Ovid · Metamorphoses Metamorphoses

Ovid, Metamorphoses 4.272–395: Salmacis and Hermaphroditus

The sisters debate whether the gods can work such wonders, and one tells how the nymph Salmacis falls in love with Hermaphroditus, the son of Hermes (Mercury) and Aphrodite (Venus), when he bathes in her pool. He rejects her, but when he swims, she wraps herself round him and prays that they may never be parted. The gods grant her prayer, and the two bodies become one, and the pool makes any man who bathes in it half a man. As evening falls, the sisters' own looms begin to turn green with ivy and vine as drums and pipes sound unseen.

Lines 4.272–395 · 1377 words · click a number to copy its link
272Pars fieri potuisse negant, pars omnia veros posse deos memorant: sed non et Bacchus in illis. Poscitur Alcithoe, postquam siluere sorores. 275Quae radio stantis percurrens stamina telae “vulgatos taceo” dixit “pastoris amores Daphnidis Idaei, quem nymphe paelicis ira contulit in saxum (tantus dolor urit amantes). Nec loquor, ut quondam naturae iure novato 280ambiguus fuerit modo vir, modo femina Sithon. Te quoque, nunc adamas, quondam fidissime parvo, Celmi, Iovi, largoque satos Curetas ab imbri et Crocon in parvos versum cum Smilace flores praetereo, dulcique animos novitate tenebo. 285Unde sit infamis, quare male fortibus undis Salmacis enervet tactosque remolliat artus, discite. Causa latet, vis est notissima fontis. Mercurio puerum diva Cythereide natum naides Idaeis enutrivere sub antris; 290cuius erat facies, in qua materque paterque cognosci possent; nomen quoque traxit ab illis.

While some were doubting whether such were true
others affirmed that to the living Gods
is nothing to restrain their wondrous works,
though surely of the Gods, immortal, none
accorded Bacchus even thought or place.
When all had made an end of argument,
they bade Alcithoe take up the word:
she, busily working on the pendent web,
still shot the shuttle through the warp and said;
“The amours of the shepherd Daphnis, known
to many of you, I shall not relate;
the shepherd Daphnis of Mount Ida, who
was turned to stone obdurate, for the Nymph
whose love he slighted—so the rivalry
of love neglected rouses to revenge:
neither shall I relate the story told
of Scython, double-sexed, who first was man,
then altered to a woman: so I pass
the tale of Celmus turned to adamant,
who reared almighty Jove from tender youth:
so, likewise the Curetes whom the rain
brought forth to life: Smilax and Crocus, too,
transpeciated into little flowers:
all these I pass to tell a novel tale,
which haply may resolve in pleasant thoughts.
Learn how the fountain, Salmacis, became
so infamous; learn how it enervates
and softens the limbs of those who chance to bathe.
Although the fountain's properties are known,
the cause is yet unknown.

292Is tria cum primum fecit quinquennia, montes deseruit patrios, Idaque altrice relicta ignotis errare locis, ignota videre 295flumina gaudebat, studio minuente laborem. Ille etiam Lycias urbes Lyciaeque propinquos Caras adit. Videt hic stagnum lucentis ad imum usque solum lymphae. Non illic canna palustris nec steriles ulvae nec acuta cuspide iunci: 300perspicuus liquor est; stagni tamen ultima vivo caespite cinguntur semperque virentibus herbis. Nympha colit, sed nec venatibus apta, nec arcus flectere quae soleat nec quae contendere cursu, solaque naiadum celeri non nota Dianae. 305Saepe suas illi fama est dixisse sorores: “Salmaci, vel iaculum vel pictas sume pharetras, et tua cum duris venatibus otia misce.” Nec iaculum sumit nec pictas illa pharetras, nec sua cum duris venatibus otia miscet, 310sed modo fonte suo formosos perluit artus, saepe Cytoriaco deducit pectine crines et, quid se deceat, spectatas consulit undas;

The Naiads nursed
an infant son of Hermes, surely his
of Aphrodite gotten in the caves
of Ida, for the child resembled both
the god and goddess, and his name was theirs.
The years passed by, and when the boy had reached
the limit of three lustrums, he forsook
his native mountains; for he loved to roam
through unimagined places, by the banks
of undiscovered rivers; and the joy
of finding wonders made his labour light.
Leaving Mount Ida, where his youth was spent,
he reached the land of Lycia, and from thence
the verge of Caria, where a pretty pool
of soft translucent water may be seen,
so clear the glistening bottom glads the eye:
no barren sedge, no fenny reeds annoy,
no rushes with their sharpened arrow-points,
but all around the edges of that pool
the softest grass engirdles with its green.
A Nymph dwells there, unsuited to the chase,
unskilled to bend the bow, slothful of foot,
the only Naiad in the world unknown
to rapid-running Dian. Whensoever
her Naiad sisters pled in winged words,
“Take up the javelin, sister Salmacis,
take up the painted quiver and unite
your leisure with the action of the chase;”
she only scorned the javelin and the quiver,
nor joined her leisure to the active chase.

313nunc perlucenti circumdata corpus amictu mollibus aut foliis aut mollibus incubat herbis; 315saepe legit flores. Et tunc quoque forte legebat, cum puerum vidit visumque optavit habere. Nec tamen ante adiit, etsi properabat adire, quam se conposuit, quam circumspexit amictus, et finxit vultum et meruit formosa videri. 320Tum sic orsa loqui: “Puer o dignissime credi esse deus, seu tu deus es, potes esse Cupido, sive es mortalis, qui te genuere, beati, et frater felix, et fortunata profecto, siqua tibi soror est, et quae dedit ubera nutrix: 325sed longe cunctis longeque beatior illa, siqua tibi sponsa est, siquam dignabere taeda. Haec tibi sive aliqua est, mea sit furtiva voluptas, seu nulla est, ego sim, thalamumque ineamus eundem.” Nais ab his tacuit. Pueri rubor ora notavit 330(nescit enim, quid amor), sed et erubuisse decebat. Hic color aprica pendentibus arbore pomis aut ebori tincto est, aut sub candore rubenti, cum frustra resonant aera auxiliaria, lunae.

Rather she bathes her smooth and shapely limbs;
or combs her tresses with a boxwood comb,
Citorian; or looking in the pool
consults the glassed waters of effects
increasing beauty; or she decks herself
in gauzy raiment, and reposing lolls
on cushioned leaves, or grass-enverdured beds;
or gathers posies from the spangled lawns.
Now, haply as she culled the sweetest flowers
she saw the youth, and longing in her heart
made havoc as her greedy eyes beheld.
Although her love could scarcely brook delay,
she waited to enhance her loveliness,
in beauty hoping to allure his love.
All richly dight she scanned herself and robes,
to know that every charm should fair appear,
and she be worthy: wherefore she began:
“O godlike youth! if thou art of the skies,
thou art no other than the god of Love;
if mortal, blest are they who gave thee birth;
happy thy brother; happy, fortunate
thy sister; happy, fortunate and blest
the nurse that gave her bosom; but the joys
surpassing all, dearest and tenderest,
are hers whom thou shalt wed. So, let it be
if thou so young have deigned to marry, let
my joys be stolen; if unmarried, join
with me in wedlock.” So she spoke, and stood
in silence waiting for the youth's reply.
He knows nor cares for love—with loveliness
the mounting blushes tinge his youthful cheeks,
as blush-red tint of apples on the tree,
ripe in the summer sun, or as the hue
of painted ivory, or the round moon
red-blushing in her splendour, when the clash
of brass resounds in vain.

334Poscenti nymphae sine fine sororia saltem 335oscula iamque manus ad eburnea colla ferenti “desinis? aut fugio, tecumque” ait “ista relinquo.” Salmacis extimuit “loca” que “haec tibi libera trado, hospes” ait, simulatque gradu discedere verso, tunc quoque respiciens, fruticumque recondita silva 340delituit, flexuque genu submisit. At ille, scilicet ut vacuis et inobservatus in herbis, huc it et hinc illuc, et in adludentibus undis summa pedum taloque tenus vestigia tingit; nec mora, temperie blandarum captus aquarum 345mollia de tenero velamina corpore ponit. Tum vero placuit, nudaeque cupidine formae Salmacis exarsit: flagrant quoque lumina nymphae, non aliter quam cum puro nitidissimus orbe opposita speculi referitur imagine Phoebus. 350Vixque moram patitur, vix iam sua gaudia differt, iam cupit amplecti, iam se male continet amens.

And long the Nymph
implored; almost clung on his neck, as smooth
and white as ivory; unceasingly
imploring him to kiss her, though as chaste
as kisses to a sister; but the youth
outwearied, thus:
“I do beseech you make
an end of this; or must I fly the place
and leave you to your tears?” Affrighted then
said Salmacis, “To you I freely give—
good stranger here remain.” Although she made
fair presence to retire, she hid herself,
that from a shrub-grown covert, on her knees
she might observe unseen.
As any boy
that heedless deems his mischief unobserved,
now here now there, he rambled on the green;
now in the bubbly ripples dipped his feet,
now dallied in the clear pool ankle-deep;—
the warm-cool feeling of the liquid then,
so pleased him, that without delay he doffed
his fleecy garments from his tender limbs.
Ah, Salmacis, amazement is thy meed!
Thou art consumed to know his naked grace!
As the hot glitters of the round bright sun
collected, sparkle from the polished plate,
thine eyes are glistened with delirious fires.

352Ille cavis velox adplauso corpore palmis desilit in latices, alternaque bracchia ducens in liquidis translucet aquis, ut eburnea siquis 355signa tegat claro vel candida lilia vitro. “Vicimus et meus est!” exclamat nais et omni veste procul iacta mediis inmittitur undis, pugnantemque tenet luctantiaque oscula carpit, subiectatque manus invitaque pectora tangit, 360et nunc hac iuveni, nunc circumfunditur illac; denique nitentem contra elabique volentem inplicat, ut serpens, quam regia sustinet ales sublimemque rapit: pendens caput illa pedesque adligat et cauda spatiantes inplicat alas: 365utve solent hederae longos intexere truncos, utque sub aequoribus deprensum polypus hostem continet, ex omni dimissis parte flagellis.

Delay she cannot; panting for his joy,
languid for his caressing, crazed, distract,
her passion difficult is held in check.—
He claps his body with his hollow palms
and lightly vaults into the limped wave,
and darting through the water hand over hand
shines in the liquid element, as though
should one enhance a statue's ivorine,
or glaze the lily in a lake of glass.
And thus the Naiad, “I have gained my suit;
his love is mine,—is mine!” Quickly disrobed,
she plunged into the yielding wave—seized him,
caressed him, clung to him a thousand ways,
kissed him, thrust down her hands and touched his breast:
reluctant and resisting he endeavours
to make escape, but even as he struggles
she winds herself about him, as entwines
the serpent which the royal bird on high
holds in his talons; —as it hangs, it coils
in sinuous folds around the eagle's feet;—
twisting its coils around his head and wings:
or as the ivy clings to sturdy oaks;
or as the polypus beneath the waves,
by pulling down, with suckers on all sides,
tenacious holds its prey.

368Perstat Atlantiades, sperataque gaudia nymphae denegat. Illa premit, commissaque corpore toto 370sicut inhaerebat, “pugnes licet, inprobe” dixit, “non tamen effugies. Ita di iubeatis! et istum nulla dies a me nec me diducat ab isto.” Vota suos habuere deos: nam mixta duorum corpora iunguntur, faciesque inducitur illis 375una, velut, siquis conducat cortice ramos, crescendo iungi pariterque adolescere cernit. Sic ubi conplexu coierunt membra tenaci, nec duo sunt et forma duplex, nec femina dici nec puer ut possit: neutrumque et utrumque videntur. 380Ergo ubi se liquidas, quo vir descenderat, undas semimarem fecisse videt, mollitaque in illis membra, manus tendens, sed non iam voce virili, Hermaphroditus ait: “Nato date munera vestro, et pater et genetrix, amborum nomen habenti: 385quisquis in hos fontes vir venerit, exeat inde semivir et tactis subito mollescat in undis.” Motus uterque parens nati rata verba biformis fecit et incesto fontem medicamine tinxit.” Finis erat dictis. Sed adhuc Minyeia proles 390urget opus spernitque deum festumque profanat, tympana cum subito non adparentia raucis obstrepuere sonis, et adunco tibia cornu tinnulaque aera sonant; redolent murraeque crocique, resque fide maior, coepere virescere telae 395inque hederae faciem pendens frondescere vestis.

And yet the youth,
descendant of great Atlas, not relents
nor gives the Naiad joy. Pressing her suit
she winds her limbs around him and exclaims,
“You shall not scape me, struggle as you will,
perverse and obstinate! Hear me, ye Gods!
Let never time release the youth from me;
time never let me from the youth release!”
Propitious deities accord her prayers:
the mingled bodies of the pair unite
and fashion in a single human form.
So one might see two branches underneath
a single rind uniting grow as one:
so, these two bodies in a firm embrace
no more are twain, but with a two-fold form
nor man nor woman may be called—Though both
in seeming they are neither one of twain.
When that Hermaphroditus felt the change,
so wrought upon him by the languid fount,
considered that he entered it a man,
and now his limbs relaxing in the stream
he is not wholly male, but only half,—
he lifted up his hands and thus implored,
albeit with no manly voice; “Hear me
O father! hear me mother! grant to me
this boon; to me whose name is yours, your son;
whoso shall enter in this fount a man
must leave its waters only half a man.”
Moved by the words of their bi-natured son
both parents yield assent: they taint the fount
with essences of dual-working powers.
Now though the daughters of King Minyas
have made an end of telling tales, they make
no end of labour; for they so despise
the deity, and desecrate his feast.
While busily engaged, with sudden beat
they hear resounding tambourines; and pipes
and crooked horns and tinkling brass renew,
unseen, the note; saffron and myrrh dissolve
in dulcet odours; and, beyond belief,
the woven webs, dependent on the loom,
take tints of green, put forth new ivy leaves,
or change to grape-vines verdant.

People and places in this passage

English translation by Brookes More (1922). Original text: Hugo Magnus (ed.), Die Metamorphosen des P. Ovidius Naso, Gotha: F. A. Perthes, 1892 (Latin text as digitised by Perseus); English: Brookes More, Ovid's Metamorphoses, Boston: Cornhill Publishing Company, 1922.

Greek text and translation from the Perseus Digital Library, Tufts University, CC BY-SA 4.0 (Perseus Digital Library); translation public domain. Introductions, summaries and notes © GreekMythology.com.