Sophocles · Women of Trachis Τραχίνιαι

Sophocles, Women of Trachis 497–587: Second stasimon; Deianeira plans to win back her husband

The Chorus sing of the power of Cypris, and of the fight between Heracles and the river-god Achelous for the hand of Deianeira. Deianeira comes out and tells the women that she fears the younger woman, and that she has a way to win back her husband's love. She says that the centaur Nessus, whom Heracles shot with an arrow when he tried to assault her at the river, told her to use his blood as a charm, and that she has smeared a robe with it.

Lines 497–587 · 784 words · click a number to copy its link

Chorus

497μέγα τι σθένος ἁ Κύπρις ἐκφέρεται νίκας ἀεί. καὶ τὰ μὲν θεῶν 500παρέβαν, καὶ ὅπως Κρονίδαν ἀπάτασεν οὐ λέγω, οὐδὲ τὸν ἔννυχον Ἅιδαν ἢ Ποσειδάωνα τινάκτορα γαίας· ἀλλʼ ἐπὶ τάνδʼ ἄρʼ ἄκοιτιν τίνες ἀμφίγυοι κατέβαν πρὸ γάμων, 505τίνες πάμπληκτα παγκόνιτά τʼ ἐξῆλθον ἄεθλʼ ἀγώνων;

Great and mighty is the victory which the Cyprian queen always bears away. I bypass the tales of the gods, and do not narrate how she beguiled the son of Cronus, and Hades, the lord of darkness, or Poseidon, shaker of the earth. But, when this bride was to be won, who were the massive rivals that entered the contest for her nuptials? Who stepped forward to the ordeal of battle full of blows and raising dust?

Chorus

507ὁ μὲν ἦν ποταμοῦ σθένος, ὑψίκερω τετραόρου φάσμα ταύρου, 510Ἀχελῷος ἀπʼ Οἰνιαδᾶν, ὁ δὲ Βακχίας ἀπὸ ἦλθε παλίντονα Θήβας τόξα καὶ λόγχας ῥόπαλόν τε τινάσσων, παῖς Διός· οἳ τότʼ ἀολλεῖς ἴσαν ἐς μέσον ἱέμενοι λεχέων· 515μόνα δʼ εὔλεκτρος ἐν μέσῳ Κύπρις ῥαβδονόμει ξυνοῦσα.

One was a mighty river-god, the form of a bull, high-horned and four-legged, Achelous, from Oeniadae. The other came from Thebes, home of Bacchus, brandishing his resilient bow, his spears and club; he was the son of Zeus. These two then met in a mass, lusting to win a bride, and the Cyprian goddess of nuptial joy was there with them, acting as sole umpire.

Chorus

517τότʼ ἦν χερός, ἦν δὲ τόξων πάταγος, ταυρείων τʼ ἀνάμιγδα κεράτων· 520ἦν δʼ ἀμφίπλεκτοι κλίμακες, ἦν δὲ μετώπων ὀλόεντα πλήγματα, καὶ στόνος ἀμφοῖν. ἁ δʼ εὐῶπις ἁβρὰ τηλαυγεῖ παρʼ ὄχθῳ 525ἧστο, τὸν ὃν προσμένουσʼ ἀκοίταν. ἀγὼν δὲ μαργᾷ μὲν οἷα φράζω· τὸ δʼ ἀμφινείκητον ὄμμα νύμφας ἐλεινὸν ἀμμένει· κἀπὸ ματρὸς ἄφαρ βέβακεν, 530ὥστε πόρτις ἐρήμα.

There was clatter of fists and clang of bow and crash of a bull’s horns mixed together; then there were close-locked grapplings and deadly blows from foreheads and loud deep cries from both. Meanwhile the delicate beauty sat on the side of a hill that could be seen from afar, awaiting the husband that would be hers. So the battle rages, as I narrate. But the face of the bride which is the prize of the strife awaits the end in piteous anguish. And suddenly she has left her mother, like an orphaned calf.

Deianeira

531ἦμος, φίλαι, κατʼ οἶκον ὁ ξένος θροεῖ ταῖς αἰχμαλώτοις παισὶν ὡς ἐπʼ ἐξόδῳ, τῆμος θυραῖος ἦλθον ὡς ὑμᾶς λάθρᾳ, τὰ μὲν φράσουσα χερσὶν ἁτεχνησάμην, 535τὰ δʼ οἷα πάσχω συγκατοικτιουμένη. κόρην γάρ, οἶμαι δʼ οὐκέτʼ, ἀλλʼ ἐζευγμένην, παρεισδέδεγμαι φόρτον ὥστε ναυτίλος, λωβητὸν ἐμπόλημα τῆς ἐμῆς φρενός. καὶ νῦν δύʼ οὖσαι μίμνομεν μιᾶς ὑπὸ 540χλαίνης ὑπαγκάλισμα. τοιάδʼ Ἡρακλῆς, ὁ πιστὸς ἡμῖν κἀγαθὸς καλούμενος, οἰκούριʼ ἀντέπεμψε τοῦ μακροῦ χρόνου. ἐγὼ δὲ θυμοῦσθαι μὲν οὐκ ἐπίσταμαι νοσοῦντι κείνῳ πολλὰ τῇδε τῇ νόσῳ· 545τὸ δʼ αὖ ξυνοικεῖν τῇδʼ ὁμοῦ τίς ἂν γυνὴ δύναιτο, κοινωνοῦσα τῶν αὐτῶν γάμων; ὁρῶ γὰρ ἥβην τὴν μὲν ἕρπουσαν πρόσω, τὴν δὲ φθίνουσαν· ὧν ἀφαρπάζειν φιλεῖ ὀφθαλμὸς ἄνθος, τῶν δʼ ὑπεκτρέπει πόδα. 550ταῦτʼ οὖν φοβοῦμαι μὴ πόσις μὲν Ἡρακλῆς ἐμὸς καλῆται, τῆς νεωτέρας δʼ ἀνήρ. ἀλλʼ οὐ γάρ, ὥσπερ εἶπον, ὀργαίνειν καλὸν γυναῖκα νοῦν ἔχουσαν· ᾗ δʼ ἔχω, φίλαι, λυτήριον λώφημα, τῇδʼ ὑμῖν φράσω. 555ἦν μοι παλαιὸν δῶρον ἀρχαίου ποτὲ θηρός, λέβητι χαλκέῳ κεκρυμμένον, ὃ παῖς ἔτʼ οὖσα τοῦ δασυστέρνου παρὰ Νέσσου φθίνοντος ἐκ φονῶν ἀνειλόμην, ὃς τὸν βαθύρρουν ποταμὸν Εὔηνον βροτοὺς 560μισθοῦ ʼπόρευε χερσίν, οὔτε πομπίμοις κώπαις ἐρέσσων οὔτε λαίφεσιν νεώς. ὃς κἀμέ, τὸν πατρῷον ἡνίκα στόλον ξὺν Ἡρακλεῖ τὸ πρῶτον εὖνις ἑσπόμην, φέρων ἐπʼ ὤμοις, ἡνίκʼ ἦ μέσῳ πόρῳ, 565ψαύει ματαίαις χερσίν· ἐκ δʼ ἤυσʼ ἐγώ, χὠ Ζηνὸς εὐθὺς παῖς ἐπιστρέψας χεροῖν ἧκεν κομήτην ἰόν· ἐς δὲ πλεύμονας στέρνων διερροίζησεν. ἐκθνῄσκων δʼ ὁ θὴρ τοσοῦτον εἶπε· παῖ γέροντος Οἰνέως, 570τοσόνδʼ ὀνήσει τῶν ἐμῶν, ἐὰν πίθῃ, πορθμῶν, ὁθούνεχʼ ὑστάτην σʼ ἔπεμψʼ ἐγώ· ἐὰν γὰρ ἀμφίθρεπτον αἷμα τῶν ἐμῶν σφαγῶν ἐνέγκῃ χερσίν, ᾗ μελαγχόλους ἔβαψεν ἰοὺς θρέμμα Λερναίας ὕδρας, 575ἔσται φρενός σοι τοῦτο κηλητήριον τῆς Ἡρακλείας, ὥστε μήτινʼ εἰσιδὼν στέρξει γυναῖκα κεῖνος ἀντὶ σοῦ πλέον. τοῦτʼ ἐννοήσασʼ, ὦ φίλαι, δόμοις γὰρ ἦν κείνου θανόντος ἐγκεκλῃμένον καλῶς, 580χιτῶνα τόνδʼ ἔβαψα, προσβαλοῦσʼ ὅσα ζῶν κεῖνος εἶπε· καὶ πεπείρανται τάδε. κακὰς δὲ τόλμας μήτʼ ἐπισταίμην ἐγὼ μήτʼ ἐκμάθοιμι, τάς τε τολμώσας στυγῶ· φίλτροις δʼ ἐάν πως τήνδʼ ὑπερβαλώμεθα 585τὴν παῖδα καὶ θέλκτροισι τοῖς ἐφʼ Ἡρακλεῖ, μεμηχάνηται τοὔργον, εἴ τι μὴ δοκῶ πράσσειν μάταιον· εἰ δὲ μή, πεπαύσομαι.

Dear friends, while our guest is saying his farewell to the captive girls in the house, I have stolen away partly to tell you what these hands have devised, and partly to grieve over my sufferings in your company. I have received a maiden—or, I believe, no longer a maiden, but an experienced woman—into my home, just as a mariner takes on cargo, a merchandise to wreck my peace of mind. And now we are two, a pair waiting under a single bedspread for one man’s embrace. Such is the reward that Heracles has sent me—he whom I called true and loyal—for guarding his home through all that long time. I do not know how to be angry with him, even though he is infected with this disease. But, then again, to live with her, sharing the same marriage—what woman could endure it? For I see that the flower of her youth is blossoming, while mine is fading. The eyes of men love to pluck off the bloom of youth, but they turn their steps from the old. On this account I am afraid lest Heracles, in name my husband, should be the younger woman’s man. But, as I said, anger brings shame to a woman of understanding. I will tell you, my friends, the way by which I will have deliverance and relief. I had a gift, an old one given to me by a monster of long ago, and kept it hidden in a bronze urn. While yet a girl, I took this gift from the shaggy-chested Nessus—from his lifeblood, as he lay dying. He is the one who used to carry men in his arms for hire across the deep current of the Evenus, using no oar for conveyance, nor ship’s sail. He carried me, too, on his shoulders, when at my father’s sending, I first departed with Heracles as his wife. When I was in midstream, he touched me with lewd hands. I shrieked, and straightaway the son of Zeus turned round and with his hands shot a feathered arrow that whistled right through his chest to the lungs. As he passed away the monster spoke these few words: “Child of aged Oeneus, you will have this benefit from my ferrying, if you obey me, since you were the last whom I carried. If you gather with your hands the blood clotted round my wound, at the place where the Hydra, Lerna’s monstrous growth, imbued the arrow with black gall, you will have a charm for the heart of Heracles, so that he will never look upon any woman and love her more than you.” Remembering this charm, my friends—for, after his death, I had kept it carefully locked up in the house— I have imbued this robe with it, applying to it all that he instructed while he lived. The work is finished. May deeds of wicked daring always be far from my thoughts and from my knowledge, as I detest the women who attempt them! But if in any way I may prevail against this girl by love-spells and the charms used on Heracles, the means to that end have been devised—unless I seem to be acting rashly. If so, I will stop immediately.

People and places in this passage

English translation by Richard C. Jebb (modernised by Perseus) (1892). Original text: Greek text: Francis Storr (ed. and trans.), Sophocles, Loeb Classical Library, London: William Heinemann, 1913, as digitised by Perseus. English: Richard C. Jebb, Sophocles: The Plays and Fragments, The Trachiniae, Cambridge University Press, 1892 (Perseus's modernised version of Jebb's prose translation).

Greek text and translation from the Perseus Digital Library, Tufts University, CC BY-SA 4.0 (Perseus Digital Library); translation public domain. Introductions, summaries and notes © GreekMythology.com.