Sophocles · Electra Ἠλέκτρα

Sophocles, Electra 1384–1441: Third stasimon and the killing of Clytaemnestra

The Chorus sing that Ares and the avengers have gone into the palace, led by Hermes. Electra stands outside to watch for Aegisthus, and Clytaemnestra's cries are heard from inside as she begs her son for mercy. Electra calls out for a second blow, and the Chorus say that the curses are fulfilled. Orestes comes out with the news that all is well within if Apollo's oracle spoke well, and the Chorus see Aegisthus approaching.

Lines 1384–1441 · 465 words · click a number to copy its link

Chorus

1384ἴδεθʼ ὅποι προνέμεται 1385τὸ δυσέριστον αἷμα φυσῶν Ἄρης. βεβᾶσιν ἄρτι δωμάτων ὑπόστεγοι μετάδρομοι κακῶν πανουργημάτων ἄφυκτοι κύνες, ὥστʼ οὐ μακρὰν ἔτʼ ἀμμενεῖ 1390τοὐμὸν φρενῶν ὄνειρον αἰωρούμενον.

Behold how Ares stalks onward, breathing bloody vengeance that is hard to oppose. Just now have the hunters of wicked crimes passed beneath that roof there, the hounds which none may flee. And so not long shall the vision of my soul hang in suspense.

Χορός 1391παράγεται γὰρ ἐνέρων δολιόπους ἀρωγὸς εἴσω στέγας, ἀρχαιόπλουτα πατρὸς εἰς ἑδώλια, νεακόνητον αἷμα χειροῖν ἔχων· ὁ Μαίας δὲ παῖς 1395Ἑρμῆς σφʼ ἄγει δόλον σκότῳ κρύψας πρὸς αὐτὸ τέρμα κοὐκέτʼ ἀμμένει. Ἠλέκτρα ὦ φίλταται γυναῖκες, ἅνδρες αὐτίκα τελοῦσι τοὔργον· ἀλλὰ σῖγα πρόσμενε. Χορός πῶς δή; τί νῦν πράσσουσιν; Ἠλέκτρα 1400ἡ μὲν ἐς τάφον λέβητα κοσμεῖ, τὼ δʼ ἐφέστατον πέλας. Χορός σὺ δʼ ἐκτὸς ᾖξας πρὸς τί; Ἠλέκτρα φρουρήσουσʼ ὅπως Αἴγισθος ἡμᾶς μὴ λάθῃ μολὼν ἔσω. Κλυταιμνήστρα αἰαῖ. ἰὼ στέγαι 1405φίλων ἔρημοι, τῶν δʼ ἀπολλύντων πλέαι. Ἠλέκτρα βοᾷ τις ἔνδον· οὐκ ἀκούετʼ, ὦ φίλαι; Χορός ἤκουσʼ ἀνήκουστα δύστανος, ὥστε φρῖξαι. Κλυταιμνήστρα οἴμοι τάλαινʼ· Αἴγισθε, ποῦ ποτʼ ὢν κυρεῖς; Ἠλέκτρα ἰδοὺ μάλʼ αὖ θροεῖ τις. Κλυταιμνήστρα 1410ὦ τέκνον τέκνον, οἴκτιρε τὴν τεκοῦσαν. Ἠλέκτρα ἀλλʼ οὐκ ἐκ σέθεν ᾠκτίρεθʼ οὗτος οὐδʼ ὁ γεννήσας πατήρ. Χορός ὦ πόλις, ὦ γενεὰ τάλαινα, νῦν σοι μοῖρα καθαμερία φθίνει φθίνει. Κλυταιμνήστρα 1415ὤμοι πέπληγμαι. Ἠλέκτρα παῖσον, εἰ σθένεις, διπλῆν. Κλυταιμνήστρα ὤμοι μάλʼ αὖθις. Ἠλέκτρα εἰ γὰρ Αἰγίσθῳ θʼ ὁμοῦ. Χορός τελοῦσʼ ἀραί· ζῶσιν οἱ γᾶς ὑπαὶ κείμενοι. 1420παλίρρυτον γὰρ αἷμʼ ὑπεξαιροῦσι τῶν κτανόντων οἱ πάλαι θανόντες.

Chorus The champion of the spirits infernal is ushered on guileful feet into the house, the rich, ancestral palace of his father, and he bears keen-edged death in his hands. Maia’s son Hermes, who has shrouded the guile in darkness, leads him right to his goal and delays no longer.

Electra My dearest friends, in a moment the men will do the deed. But wait in silence.

Chorus How do they fare? What are they doing now?

Electra She is decking the urn for burial; the two of them stand close to her.

Chorus And why have you hurried out?

Electra To guard against Aegisthus entering before we are aware.

Clytaemnestra Oh! Oh! Our house is empty of friends and filled with murderers!

Electra Someone shouts inside. Do you not hear, friends?

Chorus I heard, ah, me, sounds unfit to be heard, and I shudder!

Clytaemnestra Ah, misery! Aegisthus, where, where are you?

Electra Look, once more someone cries out!

Clytaemnestra My son, my son, have pity on your mother!

Electra Why? You had none for him, nor for the father that begot him.

Chorus Wretched city, wretched race, now the fate that has held you day by day perishes—it perishes!

Clytaemnestra Oh, I am wounded!

Electra Stab her doubly, if you can!

Clytaemnestra Ah, wounded again!

Electra Would that Aegisthus, too, were wounded!

Chorus The curses bring fulfillment: those who are buried live. For men long dead are draining their killers’ blood in a stream of requital.

Χορός 1422καὶ μὴν πάρεισιν οἵδε· φοινία δὲ χεὶρ στάζει θυηλῆς Ἄρεος, οὐδʼ ἔχω ψέγειν. Ἠλέκτρα Ὀρέστα, πῶς κυρεῖτε; Ὀρέστης τἀν δόμοισι μὲν 1425καλῶς, Ἀπόλλων εἰ καλῶς ἐθέσπισεν. Ἠλέκτρα τέθνηκεν ἡ τάλαινα; Ὀρέστης μηκέτʼ ἐκφοβοῦ μητρῷον ὥς σε λῆμʼ ἀτιμάσει ποτέ. Χορός παύσασθε· λεύσσω γὰρ Αἴγισθον ἐκ προδήλου. Ἠλέκτρα 1430ὦ παῖδες, οὐκ ἄψορρον; Ὀρέστης εἰσορᾶτε ποῦ τὸν ἄνδρʼ; Ἠλέκτρα ἐφʼ ἡμῖν οὗτος ἐκ προαστίου χωρεῖ γεγηθὼς […] Χορός βᾶτε κατʼ ἀντιθύρων ὅσον τάχιστα, 1435νῦν, τὰ πρὶν εὖ θέμενοι, τάδʼ ὡς πάλιν. Ὀρέστης θάρσει· τελοῦμεν. Ἠλέκτρα ᾗ νοεῖς ἔπειγέ νυν. Ὀρέστης καὶ δὴ βέβηκα. Ἠλέκτρα τἀνθάδʼ ἂν μέλοιτʼ ἐμοί. Χορός διʼ ὠτὸς ἂν παῦρά γʼ ὡς ἠπίως ἐννέπειν 1440πρὸς ἄνδρα τόνδε συμφέροι, λαθραῖον ὡς ὀρούσῃ πρὸς δίκας ἀγῶνα.

Chorus And now they are here! The red hand drips with sacrifice to Ares, and I cannot blame the deed.

Electra Orestes, what happened?

Orestes All is well within the house, if Apollo’s oracle spoke well.

Electra The miserable woman is dead?

Orestes Have no more fear that your haughty mother will ever again trample on your rights.

Chorus Quiet! For I see Aegisthus in plain sight.

Electra You, young men, get back inside!

Orestes Where do you see the man?

Electra He is at our mercy walking from the suburb, full of joy.

Chorus Go with all speed to the vestibule, so that, just as your first task prospered, so this one again may prosper now.

Orestes Have courage. We will accomplish it.

Electra Hurry, then, to wherever you wish.

Orestes See, I am gone.

Electra Things here will be my concern.

Chorus It would be well to whisper into this man’s ear some few words of seeming gentleness, so that he may rush blindly upon his trial before Justice.

People and places in this passage

English translation by Richard C. Jebb (modernised by Perseus) (1894). Original text: Greek text: Francis Storr (ed. and trans.), Sophocles, Loeb Classical Library, London: William Heinemann, 1913, as digitised by Perseus. English: Richard C. Jebb, Sophocles: The Plays and Fragments, The Electra, Cambridge University Press, 1894 (Perseus's modernised version of Jebb's prose translation).

Greek text and translation from the Perseus Digital Library, Tufts University, CC BY-SA 4.0 (Perseus Digital Library); translation public domain. Introductions, summaries and notes © GreekMythology.com.