Ovid · Metamorphoses Metamorphoses

Ovid, Metamorphoses 6.313–411: The Lycian peasants; Marsyas; Pelops

After Niobe's fate men worship Leto (Latona) more zealously, and one recalls the peasants of Lycia, who refused Leto water to drink when she came, wandering with her twins, and who were turned into frogs. Another tells of the satyr Marsyas, who challenged Apollo to a contest on the pipes and was flayed alive for his presumption. Pelops, the brother of Niobe, mourns for her, and his ivory shoulder, which the gods made for him after Tantalus served him up at a banquet, is shown.

Lines 6.313–411 · 1211 words · click a number to copy its link
313Tum vero cuncti manifestam numinis iram femina virque timent cultuque impensius omnes 315magna gemelliparae venerantur numina divae, utque fit, a facto propiore priora renarrant. E quibus unus ait: “Lyciae quoque fertilis agris non impune deam veteres sprevere coloni. Res obscura quidem est ignobilitate virorum, 320mira tamen. Vidi praesens stagnumque locumque prodigio notum. Nam me iam grandior aevo impatiensque viae genitor deducere lectos iusserat inde boves gentisque illius eunti ipse ducem dederat. Cum quo dum pascua lustro, 325ecce lacu medio sacrorum nigra favilla ara vetus stabat tremulis circumdata cannis. Restitit et pavido “faveas mihi” murmure dixit dux meus; et simili “faveas” ego murmure dixi. Naiadum Faunine foret tamen ara rogabam 330indigenaeve dei, cum talia rettulit hospes: “Non hac, o iuvenis, montanum numen in ara est: illa suam vocat hanc, cui quondam regia coniunx orbem interdixit, quam vix erratica Delos orantem accepit, tum cum levis insula nabat.

All men and women, after this event,
feared to incur Latona's fateful wrath,
and worshiped with more zeal the Deity,
mother of twins.—And, as it is the way
of men to talk of many other things
after a strong occurrence, they recalled
what other deeds the goddess had performed;—
and one of them recited this event:
'Twas in the ancient days of long-ago,—
some rustics, in the fertile fields of Lycia,
heedless, insulted the goddess to their harm:—
perhaps you've never heard of this event,
because those country clowns were little known.
The event was wonderful, but I can vouch
the truth of it. I visited the place
and I have seen the pool of water, where
happened the miracle I now relate.
My good old father, then advanced in years,
incapable of travel, ordered me
to fetch some cattle—thoroughbreds—from there,
and had secured a Lycian for my guide,
as I traversed the pastures, with the man,
it chanced, I saw an ancient altar,—grimed
with sacrificial ashes—in the midst
of a large pool, with sedge and reeds around,
a-quiver in the breeze. And there my guide
stood on the marge, and with an awe-struck voice
began to whisper, “Be propitious, hear
my supplications, and forget not me!”
And I, observing him, echoed the words,
“Forget not me!” which, having done, I turned
to him and said, “Whose altar can this be?
Perhaps a sacred altar of the Fauns,
or of the Naiads, or a native God?”
To which my guide replied, “Young man, such Gods
may not be worshiped at this altar.

335Illic incumbens cum Palladis arbore palmae edidit invita geminos Latona noverca. Hinc quoque Iunonem fugisse puerpera fertur inque suo portasse sinu, duo numina, natos. Iamque Chimaeriferae, cum sol gravis ureret arva, 340finibus in Lyciae longo dea fessa labore sidereo siccata sitim conlegit ab aestu, uberaque ebiberant avidi lactantia nati. Forte lacum mediocris aquae prospexit in imis vallibus; agrestes illic fruticosa legebant 345vimina cum iuncis gratamque paludibus ulvam. Accessit positoque genu Titania terram pressit, ut hauriret gelidos potura liquores. Rustica turba vetat. Dea sic adfata vetantes: “Quid prohibetis aquis? usus communis aquarum est. 350Nec solem proprium natura nec aera fecit nec tenues undas: ad publica munera veni. Quae tamen ut detis, supplex peto. Non ego nostros abluere hic artus lassataque membra parabam, sed relevare sitim. Caret os umore loquentis 355et fauces arent, vixque est via vocis in illis.

She
whom once the royal Juno drove away
to wander a harsh world, alone permits
this altar to be used: that goddess whom
the wandering Isle of Delos, at the time
it drifted as the foam, almost refused
a refuge.
There Latona, as she leaned
against a palm-tree—and against the tree
most sacred to Minerva, brought forth twins,
although their harsh step-mother, Juno, strove
to interfere.—And from the island forced
to fly by jealous Juno, on her breast
she bore her children, twin Divinities.
At last, outwearied with the toil, and parched
with thirst—long-wandering in those heated days
over the arid land of Lycia, where
was bred the dire Chimaera— at the time
her parching breasts were drained, she saw this pool
of crystal water, shimmering in the vale.
Some countrymen were there to gather reeds,
and useful osiers, and the bulrush, found
with sedge in fenny pools. To them approached
Latona, and she knelt upon the merge
to cool her thirst, with some refreshing water.
But those clowns forbade her and the goddess cried,
as they so wickedly opposed her need:
“Why do you so resist my bitter thirst?
The use of water is the sacred right
of all mankind, for Nature has not made
the sun and air and water, for the sole
estate of any creature; and to Her
kind bounty I appeal, although of you
I humbly beg the use of it. Not here
do I intend to bathe my wearied limbs.
I only wish to quench an urgent thirst,
for, even as I speak, my cracking lips
and mouth so parched, almost deny me words.

356Haustus aquae mihi nectar erit, vitamque fatebor accepisse simul: vitam dederitis in unda. Hi quoque vos moveant, qui nostro bracchia tendunt parva sinu:” et casu tendebant bracchia nati. 360Quem non blanda deae potuissent verba movere? Hi tamen orantem perstant prohibere minasque, ni procul abscedat, conviciaque insuper addunt. Nec satis est, ipsos etiam pedibusque manuque turbavere lacus imoque e gurgite mollem 365huc illuc limum saltu movere maligno. Distulit ira sitim: neque enim iam filia Coei supplicat indignis nec dicere sustinet ultra verba minora dea, tollensque ad sidera palmas “aeternum stagno” dixit “vivatis in isto.” 370Eveniunt optata deae: iuvat esse sub undis et modo tota cava submergere membra palude, nunc proferre caput, summo modo gurgite nare, saepe super ripam stagni consistere, saepe in gelidos resilire lacus. Sed nunc quoque turpes 375litibus exercent linguas pulsoque pudore, quamvis sint sub aqua, sub aqua maledicere temptant.

A drink of water will be like a draught
of nectar, giving life; and I shall owe
to you the bounty and my life renewed.—
ah, let these tender infants, whose weak arms
implore you from my bosom, but incline
your hearts to pity!” And just as she spoke,
it chanced the children did stretch out their arms
and who would not be touched to hear such words,
as spoken by this goddess, and refuse?
But still those clowns persisted in their wrong
against the goddess; for they hindered her,
and threatened with their foul, abusive tongues
to frighten her away—and, worse than all,
they even muddied with their hands and feet
the clear pool; forcing the vile, slimy dregs
up from the bottom, in a spiteful way,
by jumping up and down.—Enraged at this,
she felt no further thirst, nor would she deign
to supplicate again; but, feeling all
the outraged majesty of her high state,
she raised her hands to Heaven, and exclaimed,
“Forever may you live in that mud-pool!”
The curse as soon as uttered took effect,
and every one of them began to swim
beneath the water, and to leap and plunge
deep in the pool.—Now, up they raise their heads,
now swim upon the surface, now they squat
themselves around the marshy margent, now
they plump again down to the chilly deeps.
And, ever and again, with croaking throats,
indulge offensive strife upon the banks,
or even under water, boom abuse.
Their ugly voices cause their bloated necks
to puff out; and their widened jaws are made
still wider in the venting of their spleen.

377Vox quoque iam rauca est, inflataque colla tumescunt, ipsaque dilatant patulos convicia rictus. Terga caput tangunt, colla intercepta videntur, 380spina viret, venter, pars maxima corporis, albet, limosoque novae saliunt in gurgite ranae.”” Sic ubi nescio quis Lycia de gente virorum rettulit exitium, satyri reminiscitur alter, quem Tritoniaca Latous harundine victum 385adfecit poena. “Quid me mihi detrahis?” inquit: “a piget a non est” clamabat “tibia tanti.” Clamanti cutis est summos direpta per artus, nec quicquam nisi vulnus erat; cruor undique manat, detectique patent nervi, trepidaeque sine ulla 390pelle micant venae; salientia viscera posses et perlucentes numerare in pectore fibras. Illum ruricolae, silvarum numina, fauni et satyri fratres et tunc quoque carus Olympus et nymphae flerunt, et quisquis montibus illis 395lanigerosque greges armentaque bucera pavit. Fertilis inmaduit madefactaque terra caducas concepit lacrimas ac venis perbibit imis; quas ubi fecit aquam, vacuas emisit in auras. Inde petens rapidum ripis declivibus aequor 400Marsya nomen habet, Phrygiae liquidissimus amnis. Talibus extemplo redit ad praesentia dictis vulgus et exstinctum cum stirpe Amphiona luget. Mater in invidia est. Hanc tunc quoque dicitur unus flesse Pelops, umeroque, suas a pectore postquam 405deduxit vestes ebur ostendisse sinistro. Concolor hic umerus nascendi tempore dextro corporeusque fuit: manibus mox caesa paternis membra ferunt iunxisse deos; aliisque repertis, qui locus est iuguli medius summique lacerti, 410defuit. Impositum est non comparentis in usum partis ebur, factoque Pelops fuit integer illo.

Their backs, so closely fastened to their heads,
make them appear as if their shrunken necks
have been cut off. Their backbones are dark green;
white are their bellies, now their largest part.—
Forever since that time, the foolish frogs
muddy their own pools, where they leap and dive.
So he related how the clowns were changed
to leaping frogs; and after he was through,
another told the tale of Marsyas, in these words:
The Satyr Marsyas, when he played the flute
in rivalry against Apollo's lyre,
lost that audacious contest and, alas!
His life was forfeit; for, they had agreed
the one who lost should be the victor's prey.
And, as Apollo punished him, he cried,
“Ah-h-h! why are you now tearing me apart?
A flute has not the value of my life!”
Even as he shrieked out in his agony,
his living skin was ripped off from his limbs,
till his whole body was a flaming wound,
with nerves and veins and viscera exposed.
But all the weeping people of that land,
and all the Fauns and Sylvan Deities,
and all the Satyrs, and Olympus, his
loved pupil—even then renowned in song,
and all the Nymphs, lamented his sad fate;
and all the shepherds, roaming on the hills,
lamented as they tended fleecy flocks.
And all those falling tears, on fruitful Earth,
descended to her deepest veins, as drip
the moistening dews,—and, gathering as a fount,
turned upward from her secret-winding caves,
to issue, sparkling, in the sun-kissed air,
the clearest river in the land of Phrygia,—
through which it swiftly flows between steep banks
down to the sea: and, therefore, from his name,
'Tis called “The Marsyas” to this very day.
And after this was told, the people turned
and wept for Niobe's loved children dead,
and also, mourned Amphion, sorrow-slain.
The Theban people hated Niobe,
but Pelops, her own brother, mourned her death;
and as he rent his garment, and laid bare
his white left shoulder, you could see the part
composed of ivory.—At his birth 'twas all
of healthy flesh; but when his father cut
his limbs asunder, and the Gods restored
his life, all parts were rightly joined, except
part of one shoulder, which was wanting; so
to serve the purpose of the missing flesh,
a piece of ivory was inserted there,
making his body by such means complete.

People and places in this passage

English translation by Brookes More (1922). Original text: Hugo Magnus (ed.), Die Metamorphosen des P. Ovidius Naso, Gotha: F. A. Perthes, 1892 (Latin text as digitised by Perseus); English: Brookes More, Ovid's Metamorphoses, Boston: Cornhill Publishing Company, 1922.

Greek text and translation from the Perseus Digital Library, Tufts University, CC BY-SA 4.0 (Perseus Digital Library); translation public domain. Introductions, summaries and notes © GreekMythology.com.