Euripides · Medea Μήδεια

Euripides, Medea 759–865: Medea reveals her plan; third choral song in praise of Athens

With a safe refuge assured, Medea tells the Chorus how she will take her revenge: she will send her children with poisoned gifts to the princess, and then kill the children as well. The Chorus pleads with her not to kill her sons, and sings in praise of Athens and its famed wisdom, asking how such a city could receive a murderess.

Lines 759–865 · 803 words · click a number to copy its link

Chorus

759ἀλλά σ’ ὁ Μαίας πομπαῖος ἄναξ 760πελάσειε δόμοις, ὧν τ’ ἐπίνοιαν σπεύδεις κατέχων πράξειας, ἐπεὶ γενναῖος ἀνήρ, Αἰγεῦ, παρ’ ἐμοὶ δεδόκησαι.

May Maia’s princely son go with thee on thy way to bring thee to thy home, and mayest thou attain that on which thy soul is set so firmly, for to my mind thou seemest a generous man, O Aegeus.

Medea

764ὦ Ζεῦ Δίκη τε Ζηνὸς Ἡλίου τε φῶς, 765νῦν καλλίνικοι τῶν ἐμῶν ἐχθρῶν, φίλαι, γενησόμεσθα κεἰς ὁδὸν βεβήκαμεν· νῦν ἐλπὶς ἐχθροὺς τοὺς ἐμοὺς τείσειν δίκην. οὗτος γὰρ ἁνὴρ ᾗ μάλιστ’ ἐκάμνομεν λιμὴν πέφανται τῶν ἐμῶν βουλευμάτων· 770ἐκ τοῦδ’ ἀναψόμεσθα πρυμνήτην κάλων, μολόντες ἄστυ καὶ πόλισμα Παλλάδος. ἤδη δὲ πάντα τἀμά σοι βουλεύματα λέξω· δέχου δὲ μὴ πρὸς ἡδονὴν λόγους. πέμψασ’ ἐμῶν τιν’ οἰκετῶν Ἰάσονα 775ἐς ὄψιν ἐλθεῖν τὴν ἐμὴν αἰτήσομαι· μολόντι δ’ αὐτῷ μαλθακοὺς λέξω λόγους, ὡς καὶ δοκεῖ μοι ταὐτά, καὶ καλῶς ἔχειν γάμους τυράννων οὓς προδοὺς ἡμᾶς ἔχει· καὶ ξύμφορ’ εἶναι καὶ καλῶς ἐγνωσμένα. 780παῖδας δὲ μεῖναι τοὺς ἐμοὺς αἰτήσομαι, οὐχ ὡς λιποῦσ’ ἂν πολεμίας ἐπὶ χθονὸς ἐχθροῖσι παῖδας τοὺς ἐμοὺς καθυβρίσαι, ἀλλ’ ὡς δόλοισι παῖδα βασιλέως κτάνω. πέμψω γὰρ αὐτοὺς δῶρ’ ἔχοντας ἐν χεροῖν, 785νύμφῃ φέροντας, τήνδε μὴ φυγεῖν χθόνα, λεπτόν τε πέπλον καὶ πλόκον χρυσήλατον· κἄνπερ λαβοῦσα κόσμον ἀμφιθῇ χροΐ, κακῶς ὀλεῖται πᾶς θ’ ὃς ἂν θίγῃ κόρης· τοιοῖσδε χρίσω φαρμάκοις δωρήματα.

O Zeus, and Justice, child of Zeus, and sun-god’s light, now will I triumph o’er my foes, kind friends; on victory’s road have I set forth; good hope have I of wreaking vengeance on those I hate. For where we were in most distress this stranger hath appeared, to be a haven in my counsels; to him will we make fast the cables of our ship when we come to the town and citadel of Pallas. But now will I explain to thee my plans in full; do not expect to hear a pleasant tale. A servant of mine will I to Jason send and crave an interview; then when he comes I will address him with soft words, say, this pleases me, and, that is well, ; then will I entreat that here my children may abide, not that I mean to leave them in a hostile land for foes to flout, but that I may slay the king’s daughter by guile. For I will send them with gifts in their hands, carrying them unto the bride to save them from banishment, a robe of finest woof and a chaplet of gold. And if these ornaments she take and put them on, miserably shall she die, and likewise everyone who touches her; with such fell poisons will I smear my gifts.

Μήδεια 790ἐνταῦθα μέντοι τόνδ’ ἀπαλλάσσω λόγον· ᾤμωξα δ’ οἷον ἔργον ἔστ’ ἐργαστέον τοὐντεῦθεν ἡμῖν· τέκνα γὰρ κατακτενῶ τἄμ’· οὔτις ἔστιν ὅστις ἐξαιρήσεται· δόμον τε πάντα συγχέασ’ Ἰάσονος 795ἔξειμι γαίας, φιλτάτων παίδων φόνον φεύγουσα καὶ τλᾶσ’ ἔργον ἀνοσιώτατον. οὐ γὰρ γελᾶσθαι τλητὸν ἐξ ἐχθρῶν, φίλαι. ἴτω· τί μοι ζῆν κέρδος; οὔτε μοι πατρὶς οὔτ’ οἶκος ἔστιν οὔτ’ ἀποστροφὴ κακῶν. 800ἡμάρτανον τόθ’ ἡνίκ’ ἐξελίμπανον δόμους πατρῴους, ἀνδρὸς Ἕλληνος λόγοις πεισθεῖσ’, ὃς ἡμῖν σὺν θεῷ τείσει δίκην. οὔτ’ ἐξ ἐμοῦ γὰρ παῖδας ὄψεταί ποτε ζῶντας τὸ λοιπὸν οὔτε τῆς νεοζύγου 805νύμφης τεκνώσει παῖδ’, ἐπεὶ κακῶς κακὴν θανεῖν σφ’ ἀνάγκη τοῖς ἐμοῖσι φαρμάκοις. μηδείς με φαύλην κἀσθενῆ νομιζέτω μηδ’ ἡσυχαίαν, ἀλλὰ θατέρου τρόπου, βαρεῖαν ἐχθροῖς καὶ φίλοισιν εὐμενῆ· 810τῶν γὰρ τοιούτων εὐκλεέστατος βίος. Χορός ἐπείπερ ἡμῖν τόνδ’ ἐκοίνωσας λόγον, σέ τ’’ ὠφελεῖν θέλουσα, καὶ νόμοις βροτῶν ξυλλαμβάνουσα, δρᾶν σ’ ἀπεννέπω τάδε. Μήδεια οὐκ ἔστιν ἄλλως· σοὶ δὲ συγγνώμη λέγειν 815τάδ’ ἐστί, μὴ πάσχουσαν, ὡς ἐγώ, κακῶς. Χορός ἀλλὰ κτανεῖν σὸν σπέρμα τολμήσεις, γύναι; Μήδεια οὕτω γὰρ ἂν μάλιστα δηχθείη πόσις. Χορός σὺ δ’ ἂν γένοιό γ’ ἀθλιωτάτη γυνή. Μήδεια ἴτω· περισσοὶ πάντες οὑν μέσῳ λόγοι. 820ἀλλ’ εἶα χώρει καὶ κόμιζ’ Ἰάσονα· ἐς πάντα γὰρ δὴ σοὶ τὰ πιστὰ χρώμεθα. λέξῃς δὲ μηδὲν τῶν ἐμοὶ δεδογμένων, εἴπερ φρονεῖς εὖ δεσπόταις γυνή τ’ ἔφυς.

Medea And here I quit this theme; but I shudder at the deed I must do next; for I will slay the children I have borne; there is none shall take them from my toils; and when I have utterly confounded Jason’s house I will leave the land, escaping punishment for my dear children’s murder, after my most unholy deed. For I cannot endure the taunts of enemies, kind friends; enough! what gain is life to me? I have no country, home, or refuge left. O, I did wrong, that hour I left my father’s home, persuaded by that Hellene’s words, who now shall pay the penalty, so help me God. Never shall he see again alive the children I bore to him, nor from his new bride shall he beget issue, for she must die a hideous death, slain by my drugs. Let no one deem me a poor weak woman who sits with folded hands, but of another mould, dangerous to foes and well-disposed to friends; for they win the fairest fame who live their life like me.

Chorus Since thou hast imparted this design to me, I bid thee hold thy hand, both from a wish to serve thee and because I would uphold the laws men make.

Medea It cannot but be so; thy words I pardon since thou art not in the same sorry plight that I am.

Chorus O lady, wilt thou steel thyself to slay thy children twain?

Medea I will, for that will stab my husband to the heart.

Chorus It may, but thou wilt be the saddest wife alive.

Medea No matter; wasted is every word that comes ’twixt now and then. Ho! thou, go call me Jason hither, for thee I do employ on every mission of trust. No word divulge of all my purpose, as thou art to thy mistress loyal and likewise of my sex.

Chorus

824Ἐρεχθεΐδαι τὸ παλαιὸν ὄλβιοι 825καὶ θεῶν παῖδες μακάρων, ἱερᾶς χώρας ἀπορθήτου τ’ ἄπο, φερβόμενοι κλεινοτάταν σοφίαν, αἰεὶ διὰ λαμπροτάτου 830βαίνοντες ἁβρῶς αἰθέρος, ἔνθα ποθ’ ἁγνὰς ἐννέα Πιερίδας Μούσας λέγουσι ξανθὰν Ἁρμονίαν φυτεῦσαι·

Sons of Erechtheus, heroes happy from of yore, children of the blessed gods, fed on wisdom’s glorious food in a holy land ne’er pillaged by its foes, ye who move with sprightly step through a climate ever bright and clear, where, as legend tells, the Muses nine, Pieria’s holy maids, were brought to birth by Harmonia with the golden hair;

Chorus

835τοῦ καλλινάου τ’ ἐπὶ Κηφισοῦ ῥοαῖς τὰν Κύπριν κλῄζουσιν ἀφυσσαμέναν χώραν καταπνεῦσαι μετρίας ἀνέμων 840ἡδυπνόους αὔρας· αἰεὶ δ’ ἐπιβαλλομέναν χαίταισιν εὐώδη ῥοδέων πλόκον ἀνθέων τᾷ Σοφίᾳ παρέδρους πέμπειν Ἔρωτας, 845παντοίας ἀρετᾶς ξυνεργούς.

and poets sing how Cypris drawing water from the streams of fair-flowing Cephissus breathes o’er the land a gentle breeze of balmy winds, and ever as she crowns her tresses with a garland of sweet rose-buds sends forth the Loves to sit by wisdom’s side, to take a part in every excellence.

Chorus

846πῶς οὖν ἱερῶν ποταμῶν ἢ πόλις; ἦ φίλων πόμπιμός σε χώρα τὰν παιδολέτειραν ἕξει, 850τὰν οὐχ ὁσίαν μετ’ ἄλλων; σκέψαι τεκέων πλαγάν, σκέψαι φόνον οἷον αἴρῃ. μή, πρὸς γονάτων σε πάντη πάντως ἱκετεύομεν, 855τέκνα φονεύσῃς.

How then shall the city of sacred streams, the land that welcomes those it loves, receive thee, the murderess of thy children, thee whose presence with others is a pollution? Think on the murder of thy children, consider the bloody deed thou takest on thee. Nay, by thy knees we, one and all, implore thee, slay not thy babes.

Chorus

856πόθεν θράσος ἢ φρενὸς ἢ χειρὶ τέκνων σέθεν καρδίᾳ τε λήψῃ δεινὰν προσάγουσα τόλμαν; 860πῶς δ’ ὄμματα προσβαλοῦσα τέκνοις ἄδακρυν μοῖραν σχήσεις φόνου; οὐ δυνάσῃ, παίδων ἱκετᾶν πιτνόντων, τέγξαι χέρα φοινίαν 865τλάμονι θυμῷ.

Where shall hand or heart find hardihood enough in wreaking such a fearsome deed upon thy sons? How wilt thou look upon thy babes, and still without a tear retain thy bloody purpose? Thou canst not, when they fall at thy feet for mercy, steel thy heart and dip in their blood thy hand.

People and places in this passage

English translation by Edward P. Coleridge (1891). Original text: Greek text: Gilbert Murray (ed.), Euripidis Fabulae, Oxford: Clarendon Press, 1902, as digitised by Perseus. English: Edward P. Coleridge, The Plays of Euripides, London: George Bell and Sons, first published 1891 (the Perseus header records the 1906 printing).

Greek text and translation from the Perseus Digital Library, Tufts University, CC BY-SA 4.0 (Perseus Digital Library); translation public domain. Introductions, summaries and notes © GreekMythology.com.