Euripides · Helen Ἑλένη

Euripides, Helen 255–305: Second episode: Helen laments her fame and her loneliness

Helen says that her life is a wonder, because of Hera and her own beauty, and she wishes that she could be rubbed out like a painting. She lists her troubles: her lost good name, her life among barbarians, the death of her husband and mother, and her daughter's unmarried state. She asks why she should live on, and decides that death is better than marriage to a barbarian.

Lines 255–305 · 444 words · click a number to copy its link

Helen

255φίλαι γυναῖκες, τίνι πότμῳ συνεζύγην; ἆρʼ ἡ τεκοῦσά μʼ ἔτεκεν ἀνθρώποις τέρας; 260τέρας γὰρ ὁ βίος καὶ τὰ πράγματʼ ἐστί μου, τὰ μὲν διʼ Ἥραν, τὰ δὲ τὸ κάλλος αἴτιον. εἴθʼ ἐξαλειφθεῖσʼ ὡς ἄγαλμʼ αὖθις πάλιν αἴσχιον εἶδος ἔλαβον ἀντὶ τοῦ καλοῦ, καὶ τὰς τύχας μὲν τὰς κακὰς ἃς νῦν ἔχω 265Ἕλληνες ἐπελάθοντο, τὰς δὲ μὴ κακὰς ἔσῳζον ὥσπερ τὰς κακὰς σῴζουσί μου. ὅστις μὲν οὖν ἐς μίαν ἀποβλέπων τύχην πρὸς θεῶν κακοῦται, βαρὺ μέν, οἰστέον δʼ ὅμως· ἡμεῖς δὲ πολλαῖς συμφοραῖς ἐγκείμεθα. 270πρῶτον μὲν οὐκ οὖσʼ ἄδικος, εἰμὶ δυσκλεής· καὶ τοῦτο μεῖζον τῆς ἀληθείας κακόν, ὅστις τὰ μὴ προσόντα κέκτηται κακά. ἔπειτα πατρίδος θεοί μʼ ἀφιδρύσαντο γῆς ἐς βάρβαρʼ ἤθη, καὶ φίλων τητωμένη 275δούλη καθέστηκʼ οὖσʼ ἐλευθέρων ἄπο· τὰ βαρβάρων γὰρ δοῦλα πάντα πλὴν ἑνός. ἄγκυρα δʼ ἥ μου τὰς τύχας ὤχει μόνη, πόσιν ποθʼ ἥξειν καί μʼ ἀπαλλάξειν κακῶν — οὗτος τέθνηκεν, οὗτος οὐκέτʼ ἔστι δή. 280μήτηρ δʼ ὄλωλε, καὶ φονεὺς αὐτῆς ἐγώ, ἀδίκως μέν, ἀλλὰ τἄδικον τοῦτʼ ἔστʼ ἐμόν· ὃ δʼ ἀγλάισμα δωμάτων ἐμοῦ τʼ ἔφυ, θυγάτηρ ἄνανδρος πολιὰ παρθενεύεται· τὼ τοῦ Διὸς δὲ λεγομένω Διοσκόρω 285οὐκ ἐστόν. ἀλλὰ πάντʼ ἔχουσα δυστυχῆ τοῖς πράγμασιν τέθνηκα, τοῖς δʼ ἔργοισιν οὔ. τὸ δʼ ἔσχατον τοῦτʼ, εἰ μόλοιμεν ἐς πάτραν, κλῄθροις ἂν εἰργοίμεσθα — τὴν ὑπʼ Ἰλίῳ δοκοῦντες Ἑλένην Μενέλεώ μʼ ἐλθεῖν μέτα. 290εἰ μὲν γὰρ ἔζη πόσις, ἀνεγνώσθημεν ἂν ἐλθόντες, ἃ φανέρʼ ἦν μόνοις, ἐς ξύμβολα. νῦν δʼ οὔτε τοῦτʼ ἔστʼ οὔτε μὴ σωθῇ ποτε.

Dear friends, to what a fate am I yoked? Did my mother bear me as a wonder to mankind? My life and all I do is a wonder, partly because of Hera, and partly my beauty is to blame. If only I could be rubbed out like a painting, and have again in turn a plainer form instead of beauty, and the Hellenes would have forgotten the evil fate that I now have, and would remember what part of my life is not evil, as they now remember what is. When someone looks to one event only, and is ill-treated by the gods, it is hard, but all the same it can be borne. But I am involved in countless troubles. First, although I never acted wrongly, my good name is gone. And this trouble is stronger than the reality, if someone incurs blame for wrongs that are not his own. Next, the gods have removed me from my native country to barbarian habits, and bereft of friends I have become a slave although I am free by birth; for among barbarians all are slaves except one. And the only anchor of my fortunes is gone, the hope that my husband would come one day and free me of my woes—he is dead, he no longer exists. My mother is dead, and I am called her murderer—unjustly, but that injustice is mine to bear; while the one who was born the glory of the house, my daughter, is growing gray as a virgin, without a husband; and those two Dioskouroi, called the sons of Zeus, are no more. But with all my misfortunes, I am as good as dead in my circumstances, though not in fact. And this is the last evil of all: if ever I should come home, I would be shut out by barred doors, for people would think I was that Helen of Troy, coming back with Menelaos. If my husband were still alive, we could have recognized each other by recourse to tokens which are evident to us alone. But now this is not so, and he can never be saved.

Helen

293τί δῆτʼ ἔτι ζῶ; τίνʼ ὑπολείπομαι τύχην; γάμους ἑλομένη τῶν κακῶν ὑπαλλαγάς, 295μετʼ ἀνδρὸς οἰκεῖν βαρβάρου πρὸς πλουσίαν τράπεζαν ἵζουσʼ; ἀλλʼ ὅταν πόσις πικρὸς ξυνῇ γυναικί, καὶ τὸ σῶμʼ ἐστιν πικρόν. θανεῖν κράτιστον· πῶς θάνοιμʼ ἂν οὐ καλῶς; ἐς γὰρ τοσοῦτον ἤλθομεν βάθος κακῶν· αἱ μὲν γὰρ ἄλλαι διὰ τὸ κάλλος εὐτυχεῖς 305γυναῖκες, ἡμᾶς δʼ αὐτὸ τοῦτʼ ἀπώλεσεν.

Why then do I still live? What fortune do I have left? Shall I choose marriage in exchange for evils, and live with a barbarian man, seated at his sumptuous table? But whenever a husband she hates lives with a woman, her own body is also hateful to her. It is best to die; how could this not be well done? For I have come to such a depth of misery; other women have good fortune from their beauty, but the same thing has destroyed me.

People and places in this passage

English translation by Edward P. Coleridge (1891). Original text: Greek text: Gilbert Murray (ed.), Euripidis Fabulae, Oxford: Clarendon Press, 1913, as digitised by Perseus. English: Edward P. Coleridge, The Plays of Euripides, London: George Bell and Sons, first published 1891 (Bohn's Classical Library; the Perseus header records a later printing).

Greek text and translation from the Perseus Digital Library, Tufts University, CC BY-SA 4.0 (Perseus Digital Library); translation public domain. Introductions, summaries and notes © GreekMythology.com.