Sophocles · Ajax Αἴας

Sophocles, Ajax 866–973: The search of the Chorus; Tecmessa finds the body of Ajax

The Chorus return in two halves and fail to find Ajax, and Tecmessa then cries out that she has found him, lying folded around the sword. She covers the body with her cloak, the Chorus lament, and Tecmessa says that all this has come by the will of the gods, for Odysseus' sake. The Chorus say that Odysseus and the Atreidae will laugh at them, and Tecmessa answers that Ajax has what he longed for.

Lines 866–973 · 855 words · click a number to copy its link
Ἡμιχόριον 1 866πόνος πόνῳ πόνον φέρει. πᾷ πᾷ πᾷ γὰρ οὐκ ἔβαν ἐγώ; κοὐδεὶς ἐπίσταταί με συμμαθεῖν τόπος. 870ἰδού. δοῦπον αὖ κλύω τινά. Ἡμιχόριον 2 ἡμῶν γε ναὸς κοινόπλουν ὁμιλίαν. Ἡμιχόριον 1 τί οὖν δή; Ἡμιχόριον 2 πᾶν ἐστίβηται πλευρὸν ἕσπερον νεῶν Ἡμιχόριον 1 875ἔχεις οὖν; Ἡμιχόριον 2 πόνου γε πλῆθος, κοὐδὲν εἰς ὄψιν πλέον. Ἡμιχόριον 1 ἀλλʼ οὐδὲ μὲν δὴ τὴν ἀφʼ ἡλίου βολῶν κέλευθον ἁνὴρ οὐδαμοῦ δηλοῖ φανείς.

First Semichorus Toil follows toil yielding toil! Where, where have I not trudged? And still no place can say that I have shared its secret. Listen! A sudden thud!

Second Semichorus We made it, we shipmates of your voyage.

Semichorus 1 What news, then?

Semichorus 2 All the westward flank of the ships has been scoured for tracks.

Semichorus 1 And did you find anything?

Semichorus 2 Only an abundance of toil. There was nothing more to see.

Semichorus 1 Neither, as a matter of fact, has the man been seen along the path that faces the shafts of the morning sun.

Χορός 879τίς ἂν δῆτά μοι, τίς ἂν φιλοπόνων 880ἁλιαδᾶν ἔχων ἀΰπνους ἄγρας, ἢ τίς Ὀλυμπιάδων θεᾶν ἢ ῥυτῶν Βοσπορίων ποταμῶν, τὸν ὠμόθυμον 885εἴ ποθι πλαζόμενον λεύσσων ἀπύοι; σχέτλια γὰρ ἐμέ γε τὸν μακρῶν ἀλάταν πόνων οὐρίῳ μὴ πελάσαι δρόμῳ, 890ἀλλʼ ἀμενηνὸν ἄνδρα μὴ λεύσσειν ὅπου. Τέκμησσα ἰώ μοί μοι. Χορός τίνος βοὴ πάραυλος ἐξέβη νάπους; Τέκμησσα ἰὼ τλήμων. Χορός τὴν δουρίληπτον δύσμορον νύμφην ὁρῶ 895Τέκμησσαν, οἴκτῳ, τῷδε συγκεκραμένην. Τέκμησσα ᾤχωκʼ, ὄλωλα, διαπεπόρθημαι, φίλοι. Χορός τί δʼ ἔστιν; Τέκμησσα Αἴας ὅδʼ ἡμῖν ἀρτίως νεοσφαγὴς κεῖται, κρυφαίῳ φασγάνῳ περιπτυχής. Χορός 900ὤμοι ἐμῶν νόστων· ὤμοι, κατέπεφνες, ἄναξ, τόνδε συνναύταν, τάλας ὦ ταλαίφρων γύναι· Τέκμησσα ὡς ὧδε τοῦδʼ ἔχοντος αἰάζειν πάρα. Χορός 905τίνος ποτʼ ἆρʼ ἔπραξε χειρὶ δύσμορος; Τέκμησσα αὐτὸς πρὸς αὑτοῦ, δῆλον· ἐν γάρ οἱ χθονὶ πηκτὸν τόδʼ ἔγχος περιπετὲς κατηγορεῖ. Χορός ὤμοι ἐμᾶς ἄτας, οἶος ἄρʼ αἱμάχθης, ἄφαρκτος φίλων· ἐγὼ δʼ ὁ πάντα κωφός, ὁ πάντʼ ἄϊδρις, κατημέλησα. πᾷ πᾷ κεῖται ὁ δυστράπελος, δυσώνυμος Αἴας;

Chorus Who, then, can guide me? What toiling fisherman, busy about his sleepless hunt, what nymph of the Olympian heights or of the streams that flow toward Bosporus, can say whether she has anywhere seen the wanderings of fierce-hearted Ajax? It is cruel that I, who have roamed with such great toil, cannot come near him with a fair course, but fail to see where the enfeebled man is.

Tecmessa Ah, me, ah, me!

Chorus Whose cry broke from that nearby grove?

Tecmessa Ah, misery!

Chorus There, I see his unfortunate young bride, who was the prize of his spear, Tecmessa, dissolved in that pitiful wailing.

Tecmessa I am lost, destroyed, razed to the ground, my friends!

Chorus What is it?

Tecmessa Here is our Ajax—his blood newly shed, he lies folded around the sword, burying it.

Chorus Ah, no! Our homecoming is lost! Ah, my king, you have killed me, the comrade of your voyage! Unhappy man—broken-hearted woman!

Tecmessa His condition demands that we cry aiai.

Chorus But by whose hand can the ill-fated man have contrived this end?

Tecmessa He did it with his own hand; it is obvious. This sword which he planted in the ground and on which he fell convicts him.

Chorus Ah, what blind folly I have displayed! All alone, then, you bled, unguarded by your friends! And I took no care, so entirely dull was I, so totally stupid. Where, where lies inflexible Ajax, whose name means anguish?

Τέκμησσα 915οὔτοι θεατός· ἀλλά νιν περιπτυχεῖ φάρει καλύψω τῷδε παμπήδην, ἐπεὶ οὐδεὶς ἄν, ὅστις καὶ φίλος, τλαίη βλέπειν φυσῶντʼ ἄνω πρὸς ῥῖνας ἔκ τε φοινίας 920πληγῆς μελανθὲν αἷμʼ ἀπʼ οἰκείας σφαγῆς. οἴμοι, τί δράσω; τίς σε βαστάσει φίλων; ποῦ Τεῦκρος; ὡς ἀκμαῖʼ ἄν, εἰ βαίη, μόλοι, πεπτῶτʼ ἀδελφὸν τόνδε συγκαθαρμόσαι. ὦ δύσμορʼ Αἴας, οἷος ὢν οἵως ἔχεις, 925ὡς καὶ παρʼ ἐχθροῖς ἄξιος θρήνων τυχεῖν. Χορός ἔμελλες, τάλας, ἔμελλες χρόνῳ στερεόφρων ἄρʼ ἐξανύσσειν κακὰν 930μοῖραν ἀπειρεσίων πόνων. τοῖά μοι πάννυχα καὶ φαέθοντʼ ἀνεστέναζες ὠμόφρων ἐχθοδόπʼ Ἀτρείδαις οὐλίῳ σὺν πάθει. μέγας ἄρʼ ἦν ἐκεῖνος ἄρχων χρόνος 935πημάτων, ἦμος ἀριστόχειρ […] ὅπλων ἔκειτʼ ἀγὼν πέρι. Τέκμησσα ἰώ μοί μοι. Χορός χωρεῖ πρὸς ἧπαρ, οἶδα, γενναία δύη. Τέκμησσα ἰώ μοί μοι. Χορός 940οὐδέν σʼ ἀπιστῶ καὶ δὶς οἰμῶξαι, γύναι, τοιοῦδʼ ἀποβλαφθεῖσαν ἀρτίως φίλου. Τέκμησσα σοὶ μὲν δοκεῖν ταῦτʼ ἔστʼ, ἐμοὶ δʼ ἄγαν φρονεῖν. Χορός ξυναυδῶ. Τέκμησσα οἴμοι, τέκνον, πρὸς οἷα δουλείας ζυγὰ 945χωροῦμεν, οἷοι νῷν ἐφεστᾶσιν σκοποί. Χορός ὤμοι, ἀναλγήτων δισσῶν ἐθρόησας ἄναυδʼ ἔργʼ Ἀτρειδᾶν τῷδʼ ἄχει. ἀλλʼ ἀπείργοι θεός. Τέκμησσα 950οὐκ ἂν τάδʼ ἔστη τῇδε μὴ θεῶν μέτα. Χορός ἄγαν ὑπερβριθὲς γὰρ ἄχθος ἤνυσαν. Τέκμησσα τοιόνδε μέντοι Ζηνὸς ἡ δεινὴ θεὸς Παλλὰς φυτεύει πῆμʼ Ὀδυσσέως χάριν. Χορός ἦ ῥα κελαινώπαν θυμὸν ἐφυβρίζει πολύτλας ἀνήρ, 955γελᾷ δὲ τοῖσδε μαινομένοις ἄχεσιν πολὺν γέλωτα, φεῦ φεῦ, 960ξύν τε διπλοῖ βασιλῆς κλύοντες Ἀτρεῖδαι.

Tecmessa No, he is not to be looked at! I will cover him over entirely with this enfolding shroud, since no one—no one, that is, who loves him—could bear to see him spurt the darkened gore of his self-inflicted slaughter up his nostrils and out of the bloody gash. Ah, what shall I do? What loved one is there to lift you in his arms? Where is Teucer? How timely would be his arrival, if he would but come to compose the corpse of his brother here! Ah, unlucky Ajax, from so great a height you are fallen so low! Even among your enemies you are worthy of mourning!

Chorus You were bound, poor man, with that unbending heart you were bound, it seems, to fulfill a harsh destiny of limitless toils! So wild to my ears were the words of hatred which in your fierce mood you moaned against the Atreidae with such deadly passion. True it is that that moment was a potent source of sorrows, when the arms were made the prize for a contest in the skills of warfare!

Tecmessa Ah! Ah!

Chorus True anguish, I know, pierces your heart.

Tecmessa Ah! Ah, me!

Chorus I do not wonder, lady, that you wail and wail again, when you have just lost one so loved.

Tecmessa It is for you to analyze my troubles, but for me to feel them too fully.

Chorus I must agree.

Tecmessa Oh, my son, to what a heavy yoke of slavery we advance! What cruel task-masters stand over us!

Chorus Ah, the deeds of the two ruthless Atreidae which you name in our present grief would be unthinkable! May the gods hold them back!

Tecmessa These events that you see would not have happened as they have without the will of the gods.

Chorus Yes, they have brought upon us a burden too heavy to bear.

Tecmessa Yet what suffering the divine daughter of Zeus, fierce Pallas, engenders for Odysseus’ sake!

Chorus No doubt the much-enduring hero exults in his dark soul and mocks in loud laughter at these frenzied sorrows—what shame!— and with him, when they hear the news, will laugh the royal brothers, the Atreidae.

Tecmessa

961οἱ δʼ οὖν γελώντων κἀπιχαιρόντων κακοῖς τοῖς τοῦδʼ· ἴσως τοι, κεἰ βλέποντα μὴ ʼπόθουν, θανόντʼ ἂν οἰμώξειαν ἐν χρείᾳ δορός. οἱ γὰρ κακοὶ γνώμαισι τἀγαθὸν χεροῖν 965ἔχοντες οὐκ ἴσασι, πρίν τις ἐκβάλῃ. ἐμοὶ πικρὸς τέθνηκεν ἢ κείνοις γλυκύς, αὑτῷ δὲ τερπνός· ὧν γὰρ ἠράσθη τυχεῖν ἐκτήσαθʼ αὑτῷ, θάνατον ὅνπερ ἤθελεν. τί δῆτα τοῦδʼ ἐπεγγελῷεν ἂν κάτα; 970θεοῖς τέθνηκεν οὗτος, οὐ κείνοισιν, οὔ. πρὸς ταῦτʼ Ὀδυσσεὺς ἐν κενοῖς ὑβριζέτω. Αἴας γὰρ αὐτοῖς οὐκέτʼ ἐστίν, ἀλλʼ ἐμοὶ λιπὼν ἀνίας καὶ γόους διοίχεται.

Then let them mock and rejoice at this man’s misery. Perhaps, even though they did not cherish him while he lived, they will lament his death, when they meet with the difficulties of war. Men of crooked judgment do not know what good they have in their hands until they have thrown it away. His death is more bitter to me than it is sweet to the Greeks; but in any case to Ajax himself it is a joy, since he has accomplished all that he desired to get—his longed-for death. So why should they exult over him? He died before the gods, not at all before them—no! And so let Odysseus toss his insults in empty glee. For them Ajax is no more; for me he is gone, abandoning me to anguish and mourning.

People and places in this passage

English translation by Richard C. Jebb (modernised by Perseus) (1893). Original text: Greek text: Francis Storr (ed. and trans.), Sophocles, Loeb Classical Library, London: William Heinemann, 1913, as digitised by Perseus. English: Richard C. Jebb, Sophocles: The Plays and Fragments, The Ajax, Cambridge University Press, 1893 (Perseus's modernised version of Jebb's prose translation).

Greek text and translation from the Perseus Digital Library, Tufts University, CC BY-SA 4.0 (Perseus Digital Library); translation public domain. Introductions, summaries and notes © GreekMythology.com.

Ajax 866–973: The search of the Chorus | Sophocles