Euripides · Alcestis Ἄλκηστις

Euripides, Alcestis 77–140: Parodos: the elders of Pherae ask whether Alcestis is dead

The Chorus of the elders of Pherae wonders at the silence in front of the palace and asks whether the queen is dead or alive. They notice that no water for purification has been set out at the door and no mourners are heard, and yet this is the appointed day. They say that only Asclepius could have saved her, that all sacrifices have failed, and they see a handmaid coming out in tears.

Lines 77–140 · 455 words · click a number to copy its link
Χορός 77—τί ποθ’ ἡσυχία πρόσθεν μελάθρων; —τί σεσίγηται δόμος Ἀδμήτου; —ἀλλ’ οὐδὲ φίλων πέλας οὐδείς, 80ὅστις ἂν εἴποι πότερον φθιμένην βασίλεαν πενθεῖν χρή μʼ, ἢ ζῶσ’ ἔτι φῶς τόδε λεύσσει Πελίου παῖς Ἄλκηστις, ἐμοὶ πᾶσί τ’ ἀρίστη δόξασα γυνὴ 85πόσιν εἰς αὑτῆς γεγενῆσθαι.

First Semichorus What means this silence in front of the palace? why is the house of Admetus stricken dumb?

Second Semichorus Not one friend near to say if we must mourn our queen as dead, or if she liveth yet and sees the sun, Alcestis, daughter of Pelias, by me and all esteemed the best of wives to her husband.

First Semichorus

86—κλύει τις ἢ στεναγμὸν ἢ χειρῶν κτύπον κατὰ στέγας ἢ γόον ὡς πεπραγμένων; —οὐ μὰν οὐδέ τις ἀμφιπόλων στα- 90τίζεται ἀμφὶ πύλας. εἰ γὰρ μετακύμιος ἄτας, ὦ Παιάν, φανείης.

Doth any of you hear a groan, or sound of hands that smite together, or the voice of lamentation, telling all is over and done? Yet is there no servant stationed about the gate, no, not one. O come, thou saving god, to smooth the swelling waves of woe!

Χορός 93—οὔ τἂν φθιμένης γ’ ἐσιώπων. —νέκυς ἤδη. —οὐ δὴ φροῦδός γ’ ἐξ οἴκων. 95—πόθεν; οὐκ αὐχῶ. τί σε θαρσύνει; —πῶς ἂν ἔρημον τάφον Ἄδμητος […] κεδνῆς ἂν ἔπραξε γυναικός;

Second Semichorus Surely, were she dead, they would not be so still.

First Semichorus Maybe her corpse is not yet from the house borne forth.

Second Semichorus Whence that inference? I am not so sanguine. What gives thee confidence?

First Semichorus How could Admetus let his noble wife go unattended to the grave?

Second Semichorus

98—πυλῶν πάροιθε δ’ οὐχ ὁρῶ πηγαῖον ὡς νομίζεται 100χέρνιβ’ ἐπὶ φθιτῶν πύλαις. —χαίτα τ’ οὔτις ἐπὶ προθύροις το- μαῖος, ἃ δὴ νεκύων πέν- θει πίτνει· οὐ νεολαία δουπεῖ χεὶρ γυναικῶν.

Before the gates I see no lustral water from the spring, as custom doth ordain should be at the gates of the dead, no shorn lock lies on the threshold, which, as thou knowest, falls in mourning for the dead, no choir of maidens smites its youthful palms together.

Χορός 105—καὶ μὴν τόδε κύριον ἦμαρ . . . —τί τόδ’ αὐδᾷς; —ᾧ χρή σφε μολεῖν κατὰ γαίας. —ἔθιγες ψυχᾶς, ἔθιγες δὲ φρενῶν. —χρὴ τῶν ἀγαθῶν διακναιομένων 110πενθεῖν ὅστις χρηστὸς ἀπ’ ἀρχῆς νενόμισται.

First Semichorus And yet this is the appointed day.

Second Semichorus What meanest thou by this?

First Semichorus The day appointed for the journey to the world below.

Second Semichorus Thou hast touched me to the heart, e’en to the soul.

Chorus Whoso from his youth up has been accounted virtuous, needs must weep to see the good suddenly cut off.

Chorus

112—ἀλλ’ οὐδὲ ναυκληρίαν ἔσθ’ ὅποι τις αἴας στείλας, ἢ Λυκίαν 115εἴτ’ ἐπὶ τὰς ἀνύδρους Ἀμμωνιάδας , δυστάνου παραλύσαι ψυχάν· μόρος γὰρ ἀπότομος πλάθει· θεῶν δ’ ἐπ’ ἐσχάραις 120οὐκ ἔχω ἐπὶ τίνα μηλοθύταν πορευθῶ.

’Tis done; no single spot in all the world remains whither one might steer a course, either to Lycia or to the parched abodes of Ammon to release the hapless lady’s soul; on comes death with step abrupt, nor know I to whom I should go of all who at the gods’ altars offer sacrifice.

Chorus

122—μόνος δ’ ἄν, εἰ φῶς τόδ’ ἦν ὄμμασιν δεδορκὼς Φοίβου παῖς, προλιποῦσ’ 125ἦλθεν ἕδρας σκοτίους Ἅιδα τε πύλας· δμαθέντας γὰρ ἀνίστη, πρὶν αὐτὸν εἷλε διόβολον πλῆκτρον πυρὸς κεραυνίου. 130νῦν δὲ τίν’ ἔτι βίου ἐλπίδα προσδέχωμαι;

Only the son of Phoebus, if he yet saw this light of day— Ah! then then might she have left the dark abode and gates of Hades and have come again, for he would raise the dead to life, till that the thunderbolt’s forked flame, hurled by Zeus, smote him. But now what further hope of life can I welcome to me?

Chorus

132—πάντα γὰρ ἤδη τετέλεσται βασιλεῦσι, πάντων δὲ θεῶν ἐπὶ βωμοῖς αἱμόρραντοι θυσίαι πλήρεις· 135οὐδ’ ἔστι κακῶν ἄκος οὐδέν.

Our lords have ere this done all they could; on every altar streams the blood of abundant sacrifice; yet our sorrows find no cure.

Chorus

136ἀλλ’ ἥδ’ ὀπαδῶν ἐκ δόμων τις ἔρχεται δακρυρροοῦσα, τίνα τύχην ἀκούσομαι; πενθεῖν μέν, εἴ τι δεσπόταισι τυγχάνει, συγγνωστόν· εἰ δ’ ἔτ’ ἐστὶν ἔμψυχος γυνὴ 140εἴτ’ οὖν ὄλωλεν εἰδέναι βουλοίμεθ’ ἄν.

Lo! from the house cometh a handmaid weeping; what shall I be told hath chanced? Grief may well be pardoned, if aught happeneth to one’s master; yet I fain would learn whether our lady still is living or haply is no more.

People and places in this passage

English translation by Edward P. Coleridge (1891). Original text: Greek text: Gilbert Murray (ed.), Euripidis Fabulae, Oxford: Clarendon Press, 1902, as digitised by Perseus. English: Edward P. Coleridge, The Plays of Euripides, London: George Bell and Sons, first published 1891 (Bohn's Classical Library; the Perseus header records a later printing).

Greek text and translation from the Perseus Digital Library, Tufts University, CC BY-SA 4.0 (Perseus Digital Library); translation public domain. Introductions, summaries and notes © GreekMythology.com.