Nonnus of Panopolis · Dionysiaca Διονυσιακά

Nonnus of Panopolis, Dionysiaca 42.124–195: Book 42: Dionysos, disguised as a hunter, is tongue-tied before Beroe

Dionysos takes the shape of a young hunter and approaches Beroe in the thicket, but fear holds him speechless. At last he asks her mockingly where Artemis' bow and hounds have gone. Beroe, taking the compliment innocently, is flattered and does not understand his desire, and he lingers in the pinewood day after day, wounded by love like an ox stung by a gadfly.

Lines 42.124–195 · 685 words · click a number to copy its link
124εἶπε θεός· μελέων δὲ μετάτροπον εἶδος ἀμείψας, 125ὁππόθι παρθένος ἦεν, ἐδύσατο δάσκιον ὕλην Εὔιος ἀγρευτῆρι πανείκελος· ἁβροκόμῳ δὲ ἀλλοφυὴς ἄγνωστος ὁμίλεεν ἄζυγι κούρῃ εἴκελος ἡβητῆρι, καὶ ἀκλινὲς ἀμφὶ προσώπῳ ψευδαλέον μίμημα σαόφρονος ἔπλασεν αἰδοῦς· 130καὶ πῇ μὲν σκοπίαζεν ἐρημάδος ἄκρον ἐρίπνης, πῇ δὲ τανυπτόρθοιο βαθύσκιον εἰς ῥάχιν ὕλης, εἰς πίτυν ὄμμα φέρων λελιημένον, ἄλλοτε πεύκην ἢ πτελέην ἐδόκευε· φυλασσομένου δὲ προσώπου ὄμμασι λαθριδίοισιν ἐδέρκετο γείτονα κούρην, 135μή μιν ἀλυσκάζειε μετάτροπος· ἠιθέῳ γὰρ κάλλος ὀπιπεύοντι καὶ ἥλικος ὄμματα κούρης Κυπριδίων ἐλάχεια παραίφασίς ἐστιν Ἐρώτων.

So the god spoke ; and changing his form for another he plunged into the shady thicket where the maiden was, Euios wholly like a hunter ; in a new and unknown aspect he joined the softhaired unyoked maid, like a youth, moulding a false image of modesty with steady looks on his face. Now he surveyed the peak of a lonely rock, now he spied into the longbranching trees on the uplands, turning an eager eye on a pine or again inspecting a firtree, or an elm — but with cautious countenance and stolen glances he watched the girl so close to him, lest she should turn and run away ; for beauty and the eyes of a girl of his own age have little consolation to a lad who gazes at her for the loves which the Cyprian sends.

138καὶ Βερόης σχεδὸν ἦλθε καὶ ἤθελε μῦθον ἐνίψαι, ἀλλὰ φόβῳ πεπέδητο· φιλεύιε, πῇ σέο θύρσοι 140ἀνδροφόνοι; πῇ φρικτὰ κεράατα; πῇ σέο χαίτῃ γλαυκὰ πεδοτρεφέων ὀφιώδεα δεσμὰ δρακόντων; πῇ στομάτων μύκημα βαρύβρομον; ἆ μέγα θαῦμα, παρθένον ἔτρεμε Βάκχος, ὃν ἔτρεμε φῦλα Γιγάντων· γηγενέων ὀλετῆρα φόβος νίκησεν Ἐρώτων· 145τοσσατίων δʼ ἤμησεν ἀρειμανέων γένος Ἰνδῶν, καὶ μίαν ἱμερόεσσαν ἀνάλκιδα δείδιε κούρην, δείδιε θηλυτέρην ἁπαλόχροον· ἐν δὲ κολώναις θηρονόμῳ νάρθηκι κατεπρήυνε λεόντων φρικαλέον μύκημα, καὶ ἔτρεμε θῆλυν ἀπειλήν· 150καί οἱ ἐριπτοίητον ὑπὸ στόμα μῦθος ἀλήτης γλῶσσαν ἐς ἀκροτάτην ἐτιταίνετο χείλεϊ γείτων, ἐκ φρενὸς ἀίσσων καὶ ἐπὶ φρένα νόστιμος ἕρπων· ἀλλὰ φόβον γλυκύπικρον ἔχων αἰδήμονι σιγῇ εἰς φάος ἐσσυμένην παλινάγρετον ἔσπασε φωνήν. 155καὶ μόγις ὑστερόμυθον ὑπὸ στόμα δεσμὸν ἀράξας αἰδοῦς ἀμβολιεργὸν ἀπεσφήκωσε σιωπήν, καὶ Βερόην ἐρέεινε χέων ψευδήμονα φωνήν·

He came near to Beroe and would have spoken a word, but fear held him fast. God of jubilation, where is your manslaying thyrsus ? Where your frightful horns ? Where the green snaky ropes of earthfed serpents in your hair ? Where is your heavy-booming bellow? See a great miracle — Bacchos trembling before a maid, Bacchos before whom the tribes of the giants trembled ! Love’s fear has conquered the destroyer of giants. He mowed down all that warmad nation of the Indians, and he fears one weak lovely girl, fears a tender woman. On the mountains he quieted the terrifying roar of lions with his beast-ruling fennel, and he trembled before a woman’s threat. A word strayed into his trembling mouth to the tip of his tongue close behind the lips — it came from his heart and crept back to his heart again, but the bittersweet fear held it in shamefast silence, and drew back the voice, as it tried to issue into the light. Too late he spoke, and hardly then, when he burst the chain of shame from his lips and undid the procrastinating silence, and asked Beroe in a voice of pretence,

158Ἄρτεμι, πῇ σέο τόξα;τίς ἥρπασε σεῖο φαρέτρην; πῇ λίπες, ὃν φορέεις ἐπιγουνίδος ἄχρι χιτῶνα; 160πῇ σέο κεῖνα πέδιλα, θοώτερα κυκλάδος αὔρης; πῇ χορὸς ἀμφιπόλων;πῇ δίκτυα; πῇ κύνες ἀργαί; οὐ δρόμον ἐντύνεις κεμαδοσσόον· οὐκ ἐθέλεις γὰρ ἀγρώσσειν, ὅθι Κύπρις Ἀδώνιδος ἐγγὺς ἰαύει. ἔννεπε θάμβος ἔχων ἀπατήλιον· ἐν κραδίῃ δὲ

“Artemis, where are your arrows ? Who has stolen your quiver ? Where did you leave the tunic you wear, just covering the knees ? Where are those boots quicker than the whirling wind ? Where is your company in attendance ? Where are your nets ? Where your fleet hounds .” You are not making ready for chase of the pricket, for you do not wish to hunt where Cypris is sleeping beside Adonis.”

165παρθενικὴ μείδησεν· ἀπειροκάκῳ δὲ μενοινῇ αὐχένα γαῦρον ἄειρεν ἀγαλλομένη χάριν ἥβης, ὅττι, γυνή περ ἐοῦσα, φυὴν ἤικτο θεαίνῃ· οὐδὲ δόλον γίνωσκε νοοπλανέος Διονύσου. καὶ πλέον ἄχνυτο Βάκχος, ἐπεὶ πόθον οὐ μάθε κούρη 170οἶστρον ἑὸν βαρύμοχθον, ἐπισταμένης ὅτι κούρης νήπιον ἦθος ἔχουσα, καὶ ἤθελεν, ὄφρα δαείη ὄψιμος ἠιθέῳ περιλείπεται ἐλπὶς Ἐρώτων ἐσσομένης φιλότητος, ἐπʼ ἀπρήκτῳ δὲ μενοινῇ ἀνέρες ἱμείρουσιν, ὅτʼ ἀγνώσσουσι γυναῖκες.

So he spoke, feigning astonishment, and the maiden smiled in her heart ; she lifted a proud neck in unsuspicious pleasure, rejoicing in her youthful freshness, because she, a mortal woman, was likened to a goddess in beauty, and did not see the trick of mindconfusing Dionysos. But Bacchos was yet more affected, because the girl in her childish simplicity knew not desire ; he wished she might learn his own overpowering passion, since when the girl knows, there is always hope for the lad that love will come at last, but when women do not notice, man’s desire is only a fruitless anxiety.

175καὶ θεὸς ἦμαρ ἐπʼ ἦμαρ ἔσω πιτυώδεος ὕλης δείελος, εἰς μέσον ἦμαρ, Ἑώιος, Ἕσπερος ἕρπων, παρθενικῇ παρέμιμνε, καὶ ἤθελεν εἰσέτι μίμνειν· πάντων γὰρ κόρος ἐστὶ παρʼ ἀνδράσιν, ἡδέος ὕπνου μολπῆς τʼ εὐκελάδοιο καὶ ὁππότε κάμπτεται ἀνὴρ 180εἰς δρόμον ὀρχηστῆρα· γυναιμανέοντι δὲ μούνῳ οὐ κόρος ἐστὶ πόθων· ἐψεύσατο βίβλος Ὁμήρου. καὶ μογέων Διόνυσος ὑπεβρυχᾶτο σιωπῇ, δαιμονίῃ μάστιγι τετυμμένος, ἔνδοθι πέσσων κρυπτὸν ἀκοιμήτων ὑποκάρδιον ἕλκος Ἐρώτων, 185ὡς δʼ ὅτε βοῦς ἀκίχητος ἔσω πλαταμῶνος ὁδεύων ἑσμὸν ὀρεσσινόμων παρεμέτρεεν ἠθάδα ταύρων οἰστρηθεὶς ἀγέληθεν, ὃν εὐπετάλῳ παρὰ λόχμῃ ἀπροϊδής, ὀλίγῳ δὲ δέμας βεβολημένος οἴστρῳ βουτύπος ὀξυόεντι μύωψ ἐχαράσσετο κέντρῳ 190τηλίκος ἐστυφέλικτο, καὶ ὄρθιον ὑψόθι νώτου ἂψ ἀνασειράζων παλινάγρετον ἔσπασεν οὐρὴν κυρτὸς ἐπιτρίβων σκοπέλων ῥάχιν, ἀντίτυπον δὲ ὀξὺ κέρας δόχμωσεν ἀνούτατον ἠέρα τύπτων· οὕτω καὶ Διόνυσον, ὃν ἔστεφε πολλάκι νίκη, 195βαιὸς Ἔρως οἴστρησε βαλὼν πανθελγέι κέντρῳ.

“Thus day after day, midday and afternoon, morning and evening, the god Lingered in the pinewood, waiting for the girl and ever willing to wait ; for men can have enough of all things, of sweet sleep and melodious song, and when one turns in the moving dance — but only the man mad for love never has enough of his longing ; Homer’s book did not tell the truth ! Dionysos suffered and moaned in silence, struck with the divine whip, stewing the hidden wound of love in his restless heart. As an ox goes scampering over the flats past the well-known swarm of hillranging bulls, driven from the herd when a gadfly has pierced his hide with sharp sting under the leafy trees unnoticed : how small the sting that strikes, how vast the bulk of the routed beast ! he lifts the tail straight over his back and lashes back, bends and scratches his chine on the rocks, and darts a sharp horn at his side striking only the unwounded elastic air — so Dionysos, crowned so often with victory, was pricked by little Love and his allbewitching sting.

People and places in this passage

English translation by W. H. D. Rouse (1940). Original text: W. H. D. Rouse (ed.), Nonnos, Dionysiaca, Loeb Classical Library 344, 354, 356, London: Heinemann; Cambridge, Mass.: Harvard University Press, 1940-1942 (Greek text as digitised by Perseus).

Greek text and translation from the Perseus Digital Library, Tufts University, CC BY-SA 4.0 (Perseus Digital Library, Greek text); translation public domain (Rouse, Loeb 1940-42: US copyright not renewed; Rouse died 1950; OCR from the Internet Archive scans). Introductions, summaries and notes © GreekMythology.com.