Theocritus · Idylls Εἰδύλλια

Theocritus, Idylls 6.1–46: Idyll 6: Daphnis and Damoetas sing of the Cyclops

The herdsmen Daphnis and Damoetas sit down by a spring at noon and sing in turn. Daphnis sings of Galatea pelting Polyphemus with apples, and Damoetas answers in the voice of Polyphemus himself, who pretends not to care. They kiss and exchange a pipe and a flute, and neither is judged the winner.

Lines 6.1–46 · 533 words · click a number to copy its link
1Δαμοίτας χὡ Δάφνις ὁ βουκόλος εἰς ἕνα χῶρον τὰν ἀγέλαν πόκʼ Ἄρατε συνάγαγον· ἦς δʼ ὁ μὲν αὐτῶν πυρρός, ὁ δʼ ἡμιγένειος· ἐπὶ κράναν δέ τινʼ ἄμφω ἑσδόμενοι θέρεος μέσῳ ἄματι τοιάδʼ ἄειδον. 5πρᾶτος δʼ ἄρξατο Δάφνις, ἐπεὶ καὶ πρᾶτος ἔρισδε. βάλλει τοι Πολύφαμε τὸ ποίμνιον ἁ Γαλάτεια μάλοισιν, δυσέρωτα τὸν αἰπόλον ἄνδρα καλεῦσα· καὶ τύ νιν οὐ ποθόρησθα τάλαν τάλαν, ἀλλὰ κάθησαι ἁδέα συρίσδων. πάλιν ἅδʼ ἴδε τὰν κύνα βάλλει, 10ἅ τοι τᾶν ὀίων ἕπεται σκοπός· ἁ δὲ βαΰσδει εἰς ἅλα δερκομένα, τὰ δέ νιν καλὰ κύματα φαίνει ἅσυχα καχλάζοντα ἐπʼ αἰγιαλοῖο θέοισαν. φράζεο μὴ τᾶς παιδὸς ἐπὶ κνάμαισιν ὀρούσῃ ἐξ ἁλὸς ἐρχομένας, κατὰ δὲ χρόα καλὸν ἀμύξῃ. 15ἁ δὲ καὶ αὐτόθε τοι διαθρύπτεται, ὡς ἀπʼ ἀκάνθας ταὶ καπυραὶ χαῖται, τὸ καλὸν θέρος ἁνίκα φρύγει· καὶ φεύγει φιλέοντα καὶ οὐ φιλέοντα διώκει, καὶ τὸν ἀπὸ γραμμᾶς κινεῖ λίθον· ἦ γὰρ ἔρωτι πολλάκις ὦ Πολύφαμε τὰ μὴ καλὰ καλὰ πέφανται. 20τῷ δʼ ἐπὶ Δαμοίτας ἀνεβάλλετο καὶ τάδʼ ἄειδεν.

DAMOETAS, and Daphnis the herdsman, once on a time, Aratus, led the flock together into one place. Golden was the down on the chin of one, the beard of the other was half-grown, and by a well-head the twain sat them down, in the summer noon, and thus they sang. ’Twas Daphnis that began the singing, for the challenge had come from Daphnis.

Daphnis’s Song of the Cyclops.

Galatea is pelting thy flock with apples, Polyphemus, she says the goatherd is a laggard lover! And thou dost not glance at her, oh hard, hard that thou art, but still thou sittest at thy sweet piping. Ah see, again, she is pelting thy dog, that follows thee to watch thy sheep. He barks, as he looks into the brine, and now the beautiful waves that softly plash reveal him, as he runs upon the shore. Take heed that he leap not on the maiden’s limbs as she rises from the salt water, see that he rend not her lovely body! Ah, thence again, see, she is wantoning, light as dry thistle-down in the scorching summer weather. She flies when thou art wooing her; when thou woo’st not she pursues thee, she plays out all her game and leaves her king unguarded. For truly to Love, Polyphemus, many a time doth foul seem fair!

He ended and Damoetas touched a prelude to his sweet song.

21εἶδον ναὶ τὸν Πᾶνα, τὸ ποίμνιον ἁνίκʼ ἔβαλλε, κοὔ μʼ ἔλαθʼ, οὔ, τὸν ἐμὸν ἕνα τὸν γλυκύν, ὧ ποθόρημαι ἐς τέλος· αὐτὰρ ὁ μάντις ὁ Τήλεμος ἔχθρʼ ἀγορεύων ἐχθρὰ φέροι ποτὶ οἶκον, ὅπως τεκέεσσι φυλάσσοι. 25ἀλλὰ καὶ αὐτὸς ἐγὼ κνίζων πάλιν οὐ ποθόρημι, ἀλλʼ ἄλλαν τινὰ φαμὶ γυναῖκʼ ἔχεν· ἁ δʼ ἀίοισα ζαλοῖ μʼ ὦ Παιὰν καὶ τάκεται, ἐκ δὲ θαλάσσας οἰστρεῖ παπταίνοισα ποτʼ ἄντρά τε καὶ ποτὶ ποίμνας. σίξα δʼ ὑλακτεῖν νιν καὶ τᾷ κυνί· καὶ γὰρ ὅκʼ ἤρων 30αὐτᾶς, ἐκνυζεῖτο ποτʼ ἰσχία ῥύγχος ἔχοισα. ταῦτα δʼ ἴσως ἐσορεῦσα ποεῦντά με πολλάκι πεμψεῖ ἄγγελον. αὐτὰρ ἐγὼ κλᾳξῶ θύρας, ἔστέ κʼ ὀμόσσῃ αὐτά μοι στορεσεῖν καλὰ δέμνια τᾶσδʼ ἐπὶ νάσω. καὶ γάρ θην οὐδʼ εἶδος ἔχω κακόν, ὥς με λέγοντι. 35ἦ γὰρ πρᾶν ἐς πόντον ἐσέβλεπον, ἦς δὲ γαλάνα, καὶ καλὰ μὲν τὰ γένεια, καλὰ δέ μευ ἁ μία κώρα, ὡς παρʼ ἐμὶν κέκριται, κατεφαίνετο, τῶν δέ τʼ ὀδόντων λευκοτέραν αὐγὰν Παρίας ὑπέφαινε λίθοιο. ὡς μὴ βασκανθῶ δέ, τρὶς εἰς ἐμὸν ἔπτυσα κόλπον· 40ταῦτα γὰρ ἁ γραία με Κοτυταρὶς ἐξεδίδαξε. τόσσʼ εἰπὼν τὸν Δάφνιν ὁ Δαμοίτας ἐφίλησε, χὡ μὲν τῷ σύριγγʼ, ὁ δὲ τῷ καλὸν αὐλὸν ἔδωκεν. αὔλει Δαμοίτας, σύρισδε δὲ Δάφνις ὁ βούτας, 45ὠρχεῦντʼ ἐν μαλακᾷ ταὶ πόρτιες αὐτίκα ποίᾳ. νίκη μὰν οὐδάλλος, ἀνήσσατοι δʼ ἐγένοντο.

I saw her, by Pan, I saw her when she was pelting my flock. Nay, she escaped not me, escaped not my one dear eye,—wherewith I shall see to my life’s end,—let Telemus the soothsayer, that prophesies hateful things, hateful things take home, to keep them for his children! But it is all to torment her, that I, in my turn, give not back her glances, pretending that I have another love. To hear this makes her jealous of me, by Paean, and she wastes with pain, and springs madly from the sea, gazing at my caves and at my herds. And I hiss on my dog to bark at her, for when I loved Galatea he would whine with joy, and lay his muzzle on her lap. Perchance when she marks how I use her she will send me many a messenger, but on her envoys I will shut my door till she promises that herself will make a glorious bridal-bed on this island for me. For in truth, I am not so hideous as they say! But lately I was looking into the sea, when all was calm; beautiful seemed my beard, beautiful my one eye—as I count beauty—and the sea reflected the gleam of my teeth whiter than the Parian stone. Then, all to shun the evil eye, did I spit thrice in my breast; for this spell was taught me by the crone, Cottytaris, that piped of yore to the reapers in Hippocoon’s field.

Then Damoetas kissed Daphnis, as he ended his song, and he gave Daphnis a pipe, and Daphnis gave him a beautiful flute. Damoetas fluted, and Daphnis piped, the herdsman,—and anon the calves were dancing in the soft green grass. Neither won the victory, but both were invincible.

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English translation by Andrew Lang (1889). Original text: R. J. Cholmeley (ed.), The Idylls of Theocritus, London: George Bell and Sons, 1901-1919 (Greek text as digitised by Perseus).

Greek text and translation from the Perseus Digital Library, Tufts University, CC BY-SA 4.0 (Perseus Digital Library, Greek text); translation public domain. Introductions, summaries and notes © GreekMythology.com.