Sophocles · Oedipus Tyrannus Οἰδίπους Τύραννος

Sophocles, Oedipus Tyrannus 1186–1296: Fourth stasimon; the Second Messenger reports the blinding

The Chorus sing that the life of mortals is a shadow, with Oedipus as the example, who rose to the heights and has fallen. A second messenger comes from the palace and tells that Iocasta has hanged herself, and that Oedipus, finding her body, took the golden brooches from her dress and struck them again and again into his own eyes. He adds that Oedipus asks for the gates to be opened and for himself to be banished.

Lines 1186–1296 · 967 words · click a number to copy its link

Chorus

1186ἰὼ γενεαὶ βροτῶν, ὡς ὑμᾶς ἴσα καὶ τὸ μηδὲν ζώσας ἐναριθμῶ. τίς γάρ, τίς ἀνὴρ πλέον 1190τᾶς εὐδαιμονίας φέρει ἢ τοσοῦτον ὅσον δοκεῖν καὶ δόξαντʼ ἀποκλῖναι; τὸν σόν τοι παράδειγμʼ ἔχων, τὸν σὸν δαίμονα, τὸν σόν, ὦ τλᾶμον Οἰδιπόδα, βροτῶν 1195οὐδὲν μακαρίζω·

Alas, generations of mortals, how mere a shadow I count your life! Where, where is the mortal who attains a happiness which is more than apparent and doomed to fall away to nothing? Your fate warns me—yours, unhappy Oedipus—to call no earthly creature blessed.

Chorus

1196ὅστις καθʼ ὑπερβολὰν τοξεύσας ἐκράτησε τοῦ πάντʼ εὐδαίμονος ὄλβου, ὦ Ζεῦ, κατὰ μὲν φθίσας τὰν γαμψώνυχα παρθένον 1200χρησμῳδόν, θανάτων δʼ ἐμᾷ χώρᾳ πύργος ἀνέστα· ἐξ οὗ καὶ βασιλεὺς καλεῖ ἐμὸς καὶ τὰ μέγιστʼ ἐτιμάθης, ταῖς μεγάλαισιν ἐν Θήβαισιν ἀνάσσων.

For he, O Zeus, shot his shaft with peerless skill, and won the prize of an all-prosperous fortune, having slain the maiden with crooked talons, who sang darkly. He arose for our land like a tower against death. And from that time, Oedipus, you have been called our king, and have been honored supremely, holding power in great Thebes.

Chorus

1204τανῦν δʼ ἀκούειν τίς ἀθλιώτερος; 1205τίς ἄταις ἀγρίαις, τίς ἐν πόνοις ξύνοικος ἀλλαγᾷ βίου; ἰὼ κλεινὸν Οἰδίπου κάρα, ἦ στέγας λιμὴν αὑτὸς ἤρκεσεν παιδὶ καὶ πατρὶ θαλαμηπόλῳ πεσεῖν; 1210πῶς ποτε πῶς ποθʼ αἱ πατρῷαί σʼ ἄλοκες φέρειν, τάλας, σῖγʼ ἐδυνάθησαν ἐς τοσόνδε;

But now whose story is more grievous in men’s ears? Who is a more wretched slave to fierce plagues and troubles, with all his life reversed? Alas, renowned Oedipus! The same bounteous harbor was sufficient for you, both as child and as father, to make your nuptial couch in. Oh, how can the soil in which your father sowed, unhappy man, have endured you in silence for so long?

Chorus

1212ἐφηῦρέ σʼ ἄκονθʼ ὁ πάνθʼ ὁρῶν χρόνος, δικάζει τʼ ἄγαμον γάμον πάλαι 1215τεκνοῦντα καὶ τεκνούμενον. ἰώ, Λαΐειον ὦ τέκνον, εἴθε σʼ εἴθε σε μήποτʼ εἰδόμαν. δύρομαι γὰρ ὥσπερ ἰάλεμον χέων ἐκ στομάτων. τὸ δʼ ὀρθὸν εἰπεῖν, ἀνέπνευσά τʼ ἐκ 1220σέθεν καὶ κατεκοίμασα τοὐμὸν ὄμμα.

Time the all-seeing has found you out, against your will: he judges the monstrous marriage in which parent and child have long been one. Alas, child of Laius, would that I had never seen you. I wail as one who pours a dirge from his lips. It was you who gave me new life, to speak directly, and through you darkness has fallen upon my eyes.

Ἐξάγγελος 1223ὦ γῆς μέγιστα τῆσδʼ ἀεὶ τιμώμενοι, οἷʼ, ἔργʼ ἀκούσεσθʼ, οἷα δʼ εἰσόψεσθʼ, ὅσον δʼ 1225ἀρεῖσθε πένθος, εἴπερ ἐγγενῶς ἔτι τῶν Λαβδακείων ἐντρέπεσθε δωμάτων. οἶμαι γὰρ οὔτʼ ἂν Ἴστρον οὔτε Φᾶσιν ἂν νίψαι καθαρμῷ τήνδε τὴν στέγην, ὅσα κεύθει, τὰ δʼ αὐτίκʼ εἰς τὸ φῶς φανεῖ κακὰ 1230ἑκόντα κοὐκ ἄκοντα. τῶν δὲ πημονῶν μάλιστα λυποῦσʼ αἳ φανῶσʼ αὐθαίρετοι. Χορός λείπει μὲν οὐδʼ ἃ πρόσθεν εἴδομεν τὸ μὴ οὐ βαρύστονʼ εἶναι· πρὸς δʼ ἐκείνοισιν τί φῄς; Ἐξάγγελος ὁ μὲν τάχιστος τῶν λόγων εἰπεῖν τε καὶ 1235μαθεῖν, τέθνηκε θεῖον Ἰοκάστης κάρα. Χορός ὦ δυστάλαινα, πρὸς τίνος ποτʼ αἰτίας;

Second Messenger You who are most honored in this land, what deeds you will hear, what deeds you will behold, what burden of sorrow will be yours, if, true to your race, you still care for the house of Labdacus. For I think that neither the Ister nor the Phasis could wash this house clean, so many are the ills that it shrouds, or will soon bring to light, ills wrought not unwittingly, but on purpose. And those griefs smart the most which are seen to be of our own choice.

Chorus Indeed the troubles which we knew before are far from being easy to bear. Besides them, what do you have to announce?

Second Messenger This is the shortest tale to tell and hear: our royal lady Iocasta is dead.

Chorus Alas, wretched lady! From what cause?

Second Messenger

1237αὐτὴ πρὸς αὑτῆς. τῶν δὲ πραχθέντων τὰ μὲν ἄλγιστʼ ἄπεστιν· ἡ γὰρ ὄψις οὐ πάρα. ὅμως δʼ, ὅσον γε κἀν ἐμοὶ μνήμης ἔνι, 1240πεύσει τὰ κείνης ἀθλίας παθήματα. ὅπως γὰρ ὀργῇ χρωμένη παρῆλθʼ ἔσω θυρῶνος, ἵετʼ εὐθὺ πρὸς τὰ νυμφικὰ λέχη, κόμην σπῶσʼ ἀμφιδεξίοις ἀκμαῖς. πύλας δʼ, ὅπως εἰσῆλθʼ, ἐπιρράξασʼ ἔσω 1245καλεῖ τὸν ἤδη Λάϊον πάλαι νεκρόν, μνήμην παλαιῶν σπερμάτων ἔχουσʼ, ὑφʼ ὧν θάνοι μὲν αὐτός, τὴν δὲ τίκτουσαν λίποι τοῖς οἷσιν αὐτοῦ δύστεκνον παιδουργίαν. γοᾶτο δʼ εὐνάς, ἔνθα δύστηνος διπλοῦς 1250ἐξ ἀνδρὸς ἄνδρα καὶ τέκνʼ ἐκ τέκνων τέκοι. χὤπως μὲν ἐκ τῶνδʼ οὐκέτʼ οἶδʼ ἀπόλλυται· βοῶν γὰρ εἰσέπαισεν Οἰδίπους, ὑφʼ οὗ οὐκ ἦν τὸ κείνης ἐκθεάσασθαι κακόν, ἀλλʼ εἰς ἐκεῖνον περιπολοῦντʼ ἐλεύσσομεν. 1255φοιτᾷ γὰρ ἡμᾶς ἔγχος ἐξαιτῶν πορεῖν, γυναῖκά τʼ οὐ γυναῖκα, μητρῴαν δʼ ὅπου κίχοι διπλῆν ἄρουραν οὗ τε καὶ τέκνων. λυσσῶντι δʼ αὐτῷ δαιμόνων δείκνυσί τις· οὐδεὶς γὰρ ἀνδρῶν, οἳ παρῆμεν ἐγγύθεν. 1260δεινὸν δʼ ἀύσας ὡς ὑφηγητοῦ τινος πύλαις διπλαῖς ἐνήλατʼ, ἐκ δὲ πυθμένων ἔκλινε κοῖλα κλῇθρα κἀμπίπτει στέγῃ. οὗ δὴ κρεμαστὴν τὴν γυναῖκʼ ἐσείδομεν, πλεκταῖσιν αἰώραισιν ἐμπεπλεγμένην. 1265ὁ δʼ ὡς ὁρᾷ νιν, δεινὰ βρυχηθεὶς τάλας χαλᾷ κρεμαστὴν ἀρτάνην. ἐπεὶ δὲ γῇ ἔκειτο τλήμων, δεινὰ δʼ ἦν τἀνθένδʼ ὁρᾶν. ἀποσπάσας γὰρ εἱμάτων χρυσηλάτους περόνας ἀπʼ αὐτῆς, αἷσιν ἐξεστέλλετο, 1270ἄρας ἔπαισεν ἄρθρα τῶν αὑτοῦ κύκλων, αὐδῶν τοιαῦθʼ, ὁθούνεκʼ οὐκ ὄψοιντό νιν οὔθʼ οἷʼ ἔπασχεν οὔθʼ ὁποῖʼ ἔδρα κακά, ἀλλʼ ἐν σκότῳ τὸ λοιπὸν οὓς μὲν οὐκ ἔδει ὀψοίαθʼ, οὓς δʼ ἔχρῃζεν οὐ γνωσοίατο. 1275τοιαῦτʼ ἐφυμνῶν πολλάκις τε κοὐχ ἅπαξ ἤρασσʼ ἐπαίρων βλέφαρα. φοίνιαι δʼ ὁμοῦ γλῆναι γένειʼ ἔτελλον, οὐδʼ ἀνίεσαν φόνου μυδώσας σταγόνας, ἀλλʼ ὁμοῦ μέλας ὄμβρος χαλάζης αἱματοῦς ἐτέγγετο. τάδʼ ἐκ δυοῖν ἔρρωγεν, οὐ μόνου κάτα, 1280ἀλλʼ ἀνδρὶ καὶ γυναικὶ συμμιγῆ κακά. ὁ πρὶν παλαιὸς δʼ ὄλβος ἦν πάροιθε μὲν ὄλβος δικαίως· νῦν δὲ τῇδε θἠμέρᾳ στεναγμός, ἄτη, θάνατος, αἰσχύνη, κακῶν ὅσʼ ἐστὶ πάντων ὀνόματʼ, οὐδέν ἐστʼ ἀπόν.

By her own hand. You will not suffer the worst part of the painful event, since you do not behold the events. Nevertheless, so far as my memory serves, you will learn that unhappy woman’s fate. When, frantic, she passed within the vestibule, she rushed straight towards her marriage couch, clutching her hair with the fingers of both hands. Once within the chamber, she dashed the doors together behind her, then called on the name of Laius, long since a corpse, thinking of that son, born long ago, by whose hand the father was slain, leaving the mother to breed accursed offspring with his own child. And she bewailed the marriage in which, wretched woman, she had given birth to a twofold brood, husband by husband, children by her child. And how she perished is more than I know. For with a shriek Oedipus burst in, and did not allow us to watch her woe until the end: on him, as he rushed around, our eyes were set. To and fro he went, asking us to give him a sword, asking where he could find the wife who was no wife, but a mother whose womb had borne both him and his children. And in his frenzy a power greater than mortal man was his guide, for it was none of us mortals who were near. With a dread cry, as though someone beckoned him on, he sprang at the double doors, forced the bending bolts from the sockets, and rushed into the room. There we beheld the woman hanging by the neck in a twisted noose of swinging cords. And when he saw her, with a dread deep cry he released the halter by which she hung. And when the hapless woman was stretched out on the ground, then the sequel was horrible to see: for he tore from her raiment the golden brooches with which she had decorated herself, and lifting them struck his own eye-balls, uttering words like these: No longer will you behold such horrors as I was suffering and performing! Long enough have you looked on those whom you ought never to have seen, having failed in the knowledge of those whom I yearned to know—henceforth you shall be dark! With such a dire refrain, he struck his eyes with raised hand not once but often. At each blow the bloody eye-balls bedewed his beard, and sent forth not sluggish drops of gore, but all at once a dark shower of blood came down like hail. From the deeds of the two of them such ills have broken forth, not on one alone, but with mingled woe for man and wife. The old happiness of their ancestral fortune was once happiness indeed. But now today lamentation, ruin, death, shame,

Χορός 1285νῦν δʼ ἔσθʼ ὁ τλήμων ἐν τίνι σχολῇ κακοῦ; Ἐξάγγελος βοᾷ διοίγειν κλῇθρα καὶ δηλοῦν τινα τοῖς πᾶσι Καδμείοισι τὸν πατροκτόνον, τὸν μητέρʼ—αὐδῶν ἀνόσιʼ οὐδὲ ῥητά μοι, 1290ὡς ἐκ χθονὸς ῥίψων ἑαυτὸν οὐδʼ ἔτι μενῶν δόμοις ἀραῖος, ὡς ἠράσατο. ῥώμης γε μέντοι καὶ προηγητοῦ τινος δεῖται· τὸ γὰρ νόσημα μεῖζον ἢ φέρειν. δείξει δὲ καὶ σοί· κλῇθρα γὰρ πυλῶν τάδε 1295διοίγεται· θέαμα δʼ εἰσόψει τάχα τοιοῦτον οἷον καὶ στυγοῦντʼ ἐποικτίσαι.

Second Messenger and every earthly ill that anyone could name are all theirs.

Chorus And does the sufferer have any respite from pain now?

Second Messenger He cries for some one to unbar the gates and show to all the Cadmeans his father’s slayer, his mother’s—the words must not pass my lips— in order to banish himself from the land and not to put the house under his own curse by waiting here. And yet he lacks strength, and one to guide his steps, for the anguish is more than he can bear. He will soon show this to you: look, the bars of the gates are withdrawn, and soon you will behold a sight which even he who abhors it must pity.

People and places in this passage

English translation by Richard C. Jebb (modernised by Perseus) (1887). Original text: Greek text: Francis Storr (ed. and trans.), Sophocles, Loeb Classical Library, London: William Heinemann, 1912, as digitised by Perseus. English: Richard C. Jebb, Sophocles: The Plays and Fragments, The Oedipus Tyrannus, Cambridge University Press, 1887 (Perseus's modernised version of Jebb's prose translation).

Greek text and translation from the Perseus Digital Library, Tufts University, CC BY-SA 4.0 (Perseus Digital Library); translation public domain. Introductions, summaries and notes © GreekMythology.com.