Euripides · Heracles Ἡρακλῆς

Euripides, Heracles 637–700: Second choral song: youth, old age and the glory of Heracles

The Chorus says that youth is always dear, but that old age is a burden heavier than the crags of Aetna, and wishes that it might have both, since the gods have given no sign to separate the good from the bad. It sings of the Muses and the Graces, and says that the son of Zeus has shown that noble spirit wins its reward.

Lines 637–700 · 375 words · click a number to copy its link

Chorus

637ἁ νεότας μοι φίλον αἰ- εί· τὸ δὲ γῆρας ἄχθος βαρύτερον Αἴτνας σκοπέλων 640ἐπὶ κρατὶ κεῖται, βλεφάρων σκοτεινὸν φάος ἐπικαλύψαν. μή μοι μήτʼ Ἀσιήτιδος τυραννίδος ὄλβος εἴη, 645μὴ χρυσοῦ δώματα πλήρη τᾶς ἥβας ἀντιλαβεῖν, ἃ καλλίστα μὲν ἐν ὄλβῳ, καλλίστα δʼ ἐν πενίᾳ. τὸ δὲ λυγρὸν φόνιόν τε γῆ- 650ρας μισῶ· κατὰ κυμάτων δʼ ἔρροι, μηδέ ποτʼ ὤφελεν θνατῶν δώματα καὶ πόλεις ἐλθεῖν, ἀλλὰ κατʼ αἰθέρʼ αἰ- εὶ πτεροῖσι φορείσθω.

Dear to me is youth always, but old age is hanging over my head, a burden heavier than Aetna’s crags, casting its pall of gloom upon my eyes. Oh! never may the wealth of Asia’s kings tempt me to barter for houses stored with gold my happy youth, which is in wealth and poverty alike most fair! But old age is gloomy and deadly; I hate it; let it sink beneath the waves! Would it had never found its way to the homes and towns of mortal men, but were still drifting on for ever down the wind.

Chorus

655εἰ δὲ θεοῖς ἦν ξύνεσις καὶ σοφία κατʼ ἄνδρας, δίδυμον ἂν ἥβαν ἔφερον φανερὸν χαρακτῆρʼ ἀρετᾶς 660ὅσοισιν μέτα, κατθανόντες τʼ εἰς αὐγὰς πάλιν ἁλίου δισσοὺς ἂν ἔβαν διαύλους, ἁ δυσγένεια δʼ ἁπλοῦν ἂν εἶχεν ζόας βίοτον, 665καὶ τῷδʼ ἦν τούς τε κακοὺς ἂν γνῶναι καὶ τοὺς ἀγαθούς, ἴσον ἅτʼ ἐν νεφέλαισιν ἄ- στρων ναύταις ἀριθμὸς πέλει. νῦν δʼ οὐδεὶς ὅρος ἐκ θεῶν 670χρηστοῖς οὐδὲ κακοῖς σαφής, ἀλλʼ εἱλισσόμενός τις αἰ- ὼν πλοῦτον μόνον αὔξει.

Had the gods shown discernment and wisdom, as mortals count these things, men would have won youth twice over, a visible mark of worth among whomever found, and after death these would have run a double course once more to the sun-light, while the low born would have had a single portion of life; and thus would it have been possible to distinguish the good and the bad, just as sailors know the number of the stars amid the clouds. But, as it is, the gods have set no certain boundary between good and bad, but time’s onward roll brings increase only to man’s wealth.

Chorus

673οὐ παύσομαι τὰς Χάριτας Μούσαις συγκαταμειγνύς, 675ἁδίσταν συζυγίαν. μὴ ζῴην μετʼ ἀμουσίας, αἰεὶ δʼ ἐν στεφάνοισιν εἴ- ην· ἔτι τοι γέρων ἀοι- δὸς κελαδεῖ Μναμοσύναν· 680ἔτι τὰν Ἡρακλέους καλλίνικον ἀείδω παρά τε Βρόμιον οἰνοδόταν παρά τε χέλυος ἑπτατόνου μολπὰν καὶ Λίβυν αὐλόν· 685οὔπω καταπαύσομεν Μούσας, αἵ μʼ ἐχόρευσαν.

Never will I cease to link in one the Graces and the Muses, sweetest union. Never may I live among uneducated boors, but ever may I find a place among the crowned! Yes, still the aged singer lifts up his voice of bygone memories: still is my song of the triumphs of Heracles, whether Bromius the giver of wine is near, or the strains of the seven-stringed lyre and the Libyan pipe are rising; not yet will I cease to sing the Muses’ praise, my patrons in the dance.

Chorus

687παιᾶνα μὲν Δηλιάδες ὑμνοῦσʼ ἀμφὶ πύλας τὸν Λατοῦς εὔπαιδα γόνον 690εἱλίσσουσαι καλλίχορον· παιᾶνας δʼ ἐπὶ σοῖς μελά- θροις κύκνος ὣς γέρων ἀοι- δὸς πολιᾶν ἐκ γενύων κελαδήσω· τὸ γὰρ εὖ 695τοῖς ὕμνοισιν ὑπάρχει· Διὸς ὁ παῖς· τᾶς δʼ εὐγενίας πλέον ὑπερβάλλων ἀρετᾷ μοχθήσας τὸν ἄκυμον θῆκεν βίοτον βροτοῖς 700πέρσας δείματα θηρῶν.

The maids of Delos raise their song of joy, circling round the temple gates in honor of Leto’s fair son, the graceful dancer; so I with my old lips will cry aloud songs of joy at your palace-doors, like the swan, aged singer; for there is a good theme for minstrelsy; he is the son of Zeus; yet high above his noble birth tower his deeds of prowess, for his toil secured this life of calm for man, having destroyed all fearsome beasts.

People and places in this passage

English translation by Edward P. Coleridge (1891). Original text: Greek text: Gilbert Murray (ed.), Euripidis Fabulae, Oxford: Clarendon Press, 1913, as digitised by Perseus. English: Edward P. Coleridge, The Plays of Euripides, London: George Bell and Sons, first published 1891 (Bohn's Classical Library; the Perseus header records a later printing).

Greek text and translation from the Perseus Digital Library, Tufts University, CC BY-SA 4.0 (Perseus Digital Library); translation public domain. Introductions, summaries and notes © GreekMythology.com.