Sophocles · Women of Trachis Τραχίνιαι

Sophocles, Women of Trachis 633–730: Third stasimon; Deianeira discovers the effect of the charm

The Chorus sing that Heracles will soon return and that the long wait is at an end. Deianeira comes out in alarm and tells the women that the tuft of wool with which she anointed the robe crumbled to dust in the sunlight and seethed with foam, and that what she has done now seems terrible. She says that the centaur would not have wished to help the man who shot him, and that if Heracles dies she will die with him.

Lines 633–730 · 950 words · click a number to copy its link

Chorus

633ὦ ναύλοχα καὶ πετραῖα θερμὰ λουτρὰ καὶ πάγους 635Οἴτας παραναιετάοντες, οἵ τε μέσσαν Μηλίδα πὰρ λίμναν χρυσαλακάτου τʼ ἀκτὰν κόρας, ἔνθʼ Ἑλλάνων ἀγοραὶ Πυλάτιδες κλέονται·

O you who dwell by the warm springs near ships’ haven and rocky cliff, and you who live by the crags of Oeta! And you dwellers by the land-locked waters of the Malian gulf, and the headland sacred to the virgin-goddess of the golden shuttle, where are the famed councils of the Greeks at the gates!

Chorus

640ὁ καλλιβόας τάχʼ ὑμῖν αὐλὸς οὐκ ἀναρσίαν ἀχῶν καναχὰν ἐπάνεισιν, ἀλλὰ θείας ἀντίλυρον μούσας. ὁ γὰρ Διὸς Ἀλκμήνας κόρος 645σοῦται πάσας ἀρετᾶς λάφυρʼ ἔχων ἐπʼ οἴκους·

Soon the glorious voice of the flute will go up for you again, sounding no bothersome, strident notes, but divine music worthy of the lyre! For the son whom Alcmena bore to Zeus is hurrying homeward, with spoils won by supreme valor.

Chorus

647ὃν ἀπόπτολιν εἴχομεν παντᾷ, δυοκαιδεκάμηνον ἀμμένουσαι χρόνον, πελάγιον, ἴδριες οὐδέν· 650ἁ δέ οἱ φίλα δάμαρ τάλαιναν δυστάλαινα καρδίαν πάγκλαυτος αἰὲν ὤλλυτο· νῦν δʼ Ἄρης οἰστρηθεὶς ἐξέλυσʼ ἐπίπονον ἁμέραν.

We thought him lost utterly to our land, a wanderer over sea, while we waited through twelve long months and knew nothing. She, his loving wife, miserable, was ever pining in her miserable heart, always weeping. But now Ares, stung to rage, has freed her days from their toil.

Chorus

655ἀφίκοιτʼ ἀφίκοιτο· μὴ σταίη πολύκωπον ὄχημα ναὸς αὐτῷ, πρὶν τάνδε πρὸς πόλιν ἀνύσειε, νασιῶτιν ἑστίαν ἀμείψας, ἔνθα κλῄζεται θυτήρ· 660ὅθεν μόλοι πανίμερος, τᾶς πειθοῦς παγχρίστῳ συγκραθεὶς ἐπὶ προφάσει φάρους.

May he come, may he come! Let him not halt the many-oared ship that carries him before he has reached this town, leaving the island altar where he is reported to be sacrificing! May he come from there full of desire, steeped in love on the pretext of the robe by Persuasion’s all-powerful ointment!

Δηιάνειρα 663γυναῖκες, ὡς δέδοικα μὴ περαιτέρω πεπραγμένʼ ᾖ μοι πάνθʼ ὅσʼ ἀρτίως ἔδρων. Χορός 665τί δʼ ἔστι, Δῃάνειρα, τέκνον Οἰνέως; Δηιάνειρα οὐκ οἶδʼ· ἀθυμῶ δʼ, εἰ φανήσομαι τάχα κακὸν μέγʼ ἐκπράξασʼ ἀπʼ ἐλπίδος καλῆς. Χορός οὐ δή τι τῶν σῶν Ἡρακλεῖ δωρημάτων; Δηιάνειρα μάλιστά γʼ, ὥστε μήποτʼ ἂν προθυμίαν 670ἄδηλον ἔργου τῳ παραινέσαι λαβεῖν. Χορός δίδαξον, εἰ διδακτόν, ἐξ ὅτου φοβεῖ.

Deianeira Friends, how I fear that I may have gone too far in all that I was doing just now!

Chorus What has happened, Deianeira, daughter of Oeneus?

Deianeira I do not know, but I despair that I will soon be found to have done a great wrong, when my hope was for good.

Chorus Surely it is nothing that bears on your gift to Heracles?

Deianeira Yes, it is! So much so that I would never recommend to anybody that he be eager for action in obscurity.

Chorus Tell us the cause of your fear, if it may be told.

Deianeira

672τοιοῦτον ἐκβέβηκεν οἷον, ἢν φράσω, γυναῖκες, ὑμᾶς θαῦμʼ ἀνέλπιστον μαθεῖν. ᾧ γὰρ τὸν ἐνδυτῆρα πέπλον ἀρτίως 675ἔχριον, ἀργὴς οἰὸς εὐέρου πόκος, τοῦτʼ ἠφάνισται διάβορον πρὸς οὐδενὸς τῶν ἔνδον, ἀλλʼ ἐδεστὸν ἐξ αὑτοῦ φθίνει, καὶ ψῇ κατʼ ἄκρας σπιλάδος· ὡς δʼ εἰδῇς ἅπαν, ᾗ τοῦτʼ ἐπράχθη, μείζονʼ ἐκτενῶ λόγον. 680ἐγὼ γὰρ ὧν ὁ θήρ με Κένταυρος, πονῶν πλευρὰν πικρᾷ γλωχῖνι, προυδιδάξατο παρῆκα θεσμῶν οὐδέν, ἀλλʼ ἐσῳζόμην χαλκῆς ὅπως δύσνιπτον ἐκ δέλτου γραφήν. καί μοι τάδʼ ἦν πρόρρητα καὶ τοιαῦτʼ ἔδρων· 685τὸ φάρμακον τοῦτʼ ἄπυρον ἀκτῖνός τʼ ἀεὶ θερμῆς ἄθικτον ἐν μυχοῖς σῴζειν ἐμέ, ἕως νιν ἀρτίχριστον ἁρμόσαιμί που. κἄδρων τοιαῦτα. νῦν δʼ, ὅτʼ ἦν ἐργαστέον, ἔχρισα μὲν κατʼ οἶκον ἐν δόμοις κρυφῇ 690μαλλῷ, σπάσασα κτησίου βοτοῦ λάχνην, κἄθηκα συμπτύξασʼ ἀλαμπὲς ἡλίου κοίλῳ ζυγάστρῳ δῶρον, ὥσπερ εἴδετε. εἴσω δʼ ἀποστείχουσα δέρκομαι φάτιν ἄφραστον, ἀξύμβλητον ἀνθρώπῳ μαθεῖν. 695τὸ γὰρ κάταγμα τυγχάνω ῥίψασά πως τῆς οἰός, ᾧ προύχριον, ἐς μέσην φλόγα, ἀκτῖνʼ ἐς ἡλιῶτιν· ὡς δʼ ἐθάλπετο, ῥεῖ πᾶν ἄδηλον καὶ κατέψηκται χθονί, μορφῇ μάλιστʼ εἰκαστὸν ὥστε πρίονος 700ἐκβρώματʼ ἂν βλέψειας ἐν τομῇ ξύλου. τοιόνδε κεῖται προπετές· ἐκ δὲ γῆς, ὅθεν προύκειτʼ, ἀναζέουσι θρομβώδεις ἀφροί, γλαυκῆς ὀπώρας ὥστε πίονος ποτοῦ χυθέντος εἰς γῆν Βακχίας ἀπʼ ἀμπέλου.

A thing has happened, my friends, such that, if I declare it, it will be a strange marvel for you to hear. The implement with which I was just now anointing the festal robe, a white tuft of fleecy sheep’s wool, has disappeared, eaten away by no animal in the courtyard, but self-devoured and self-destroyed it crumbled down over a stone slab. But I must tell the story at greater length, so that you may know exactly how this thing was accomplished. I neglected no part of the precepts which the savage Centaur gave me when he was hurting from the bitter barb in his side; they were in my memory, like the graven words which no hand may wash from a tablet of bronze. Now this was his order to me, and I obeyed it: to keep this potion hidden in inmost recesses always away from fire and untouched by the sun’s warm ray, until I should apply it, newly spread, where I wished. So I had done. And just now, when the moment for action had come, I performed the anointing secretly in the rooms of the house with a tuft of soft wool which I had plucked from a sheep of our home-flock; then I folded up my gift, and laid it, unvisited by sunlight, within its hollow chest, as you saw. But as I am going back into the house, I see a thing inexplicable by words and beyond the knowledge of the human mind to understand. For somehow I happened to have thrown the ball of wool, with which I had been anointing the robe, into the full blaze of the sun’s rays. As it grew warm, it ran all into confusion, and quickly crumbled to powder on the ground, like nothing in appearance so much as the morsels left by a saw’s teeth when wood is cut. It lies just so, fallen. And from the earth, where it lay exposed, clotted foam seethes up, like the rich juice of the blue fruit from the vine of Bacchus when it is poured on the ground.

Deianeira

705ὥστʼ οὐκ ἔχω τάλαινα ποῖ γνώμης πέσω· ὁρῶ δέ μʼ ἔργον δεινὸν ἐξειργασμένην. πόθεν γὰρ ἄν ποτʼ, ἀντὶ τοῦ θνῄσκων ὁ θὴρ ἐμοὶ παρέσχʼ εὔνοιαν, ἧς ἔθνῃσχʼ ὕπερ; οὐκ ἔστιν, ἀλλὰ τὸν βαλόντʼ ἀποφθίσαι 710χρῄζων ἔθελγέ μʼ· ὧν ἐγὼ μεθύστερον, ὅτʼ οὐκέτʼ ἀρκεῖ, τὴν μάθησιν ἄρνυμαι. μόνη γὰρ αὐτόν, εἴ τι μὴ ψευσθήσομαι γνώμης, ἐγὼ δύστηνος ἐξαποφθερῶ· τὸν γὰρ βαλόντʼ ἄτρακτον οἶδα καὶ θεὸν 715Χείρωνα πημήναντα, χὦνπερ ἂν θίγῃ, φθείρει τὰ πάντα κνώδαλʼ· ἐκ δὲ τοῦδʼ ὅδε σφαγῶν διελθὼν ἰὸς αἵματος μέλας πῶς οὐκ ὀλεῖ καὶ τόνδε; δόξῃ γοῦν ἐμῇ. καίτοι δέδοκται, κεῖνος εἰ σφαλήσεται, 720ταύτῃ σὺν ὁρμῇ κἀμὲ συνθανεῖν ἅμα· ζῆν γὰρ κακῶς κλύουσαν οὐκ ἀνασχετόν, ἥτις προτιμᾷ μὴ κακὴ πεφυκέναι.

And so I am distraught, and I do not know to which side my thoughts should fall. I only see that I have brought a terrible deed to completion. For why or in thanks for what should the monster in his death-throes have shown good will to me, because of whom he was dying? Impossible! No, he was enchanting me in order to destroy the man who had shot him. And now too late I gain the knowledge of this, when it can no longer help. Yes, I alone—unless my outlook prove mistaken—I, miserable one, shall completely destroy him! For I know that the arrow which made the wound harmed even the god Cheiron, and that it kills all varieties of beasts that it touches. Since it is this same black venom in the blood that has passed out through the wound of Nessus, must it not kill Heracles also? To my mind, at least, it must. Nevertheless, I am resolved that, if he is to be brought down, at the same time I too will die along with him in the selfsame fall. No woman could bear to live with a reputation for evil, if she cares above all that her nature is not evil.

Χορός 723ταρβεῖν μὲν ἔργα δείνʼ ἀναγκαίως ἔχει, τὴν δʼ ἐλπίδʼ οὐ χρὴ τῆς τύχης κρίνειν πάρος. Δηιάνειρα 725οὐκ ἔστιν ἐν τοῖς μὴ καλοῖς βουλεύμασιν οὐδʼ ἐλπίς, ἥτις καὶ θράσος τι προξενεῖ. Χορός ἀλλʼ ἀμφὶ τοῖς σφαλεῖσι μὴ ʼξ ἑκουσίας ὀργὴ πέπειρα, τῆς σε τυγχάνειν πρέπει. Δηιάνειρα τοιαῦτα δʼ ἂν λέξειεν οὐχ ὁ τοῦ κακοῦ 730κοινωνός, ἀλλʼ ᾧ μηδέν ἐστʼ οἴκοι βαρύ.

Chorus Fear is necessary when terrible deeds are done, but one should not judge one’s expectations before the outcome is known.

Deianeira There is no room for expectation when one’s plans are bad, at least the kind of expectation which lends confidence.

Chorus And yet in the case of those whose mistakes were unwitting, men’s anger is softened. So it should be for you.

Deianeira No, such words are not for one who took part in the wrongdoing, but only for him who has no trouble at his own door.

People and places in this passage

English translation by Richard C. Jebb (modernised by Perseus) (1892). Original text: Greek text: Francis Storr (ed. and trans.), Sophocles, Loeb Classical Library, London: William Heinemann, 1913, as digitised by Perseus. English: Richard C. Jebb, Sophocles: The Plays and Fragments, The Trachiniae, Cambridge University Press, 1892 (Perseus's modernised version of Jebb's prose translation).

Greek text and translation from the Perseus Digital Library, Tufts University, CC BY-SA 4.0 (Perseus Digital Library); translation public domain. Introductions, summaries and notes © GreekMythology.com.