Ovid · Metamorphoses Metamorphoses

Ovid, Metamorphoses 2.401–526: Callisto and Zeus

Zeus (Jupiter), having repaired the harm done by the fire, sees Callisto, a nymph of Arcadia who follows Artemis (Diana), and takes her by force, disguised as Artemis. When Artemis discovers her pregnancy at the bath, she drives her out, and Callisto bears a son, Arcas, and is turned into a bear by Hera (Juno). Years later Arcas meets his mother in the woods and is about to kill her with his spear when Zeus sets them both among the stars. Hera, furious, begs the sea gods not to let the Bear sink into the ocean.

Lines 2.401–526 · 1314 words · click a number to copy its link
401At pater omnipotens ingentia moenia caeli circuit et ne quid labefactum viribus ignis corruat explorat. Quae postquam firma suique roboris esse videt terras hominumque labores 405perspicit. Arcadiae tamen est impensior illi cura suae: fontes et nondum audentia labi flumina restituit dat terrae gramina, frondes arboribus, laesasque iubet revirescere silvas. Dum redit itque frequens, In virgine Nonacrina 410haesit et accepti caluere sub ossibus ignes. Non erat huius opus lanam mollire trahendo nec positu variare comas; ubi fibula vestem, vitta coercuerat neglectos alba capillos, et modo leve manu iaculum, modo sumpserat arcum, 415miles erat Phoebes: nec Maenalon attigit ulla gratior hac Triviae. Sed nulla potentia longa est. Ulterius medio spatium sol altus habebat, cum subit illa nemus, quod nulla ceciderat aetas. Exuit hic umero pharetram lentosque retendit 420arcus, inque solo, quod texerat herba, iacebat et pictam posita pharetram cervice premebat.

Now after Phaethon had suffered death
for the vast ruin wrought by scorching flames,
all the great walls of Heaven's circumference,
unmeasured, views the Father of the Gods,
with searching care, that none impaired by heat
may fall in ruins. Well assured they stand
in self-sustaining strength, his view, at last,
on all the mundane works of man is turned;—
his loving gaze long resting on his own
Arcadia. And he starts the streams and springs
that long have feared to flow; paints the wide earth
with verdant fields; covers the trees with leaves,
and clothes the injured forests in their green.
While wandering in the world, he stopped amazed,
when he beheld the lovely Nymph, Calisto,
and fires of love were kindled in his breast.
Calisto was not clothed in sumptuous robes,
nor did she deck her hair in artful coils;
but with a buckle she would gird her robe,
and bind her long hair with a fillet white.
She bore a slender javelin in her hand,
or held the curving bow; and thus in arms
as chaste Diana, none of Maenalus
was loved by that fair goddess more than she.
But everything must change.

422Iuppiter ut vidit fessam et custode vacantem, “hoc certe furtum coniunx mea nesciet” inquit, “aut si rescierit sunt o sunt iurgia tanti.” 425Protinus induitur faciem cultumque Dianae atque ait: “O comitum, virgo, pars una mearum, in quibus es venata iugis?” De caespite virgo se levat et “salve numen, me indice”, dixit “audiat ipse licet maius Iove.” Ridet et audit, 430et sibi praeferri se gaudet et oscula iungit nec moderata satis nec sic a virgine danda. Qua venata foret silva, narrare parantem impedit amplexu, nec se sine crimine prodit. Illa quidem contra, quantum modo femina possit 435(adspiceres utinam, Saturnia: mitior esses !), illa quidem pugnat: sed quem superare puella, quisve Iovem poterat? — Superum petit aethera victor Iuppiter: huic odio nemus est et conscia silva. Unde pedem referens paene est oblita pharetram 440tollere cum telis et quem suspenderat arcum.

When bright the sun
rolled down the sky, beyond his middle course,
she pierced a secret thicket, known to her,
and having slipped the quiver from her arm,
she loosed the bended bow, and softly down
upon the velvet turf reclining, pressed
her white neck on the quiver while she slept.
When Jupiter beheld her, negligent
and beautiful, he argued thus, “How can
my consort, Juno, learn of this? And yet,
if chance should give her knowledge, what care I?
Let gain offset the scolding of her tongue!”
This said, the god transformed himself and took
Diana's form—assumed Diana's dress
and imitating her awoke the maid,
and spoke in gentle tones, “What mountain slope,
O virgin of my train, hath been thy chase?”
Which, having heard, Calisto, rose and said,
“Hail, goddess! greater than celestial Jove!
I would declare it though he heard the words.”
Jove heard and smiled, well pleased to be preferred
above himself, and kissed her many times,
and strained her in his arms, while she began
to tell the varied fortunes of her hunt.—
but when his ardent love was known to her,
she struggled to escape from his embrace:
ah, how could she, a tender maid, resist
almighty Jove?—Be sure, Saturnia
if thou hadst only witnessed her thy heart
had shown more pity!—
Jupiter on wings,
transcendent, sought his glorious heights;
but she, in haste departing from that grove,
almost forgot her quiver and her bow.

441Ecce, suo comitata choro Dictynna per altum Maenalon ingrediens et caede superba ferarum adspicit hanc visamque vocat: clamata refugit, et timuit primo, ne Iuppiter esset in illa. 445Sed postquam pariter nymphas incedere vidit, sensit abesse dolos numerumque accessit ad harum. Heu quam difficile est crimen non prodere vultu! Vix oculos attollit humo, nec, ut ante solebat, iuncta deae lateri, nec toto est agmine prima, 450sed silet et laesi dat signa rubore pudoris; et nisi quod virgo est poterat sentire Diana mille notis culpam; nymphae sensisse feruntur. Orbe resurgebant lunaria cornua nono, cum dea venatu, fraternis languida flammis, 455nacta nemus gelidum, de quo cum murmure labens ibat et attritas versabat rivus harenas. Ut loca laudavit, summas pede contigit undas: his quoque laudatis “procul est” ait “arbiter omnis; nuda superfusis tingamus corpora lymphis.” 460Parrhasis erubuit. Cunctae velamina ponunt: una moras quaerit. Dubitanti vestis adempta est;

Behold, Diana, with her virgin train,
when hunting on the slopes of Maenalus,
amidst the pleasures of exciting sport,
espied the Nymph and called her, who, afraid
that Jove apparelled in disguise deceived,
drew backward for a moment, till appeared
to her the lovely Nymphs that followed: thus,
assured deceit was none, she ventured near.
Alas, how difficult to hide disgrace!
She could not raise her vision from the ground,
nor as the leader of the hunting Nymphs,
as was her wont, walk by the goddess' side.
Her silence and her blushes were the signs
of injured honour. Ah Diana, thou,
if thou wert not a virgin, wouldst perceive
and pity her unfortunate distress.
The Moon's bent horns were rising from their ninth
sojourn, when, fainting from Apollo's flames,
the goddess of the Chase observed a cool
umbrageous grove, from which a murmuring stream
ran babbling gently over golden sands.
When she approved the spot, lightly she struck
her foot against the ripples of the stream,
and praising it began; “Far from the gaze
of all the curious we may bathe our limbs,
and sport in this clear water.”

462qua posita nudo patuit cum corpore crimen. Attonitae manibusque uterum celare volenti “i procul hinc” dixit “nec sacros pollue fontes” 465Cynthia; deque suo iussit secedere coetu. Senserat hoc olim magni matrona Tonantis distuleratque graves in idonea tempora poenas. Causa morae nulla est, et iam puer Arcas (id ipsum indoluit Iuno) fuerat de paelice natus. 470Quo simul obvertit saevam cum lumine mentem, “scilicet hoc etiam restabat, adultera” dixit, “ut fecunda fores, fieretque iniuria partu nota, Iovisque mei testatum dedecus esset. Haud impune feres: adimam tibi nempe figuram, 475qua tibi, quaque places nostro, importuna, marito.” Dixit et adversa prensis a fronte capillis stravit humi pronam. Tendebat bracchia supplex: bracchia coeperunt nigris horrescere villis curvarique manus et aduncos crescere in ungues 480officioque pedum fungi, laudataque quondam ora Iovi lato fieri deformia rictu.

Quickly they
undid their garments,—but Calisto hid
behind the others, till they knew her state.—
Diana in a rage exclaimed, “Away!
Thou must not desecrate our sacred springs!”
And she was driven thence.
Ere this transpired,
observed the consort of the Thunder-God
her altered mien; but she for ripening time
withheld severe resentment. Now delay
was needless for distracted Juno heard
Calisto of the god of Heaven had borne
a boy called Arcas. Full of jealous rage,
her eyes and thoughts enkindled as she cried;
“And only this was wanting to complete
your wickedness, that you should bear a son
and flaunt abroad the infamy of Jove!
Unpunished you shall not escape, for I
will spoil the beauty that has made you proud
and dazzled Jupiter with wanton art.”
So saying, by her forehead's tresses seized
the goddess on her rival; and she dragged
her roughly to the ground. Pleading she raised
her suppliant arms and begged for mercy.—While
she pled, black hair spread over her white limbs;
her hands were lengthened into feet, and claws
long-curving tipped them; snarling jaws deformed
the mouth that Jove had kissed.

482Neve preces animos et verba precantia flectant posse loqui eripitur; vox iracunda minaxque plenaque terroris rauco de gutture fertur. 485Mens antiqua tamen facta quoque mansit in ursa, adsiduoque suos gemitu testata dolores qualescumque manus ad caelum et sidera tollit ingratumque Iovem, nequeat cum dicere, sentit. A quotiens, sola non ausa quiescere silva, 490ante domum quondamque suis erravit in agris! A quotiens per saxa canum latratibus acta est venatrixque metu venantum territa fugit! Saepe feris latuit visis, oblita quid esset, ursaque conspectos in montibus horruit ursos 495pertimuitque lupos, quamvis pater esset in illis. Ecce, Lycaoniae proles, ignara parentis, Arcas adest, ter quinque fere natalibus actis: dumque feras sequitur, dum saltus eligit aptos nexilibusque plagis silvas Erymanthidas ambit, 500incidit in matrem; quae restitit Arcade viso et cognoscenti similis fuit. Ille refugit inmotosque oculos in se sine fine tenentem nescius extimuit propiusque accedere aventi vulnifico fuerat fixurus pectora telo.

And lest her prayers
and piteous words might move some listening God,
and give remembrance, speech was so denied,
that only from her throat came angry growls,
now uttered hoarse and threatening.
Still remains
her understanding, though her body, thus
transformed, makes her appear a savage bear.—
her sorrows are expressed in many a groan,
repeated as she lifts her hands—if we
may call them so—repeated as she lifts
them towards the stars and skies, ungrateful Jove
regarding; but her voice accuses not.
Afraid to rest in unfrequented woods,
she wandered in the fields that once were hers,
around her well-known dwelling. Over crags,
in terror, she was driven by the cries
of hounds; and many a time she fled in fear,
a huntress from the hunters, or she hid
from savage animals; forgetting her
transformed condition. Changed into a bear,
she fled affrighted from the bears that haunt
the rugged mountains; and she feared and fled
the wolves,—although her father was a wolf.
When thrice five birthdays rounded out the youth
of Arcas, offspring of Lycaon's child,
he hunted in the forest of his choice;
where, hanging with his platted nets the trees
of Erymanthian forest, he espied
his transformed mother,—but he knew her not;
no one had told him of his parentage.
Knowing her child, she stood with levelled gaze,
amazed and mute as he began approach;
but Arcas, frightened at the sight drew back
to pierce his mother's breast with wounding spear.—
but not permitting it the god of Heaven
averted, and removed them from that crime.

505Arcuit omnipotens pariterque ipsosque nefasque sustulit, et celeri raptos per inania vento imposuit caelo vicinaque sidera fecit. Intumuit Iuno, postquam inter sidera paelex fulsit et ad canam descendit in aequora Tethyn 510Oceanumque senem, quorum reverentia movit saepe deos, causamque viae scitantibus infit: “Quaeritis, aetheriis quare regina deorum sedibus huc adsim? pro me tenet altera caelum. Mentiar, obscurum nisi nox cum fecerit orbem, 515nuper honoratas summo, mea vulnera, caelo videritis stellas illic, ubi circulus axem ultimus extremum spatioque brevissimus ambit. Est vero, cur quis Iunonem laedere nolit offensamque tremat, quae prosum sola nocendo? 520O ego quantum egi! quam vasta potentia nostra est! Esse hominem vetui: facta est dea. Sic ego poenas sontibus impono, sic est mea magna potestas. Vindicet antiquam faciem vultusque ferinos detrahat, Argolica quod in ante Phoronide fecit. 525Cur non et pulsa ducit Iunone meoque collocat in thalamo socerumque Lycaona sumit?

He, in a mighty wind—through vacant space,
upbore them to the dome of starry heaven,
and fixed them, Constellations, bright amid
the starry host.
Juno on high beheld
Calisto crowned with glory—great with rage
her bosom heaved. She flew across the sea,
to hoary Tethys and to old Oceanus,
whom all the Gods revere, and thus to them
in answer to their words she made address;
“And is it wondered that the Queen of Gods
comes hither from ethereal abodes?
My rival sits upon the Throne of Heaven:
yea, when the wing of Night has darkened
let my fair word be deemed of no repute,
if you behold not in the height of Heaven
those new made stars, now honoured to my shame,
conspicuous; fixed in the highest dome of space
that circles the utmost axis of the world.
“Who, then, should hesitate to put affront
on Juno? matchless goddess! each offense
redounds in benefit! Who dreads her rage?
Oh boundless powers! Oh unimagined deeds!
My enemy assumes a goddess' form
when my decree deprives her human shape;—
and thus the guilty rue their chastisement!
“Now let high Jove to human shape transform
this hideous beast, as once before he changed
his Io from a heifer.—Let him now
divorce his Juno and consort with her,
and lead Calisto to his couch, and take
that wolf, Lycaon, for a father-in-law!

People and places in this passage

English translation by Brookes More (1922). Original text: Hugo Magnus (ed.), Die Metamorphosen des P. Ovidius Naso, Gotha: F. A. Perthes, 1892 (Latin text as digitised by Perseus); English: Brookes More, Ovid's Metamorphoses, Boston: Cornhill Publishing Company, 1922.

Greek text and translation from the Perseus Digital Library, Tufts University, CC BY-SA 4.0 (Perseus Digital Library); translation public domain. Introductions, summaries and notes © GreekMythology.com.