Sophocles · Antigone Ἀντιγόνη

Sophocles, Antigone 1183–1256: Exodos: Eurydice, and the news from the tomb

Creon's wife Eurydice comes out of the house, having overheard part of the news, and asks to hear it in full. The Messenger tells how Creon and his men buried Polyneices and then went to the vault, where they found Antigone hanged and Haemon embracing her body. Haemon spat at his father and drew his sword, then fell on it, and Eurydice goes silently into the house.

Lines 1183–1256 · 740 words · click a number to copy its link
Εὐρυδίκη 1183ὦ πάντες ἀστοί, τῶν λόγων ἐπῃσθόμην πρὸς ἔξοδον στείχουσα, Παλλάδος θεᾶς 1185ὅπως ἱκοίμην εὐγμάτων προσήγορος. καὶ τυγχάνω τε κλῇθρʼ ἀνασπαστοῦ πύλης χαλῶσα, καί με φθόγγος οἰκείου κακοῦ βάλλει διʼ ὤτων· ὑπτία δὲ κλίνομαι δείσασα πρὸς δμωαῖσι κἀποπλήσσομαι. 1190ἀλλʼ ὅστις ἦν ὁ μῦθος αὖθις εἴπατε· κακῶν γὰρ οὐκ ἄπειρος οὖσʼ ἀκούσομαι. Ἄγγελος ἐγώ, φίλη δέσποινα, καὶ παρὼν ἐρῶ κοὐδὲν παρήσω τῆς ἀληθείας ἔπος. τί γάρ σε μαλθάσσοιμʼ ἂν ὧν ἐς ὕστερον 1195ψεῦσται φανούμεθʼ; ὀρθὸν ἁλήθειʼ ἀεί. ἐγὼ δὲ σῷ ποδαγὸς ἑσπόμην πόσει πεδίον ἐπʼ ἄκρον, ἔνθʼ ἔκειτο νηλεὲς κυνοσπάρακτον σῶμα Πολυνείκους ἔτι· καὶ τὸν μέν, αἰτήσαντες ἐνοδίαν θεὸν 1200Πλούτωνά τʼ ὀργὰς εὐμενεῖς κατασχεθεῖν λούσαντες ἁγνὸν λουτρόν, ἐν νεοσπάσιν θαλλοῖς ὃ δὴ 'λέλειπτο συγκατῄθομεν, καὶ τύμβον ὀρθόκρανον οἰκείας χθονὸς χώσαντες αὖθις πρὸς λιθόστρωτον κόρης 1205νυμφεῖον Ἅιδου κοῖλον εἰσεβαίνομεν. φωνῆς δʼ ἄπωθεν ὀρθίων κωκυμάτων κλύει τις ἀκτέριστον ἀμφὶ παστάδα, καὶ δεσπότῃ Κρέοντι σημαίνει μολών. τῷ δʼ ἀθλίας ἄσημα περιβαίνει βοῆς 1210ἕρποντι μᾶλλον ἆσσον, οἰμώξας δʼ ἔπος ἵησι δυσθρήνητον· ὦ τάλας ἐγώ, ἆρʼ εἰμὶ μάντις; ἆρα δυστυχεστάτην κέλευθον ἕρπω τῶν παρελθουσῶν ὁδῶν; παιδός με σαίνει φθόγγος. ἀλλὰ πρόσπολοι, 1215ἴτʼ ἆσσον ὠκεῖς καὶ παραστάντες τάφῳ ἀθρήσαθʼ, ἁρμὸν χώματος λιθοσπαδῆ δύντες πρὸς αὐτὸ στόμιον, εἰ τὸν Αἵμονος φθόγγον συνίημʼ ἢ θεοῖσι κλέπτομαι.

Eurydice People of Thebes, I heard your words as I was on my way to the gates to address divine Pallas with my prayers. At one and the same time I was loosening the bolts of the gate to open it, and the sound of a blow to our house struck my ear. In terror I sank back into the arms of my handmaids, and my senses fled. But repeat what your news was, for I shall hear it with ears that are no strangers to sorrow.

Messenger Dear mistress, I will tell what I witnessed and leave no word of the truth unspoken. For what good would it do that should I soothe you with words in which I must later be found false? The truth is always best. I attended your husband as his guide to the furthest part of the plain, where unpitied the body of Polyneices, torn by dogs, still lay. After we had prayed to the goddess of the roads and to Pluto to restrain their anger in mercy, we washed him with pure washing, and with freshly-plucked boughs we burned what remains there were. Lastly we heaped a high-mounded tomb of his native earth. Afterwards we turned away to enter the maiden’s stoney-bedded bridal chamber, the caverned mansion of Hades’ bride. From a distance, one of us servants heard a voice of loud wailing near that bride’s unwept bed and came to tell our master Creon. And as the King moved closer and closer, obscure signs rising from a bitter cry surrounded him— he groaned and said in bitter lament, Ah, misery, am I now the prophet of evil? Am I going on the path most lined with grief of all that I have walked before? My son’s voice greets me. Go, my servants, hurry closer, and when you have reached the tomb, enter the opening where the stones of the mound have been torn away, up to the cell’s very mouth. See if it is Haemon’s voice that I recognize, or if I am cheated by the gods.

Messenger

1219τάδʼ ἐξ ἀθύμου δεσπότου κελευσμάτων 1220ἠθροῦμεν· ἐν δὲ λοισθίῳ τυμβεύματι τὴν μὲν κρεμαστὴν αὐχένος κατείδομεν, βρόχῳ μιτώδει σινδόνος καθημμένην, τὸν δʼ ἀμφὶ μέσσῃ περιπετῆ προσκείμενον, εὐνῆς ἀποιμώζοντα τῆς κάτω φθορὰν 1225καὶ πατρὸς ἔργα καὶ τὸ δύστηνον λέχος. ὁ δʼ ὡς ὁρᾷ σφε, στυγνὸν οἰμώξας ἔσω χωρεῖ πρὸς αὐτὸν κἀνακωκύσας καλεῖ· ὦ τλῆμον, οἷον ἔργον εἴργασαι· τίνα νοῦν ἔσχες; ἐν τῷ συμφορᾶς διεφθάρης; 1230ἔξελθε, τέκνον, ἱκέσιός σε λίσσομαι. τὸν δʼ ἀγρίοις ὄσσοισι παπτήνας ὁ παῖς, πτύσας προσώπῳ κοὐδὲν ἀντειπών, ξίφους ἕλκει διπλοῦς κνώδοντας. ἐκ δʼ ὁρμωμένου πατρὸς φυγαῖσιν ἤμπλακʼ· εἶθʼ ὁ δύσμορος 1235αὑτῷ χολωθείς, ὥσπερ εἶχʼ, ἐπενταθεὶς ἤρεισε πλευραῖς μέσσον ἔγχος, ἐς δʼ ὑγρὸν ἀγκῶνʼ ἔτʼ ἔμφρων παρθένῳ προσπτύσσεται. καὶ φυσιῶν ὀξεῖαν ἐκβάλλει ῥοὴν λευκῇ παρειᾷ φοινίου σταλάγματος. 1240κεῖται δὲ νεκρὸς περὶ νεκρῷ, τὰ νυμφικὰ τέλη λαχὼν δείλαιος εἰν Ἅιδου δόμοις, δείξας ἐν ἀνθρώποισι τὴν ἀβουλίαν ὅσῳ μέγιστον ἀνδρὶ πρόσκειται κακόν.

This search, at our desperate master’s word, we went to make, and in the furthest part of the tomb we saw her hanging by the neck, fastened by a halter of fine linen threads, while he was embracing her with arms thrown around her waist, bewailing the loss of his bride to the spirits below, as well as his father’s deeds, and his grief-filled marriage. But his father, when he saw him, cried aloud with a dreadful cry and went in and called to him with a voice of wailing: Ah, unhappy boy, what have you done! What plan have you seized on? By what misfortune have you lost your reason? Come out, my son, I pray you, I beg you! But the boy glared at him with savage eyes, spat in his face, and without a word in response drew his twin-edged sword. As his father rushed out in flight, he missed his aim. Then the ill-fated boy was enraged with himself and straightway stretched himself over his sword and drove it, half its length, into his side. Still conscious, he clasped the maiden in his faint embrace, and, as he gasped, he shot onto her pale cheek a swift stream of oozing blood. Corpse enfolding corpse he lay, having won his marriage rites, poor boy, not here, but in Hades’ palace, and having shown to mankind by how much the failure to reason wisely is the most severe of all afflictions assigned to man.

Χορός 1244τί τοῦτʼ ἂν εἰκάσειας; ἡ γυνὴ πάλιν 1245φρούδη, πρὶν εἰπεῖν ἐσθλὸν ἢ κακὸν λόγον. Ἄγγελος καὐτὸς τεθάμβηκʼ· ἐλπίσιν δὲ βόσκομαι ἄχη τέκνου κλύουσαν ἐς πόλιν γόους οὐκ ἀξιώσειν, ἀλλʼ ὑπὸ στέγης ἔσω δμωαῖς προθήσειν πένθος οἰκεῖον στένειν. 1250γνώμης γὰρ οὐκ ἄπειρος, ὥσθʼ ἁμαρτάνειν. Χορός οὐκ οἶδʼ· ἐμοὶ δʼ οὖν ἥ τʼ ἄγαν σιγὴ βαρὺ δοκεῖ προσεῖναι χἠ μάτην πολλὴ βοή. Ἄγγελος ἀλλʼ εἰσόμεσθα, μή τι καὶ κατάσχετον κρυφῇ καλύπτει καρδίᾳ θυμουμένῃ, 1255δόμους παραστείχοντες· εὖ γὰρ οὖν λέγεις. καὶ τῆς ἄγαν γάρ ἐστί που σιγῆς βάρος.

Chorus What would you infer from this? The lady has turned back and gone without a word, either for good or for evil.

Messenger I, too, am startled. Still I am nourished by the hope that at the grave news of her son she thinks it unworthy to make her laments before the city, but in the shelter of her home will set her handmaids to mourn the house’s grief. For she is not unhabituated to discretion, that she should err.

Chorus I do not know. But to me, in any case, a silence too strict seems to promise trouble just as much as a fruitless abundance of weeping.

Messenger I will find out whether she is not, in fact, hiding some repressed plan in the darkness of her passionate heart. I will go in, since you are right—in an excess of silence, too, there may be trouble.

People and places in this passage

English translation by Richard C. Jebb (modernised by Perseus) (1891). Original text: Greek text: Francis Storr (ed. and trans.), Sophocles, vol. 1, Loeb Classical Library, London: William Heinemann, 1912, as digitised by Perseus. English: Richard C. Jebb, Sophocles: The Plays and Fragments, Part III, The Antigone, Cambridge University Press, 1891 (Perseus's modernised version of Jebb's prose translation).

Greek text and translation from the Perseus Digital Library, Tufts University, CC BY-SA 4.0 (Perseus Digital Library); translation public domain. Introductions, summaries and notes © GreekMythology.com.