Nonnus of Panopolis · Dionysiaca Διονυσιακά

Nonnus of Panopolis, Dionysiaca 45.0–95: Book 45: Agaue runs to the mountain; Pentheus rebukes Teiresias

Autonoe and Agaue, maddened by Dionysos, rush to the hills to join the Bacchic dance, and Agaue swears she will defy Pentheus. The hills ring with the revels of Thebes' women. Pentheus meets the garlanded Teiresias and angrily accuses him of lying oracles and taking Lydian gold, arguing that Dionysos, with his horns and fawnskin, cannot be a son of Zeus.

Lines 45.0–95 · 929 words · click a number to copy its link
0πέμπτον τεσσαρακοστὸν ἐπόψεαι, ὁππόθι Πενθεὺς ταῦρον ἐπισφίγγει κεραελκέος ἀντὶ Λυαίου.

See also the forty-fifth, where Pentheus binds the bull instead of stronghorn Lyaios.

1ὣς φαμένου Βρομίοιο δόμων ἐξέδραμε νύμφη χάρματι λυσσήεντι κατάσχετος, ὄφρα νοήσῃ νυμφίον Ἀκταίωνα παρήμενον ἰοχεαίρῃ· καί οἱ ἐπειγομένῃ σφαλερῷ ποδὶ σύνδρομος αὔραις 5εἰς ὄρος ἀκρήδεμνος ὁμάρτεε μαινὰς Ἀγαύη, καὶ Κρονίης μάστιγος ἱμασσομένη φρένα κέντρῳ ἄσκοπον ἐρροίβδησε μεμηνότι χείλεϊ φωνήν· Οὐτιδανῷ Πενθῆι κορύσσομαι, ὄφρα δαείη, θαρσαλέην ὅτι Κάδμος Ἀμαζόνα τίκτεν Ἀγαύην. 10ἔμπλεος ἠνορέης καὶ ἐγὼ πέλον· ἢν ἐθελήσω, καὶ γυμναῖς παλάμῃσιν ὅλον Πενθῆα δαμάσσω, καὶ στρατιὴν εὔοπλον ἀτευχέι χειρὶ δαΐξω. θύρσον ἔχω· μελίης οὐ δεύομαι, οὐ δόρυ πάλλω· ἔγχεϊ δʼ ἀμπελόεντι δορυσσόον ἀνέρα βάλλω· 15οὐ φορέω θώρηκα, καὶ εὐθώρηκα δαμάσσω. κύμβαλα δʼ αἰθύσσουσα καὶ ἀμφιπλῆγα βοείην κυδαίνω Διὸς υἷα, καὶ οὐ Πενθῆα γεραίρω. Λύδιά μοι δότε ῥόπτρα· τί μέλλετε, θυιάδες ὧραι; ἵξομαι εἰς σκοπέλους, ὅθι Μαινάδες, ἧχι γυναῖκες 20ἥλικες ἀγρώσσοντι συναγρώσσουσι Λυαίῳ. ζῆλον ἔχω, Διόνυσε, λεοντοφόνοιο Κυρήνης· φείδεό μοι Βρομίοιο, θεημάχε, φείδεο, Πενθεῦ· εἰς σκοπέλους ἀκίχητος ἐλεύσομαι, ὄφρα καὶ αὐτὴ εὔιον ἀείδουσα χοροίτυπον ἴχνος ἑλίξω· 25οὐκέτι βοτρυόεντος ἀναίνομαι ὄργια Βάκχου, οὐκέτι Βασσαρίδων στυγέω χορόν· ἀλλὰ καὶ αὐτὴ δειμαίνω Διόνυσον, ὃν ἤροσεν ἄφθιτος εὐνή, ὃν Διὸς ὑψιμέδοντος ἐχυτλώσαντο κεραυνοί. ἔσσομαι ὠκυπέδιλος, ὁμήλυδος ἰοχεαίρης 30δίκτυα κουφίζουσα, καὶ οὐ κλωστῆρας Ἀθήνης.

When Bromios had spoken, the nymph rushed from the house possessed by joyous madness, that she might see Actaion as bridegroom seated beside the Archeress ; along with her as she hastened swift as the wind sped Agaue to the mountain, with staggering steps, unveiled, frenzied, the sting of the Cronian whip flogging her wits, while she poured out these heedless words from her maddened lips : “I rebel against that ridiculous Pentheus, to teach him what a bold Amazon is Agaue the daughter of Cadmos ! I too am chockfull of valour. If I like, I will tame all Pentheus even with my bare hands, and I Mill destroy his well-armed host with no weapon in my hand ! I have a thyrsus ; ashplant I want not, no spear I shake — with viny lance I strike the spear-shaking man ! I wear no corselet, but I will tame the man who wears the best. Shaking my cymbals and my tambour which I beat on both sides I magnify the son of Zeus, I honour not Pentheus. Give me the Lydian drums — why do ye delay, ye hours of festival ? I will come to the hills, where Mainads, where women of like years, join the hunt of hunting Lyaios. O Dionysos, I am jealous of Cyrene lionslayer ! Spare me Bromios, O thou rebel against heaven — spare him, O Pentheus ! I will come at speed into the hills, that I too may sing Euios and twirl a dancing foot. No longer I refuse the rites of grapegod Bacchos, no longer I hate the Bassarids’ dance ; but I too stand in awe of Dionysos, offspring of the bed incorruptible, bathed by thunderbolts from Zeus on high. Swift will my shoes go, as I carry nets beside the Archeress, no longer the skeins of Athena.”

31ὣς φαμένη πεπότητο νέη σκαίρουσα Μιμαλλών, ληναίης μεθέπουσα φιλεύιον ἅλμα χορείης, Βάκχον ἀνευάζουσα καὶ ἀείδουσα Θυώνην· καὶ Σεμέλην ὑπάτοιο Διὸς κίκλησκε γυναῖκα, 35καὶ σέλας εὐφαέων γαμίων ἐλίγαινε κεραυνῶν.

So crying she flew away, a new skipping Mimallon, practising the Euian leap of the winepress, calling Euoi to Bacchos and lauding Thyone — aye, and she called to Semele, wife of Zeus the highest, and loudly sang the brightness of those bridal lightnings.

36καὶ χορὸς ἐν σκοπέλοισιν ἔην πολύς· ἀμφὶ δὲ πέτραι ἴαχον· ἑπταπύλου δὲ πέδον περιδέδρομε Θήβης ἠχὴ ποικιλόμορφος· ὁμογλώσσῳ δʼ ἀλαλητῷ μελπομένων βαρύδουπος ἐπεσμαράγησε Κιθαιρών· 40καὶ δροσόεις κελάδησεν ἁλὸς κτύπος· ἦν δὲ νοῆσαι δένδρεα κωμάζοντα καὶ αὐδήεσσαν ἐρίπνην. καί τις ἑοῦ θαλάμοιο χοροίτυπος ἔκθορε κούρη, αὐλὸς ὅτε τρητοῖσι πόροις ἰάχησε κεράστης· καὶ κτύπος ἀμφιβόητος ἀδεψήτοιο βοείης 45παρθενικὰς βάκχευσεν, ἀπʼ εὐτύκτων δὲ μελάθρων εἰς ὄρος ὑψικάρηνον ἐρημάδας ἤλασε Βάκχας. καί τις ἀνοιστρηθεῖσα θυελλήεντι πεδίλῳ κούρη λυσιέθειρα διέσσυτο παρθενεῶνος, κερκίδα καλλείψασα καὶ ἱστοτέλειαν Ἀθήνην· 50καὶ πλοκάμων ἀκόμιστον ἀπορρίψασα καλύπτρην μίσγετο Βασσαρίδεσσι καὶ Ἀονὶς ἔπλετο Βάκχη.

Then there was great dancing on the hills. The rocks resounded all about, a thousand new noises rolled round the land of sevengate Thebes ; the one concordant chorus of the singers filled Cithairon with heavy-echoing din ; the dewy salt sea roared ; one could see trees making merry, and hear voices from the rocks. Many a maiden ran out of her room to foot it in the dance, when the pipe of horn tootled through its drilled holes, and the double blows on the raw hide made the girls go mad, and drove them from their well-built halls to be Bacchants in the wilderness of the lofty mountains. Many a maiden driven crazy shook her hair loose and rushed with stormy shoe from her chamber, leaving loomcomb and Athena with her craft, cast away the veil unheeded from her hair, mingled with Bassarids — and lo ! Aionian turned Bacchant !

52Τειρεσίας δʼ ἱέρευσεν ἀλεξικάκῳ Διονύσῳ βωμὸν ἀναστήσας, ἵνα Πενθέος ὕβριν ἐρύξῃ καὶ χόλον ἀπρήυντον ἀποσκεδάσειε Λυαίου· 55ἀλλὰ μάτην ἱκέτευσεν, ἐπεὶ λίνον ἤλυθε Μοίρης. καὶ Σεμέλης γενέτην ἐκαλέσσατο μάντις ἐχέφρων, ὄφρα μετασχήσωσι χοροστασίην Διονύσου. βριθομένοις δὲ πόδεσσι γέρων ὠρχήσατο Κάδμος στέψας Ἀονίῳ χιονώδεα βόστρυχα κισσῷ· 60Τειρεσίας δʼ ὁμόφοιτος ἑὸν πόδα νωθρὸν ἑλίσσων, Μυγδονίῳ Φρύγα κῶμον ἀνακρούων Διονύσῳ, εἰς χορὸν ἀίσσοντι συνέμπορος ἤιε Κάδμῳ γηραλέον νάρθηκι θεουδέι πῆχυν ἐρείσας. ἀθρήσας δὲ γέροντας ὁμήλυδας ὄμματι λοξῷ 65Τειρεσίαν καὶ Κάδμον ἀτάσθαλος ἴαχε Πενθεύς·

Teiresias built an altar to Protecting Dionysos and sacrificed there, that he might prevent the defiance of Pentheus and avert the wrath of Lyaios yet unappeased ; but his prayers were in vain, since the thread of Fate was there. The wise seer called Semele’s father also, that they might share the dance of Dionysos. With heavy feet ancient Cadmos danced, crowning his snowy hair with Aonian ivy, and Teiresias his old comrade wheeled a sluggish foot, beating a Phrygian revelstep for Mygdonian Dionysos ; so he joined the eager efforts of Cadmos hastening to the dance, and supported his old arm on a pious fennel stalk. Pentheus the hothead saw old Teiresias and Cadmos there together, and looking askance at them cried out —

66Κάδμε, τί μαργαίνεις; τίνι δαίμονι κῶμον ἐγείρεις; Κάδμε, μιαινομένης ἀποκάτθεο κισσὸν ἐθείρης, κάτθεο καὶ νάρθηκα νοοπλανέος Διονύσου· Ὀγκαίης δʼ ἀνάειρε σαόφρονα χαλκὸν Ἀθήνης. 70νήπιε Τειρεσία, στεφανηφόρε, ῥῖψον ἀήταις σῶν πλοκάμων τάδε φύλλα, νόθον στέφος· ἀντὶ δὲ θύρσου Φοίβου μᾶλλον ἄειρε τεὴν Ἰσμηνίδα δάφνην. αἰδέομαι σέο γῆρας, ἀμετροβίων δὲ καὶ αὐτῶν μάρτυρα σῶν ἐτέων πολιὴν πλοκαμῖδα γεραίρω· 75εἰ μὴ γὰρ τόδε γῆρας ἐρήτυε καὶ σέο χαίτη, καί κεν ἀλυκτοπέδῃσιν ἐγὼ σέο χεῖρας ἑλίξας δέσμιον ἀχλυόεντι κατεσφρήγισσα μελάθρῳ.

“Why this madness, Cadmos ? What god do you honour with this revel ? Tear the ivy from your hair, Cadmos, it defiles it ! And drop that fennel of Dionysos, the deluder of men’s wits ! Take up the bronze of Athena Oncaia, which makes men sane. Foolish Teiresias to wear that garland ! Throw these leaves to the winds, that false chaplet on your hair. Take up rather the Ismenian laurel of your own Phoibos, instead of a thyrsus. I respect your old age, I honour the hoary locks that witness to the years of your life, as old as theirs. But if this old age and this your hair did not save you, I had twisted galling bonds about your hands and sealed you up in a gloomy cell.

78σὸς νόος οὔ με λέληθε· σὺ γὰρ Πενθῆι μεγαίρων μαντοσύναις δολίῃσι νόθον θεὸν ἀνέρα τεύχεις, 80δῶρα λαβὼν Λυδοῖο παρʼ ἀνέρος ἠπεροπῆος, δῶρα πολυχρύσοιο φατιζομένου ποταμοῖο. ἀλλʼ ἐρέεις, ὅτι Βάκχος ἐποίνιον εὗρεν ὀπώρην· οἶνος ἀεὶ μεθύοντας ἐφέλκεται εἰς Ἀφροδίτην, εἰς φόνον ἀσταθέος νόον ἀνέρος οἶνος ἐγείρει. 85ἀλλὰ Διὸς γενετῆρος ἔχει δέμας ἠὲ χιτῶνας· χρύσεα πέπλα φέρων, οὐ νεβρίδας, ὑψιμέδων Ζεὺς ἀστράπτει μακάρεσσι· καὶ ἀνδράσι μάρναται Ἄρης χάλκεον ἔγχος ἔχων, οὐκ οἴνοπα θύρσον ἀείρων· οὐ βοέοις κεράεσσι κερασφόρος ἐστὶν Ἀπόλλων. 90μὴ ποταμὸς Σεμέλην νυμφεύσατο, καὶ τέκε νύμφη υἷα νόθον κερόεντα βοοκραίρῳ παρακοίτῃ; ἀλλʼ ἐρέεις· γλαυκῶπις ἐς ἄρσενα δῆριν ἱκάνει σύγγονον ἔγχος ἔχουσα καὶ ἀσπίδα Παλλὰς Ἀθήνη . . . αἰγίδα καὶ σὺ τίταινε τεοῦ Κρονίδαο τοκῆος. 95ὣς φαμένου Πενθῆος ἀμείβετο μάντις ἐχέφρων·

“I understand what is in your mind. You have a grudge against Pentheus, and you make a man into a bastard god by lying oracles — that Lydian impostor has bribed you by promising plenty of gold from the famous golden river. But you will say, Bacchos has invented the wine-fruit. — Yes, and what wine always does is to drag drunken men into lust ; what wine does is to excite an unstable man’s mind to murder. But he wears the shape and garments of Zeus his father! — Golden robes are what Lord Zeus wears, not fawnskins, when he thunders in the heights among the Blessed ; when Ares fights with men, he carries a spear of bronze, not a thyrsus of vineleaves in his hand ; Apollo is not horned with bull’s horns.” Was it a River that wedded Semele ? did the bride bear a horned bastard to her bullhorned husband ? But you will say, Brighteyes Pallas Athena marches to battle with men, holding the spear and shield that were born with her. . . . Then you should hold the aegis of your father Cronides.”

People and places in this passage

English translation by W. H. D. Rouse (1940). Original text: W. H. D. Rouse (ed.), Nonnos, Dionysiaca, Loeb Classical Library 344, 354, 356, London: Heinemann; Cambridge, Mass.: Harvard University Press, 1940-1942 (Greek text as digitised by Perseus).

Greek text and translation from the Perseus Digital Library, Tufts University, CC BY-SA 4.0 (Perseus Digital Library, Greek text); translation public domain (Rouse, Loeb 1940-42: US copyright not renewed; Rouse died 1950; OCR from the Internet Archive scans). Introductions, summaries and notes © GreekMythology.com.