Euripides · Hippolytus Ἱππόλυτος

Euripides, Hippolytus 353–432: First episode: Phaedra explains why she must die

The Nurse cries out that the revelation has ruined her, and the Chorus pities Phaedra. Phaedra tells them that she has long been trying to find how to save her honour: she tried to hide her love and to master it, and when she could not, she resolved to die, so that her children will not be disgraced by her.

Lines 353–432 · 740 words · click a number to copy its link

Nurse

353οἴμοι, τί λέξεις, τέκνον; ὥς μ’ ἀπώλεσας. γυναῖκες, οὐκ ἀνασχέτ’· οὐκ ἀνέξομαι 355ζῶσ’· ἐχθρὸν ἦμαρ, ἐχθρὸν εἰσορῶ φάος. ῥίψω μεθήσω σῶμ’, ἀπαλλαχθήσομαι βίου θανοῦσα· χαίρετ’· οὐκέτ’ εἴμ’ ἐγώ. οἱ σώφρονες γὰρ οὐχ ἑκόντες, ἀλλ’ ὅμως κακῶν ἐρῶσι. Κύπρις οὐκ ἄρ’ ἦν θεός, 360ἀλλ’ εἴ τι μεῖζον ἄλλο γίγνεται θεοῦ, ἣ τήνδε κἀμὲ καὶ δόμους ἀπώλεσεν.

O heavens! what is this, my child? Thou hast ruined me. Outrageous! friends; I will not live and bear it; hateful is life, hateful to mine eyes the light. This body I resign, will cast it off, and rid me of existence by my death. Farewell, my life is o’er. Yea, for the chaste have wicked passions, ’gainst their will maybe, but still they have. Cypris, it seems, is not a goddess after all, but something greater far, for she hath been the ruin of my lady and of me and our whole family.

Chorus

362ἄιες ὤ, ἔκλυες ὤ, ἀνήκουστα τᾶς τυράννου πάθεα μέλεα θρεομένας; — ὀλοίμαν ἔγωγε, πρὶν σὰν φιλίαν 365κατανύσαι φρενῶν. ἰώ μοι, φεῦ φεῦ. — ὦ τάλαινα τῶνδ’ ἀλγέων· — ὦ πόνοι τρέφοντες βροτούς. — ὄλωλας, ἐξέφηνας ἐς φάος κακά. — τίς σε παναμέριος ὅδε χρόνος μένει; 370— τελευτάσεταί τι καινὸν δόμοις. — ἄσημα δ’ οὐκέτ’ ἐστὶν οἷ φθίνει τύχα Κύπριδος, ὦ τάλαινα παῖ Κρησία.

O, too clearly didst thou hear our queen uplift her voice to tell her startling tale of piteous suffering. Come death ere I reach thy state of feeling, loved mistress. O horrible! woe, for these miseries! woe, for the sorrows on which mortals feed! Thou art undone! thou hast disclosed thy sin to heaven’s light. What hath each passing day and every hour in store for thee? Some strange event will come to pass in this house. For it is no longer uncertain where the star of thy love is setting, thou hapless daughter of Crete.

Phaedra

373Τροζήνιαι γυναῖκες, αἳ τόδ’ ἔσχατον οἰκεῖτε χώρας Πελοπίας προνώπιον, 375ἤδη ποτ’ ἄλλως νυκτὸς ἐν μακρῷ χρόνῳ θνητῶν ἐφρόντισ’ ᾗ διέφθαρται βίος. καί μοι δοκοῦσιν οὐ κατὰ γνώμης φύσιν πράσσειν κάκιον· ἔστι γὰρ τό γ’ εὖ φρονεῖν πολλοῖσιν· ἀλλὰ τῇδ’ ἀθρητέον τόδε· 380τὰ χρήστ’ ἐπιστάμεσθα καὶ γιγνώσκομεν, οὐκ ἐκπονοῦμεν δ’, οἳ μὲν ἀργίας ὕπο, οἳ δ’ ἡδονὴν προθέντες ἀντὶ τοῦ καλοῦ ἄλλην τιν’. εἰσὶ δ’ ἡδοναὶ πολλαὶ βίου, μακραί τε λέσχαι καὶ σχολή, τερπνὸν κακόν, 385αἰδώς τε. δισσαὶ δ’ εἰσίν, ἣ μὲν οὐ κακή, ἣ δ’ ἄχθος οἴκων. εἰ δ’ ὁ καιρὸς ἦν σαφής, οὐκ ἂν δύ’ ἤστην ταὔτ’ ἔχοντε γράμματα. ταῦτ’ οὖν ἐπειδὴ τυγχάνω φρονοῦσ’ ἐγώ, οὐκ ἔσθ’ ὁποίῳ φαρμάκῳ διαφθερεῖν 390ἔμελλον, ὥστε τοὔμπαλιν πεσεῖν φρενῶν. λέξω δὲ καὶ σοὶ τῆς ἐμῆς γνώμης ὁδόν· ἐπεί μ’ ἔρως ἔτρωσεν, ἐσκόπουν ὅπως κάλλιστ’ ἐνέγκαιμ’ αὐτόν. ἠρξάμην μὲν οὖν ἐκ τοῦδε, σιγᾶν τήνδε καὶ κρύπτειν νόσον. 395γλώσσῃ γὰρ οὐδὲν πιστόν, ἣ θυραῖα μὲν φρονήματ’ ἀνδρῶν νουθετεῖν ἐπίσταται, αὐτὴ δ’ ὑφ’ αὑτῆς πλεῖστα κέκτηται κακά. τὸ δεύτερον δὲ τὴν ἄνοιαν εὖ φέρειν τῷ σωφρονεῖν νικῶσα προυνοησάμην. 400τρίτον δ’, ἐπειδὴ τοισίδ’ οὐκ ἐξήνυτον Κύπριν κρατῆσαι, κατθανεῖν ἔδοξέ μοι, κράτιστον — οὐδεὶς ἀντερεῖ — βουλευμάτων. ἐμοὶ γὰρ εἴη μήτε λανθάνειν καλὰ μήτ’ αἰσχρὰ δρώσῃ μάρτυρας πολλοὺς ἔχειν. 405τὸ δ’ ἔργον ᾔδη τὴν νόσον τε δυσκλεᾶ, γυνή τε πρὸς τοῖσδ’ οὖσ’ ἐγίγνωσκον καλῶς, μίσημα πᾶσιν. ὡς ὄλοιτο παγκάκως ἥτις πρὸς ἄνδρας ἤρξατ’ αἰσχύνειν λέχη πρώτη θυραίους. ἐκ δὲ γενναίων δόμων 410τόδ’ ἦρξε θηλείαισι γίγνεσθαι κακόν. ὅταν γὰρ αἰσχρὰ τοῖσιν ἐσθλοῖσιν δοκῇ, ἦ κάρτα δόξει τοῖς κακοῖς γ’ εἶναι καλά. μισῶ δὲ καὶ τὰς σώφρονας μὲν ἐν λόγοις, λάθρᾳ δὲ τόλμας οὐ καλὰς κεκτημένας. 415αἳ πῶς ποτ’, ὦ δέσποινα ποντία Κύπρι, βλέπουσιν ἐς πρόσωπα τῶν ξυνευνετῶν οὐδὲ σκότον φρίσσουσι τὸν ξυνεργάτην τέραμνά τ’ οἴκων μή ποτε φθογγὴν ἀφῇ;

Ladies of Troezen, who dwell here upon the frontier edge of Pelops’ land, oft ere now in heedless mood through the long hours of night have I wondered why man’s life is spoiled; and it seems to me their evil case is not due to any natural fault of judgment, for there be many dowered with sense, but we must view the matter in this light; by teaching and experience we learn the right but neglect it in practice, some from sloth, others from preferring pleasure of some kind or other to duty. Now life has many pleasures, protracted talk, and leisure, that seductive evil; likewise there is shame which is of two kinds, one a noble quality, the other a curse to families; but if for each its proper time were clearly known, these twain could not have had the selfsame letters to denote them. So then since I had made up my mind on these points, ’twas not likely any drug would alter it and make me think the contrary. And I will tell thee too the way my judgment went. When love wounded me, I bethought me how I best might bear the smart. So from that day forth I began to hide in silence what I suffered. For I put no faith in counsellors, who know well to lecture others for presumption, yet themselves have countless troubles of their own. Next I did devise noble endurance of these wanton thoughts, striving by continence for victory. And last when I could not succeed in mastering love hereby, methought it best to die; and none can gainsay my purpose. For fain I would my virtue should to all appear, my shame have few to witness it. I knew my sickly passion now; to yield to it I saw how infamous; and more, I learnt to know so well that I was but a woman, a thing the world detests. Curses, hideous curses on that wife, who first did shame her marriage-vow for lovers other than her lord! ’Twas from noble families this curse began to spread among our sex. For when the noble countenance disgrace, poor folk of course will think that it is right. Those too I hate who make profession of purity, though in secret reckless sinners. How can these, queen Cypris, ocean’s child, e’er look their husbands in the face? do they never feel one guilty thrill that their accomplice, night, or the chambers of their house will find a voice and speak?

Φαίδρα 419ἡμᾶς γὰρ αὐτὸ τοῦτ’ ἀποκτείνει, φίλαι, 420ὡς μήποτ’ ἄνδρα τὸν ἐμὸν αἰσχύνασ’ ἁλῶ, μὴ παῖδας οὓς ἔτικτον· ἀλλ’ ἐλεύθεροι παρρησίᾳ θάλλοντες οἰκοῖεν πόλιν κλεινῶν Ἀθηνῶν, μητρὸς οὕνεκ’ εὐκλεεῖς. δουλοῖ γὰρ ἄνδρα, κἂν θρασύσπλαγχνός τις ᾖ, 425ὅταν ξυνειδῇ μητρὸς ἢ πατρὸς κακά. μόνον δὲ τοῦτό φασ’ ἁμιλλᾶσθαι βίῳ, γνώμην δικαίαν κἀγαθήν, ὅτῳ παρῇ. κακοὺς δὲ θνητῶν ἐξέφην’, ὅταν τύχῃ, προθεὶς κάτοπτρον ὥστε παρθένῳ νέᾳ 430χρόνος· παρ’ οἷσι μήποτ’ ὀφθείην ἐγώ. Χορός φεῦ φεῦ· τὸ σῶφρον ὡς ἁπανταχοῦ καλὸν καὶ δόξαν ἐσθλὴν ἐν βροτοῖς καρπίζεται.

Phaedra This it is that calls on me to die, kind friends, that so I may ne’er be found to have disgraced my lord, or the children I have born; no! may they grow up and dwell in glorious Athens, free to speak and act, heirs to such fair fame as a mother can bequeath. For to know that father or mother have sinned doth turn the stoutest heart to slavishness. This alone, men say, can stand the buffets of life’s battle, a just and virtuous soul in whomsoever found. For time unmasks the villain sooner or later, holding up to them a mirror as to some blooming maid. ’Mongst such may I be never seen!

Chorus Now look! how fair is chastity however viewed, whose fruit is good repute amongst men.

People and places in this passage

English translation by Edward P. Coleridge (1891). Original text: Greek text: Gilbert Murray (ed.), Euripidis Fabulae, Oxford: Clarendon Press, 1902, as digitised by Perseus. English: Edward P. Coleridge, The Plays of Euripides, London: George Bell and Sons, first published 1891 (Bohn's Classical Library; the Perseus header records a later printing).

Greek text and translation from the Perseus Digital Library, Tufts University, CC BY-SA 4.0 (Perseus Digital Library); translation public domain. Introductions, summaries and notes © GreekMythology.com.

Hippolytus 353–432: Phaedra explains why she must die