Apollonius Rhodius · Argonautica Ἀργοναυτικά

Apollonius Rhodius, Argonautica 1.448–558: The feast, Orpheus' song and the departure from Pagasae

At the feast on the shore Idas jeers at Idmon's prophecy and Idmon answers him, and Orpheus ends the quarrel by singing of the origin of earth, sky and sea. At dawn the heroes embark, Tiphys takes the helm and Argo leaves Pagasae to the music of Orpheus' lyre while Cheiron shows Achilles to his father Peleus from the shore.

Lines 1.448–558 · 1143 words · click a number to copy its link
448ὧς ἄρʼ ἔφη· κοῦροι δὲ θεοπροπίης ἀίοντες νόστῳ μὲν γήθησαν, ἄχος δʼ ἕλεν Ἴδμονος αἴσῃ. 450ἦμος δʼ ἠέλιος σταθερὸν παραμείβεται ἦμαρ, αἱ δὲ νέον σκοπέλοισιν ὑποσκιόωνται ἄρουραι, δειελινὸν κλίνοντος ὑπὸ ζόφον ἠελίοιο, τῆμος ἄρʼ ἤδη πάντες ἐπὶ ψαμάθοισι βαθεῖαν φυλλάδα χευάμενοι πολιοῦ πρόπαρ αἰγιαλοῖο 455κέκλινθʼ ἑξείης· παρὰ δέ σφισι μυρίʼ ἔκειτο εἴδατα, καὶ μέθυ λαρόν, ἀφυσσαμένων προχόῃσιν οἰνοχόων· μετέπειτα δʼ ἀμοιβαδὶς ἀλλήλοισιν μυθεῦνθʼ, οἷά τε πολλὰ νέοι παρὰ δαιτὶ καὶ οἴνῳ τερπνῶς ἑψιόωνται, ὅτʼ ἄατος ὕβρις ἀπείη. 460ἔνθʼ αὖτʼ Αἰσονίδης μὲν ἀμήχανος εἰν ἑοῖ αὐτῷ πορφύρεσκεν ἕκαστα κατηφιόωντι ἐοικώς. τὸν δʼ ἄρʼ ὑποφρασθεὶς μεγάλῃ ὀπὶ νείκεσεν Ἴδας· Αἰσονίδη, τίνα τήνδε μετὰ φρεσὶ μῆτιν ἑλίσσεις; αὔδα ἐνὶ μέσσοισι τεὸν νόον. ἦέ σε δαμνᾷ 465τάρβος ἐπιπλόμενον, τό τʼ ἀνάλκιδας ἄνδρας ἀτύζει; ἴστω νῦν δόρυ θοῦρον, ὅτῳ περιώσιον ἄλλων κῦδος ἐνὶ πτολέμοισιν ἀείρομαι, οὐδέ μʼ ὀφέλλει Ζεὺς τόσον, ὁσσάτιόν περ ἐμὸν δόρυ, μή νύ τι πῆμα λοίγιον ἔσσεσθαι, μηδʼ ἀκράαντον ἄεθλον 470Ἴδεω ἑσπομένοιο, καὶ εἰ θεὸς ἀντιόῳτο. τοῖόν μʼ Ἀρήνηθεν ἀοσσητῆρα κομίζεις. ἦ, καὶ ἐπισχόμενος πλεῖον δέπας ἀμφοτέρῃσιν πῖνε χαλίκρητον λαρὸν μέθυ· δεύετο δʼ οἴνῳ χείλεα, κυάνεαί τε γενειάδες· οἱ δʼ ὁμάδησαν 475πάντες ὁμῶς, Ἴδμων δὲ καὶ ἀμφαδίην ἀγόρευσεν· δαιμόνιε, φρονέεις ὀλοφώια καὶ πάρος αὐτῷ. ἦέ τοι εἰς ἄτην ζωρὸν μέθυ θαρσαλέον κῆρ οἰδάνει ἐν στήθεσσι, θεοὺς δʼ ἀνέηκεν ἀτίζειν; ἄλλοι μῦθοι ἔασι παρήγοροι, οἷσί περ ἀνὴρ 480θαρσύνοι ἕταρον· σὺ δʼ ἀτάσθαλα πάμπαν ἔειπας, τοῖα φάτις καὶ τοὺς πρὶν ἐπιφλύειν μακάρεσσιν υἷας Ἀλωιάδας, οἷς οὐδʼ ὅσον ἰσοφαρίζεις ἠνορέην· ἔμπης δὲ θοοῖς ἐδάμησαν ὀιστοῖς ἄμφω Λητοΐδαο, καὶ ἴφθιμοί περ ἐόντες. 485ὧς ἔφατʼ· ἐκ δʼ ἐγέλασσεν ἄδην Ἀφαρήιος Ἴδας καί μιν ἐπιλλίζων ἠμείβετο κερτομίοισιν·

Thus he spake; and the youths hearing the divine utterance rejoiced at their return, but grief seized them for the fate of Idmon. Now at the hour when the sun passes his noon-tide halt and the ploughlands are just being shadowed by the rocks, as the sun slopes towards the evening dusk, at that hour all the heroes spread leaves thickly upon the sand and lay down in rows in front of the hoary surf-line; and near them were spread vast stores of viands and sweet wine, which the cupbearers had drawn off in pitchers; afterwards they told tales one to another in turn, such as youths often tell when at the feast and the bowl they take delightful pastime, and insatiable insolence is far away. But here the son of Aeson, all helpless, was brooding over each event in his mind, like one oppressed with thought. And Idas noted him and assailed him with loud voice:

“Son of Aeson, what is this plan thou art turning over in mind. Speak out thy thought in the midst. Does fear come on and master thee, fear, that confounds cowards? Be witness now my impetuous spear, wherewith in wars I win renown beyond all others (nor does Zeus aid me so much as my own spear), that no woe will be fatal, no venture will be unachieved, while Idas follows, even though a god should oppose thee. Such a helpmeet am I that thou bringest from Arene.”

He spake, and holding a brimming goblet in both hands drank off the unmixed sweet wine; and his lips and dark cheeks were drenched with it; and all the heroes clamoured together and Idmon spoke out openly:

“Vain wretch, thou art devising destruction for thyself before the time. Does the pure wine cause thy bold heart to swell in thy breast to thy ruin, and has it set thee on to dishonour the gods? Other words of comfort there are with which a man might encourage his comrade; but thou hast spoken with utter recklessness. Such taunts, the tale goes, did the sons of Aloeus once blurt out against the blessed gods, and thou dost no wise equal them in valour; nevertheless they were both slain by the swift arrows of Leto’s son, mighty though they were.”

Thus he spake, and Aphareian Idas laughed out, loud and long, and eyeing him askance replied with biting words:

487ἄγρει νυν τόδε σῇσι θεοπροπίῃσιν ἐνίσπες, εἰ καὶ ἐμοὶ τοιόνδε θεοὶ τελέουσιν ὄλεθρον, οἷον Ἀλωιάδῃσι πατὴρ τεὸς ἐγγυάλιξεν. 490φράζεο δʼ ὅππως χεῖρας ἐμὰς σόος ἐξαλέοιο, χρειὼ θεσπίζων μεταμώνιον εἴ κεν ἁλῴης. Χώετʼ ἐνιπτάζων· προτέρω δέ κε νεῖκος ἐτύχθη, εἰ μὴ δηριόωντας ὁμοκλήσαντες ἑταῖροι αὐτός τʼ Αἰσονίδης κατερήτυεν· ἂν δὲ καὶ Ὀρφεὺς 495λαιῇ ἀνασχόμενος κίθαριν πείραζεν ἀοιδῆς. ἤειδεν δʼ ὡς γαῖα καὶ οὐρανὸς ἠδὲ θάλασσα, τὸ πρὶν ἐπʼ ἀλλήλοισι μιῇ συναρηρότα μορφῇ, νείκεος ἐξ ὀλοοῖο διέκριθεν ἀμφὶς ἕκαστα· ἠδʼ ὡς ἔμπεδον αἰὲν ἐν αἰθέρι τέκμαρ ἔχουσιν 500ἄστρα σεληναίη τε καὶ ἠελίοιο κέλευθοι· οὔρεά θʼ ὡς ἀνέτειλε, καὶ ὡς ποταμοὶ κελάδοντες αὐτῇσιν νύμφῃσι καὶ ἑρπετὰ πάντʼ ἐγένοντο. ἤειδεν δʼ ὡς πρῶτον Ὀφίων Εὐρυνόμη τε Ὠκεανὶς νιφόεντος ἔχον κράτος Οὐλύμποιο· 505ὥς τε βίῃ καὶ χερσὶν ὁ μὲν Κρόνῳ εἴκαθε τιμῆς, ἡ δὲ Ῥέῃ, ἔπεσον δʼ ἐνὶ κύμασιν Ὠκεανοῖο· οἱ δὲ τέως μακάρεσσι θεοῖς Τιτῆσιν ἄνασσον, ὄφρα Ζεὺς ἔτι κοῦρος, ἔτι φρεσὶ νήπια εἰδώς, Δικταῖον ναίεσκεν ὑπὸ σπέος· οἱ δέ μιν οὔπω 510γηγενέες Κύκλωπες ἐκαρτύναντο κεραυνῷ, βροντῇ τε στεροπῇ τε· τὰ γὰρ Διὶ κῦδος ὀπάζει. ἦ, καὶ ὁ μὲν φόρμιγγα σὺν ἀμβροσίῃ σχέθεν αὐδῇ. τοὶ δʼ ἄμοτον λήξαντος ἔτι προύχοντο κάρηνα πάντες ὁμῶς ὀρθοῖσιν ἐπʼ οὔασιν ἠρεμέοντες 515κηληθμῷ· τοῖόν σφιν ἐνέλλιπε θέλκτρον ἀοιδῆς. οὐδʼ ἐπὶ δὴν μετέπειτα κερασσάμενοι Διὶ λοιβάς, ἣ θέμις, ἑστηῶτες ἐπὶ γλώσσῃσι χέοντο αἰθομέναις, ὕπνου δὲ διὰ κνέφας ἐμνώοντο.

“Come now, tell me this by thy prophetic art, whether for me too the gods will bring to pass such doom as thy father promised for the sons of Aloeus. And bethink thee how thou wilt escape from my hands alive, if thou art caught making a prophecy vain as the idle wind.”

Thus in wrath Idas reviled him, and the strife would have gone further had not their comrades and Aeson’s son himself with indignant cry restrained the contending chiefs; and Orpheus lifted his lyre in his left hand and made essay to sing.

He sang how the earth, the heaven and the sea, once mingled together in one form, after deadly strife were separated each from other; and how the stars and the moon and the paths of the sun ever keep their fixed place in the sky; and how the mountains rose, and how the resounding rivers with their nymphs came into being and all creeping things. And he sang how first of all Ophion and Eurynome, daughter of Ocean, held the sway of snowy Olympus, and how through strength of arm one yielded his prerogative to Cronos and the other to Rhea, and how they fell into the waves of Ocean; but the other two meanwhile ruled over the blessed Titan-gods, while Zeus, still a child and with the thoughts of a child, dwelt in the Dictaean cave; and the earthborn Cyclopes had not yet armed him with the bolt, with thunder and lightning; for these things give renown to Zeus.

He ended, and stayed his lyre and divine voice. But though he had ceased they still bent forward with eagerness all hushed to quiet, with ears intent on the enchanting strain; such a charm of song had he left behind in their hearts. Not long after they mixed libations in honour of Zeus, with pious rites as is customary, and poured them upon the burning tongues, and bethought them of sleep in the darkness.

519αὐτὰρ ὅτʼ αἰγλήεσσα φαεινοῖς ὄμμασιν Ἠὼς 520Πηλίου αἰπεινὰς ἴδεν ἄκριας, ἐκ δʼ ἀνέμοιο εὔδιοι ἐκλύζοντο τινασσομένης ἁλὸς ἄκραι, δὴ τότʼ ἀνέγρετο Τῖφυς· ἄφαρ δʼ ὀρόθυνεν ἑταίρους βαινέμεναί τʼ ἐπὶ νῆα καὶ ἀρτύνασθαι ἐρετμά. σμερδαλέον δὲ λιμὴν Παγασήιος ἠδὲ καὶ αὐτὴ 525Πηλιὰς ἴαχεν Ἀργὼ ἐπισπέρχουσα νέεσθαι. ἐν γάρ οἱ δόρυ θεῖον ἐλήλατο, τό ῥʼ ἀνὰ μέσσην στεῖραν Ἀθηναίη Δωδωνίδος ἥρμοσε φηγοῦ. οἱ δʼ ἀνὰ σέλματα βάντες ἐπισχερὼ ἀλλήλοισιν, ὡς ἐδάσαντο πάροιθεν ἐρεσσέμεν ᾧ ἐνὶ χώρῳ, 530εὐκόσμως σφετέροισι παρʼ ἔντεσιν ἑδριόωντο. μέσσῳ δʼ Ἀγκαῖος μέγα τε σθένος Ἡρακλῆος ἵζανον· ἄγχι δέ οἱ ῥόπαλον θέτο, καί οἱ ἔνερθεν ποσσὶν ὑπεκλύσθη νηὸς τρόπις.· εἵλκετο δʼ ἤδη πείσματα, καὶ μέθυ λεῖβον ὕπερθʼ ἁλός. αὐτὰρ Ἰήσων 535δακρυόεις γαίης ἀπὸ πατρίδος ὄμματʼ ἔνεικεν. οἱ δʼ, ὥστʼ ἠίθεοι Φοίβῳ χορὸν ἢ ἐνὶ Πυθοῖ ἤ που ἐν Ὀρτυγίῃ, ἢ ἐφʼ ὕδασιν Ἰσμηνοῖο στησάμενοι, φόρμιγγος ὑπαὶ περὶ βωμὸν ὁμαρτῇ ἐμμελέως κραιπνοῖσι πέδον ῥήσσωσι πόδεσσιν· 540ὧς οἱ ὑπʼ Ὀρφῆος κιθάρῃ πέπληγον ἐρετμοῖς πόντου λάβρον ὕδωρ, ἐπὶ δὲ ῥόθια κλύζοντο· ἀφρῷ δʼ ἔνθα καὶ ἔνθα κελαινὴ κήκιεν ἅλμη δεινὸν μορμύρουσα ἐρισθενέων μένει ἀνδρῶν. στράπτε δʼ ὑπʼ ἠελίῳ φλογὶ εἴκελα νηὸς ἰούσης 545τεύχεα· μακραὶ δʼ αἰὲν ἐλευκαίνοντο κέλευθοι, ἀτραπὸς ὣς χλοεροῖο διειδομένη πεδίοιο. πάντες δʼ οὐρανόθεν λεῦσσον θεοὶ ἤματι κείνῳ νῆα καὶ ἡμιθέων ἀνδρῶν μένος, οἳ τότʼ ἄριστοι πόντον ἐπιπλώεσκον· ἐπʼ ἀκροτάτῃσι δὲ νύμφαι 550Πηλιάδες κορυφῇσιν ἐθάμβεον εἰσορόωσαι ἔργον Ἀθηναίης Ἰτωνίδος, ἠδὲ καὶ αὐτοὺς ἥρωας χείρεσσιν ἐπικραδάοντας ἐρετμά. αὐτὰρ ὅγʼ ἐξ ὑπάτου ὄρεος κίεν ἄγχι θαλάσσης Χείρων Φιλλυρίδης, πολιῇ δʼ ἐπὶ κύματος ἀγῇ 555τέγγε πόδας, καὶ πολλὰ βαρείῃ χειρὶ κελεύων, νόστον ἐπευφήμησεν ἀκηδέα νισσομένοισιν. σὺν καί οἱ παράκοιτις ἐπωλένιον φορέουσα Πηλεΐδην Ἀχιλῆα, φίλῳ δειδίσκετο πατρί.

Now when gleaming dawn with bright eyes beheld the lofty peaks of Pelion, and the calm headlands were being drenched as the sea was ruffled by the winds, then Tiphys awoke from sleep; and at once he roused his comrades to go on board and make ready the oars. And a strange cry did the harbour of Pagasae utter, yea and Pelian Argo herself, urging them to set forth. For in her a beam divine had been laid which Athena had brought from an oak of Dodona and fitted in the middle of the stem. And the heroes went to the benches one after the other, as they had previously assigned for each to row in his place, and took their seats in due order near their fighting gear. In the middle sat Ancaeus and mighty Heracles, and near him he laid his club, and beneath his tread the ship’s keel sank deep. And now the hawsers were being slipped and they poured wine on the sea. But Jason with tears held his eyes away from his fatherland. And just as youths set up a dance in honour of Phoebus either in Pytho or haply in Ortygia, or by the waters of Ismenus, and to the sound of the lyre round his altar all together in time beat the earth with swiftly-moving feet; so they to the sound of Orpheus’ lyre smote with their oars the rushing sea-water, and the surge broke over the blades; and on this side and on that the dark brine seethed with foam, boiling terribly through the might of the sturdy heroes. And their arms shone in the sun like flame as the ship sped on; and ever their wake gleamed white far behind, like a path seen over a green plain. On that day all the gods looked down from heaven upon the ship and the might of the heroes, half-divine, the bravest of men then sailing the sea; and on the topmost heights the nymphs of Pelion wondered as they beheld the work of Itonian Athena, and the heroes themselves wielding the oars. And there came down from the mountain-top to the sea Chiron, son of Philyra, and where the white surf broke he dipped his feet, and, often waving with his broad hand, cried out to them at their departure, “Good speed and a sorrowless home-return!” And with him his wife, bearing Peleus’ son Achilles on her arm, showed the child to his dear father.

People and places in this passage

English translation by R. C. Seaton (1912). Original text: George W. Mooney (ed.), Apollonii Rhodii Argonautica, London: Longmans, Green, 1912 (Greek text as digitised by Perseus).

Greek text and translation from the Perseus Digital Library, Tufts University, CC BY-SA 4.0 (Perseus Digital Library, Greek text); translation public domain. Introductions, summaries and notes © GreekMythology.com.