Euripides · Medea Μήδεια

Euripides, Medea 358–445: Medea plans revenge; first choral song on broken oaths

The Chorus pities Medea, who says that she has won a day in which to kill Creon, his daughter and Jason, and considers the possible ways of doing it. She decides to poison them, calls on Hecate, and resolves that she will not be mocked. The Chorus sings that the rivers flow back to their sources, that men's oaths have failed, and that the honour of women is changing.

Lines 358–445 · 722 words · click a number to copy its link

Chorus

358φεῦ φεῦ, μελέα τῶν σῶν ἀχέων. ποῖ ποτε τρέψῃ; τίνα πρὸς ξενίαν; 360ἦ δόμον ἢ χθόνα σωτῆρα κακῶν ἐξευρήσεις; ὡς εἰς ἄπορόν σε κλύδωνα θεός, Μήδεια, κακῶν ἐπόρευσε.

Ah! poor lady, woe is thee! Alas, for thy sorrows! Whither wilt thou turn? What protection, what home or country to save thee from thy troubles wilt thou find? O Medea, in what a hopeless sea of misery heaven hath plunged thee!

Medea

364κακῶς πέπρακται πανταχῇ· τίς ἀντερεῖ; 365ἀλλ’ οὔτι ταύτῃ ταῦτα, μὴ δοκεῖτέ πω. ἔτ’ εἴσ’ ἀγῶνες τοῖς νεωστὶ νυμφίοις καὶ τοῖσι κηδεύσασιν οὐ σμικροὶ πόνοι. δοκεῖς γὰρ ἄν με τόνδε θωπεῦσαί ποτε, εἰ μή τι κερδαίνουσαν ἢ τεχνωμένην; 370οὐδ’ ἂν προσεῖπον οὐδ’ ἂν ἡψάμην χεροῖν. ὃ δ’ ἐς τοσοῦτον μωρίας ἀφίκετο, ὥστ’ ἐξὸν αὐτῷ τἄμ’ ἑλεῖν βουλεύματα γῆς ἐκβαλόντι, τήνδ’ ἀφῆκεν ἡμέραν μεῖναί μ’, ἐν ᾗ τρεῖς τῶν ἐμῶν ἐχθρῶν νεκροὺς 375θήσω, πατέρα τε καὶ κόρην πόσιν τ’ ἐμόν. πολλὰς δ’ ἔχουσα θανασίμους αὐτοῖς ὁδούς, οὐκ οἶδ’ ὁποίᾳ πρῶτον ἐγχειρῶ, φίλαι· πότερον ὑφάψω δῶμα νυμφικὸν πυρί, ἢ θηκτὸν ὤσω φάσγανον δι’ ἥπάτος, 380σιγῇ δόμους ἐσβᾶσ’, ἵν’ ἔστρωται λέχος. ἀλλ’ ἕν τί μοι πρόσαντες· εἰ ληφθήσομαι δόμους ὑπεσβαίνουσα καὶ τεχνωμένη, θανοῦσα θήσω τοῖς ἐμοῖς ἐχθροῖς γέλων. κράτιστα τὴν εὐθεῖαν, ᾗ πεφύκαμεν 385σοφαὶ μάλιστα, φαρμάκοις αὐτοὺς ἑλεῖν. εἶἑν· καὶ δὴ τεθνᾶσι· τίς με δέξεται πόλις; τίς γῆν ἄσυλον καὶ δόμους ἐχεγγύους ξένος παρασχὼν ῥύσεται τοὐμὸν δέμας; οὐκ ἔστι. μείνασ’ οὖν ἔτι σμικρὸν χρόνον, 390ἢν μέν τις ἡμῖν πύργος ἀσφαλὴς φανῇ, δόλῳ μέτειμι τόνδε καὶ σιγῇ φόνον· ἢν δ’ ἐξελαύνῃ ξυμφορά μ’ ἀμήχανος, αὐτὴ ξίφος λαβοῦσα, κεἰ μέλλω θανεῖν, κτενῶ σφε, τόλμης δ’ εἶμι πρὸς τὸ καρτερόν. 395οὐ γὰρ μὰ τὴν δέσποιναν ἣν ἐγὼ σέβω μάλιστα πάντων καὶ ξυνεργὸν εἱλόμην, Ἑκάτην, μυχοῖς ναίουσαν ἑστίας ἐμῆς, χαίρων τις αὐτῶν τοὐμὸν ἀλγυνεῖ κέαρ. πικροὺς δ’ ἐγώ σφιν καὶ λυγροὺς θήσω γάμους, 400πικρὸν δὲ κῆδος καὶ φυγὰς ἐμὰς χθονός. ἀλλ’ εἶα· φείδου μηδὲν ὧν ἐπίστασαι, Μήδεια, βουλεύουσα καὶ τεχνωμένη· ἕρπ’ ἐς τὸ δεινόν· νῦν ἀγὼν εὐψυχίας. ὁρᾷς ἃ πάσχεις· οὐ γέλωτα δεῖ σ’ ὀφλεῖν 405τοῖς Σισυφείοις τοῖς τ’ Ἰάσονος γάμοις, γεγῶσαν ἐσθλοῦ πατρὸς Ἡλίου τ’ ἄπο. ἐπίστασαι δέ· πρὸς δὲ καὶ πεφύκαμεν γυναῖκες, ἐς μὲν ἔσθλ’ ἀμηχανώταται, κακῶν δὲ πάντων τέκτονες σοφώταται.

On all sides sorrow pens me in. Who shall gainsay this? But all is not yet lost! think not so. Still are there troubles in store for the new bride, and for her bridegroom no light toil. Dost think I would ever have fawned on yonder man, unless to gain some end or form some scheme? Nay, I would not so much as have spoken to him or touched him with my hand. But he has in folly so far stepped in that, though he might have checked my plot by banishing me from the land, he hath allowed me to abide this day, in which I will lay low in death three of my enemies— a father and his daughter and my husband too. Now, though I have many ways to compass their death, I am not sure, friends, which I am to try first. Shall I set fire to the bridal mansion, or plunge the whetted sword through their hearts, softly stealing into the chamber where their couch is spread? One thing stands in my way. If I am caught making my way into the chamber, intent on my design, I shall be put to death and cause my foes to mock. ’Twere best to take the shortest way—the way we women are most skilled in—by poison to destroy them. Well, well, suppose them dead; what city will receive me? What friendly host will give me a shelter in his land, a home secure, and save my soul alive? None. So I will wait yet a little while in case some tower of defence rise up for me; then will I proceed to this bloody deed in crafty silence; but if some unexpected mischance drive me forth, I will with mine own hand seize the sword, e’en though I die for it, and slay them, and go forth on my bold path of daring. By that dread queen whom I revere before all others and have chosen to share my task, by Hecate who dwells within my inmost chamber, not one of them shall wound my heart and rue it not. Bitter and sad will I make their marriage for them; bitter shall be the wooing of it, bitter my exile from the land. Up, then, Medea, spare not the secrets of thy art in plotting and devising; on to the danger. Now comes a struggle needing courage. Dost see what thou art suffering? ’Tis not for thee to be a laughing-stock to the race of Sisyphus by reason of this wedding of Jason, sprung, as thou art, from a noble sire, and of the Sun-god’s race. Thou hast cunning; and, more than this, we women, though by nature little apt for virtuous deeds, are most expert to fashion any mischief.

Chorus

410ἄνω ποταμῶν ἱερῶν χωροῦσι παγαί, καὶ δίκα καὶ πάντα πάλιν στρέφεται. ἀνδράσι μὲν δόλιαι βουλαί, θεῶν δ’ οὐκέτι πίστις ἄραρε· 415τὰν δ’ ἐμὰν εὔκλειαν ἔχειν βιοτὰν στρέψουσι φᾶμαι· ἔρχεται τιμὰ γυναικείῳ γένει· 420οὐκέτι δυσκέλαδος φάμα γυναῖκας ἕξει.

Back to their source the holy rivers turn their tide. Order and the universe are being reversed. ’Tis men whose counsels are treacherous, whose oath by heaven is no longer sure. Rumour shall bring a change o’er my life, bringing it into good repute. Honour’s dawn is breaking for woman’s sex; no more shall the foul tongue of slander fix upon us.

Chorus

421μοῦσαι δὲ παλαιγενέων λήξουσ’ ἀοιδῶν τὰν ἐμὰν ὑμνεῦσαι ἀπιστοσύναν. οὐ γὰρ ἐν ἁμετέρᾳ γνώμᾳ λύρας 425ὤπασε θέσπιν ἀοιδὰν Φοῖβος, ἀγήτωρ μελέων· ἐπεὶ ἀντάχησ’ ἂν ὕμνον ἀρσένων γέννᾳ. μακρὸς δ’ αἰὼν ἔχει 430πολλὰ μὲν ἁμετέραν ἀνδρῶν τε μοῖραν εἰπεῖν.

The songs of the poets of old shall cease to make our faithlessness their theme. Phoebus, lord of minstrelsy, hath not implanted in our mind the gift of heavenly song, else had I sung an answering strain to the race of males, for time’s long chapter affords many a theme on their sex as well as ours.

Chorus

431σὺ δ’ ἐκ μὲν οἴκων πατρίων ἔπλευσας μαινομένᾳ κραδίᾳ, διδύμους ὁρίσασα πόντου πέτρας· ἐπὶ δὲ ξένᾳ 435ναίεις χθονί, τᾶς ἀνάνδρου κοίτας ὀλέσασα λέκτρον, τάλαινα, φυγὰς δὲ χώρας ἄτιμος ἐλαύνῃ.

With mind distraught didst thou thy father’s house desert on thy voyage betwixt ocean’s twin rocks, and on a foreign strand thou dwellest, thy bed left husbandless, poor lady and thou an exile from the land, dishonoured, persecuted.

Chorus

439βέβακε δ’ ὅρκων χάρις, οὐδ’ ἔτ’ αἰδὼς 440Ἑλλάδι τᾷ μεγάλᾳ μένει, αἰθερία δ’ ἀνέπτα. σοὶ δ’ οὔτε πατρὸς δόμοι, δύστανε, μεθορμίσασθαι μόχθων πάρα, τῶν τε λέκτρων ἄλλα βασίλεια κρείσσων 445δόμοισιν ἐπέστα.

Gone is the grace that oaths once had. Through all the breadth of Hellas honour is found no more; to heaven hath it sped away. For thee no father’s house is open, woe is thee! to be a haven from the troublous storm, while o’er thy home is set another queen, the bride that is preferred to thee.

People and places in this passage

English translation by Edward P. Coleridge (1891). Original text: Greek text: Gilbert Murray (ed.), Euripidis Fabulae, Oxford: Clarendon Press, 1902, as digitised by Perseus. English: Edward P. Coleridge, The Plays of Euripides, London: George Bell and Sons, first published 1891 (the Perseus header records the 1906 printing).

Greek text and translation from the Perseus Digital Library, Tufts University, CC BY-SA 4.0 (Perseus Digital Library); translation public domain. Introductions, summaries and notes © GreekMythology.com.

Medea 358–445: Medea plans revenge | Euripides