Sophocles · Antigone Ἀντιγόνη

Sophocles, Antigone 1115–1182: Fifth stasimon: the hymn to Dionysus; the Messenger's news

The Chorus call on the god of many names, Dionysus, the son of the Cadmeian bride, to come with purifying feet to the city of Thebes, which is held in the grip of a plague. A Messenger then comes to announce that the fortunes of Cadmus' house have changed for the worse, and that Haemon is dead, by his own hand.

Lines 1115–1182 · 490 words · click a number to copy its link

Chorus

1115πολυώνυμε, Καδμείας νύμφας ἄγαλμα καὶ Διὸς βαρυβρεμέτα γένος, κλυτὰν ὃς ἀμφέπεις Ἰταλίαν, μέδεις δὲ παγκοίνοις, Ἐλευσινίας 1120Δῃοῦς ἐν κόλποις, Βακχεῦ Βακχᾶν ὁ ματρόπολιν Θήβαν ναιετῶν παρʼ ὑγρῶν 1125Ἰσμηνοῦ ῥείθρων ἀγρίου τʼ ἐπὶ σπορᾷ δράκοντος.

God of many names, glory of the Cadmeian bride and offspring of loud-thundering Zeus, you who watch over far-famed Italy and reign in the valleys of Eleusinian Deo where all find welcome! O Bacchus, denizen of Thebes, the mother-city of your Bacchants, dweller by the wet stream of Ismenus on the soil of the sowing of the savage dragon’s teeth!

Chorus

1126σὲ δʼ ὑπὲρ διλόφου πέτρας στέροψ ὄπωπε λιγνύς, ἔνθα Κωρύκιαι στείχουσι νύμφαι Βακχίδες, 1130Κασταλίας τε νᾶμα. καί σε Νυσαίων ὀρέων κισσήρεις ὄχθαι χλωρά τʼ ἀκτὰ πολυστάφυλος πέμπει, ἀμβρότων ἐπέων 1135εὐαζόντων Θηβαΐας ἐπισκοποῦντʼ ἀγυιάς·

The smoky glare of torches sees you above the cliffs of the twin peaks, where the Corycian nymphs move inspired by your godhead, and Castalia’s stream sees you, too. The ivy-mantled slopes of Nysa’s hills and the shore green with many-clustered vines send you, when accompanied by the cries of your divine words, you visit the avenues of Thebes.

Chorus

1137τὰν ἐκ πᾶσαι τιμᾷς ὑπερτάταν πόλεων ματρὶ σὺν κεραυνίᾳ· 1140καὶ νῦν, ὡς βιαίας ἔχεται πάνδαμος πόλις ἐπὶ νόσου, μολεῖν καθαρσίῳ ποδὶ Παρνασίαν ὑπὲρ κλιτὺν 1145ἢ στονόεντα πορθμόν.

Thebes of all cities you hold foremost in honor, together with your lightning-struck mother. And now when the whole city is held subject to a violent plague, come, we ask, with purifying feet over steep Parnassus, or over the groaning straits!

Chorus

1146ἰὼ πῦρ πνειόντων χοράγʼ ἄστρων, νυχίων φθεγμάτων ἐπίσκοπε, παῖ Διὸς γένεθλον, προφάνηθʼ, 1150ὦναξ, σαῖς ἅμα περιπόλοις Θυίαισιν, αἵ σε μαινόμεναι πάννυχοι χορεύουσι τὸν ταμίαν Ἴακχον.

O Leader of the chorus of the stars whose breath is fire, overseer of the chants in the night, son begotten of Zeus, appear, my king, with your attendant Thyiads, who in night-long frenzy dance and sing you as Iacchus the Giver!

Ἄγγελος 1155Κάδμου πάροικοι καὶ δόμων Ἀμφίονος, οὐκ ἔσθʼ ὁποῖον στάντʼ ἂν ἀνθρώπου βίον οὔτʼ αἰνέσαιμʼ ἂν οὔτε μεμψαίμην ποτέ. τύχη γὰρ ὀρθοῖ καὶ τύχη καταρρέπει τὸν εὐτυχοῦντα τόν τε δυστυχοῦντʼ ἀεί· 1160καὶ μάντις οὐδεὶς τῶν καθεστώτων βροτοῖς. Κρέων γὰρ ἦν ζηλωτός, ὡς ἐμοί, ποτέ, σώσας μὲν ἐχθρῶν τήνδε Καδμείαν χθόνα λαβών τε χώρας παντελῆ μοναρχίαν ηὔθυνε, θάλλων εὐγενεῖ τέκνων σπορᾷ· 1165καὶ νῦν ἀφεῖται πάντα. τὰς γὰρ ἡδονὰς ὅταν προδῶσιν ἄνδρες, οὐ τίθημʼ ἐγὼ ζῆν τοῦτον, ἀλλʼ ἔμψυχον ἡγοῦμαι νεκρόν. πλούτει τε γὰρ κατʼ οἶκον, εἰ βούλει, μέγα καὶ ζῆ τύραννον σχῆμʼ ἔχων· ἐὰν δʼ ἀπῇ 1170τούτων τὸ χαίρειν, τἄλλʼ ἐγὼ καπνοῦ σκιᾶς οὐκ ἂν πριαίμην ἀνδρὶ πρὸς τὴν ἡδονήν. Χορός τί δʼ αὖ τόδʼ ἄχθος βασιλέων ἥκεις φέρων; Ἄγγελος τεθνᾶσιν. οἱ δὲ ζῶντες αἴτιοι θανεῖν. Χορός καὶ τίς φονεύει; τίς δʼ ὁ κείμενος; λέγε. Ἄγγελος 1175Αἵμων ὄλωλεν· αὐτόχειρ δʼ αἱμάσσεται. Χορός πότερα πατρῴας ἢ πρὸς οἰκείας χερός; Ἄγγελος αὐτὸς πρὸς αὑτοῦ, πατρὶ μηνίσας φόνου. Χορός ὦ μάντι, τοὔπος ὡς ἄρʼ ὀρθὸν ἤνυσας. Ἄγγελος ὡς ὧδʼ ἐχόντων τἄλλα βουλεύειν πάρα. Χορός 1180καὶ μὴν ὁρῶ τάλαιναν Εὐρυδίκην ὁμοῦ δάμαρτα τὴν Κρέοντος. ἐκ δὲ δωμάτων ἤτοι κλύουσα παιδὸς ἢ τύχῃ πάρα.

Messenger Neighbors of the house of Cadmus and of Amphion, there is no station of human life that I would ever praise or blame as being settled. Fortune sets upright and Fortune sinks the lucky and unlucky from day to day, and no one can prophesy to men concerning the order that has just been established. For Creon, as I saw it, was once blest: he had saved this land of Cadmus from its enemies; and having won sole and total dominion in the land, he guided it on a straight course and flourished in his noble crop of children. And now all this has been lost. When a man has forfeited his pleasures, I do not reckon his existence as life, but consider him just a breathing corpse. Heap up riches in your house, if you wish! Live with a tyrant’s pomp! But if there is no joy along with all of that, I would not pay even the shadow of smoke for all the rest, compared with joy.

Chorus What is this new grief for our princes that you have come to report?

Messenger They are dead, and the living are guilty of the deaths.

Chorus Who is the murderer? Who the murdered? Tell us.

Messenger Haemon is dead—his blood was shed by no strange hand.

Chorus Was it his father’s, or his own?

Messenger He did it by his own, enraged with his father for the murder.

Chorus Ah, prophet, how true, then, you have proved your word!

Messenger Knowing that these things are so, you must consider the rest.

Chorus Wait, I see the unhappy Eurydice, Creon’s wife, nearby. She comes from the house either knowing of her son, or merely by chance.

People and places in this passage

English translation by Richard C. Jebb (modernised by Perseus) (1891). Original text: Greek text: Francis Storr (ed. and trans.), Sophocles, vol. 1, Loeb Classical Library, London: William Heinemann, 1912, as digitised by Perseus. English: Richard C. Jebb, Sophocles: The Plays and Fragments, Part III, The Antigone, Cambridge University Press, 1891 (Perseus's modernised version of Jebb's prose translation).

Greek text and translation from the Perseus Digital Library, Tufts University, CC BY-SA 4.0 (Perseus Digital Library); translation public domain. Introductions, summaries and notes © GreekMythology.com.