Nonnus of Panopolis · Dionysiaca Διονυσιακά

Nonnus of Panopolis, Dionysiaca 16.0–70: Book 16: Eros wounds Dionysos with love for Nicaia

Eros, arming himself unseen, shoots Dionysos with desire as he watches the huntress Nicaia bathing in a mountain stream. Lovesick, Dionysos follows her about and imagines how he might win her: he would carry her hunting gear, offer a cluster of grapes instead of an olive branch, or even take the shape of a bull or a golden shower. He will not, however, strike down her father with a thunderbolt to gain her.

Lines 16.0–70 · 719 words · click a number to copy its link
0ἕκτῳ καὶ δεκάτῳ γαμίην Νίκαιαν ἀείδω, εὐνέτιν ὑπνώουσαν ἀκοιμήτου Διονύσου.

In the sixteenth, I sing Nicaia the bride, in her sleep the bedfellow of unresting Dionysos.

1οὐδὲ φόνος νήποινος ἔην κινυροῖο νομῆος, ἀλλὰ λαβὼν ἑὰ τόξα καὶ ἱμερόεν βέλος ἕλκων θοῦρος Ἔρως ἀίδηλος ἐθωρήχθη Διονύσῳ ἑζομένῳ παρὰ χεῖλος ἐυκροκάλου ποταμοῖο. 5καὶ ταχινὴ Νίκαια, μετὰ δρόμον ἠθάδος ἄγρης

The death of the plaintive shepherd was not unavenged ; but valiant Eros caught up his bow and drew a shaft of desire, arming unseen himself against Dionysos as he sat by the bank of the pebbly stream.

6ἄσχετον ἱδρώουσα φιλοσκοπέλων ἀπὸ μόχθων, γυμνὸν ὀρεσσιχύτοισι δέμας φαίδρυνε λοετροῖς. οὐ μὲν Ἔρως δήθυνεν ἑκηβόλος· ἀμφὶ δὲ νευρῇ ἀκροφανῆ πώγωνα βαλὼν πτερόεντος ὀιστοῦ 10τόξον ἑὸν κύκλωσεν, ἐρωμανέος δὲ Λυαίου ἐν κραδίῃ κατέπηξεν ὅλον βέλος. ἐν δὲ ῥεέθροις νηχομένην Διόνυσος ἰδὼν γυμνόχροα κούρην ἡδυμανῆ πυρόεντι νόον δεδόνητο βελέμνῳ. ἤιε δʼ ἔνθα καὶ ἔνθα, λαγωβόλος ὁππόθι κούρη, 15πῇ μὲν ὀπιπεύων ἑλικώδεα βόστρυχα χαίτης εἰς δρόμον ἱεμένης δεδονημένα κυκλάσιν αὔραις, πῇ δὲ παρελκομένων πλοκάμων στίλβοντα δοκεύων αὐχένα γυμνωθέντα, σέλας πέμποντα Σελήνης· καὶ Σατύρων ἀμέλησε καὶ οὐκέτι τέρπετο Βάκχαις· 20παπταίνων δʼ ἐς Ὄλυμπον ἐρωτοτόκῳ φάτο φωνῇ·

Fleet Nicaia had finished her wonted hunt for game; sweating and tired by hard work in her beloved highlands, she was bathing her bare body in a mountain cascade. Now longshot Eros made no delay. He set the endshining beard of a winged arrow to the string, and rounded his bow, and buried the whole shot in the heart of love-maddened Lyaios. Then Dionysos saw the girl swimming in the water bareskin, and his mind was shaken with sweet madness by the fiery shaft. This way and that he went, wherever the maiden harehuntress went : now eyeing the clustering curls of her hair, shaken by the circling breezes as she hurried on her course ; spying her bright neck, when the tresses moved aside and bared it till it gleamed like the moon. He cared not for Satyrs now, he had no pleasure in Bacchants ; but gazing at Olympos, he cried in a love-compelling voice :

21ἵξομαι, ἧχι πέλει δροσερὸς δρόμος, ἧχι φαρέτρη, ἧχι βέλος καὶ τόξον ἐπήρατον, ἧχι καὶ αὐταὶ παρθενικῆς ἀγάμοιο μύρου πνείουσι χαμεῦναι· ψαύσω καὶ σταλίκων καὶ δίκτυα χερσὶ πετάσσω· 25ἀγρώσσω καὶ ἔγωγε καὶ ἠθάδα νεβρὸν ὀλέσσω. εἰ δέ μοι ὡς βαρύθυμος ὀνειδίσσειεν Ἀμαζὼν θῆλυν ἐρευγομένη μελιηδέος ὄγκον ἀπειλῆς, κούρης χωομένης ἐπὶ γούνασι χεῖρα πελάσσω, ψαύων ὡς ἱκέτης ἐρατοῦ χροός, οὐ μὲν ἐλαίης 30θαλλὸν ἀερτάζων, ὅτι δένδρεόν ἐστιν Ἀθήνης παρθενικῆς ἀγάμου καὶ ἀθελγέος, ἀντὶ δὲ πικροῦ ἀκρεμόνος λιπόωντος ἐμῇ μελιηδέι νύμφῃ οἴνοπα καρπὸν ἔχοντα μελιρραθάμιγγος ὀπώρης

“I will be there, where the dewy chase goes on, where the quiver is, where the bolt and the precious bow, where the very groundpallet is perfumed from the unwedded maiden ; I will handle her stakes, and stretch her nets with my own hands: I also will go a-hunting, and kill a fawn like her. And if she scolds me, like some heavytempered Amazon, disgorging womanlike her load of honeysweet threatenings, I will lay my hand on the knees of the angry girl, and touch of her lovely skin like a suppliant ; but I will carry aloft no spray of olive, because that is the tree of Athena, the maiden unwedded and unsoftened ; instead of that bitter oily branch, I will lift to my honeysweet nymph a suppliant cluster of grapes, which contains the purple fruit of honeydropping vintage.

34βότρυν ἀερτάζων ἱκετήσιον. ἢν δὲ χαλέψῃ 35παρθένος ἀγκυλότοξος, ἐμῷ χροῒ μὴ δόρυ πήξῃ, μὴ βέλος αὖ ἐρύσειε μιαιφόνον, αἰδομένη δὲ ἀκροτάτῳ πλήξειεν ἐμὸν δέμας ἡδέι τόξῳ· πληγῆς οὐκ ἀλέγω φρενοθελγέος. ἢν δʼ ἐθελήσῃ, ἱμερταῖς παλάμῃσιν ἐμῶν δράξαιτο κομάων, 40σφιγγομένης ἐρύουσα θελήμονα βόστρυχα χαίτης. οὐ μὲν ἐρητύσω ποτὲ παρθένον, ὡς κοτέων δὲ δεξιτερὴν σφίγγουσαν ἀφειδέι χειρὶ πιέζω δάκτυλα φοινίσσοντα λαβὼν γαμψώνυχι δεσμῷ, Κυπριδίου καμάτοιο παρήγορα· παρθενικὴ γὰρ 45κάλλος ὅλον σύλησεν Ὀλύμπιον. ἵλαθι, Κέρνη·

“If the crookbow virgin is vexed, let her not pierce my flesh with a lance, nor draw her murderous shot, let her be merciful and tap my body with the tip of her sweet bow: I do not mind a blow that soothes the heart! If it please her, let her hold the shag fast and pull my hair with her precious hands, she may tear out some of the braids and welcome ! I will never fend off the maiden ; but I will pretend to be cross, and squeeze with unsparing hand the right hand which holds me fast. I will hold the pink fingers imprisoned in my hooked talons, to soothe my love-longing. For the maiden has made prey of all the Olympian beauty.

46Ἀστακὶς ἐβλάστησε νέη ῥοδοδάκτυλος Ἠώς, ἄλλη ἀνηέξητο φαεσφόρος· ὁπλοτέρη γὰρ ἔμπεδον εἶδος ἔχουσα πέλει Νίκαια Σελήνη. ἤθελον ἱμείρων πολυδαίδαλον εἶδος ἀμεῖψαι· 50εἰ μὴ ἐρητύει με σέβας πατρώιον αἰδοῦς, καί κεν ἐγὼ Τυρίοιο διʼ ὕδατος ὑγροπόρος βοῦς ἄβροχον ἐν πελάγεσσιν ἐμὴν Νίκαιαν ἀείρων ἔπλεον, Εὐρώπης ἅτε νυμφίος, ὡς ἀέκων δὲ νῶτον ἐμὸν δονέεσκον, ὀρινομένης ἵνα κούρης 55δεξιτερὴ πάνλευκος ἐμῆς δράξαιτο κεραίης. ἤθελον, εἰ γενόμην πτερόεις πόσις, ὄφρα χορεύσω κουφίζων ἀτίνακτον ὑπὲρ νώτοιο γυναῖκα, ὡς Κρονίδης Αἴγιναν, ὅπως μετὰ λέκτρα τελέσσω αἰετὸν ὄρνεον ἄλλο γαμοστόλον ἄστρον Ἐρώτων. 60οὐ μὲν ἐμῆς ἀλόχοιο βαλὼν γενετῆρα κεραυνῷ νύμφῃ πατρὸς ὄλεθρον ἀτάσθαλον ἕδνον ὀπάσσω, μὴ γλυκερὴν Νίκαιαν ἀποφθιμένοιο χαλέψω. αἴθε πέλον νόθος ὄρνις ἐύπτερος, ὅττι καὶ αὐτὴ παρθένος ἡμετέρη φιλέει πτερόεντας ὀιστούς. 65μᾶλλον ἐγὼ Δανάης ποθέων τύπον ὑγρὸν ἐρώτων ἤθελον, εἰ χρύσειος ἐγὼ πέλον ὄμβρος ἀκοίτης, αὐτὸς δῶρα γάμων, αὐτὸς πόσις, ὄφρα χορεύσω ἀφνειῆς προχέων φιλοτήσιον ὄμβρον ἐέρσης· ἔπρεπε γὰρ Νίκαιαν ἐμὴν εὐώπιδα κούρην 70χρύσεον εἶδος ἔχουσαν ἔχειν χρύσειον ἀκοίτην.

“Forgive me, Cerne: the Astacid has budded as a new rosyfinger Dawn, a new lightbringer has risen: Nicaia is a younger Selene, who keeps her aspect unchanged. In my desire, I should be glad to take on a world of strange aspects, if respect and veneration for my father did not hold me back. I would go through the waters of Tyre a seafaring bull, and swim along carrying my Nicaia unsprinkled by the deep, like Europa’s bridegroom ; and I would shake my back as if by accident, that the girl might take fright, and her allwhite right hand might pull at my horn. I would be a winged husband, to dance carrying lightly a wife on my back unshaken, as Cronides did with Aigina ; that mated with her I might beget a new eagle, another birdstar to attend on weddings for the However, I will not strike with a thunderbolt my bedfellow’s begetter, and present a father’s death as an impious brideprice, that I may not vex sweet Nicaia for his taking off. Would I were a bastard bird well fledged, because my virgin herself loves winged arrows! I would rather be the flowing form of Danaé’s loves, a golden shower to lie by her side, myself the marriage gift, myself husband, that I might circle round her and pour forth love’s shower of generous dew ; for it would suit well my girl Nicaia with her beautiful eyes, and her golden beauty, to have a golden bedmate.”

People and places in this passage

English translation by W. H. D. Rouse (1940). Original text: W. H. D. Rouse (ed.), Nonnos, Dionysiaca, Loeb Classical Library 344, 354, 356, London: Heinemann; Cambridge, Mass.: Harvard University Press, 1940-1942 (Greek text as digitised by Perseus).

Greek text and translation from the Perseus Digital Library, Tufts University, CC BY-SA 4.0 (Perseus Digital Library, Greek text); translation public domain (Rouse, Loeb 1940-42: US copyright not renewed; Rouse died 1950; OCR from the Internet Archive scans). Introductions, summaries and notes © GreekMythology.com.