the son of Zeus and, more than any other of his children, his personal agent. Where Zeus rules by force and authority, Hermes acts by speed, persuasion, and discretion.
In his role as a messenger, Hermes is present in numerous other myths. He brings Pandora to Epimetheus (Hesiod, Works and Days 83–85), guides Priam safely to Achilles’ tent (Iliad 24), and in the Judgement of Paris leads Athena, Aphrodite, and Hera to Mount Ida where Paris was to decide which of them was the fairest (Apollodorus, Epitome 3.2). He also gave Heracles a sword (Library 2.4.11) and, on Zeus’ orders, sold him to Omphale (Library 2.6.3). The ram with the golden fleece that carried Phrixus and Helle was a gift from Hermes to Nephele (Library 1.9.1).
Hermes had relatively few consorts and children in the sources. In the Homeric Hymn to Pan, Hermes came to Arcadia and herded the sheep of a mortal man there, because he longed for the daughter of Dryops; he married her, and she bore Pan (Hymn 19 to Pan 28–47). Aphrodite bore him Hermaphroditus (Ovid, Metamorphoses 4.288–292). In the Iliad he secretly slept with Polymele, daughter of Phylas, a girl he had seen dancing in the chorus of Artemis, and she bore him the warrior Eudorus (Iliad 16.179–186). Apollodorus names Abderus, the companion of Heracles killed by the mares of Diomedes, as a son of Hermes (Library 2.5.8), and Myrtilus, the charioteer of Oenomaus, as another (Epitome 2.6). In another version (Apollodorus 3.14.3), Herse bore him Cephalus.
Once, Hermes and Apollo fell in love simultaneously with Chione, daughter of Daedalion, and slept with her on the very same day: Apollo came by night, and Hermes first put her to sleep with his wand. Chione gave birth to twins. Philammon, the son of Apollo, became a famous singer and player of the lyre. Hermes’ son Autolycus became a trickster and a thief (Ovid, Metamorphoses 11.301–317). Autolycus was the maternal grandfather of Odysseus, and Homer says Hermes himself gave him his skill at theft and oaths (Odyssey 19.394–398).
One common misconception about Hermes is that he is only a god of thieves and tricksters. While it is true that he has been associated with these aspects, his role as a messenger, guide, and protector of travelers, as well as his skills in oratory and invention, are just as important. Another misconception is that Hermes was a dishonest and untrustworthy deity. In the poems, he is often the one tasked with carrying out Zeus’ orders, and the Hymn says that his trick with the cattle was followed by a lasting friendship with Apollo.
A lesser-known fact about Hermes is that he was honoured in the contests of the Greek games. Pindar calls him the god who keeps the contests, and Pausanias saw an altar of Hermes of the Games at Olympia, close to the entrance of the stadium (Pindar, Olympian 6.77–80; Pausanias 5.14.9).
The Homeric Hymn calls the newborn Hermes a “leader of dreams” and a watcher by night (Hymn 4 to Hermes 14–15). His wand puts mortals to sleep and wakes them (Odyssey 5.47–48). In the Odyssey the Phaeacians pour their last libation of the evening to Hermes, when they think of going to bed (Odyssey 7.136–138).
The essential facts about Hermes can be stated briefly:
Hermes holds a strange position among the Olympians. He is not the strongest, the wisest, or the most feared, and no great war or catastrophe turns on his decisions. Yet he appears in more myths than almost any other god, because nearly every story needs someone to carry a message, open a door, or lead a traveller from one place to the next.
That role explains the breadth of his domains. Roads, trade, theft, speech, and death look unrelated until they are seen as the same act: crossing a line that separates one place, person, or state from another. The merchant crosses between owners, the herald between enemies, the thief between what is his and what is not, and the guide of souls between the living and the dead.
It also explains why the Greeks liked him. A god of boundaries could easily have been frightening, but Hermes is generous with mortals, quick to help heroes, and forgiven even when he lies to Zeus. His first day set the pattern: theft, music, negotiation, and a friendship gained instead of a punishment earned.
The 4th Homeric Hymn is dedicated solely to Hermes and retells his childhood at length. Hermes also appears in Homer, Iliad 5.385–391, 16.179–186, 21.497–501, 24.333–467; Odyssey 1.37–43, 5.28–148, 7.136–138, 10.275–308, 19.394–412, 24.1–14; Hesiod, Works and Days 77–85; Homeric Hymn 19 to Pan; Homeric Hymn to Demeter 334–385; Pindar, Olympian 6; Plato, Cratylus 407e–408b; Herodotus 2.51; Thucydides 6.27; Apollodorus, Library 1.6.2–3, 1.9.1, 2.1.3, 2.4.3, 2.4.11, 2.5.8, 2.6.3, 3.4.3, 3.10.1–2, 3.14.3 and Epitome 2.6, 3.2; Pausanias 5.14.9, 9.22.1; Virgil, Aeneid 4.222–278; Ovid, Metamorphoses 1.668–723, 4.288–292, 11.301–317; Hyginus, Astronomica 2.7.
See Also: Zeus, Mount Olympus, Apollo, Pandora, Maia, Argus, Aphrodite, Odysseus
Passages that name Hermes, in the original with English translation. The line gives the work and reference as scholars cite it.