Homer · The Homeric Hymns Ὁμηρικοὶ ὕμνοι

Homer, The Homeric Hymns 4.1–90: Hymn 4 to Hermes (1): the newborn god makes the lyre

Hermes is born in a cave on Mount Cyllene to Maia and Zeus and is out of his cradle by midday. Finding a tortoise at the entrance to the cave, he kills it and makes the first lyre from its shell, singing of his own birth. In the evening he goes to Pieria, where Apollo's cattle graze, steals them, and tells an old man who sees him to keep silent.

Lines 4.1–90 · 952 words · click a number to copy its link
1Ἑρμῆν ὕμνει, Μοῦσα, Διὸς καὶ Μαιάδος υἱόν, Κυλλήνης μεδέοντα καὶ Ἀρκαδίης πολυμήλου, ἄγγελον ἀθανάτων ἐριούνιον, ὃν τέκε Μαῖα, νύμφη ἐυπλόκαμος, Διὸς ἐν φιλότητι μιγεῖσα, 5αἰδοίη· μακάρων δὲ θεῶν ἠλεύαθʼ ὅμιλον, ἄντρον ἔσω ναίουσα παλισκίον, ἔνθα Κρονίων νύμφῃ ἐυπλοκάμῳ μισγέσκετο νυκτὸς ἀμολγῷ, ὄφρα κατὰ γλυκὺς ὕπνος ἔχοι λευκώλενον Ἥρην, λήθων ἀθανάτους τε θεοὺς θνητούς τʼ ἀνθρώπους. 10ἀλλʼ ὅτε δὴ μεγάλοιο Διὸς νόος ἐξετελεῖτο, τῇ δʼ ἤδη δέκατος μεὶς οὐρανῷ ἐστήρικτο, εἴς τε φόως ἄγαγεν ἀρίσημά τε ἔργα τέτυκτο· καὶ τότʼ ἐγείνατο παῖδα πολύτροπον, αἱμυλομήτην, ληιστῆρʼ, ἐλατῆρα βοῶν, ἡγήτορʼ ὀνείρων, 15νυκτὸς ὀπωπητῆρα, πυληδόκον, ὃς τάχʼ ἔμελλεν ἀμφανέειν κλυτὰ ἔργα μετʼ ἀθανάτοισι θεοῖσιν. ἠῷος γεγονὼς μέσῳ ἤματι ἐγκιθάριζεν, ἑσπέριος βοῦς κλέψεν ἑκηβόλου Ἀπόλλωνος τετράδι τῇ προτέρῃ, τῇ μιν τέκε πότνια Μαῖα. 20ὃς καί, ἐπειδὴ μητρὸς ἀπʼ ἀθανάτων θόρε γυίων, οὐκέτι δηρὸν ἔκειτο μένων ἱερῷ ἐνὶ λίκνῳ, ἀλλʼ ὅ γʼ ἀναΐξας ζήτει βόας Ἀπόλλωνος οὐδὸν ὑπερβαίνων ὑψηρεφέος ἄντροιο. ἔνθα χέλυν εὑρὼν ἐκτήσατο μυρίον ὄλβον·

Muse, sing of Hermes, the son of Zeus and Maia, lord of Cyllene and Arcadia rich in flocks, the luck-bringing messenger of the immortals whom Maia bare, the rich-tressed nymph, when she was joined in love with Zeus, —a shy goddess, for she avoided the company of the blessed gods, and lived within a deep, shady cave. There the son of Cronos used to lie with the rich-tressed nymph, unseen by deathless gods and mortal men, at dead of night while sweet sleep should hold white-armed Hera fast. And when the purpose of great Zeus was fulfilled, and the tenth moon with her was fixed in heaven, she was delivered and a notable thing was come to pass. For then she bare a son, of many shifts, blandly cunning, a robber, a cattle driver, a bringer of dreams, a watcher by night, a thief at the gates, one who was soon to show forth wonderful deeds among the deathless gods. Born with the dawning, at mid-day he played on the lyre, and in the evening he stole the cattle of far-shooting Apollo on the fourth day of the month; for on that day queenly Maia bare him. So soon as he had leaped from his mother's heavenly womb, he lay not long waiting in his holy cradle, but he sprang up and sought the oxen of Apollo. But as he stepped over the threshold of the high-roofed cave, he found a tortoise there and gained endless delight.

25Ἑρμῆς τοι πρώτιστα χέλυν τεκτήνατʼ ἀοιδόν· ἥ ῥά οἱ ἀντεβόλησεν ἐπʼ αὐλείῃσι θύρῃσι βοσκομένη προπάροιθε δόμων ἐριθηλέα ποίην, σαῦλα ποσὶν βαίνουσα· Διὸς δʼ ἐριούνιος υἱὸς ἀθρήσας ἐγέλασσε καὶ αὐτίκα μῦθον ἔειπε· 30σύμβολον ἤδη μοι μέγʼ ὀνήσιμον· οὐκ ὀνοτάζω. χαῖρε, φυὴν ἐρόεσσα, χοροίτυπε, δαιτὸς ἑταίρη, ἀσπασίη προφανεῖσα· πόθεν τόδε καλὸν ἄθυρμα αἰόλον ὄστρακον ἕσσο χέλυς ὄρεσι ζώουσα; ἀλλʼ οἴσω σʼ ἐς δῶμα λαβών· ὄφελός τι μοι ἔσσῃ, 35οὐδʼ ἀποτιμήσω· σὺ δέ με πρώτιστον ὀνήσεις οἴκοι βέλτερον εἶναι, ἐπεὶ βλαβερὸν τὸ θύρηφιν· ἦ γὰρ ἐπηλυσίης πολυπήμονος ἔσσεαι ἔχμα ζώουσʼ· ἢν δὲ θάνῃς, τότε κεν μάλα καλὸν ἀείδοις. ὣς ἂρʼ ἔφη· καὶ χερσὶν ἅμʼ ἀμφοτέρῃσιν ἀείρας 40ἂψ εἴσω κίε δῶμα φέρων ἐρατεινὸν ἄθυρμα. ἔνθʼ ἀναπηρώσας γλυφάνῳ πολιοῖο σιδήρου αἰῶνʼ ἐξετόρησεν ὀρεσκῴοιο χελώνης. ὡς δʼ ὁπότʼ ὠκὺ νόημα διὰ στέρνοιο περήσῃ ἀνέρος, ὅν τε θαμειαὶ ἐπιστρωφῶσι μέριμναι, 45ἢ ὅτε δινηθῶσιν ἀπʼ ὀφθαλμῶν ἀμαρυγαί, ὣς ἅμʼ ἔπος τε καὶ ἔργον ἐμήδετο κύδιμος Ἑρμῆς. πῆξε δʼ ἄρʼ ἐν μέτροισι ταμὼν δόνακας καλάμοιο πειρήνας διὰ νῶτα διὰ ῥίνοιο χελώνης. ἀμφὶ δὲ δέρμα τάνυσσε βοὸς πραπίδεσσιν ἑῇσι 50καὶ πήχεις ἐνέθηκʼ, ἐπὶ δὲ ζυγὸν ἤραρεν ἀμφοῖν, ἑπτὰ δὲ θηλυτέρων ὀίων ἐτανύσσατο χορδάς. αὐτὰρ ἐπεὶ δὴ τεῦξε λύρην ἐρατεινὸν ἄθυρμα, πλήκτρῳ ἐπειρήτιζε κατὰ μέρος· ἣ δʼ ὑπὸ χειρὸς σμερδαλέον κονάβησε· θεὸς δʼ ὑπὸ καλὸν ἄειδεν 55ἐξ αὐτοσχεδίης πειρώμενος, ἠύτε κοῦροι ἡβηταὶ θαλίῃσι παραιβόλα κερτομέουσιν, ἀμφὶ Δία Κρονίδην καὶ Μαιάδα καλλιπέδιλον, ὡς πάρος ὠρίζεσκον ἑταιρείῃ φιλότητι, ἥν τʼ αὐτοῦ γενεὴν ὀνομακλυτὸν ἐξονομάζων·

For it was Hermes who first made the tortoise a singer. The creature fell in his way at the courtyard gate, where it was feeding on the rich grass before the dwelling, waddling along. When he saw it, the luck-bringing son of Zeus laughed and said: “An omen of great luck for me so soon! I do not slight it. Hail, comrade of the feast, lovely in shape, sounding at the dance! With joy I meet you! Where got you that rich gaud for covering, that spangled shell —a tortoise living in the mountains? But I will take and carry you within: you shall help me and I will do you no disgrace, though first of all you must profit me. It is better to be at home: harm may come out of doors. Living, you shall be a spell against mischievous witchcraft; but if you die, then you shall make sweetest song.” Thus speaking, he took up the tortoise in both hands and went back into the house carrying his charming toy. Then he cut off its limbs and scooped out the marrow of the mountain-tortoise with a scoop of grey iron. As a swift thought darts through the heart of a man when thronging cares haunt him, or as bright glances flash from the eye, so glorious Hermes planned both thought and deed at once. He cut stalks of reed to measure and fixed them, fastening their ends across the back and through the shell of the tortoise, and then stretched ox hide all over it by his skill. Also he put in the horns and fitted a cross-piece upon the two of them, and stretched seven strings of sheep-gut. But when he had made it he proved each string in turn with the key, as he held the lovely thing. At the touch of his hand it sounded marvelously; and, as he tried it, the god sang sweet random snatches, even as youths bandy taunts at festivals. He sang of Zeus the son of Cronos and neat-shod Maia, the converse which they had before in the comradeship of love, telling all the glorious tale of his own begetting.

60ἀμφιπόλους τε γέραιρε καὶ ἀγλαὰ δώματα νύμφης καὶ τρίποδας κατὰ οἶκον ἐπηετανούς τε λέβητας. καὶ τὰ μὲν οὖν ἤειδε, τὰ δὲ φρεσὶν ἄλλα μενοίνα. καὶ τὴν μὲν κατέθηκε φέρων ἱερῷ ἐνὶ λίκνῳ, φόρμιγγα γλαφυρήν· ὃ δʼ ἄρα κρειῶν ἐρατίζων 65ἆλτο κατὰ σκοπιὴν εὐώδεος ἐκ μεγάροιο ὁρμαίνων δόλον αἰπὺν ἐνὶ φρεσίν, οἷά τε φῶτες φηληταὶ διέπουσι μελαίνης νυκτὸς ἐν ὥρῃ. ἠέλιος μὲν ἔδυνε κατὰ χθονὸς Ὠκεανόνδε αὐτοῖσίν θʼ ἵπποισι καὶ ἅρμασιν· αὐτὰρ ἄρʼ Ἑρμῆς 70Πιερίης ἀφίκανε θέων ὄρεα σκιόεντα, ἔνθα θεῶν μακάρων βόες ἄμβροτοι αὖλιν ἔχεσκον βοσκόμεναι λειμῶνας ἀκηρασίους, ἐρατεινούς. τῶν τότε Μαιάδος υἱός, ἐύσκοπος Ἀργειφόντης, πεντήκοντʼ ἀγέλης ἀπετάμνετο βοῦς ἐριμύκους. 75πλανοδίας δʼ ἤλαυνε διὰ ψαμαθώδεα χῶρον ἴχνιʼ ἀποστρέψας· δολίης δʼ οὐ λήθετο τέχνης ἀντία ποιήσας ὁπλάς, τὰς πρόσθεν ὄπισθεν, τὰς δʼ ὄπιθεν πρόσθεν· κατὰ δʼ ἔμπαλιν αὐτὸς ἔβαινε. σάνδαλα δʼ αὐτίκα ῥιψὶν ἐπὶ ψαμάθοις ἁλίῃσιν, 80ἄφραστʼ ἠδʼ ἀνόητα διέπλεκε, θαυματὰ ἔργα, συμμίσγων μυρίκας καὶ μυρσινοειδέας ὄζους. τῶν τότε συνδήσας νεοθηλέος ἄγκαλον ὕλης ἀβλαβέως ὑπὸ ποσσὶν ἐδήσατο σάνδαλα κοῦφα αὐτοῖσιν πετάλοισι τὰ κύδιμος Ἀργειφόντης 85ἔσπασε Πιερίηθεν ὁδοιπορίην ἀλεγύνων, οἷά τʼ ἐπειγόμενος δολιχὴν ὁδόν, αὐτοτροπήσας.† τὸν δὲ γέρων ἐνόησε δέμων ἀνθοῦσαν ἀλωὴν ἱέμενον πεδίονδε διʼ Ὀγχηστὸν λεχεποίην τὸν πρότερος προσέφη Μαίης ἐρικυδέος υἱός· 90ὦ γέρον, ὅστε φυτὰ σκάπτεις ἐπικαμπύλος ὤμους,

He celebrated, too, the handmaids of the nymph, and her bright home, and the tripods all about the house, and the abundant cauldrons. But while he was singing of all these, his heart was bent on other matters. And he took the hollow lyre and laid it in his sacred cradle, and sprang from the sweet-smelling hall to a watch-place, pondering sheer trickery in his heart —deeds such as knavish folk pursue in the dark night-time; for he longed to taste flesh. The Sun was going down beneath the earth towards Ocean with his horses and chariot when Hermes came hurrying to the shadowy mountains of Pieria, where the divine cattle of the blessed gods had their steads and grazed the pleasant, unmown meadows. Of these the Son of Maia, the sharp-eyed slayer of Argus then cut off from the herd fifty loud-lowing kine, and drove them straggling-wise across a sandy place, turning their hoof-prints aside. Also, he bethought him of a crafty ruse and reversed the marks of their hoofs, making the front behind and the hind before, while he himself walked the other way. Then he wove sandals with wicker-work by the sand of the sea, wonderful things, unthought of, unimagined; for he mixed together tamarisk and myrtle-twigs, fastening together an armful of their fresh, young wood, and tied them, leaves and all securely under his feet as light sandals. That brushwood the glorious Slayer of Argus plucked in Pieria as he was preparing for his journey, making shift as one making haste for a long journey. But an old man tilling his flowering vineyard saw him as he was hurrying down the plain through grassy Onchestus. So the Son of Maia began and said to him: “Old man, digging about your vines with bowed shoulders, surely you shall have much wine when all these bear fruit, if you obey me and strictly remember not to have seen what you have seen, and not to have heard what you have heard, and to keep silent when nothing of your own is harmed.”

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English translation by Hugh G. Evelyn-White (1914). Original text: Hugh G. Evelyn-White (ed.), Hesiod, The Homeric Hymns and Homerica, Loeb Classical Library, London: Heinemann; New York: Macmillan, 1914 (Greek text as digitised by Perseus).

Greek text and translation from the Perseus Digital Library, Tufts University, CC BY-SA 4.0 (Perseus Digital Library); translation public domain. Introductions, summaries and notes © GreekMythology.com.