Euripides · Hippolytus Ἱππόλυτος

Euripides, Hippolytus 525–579: First choral song to Love; Phaedra listens at the door

The Chorus sings to Love, who from the eyes brings sweet desire to the souls of those he attacks, and prays that he may not come against them in anger. It recalls Iole and Semele as victims of Aphrodite. Phaedra, standing at the door, tells the women to be silent and listens to the sounds from within the house, and the Chorus asks what mischief is on foot.

Lines 525–579 · 331 words · click a number to copy its link

Chorus

525Ἔρως Ἔρως, ὃ κατ’ ὀμμάτων στάζεις πόθον, εἰσάγων γλυκεῖαν ψυχᾷ χάριν οὓς ἐπιστρατεύσῃ, μή μοί ποτε σὺν κακῷ φανείης μηδ’ ἄρρυθμος ἔλθοις. 530οὔτε γὰρ πυρὸς οὔτ’ ἄστρων ὑπέρτερον βέλος, οἷον τὸ τᾶς Ἀφροδίτας ἵησιν ἐκ χερῶν Ἔρως, ὁ Διὸς παῖς.

O Love, Love, that from the eyes diffusest soft desire, bringing on the souls of those, whom thou dost camp against, sweet grace, O never in evil mood appear to me, nor out of time and tune approach! Nor fire nor meteor hurls a mightier bolt than Aphrodite’s shaft shot by the hands of Love, the child of Zeus.

Chorus

535ἄλλως ἄλλως παρά τ’ Ἀλφεῷ Φοίβου τ’ ἐπὶ Πυθίοις τεράμνοις βούταν φόνον Ἑλλὰς αἶ’ ἀέξει· Ἔρωτα δέ, τὸν τύραννον ἀνδρῶν, τὸν τᾶς Ἀφροδίτας 540φιλτάτων θαλάμων κλῃδοῦχον, οὐ σεβίζομεν, πέρθοντα καὶ διὰ πάσας ἰόντα συμφορᾶς θνατοῖς, ὅταν ἔλθῃ.

Idly, idly by the streams of Alpheus and in the Pythian shrines of Phoebus, Hellas heaps the slaughtered steers; while Love we worship not, Love, the king of men, who holds the key to Aphrodite’s sweetest bower,—worship not him who, when he comes, lays waste and marks his path to mortal hearts by wide-spread woe.

Chorus

545τὰν μὲν Οἰχαλίᾳ πῶλον ἄζυγα λέκτρων, ἄναν- δρον τὸ πρὶν καὶ ἄνυμφον, οἴ- κων ζεύξασ’ ἀπ’ Εὐρυτίων δρομάδα Ναΐδ’ ὅπως τε Βάκ- 550χαν σὺν αἵματι, σὺν καπνῷ φονίοις θ’ ὑμεναίοις Ἀλκμήνας τόκῳ Κύπρις ἐξέδωκεν· ὦ τλάμων ὑμεναίων.

There was that maiden in Oechalia, a girl unwed, that knew no wooer yet nor married joys; her did the queen of Love snatch from her home across the sea and gave unto Alcmena’s son, mid blood and smoke and murderous marriage-hymns, to be to him a frantic fiend of hell; woe! woe for his wooing!

Chorus

555ὦ Θήβας ἱερὸν τεῖχος, ὦ στόμα Δίρκας, συνεί- ποιτ’ ἂν ἁ Κύπρις οἷον ἕρ- πει. βροντᾷ γὰρ ἀμφιπύρῳ τοκάδα τὰν διγόνοιο Βάκ- 560χου νυμφευσαμένα πότμῳ φονίῳ κατηύνασεν. δεινὰ γὰρ παντᾷ ποτιπνεῖ, μέλισσα δ’ οἵα τις πεπόταται.

Ah! holy walls of Thebes, ah! fount of Dirce, ye could testify what course the love-queen follows. For with the blazing levin-bolt did she cut short the fatal marriage of Semele, mother of Zeus-bom Bacchus. All things she doth inspire, dread goddess, winging her flight hither and thither like a bee.

Φαίδρα 565σιγήσατ’, ὦ γυναῖκες· ἐξειργάσμεθα. Χορός τί δ’ ἔστι, Φαίδρα, δεινὸν ἐν δόμοισί σοι; Φαίδρα ἐπίσχετ’, αὐδὴν τῶν ἔσωθεν ἐκμάθω. Χορός σιγῶ· τὸ μέντοι φροίμιον κακὸν τόδε. Φαίδρα ἰώ μοι, αἰαῖ· 570ὦ δυστάλαινα τῶν ἐμῶν παθημάτων.

Phaedra Peace, ladies, peace! I am undone.

Chorus What, Phaedra, is this dread event within thy house?

Phaedra Hush! let me hear what those within are saying.

Chorus I am silent; this is surely the prelude to mischief.

Phaedra Great gods! how awful are my sufferings!

Chorus

571τίνα θροεῖς αὐδάν; τίνα βοᾷς λόγον; ἔνεπε, τίς φοβεῖ σε φήμα, γύναι, φρένας ἐπίσσυτος;

What a cry was there! what loud alarm! say what sudden terror, lady, doth thy soul dismay.

Phaedra

575ἀπωλόμεσθα. ταῖσδ’ ἐπιστᾶσαι πύλαις ἀκούσαθ’ οἷος κέλαδος ἐν δόμοις πίτνει.

I am undone. Stand here at the door and hear the noise arising in the house.

Chorus

577σὺ παρὰ κλῇθρα, σοὶ μέλει πομπίμα φάτις δωμάτων. ἔνεπε δ’ ἔνεπέ μοι, τί ποτ’ ἔβα κακόν;

Thou art already by the bolted door; ’tis for thee to note the sounds that issue from within. And tell me, O tell me what mischief can be on foot.

People and places in this passage

English translation by Edward P. Coleridge (1891). Original text: Greek text: Gilbert Murray (ed.), Euripidis Fabulae, Oxford: Clarendon Press, 1902, as digitised by Perseus. English: Edward P. Coleridge, The Plays of Euripides, London: George Bell and Sons, first published 1891 (Bohn's Classical Library; the Perseus header records a later printing).

Greek text and translation from the Perseus Digital Library, Tufts University, CC BY-SA 4.0 (Perseus Digital Library); translation public domain. Introductions, summaries and notes © GreekMythology.com.

Hippolytus 525–579: First choral song to Love | Euripides